Alto or tenor saxophone and piano - Level 2

SKU: LM.C05011

Composed by Claude-Henry Joubert. Classical. Score. Editions Combre #C05011. Published by Editions Combre (LM.C05011).

ISBN 9790230350112.

Arranged by Jerome Naulais. For Tenor Saxophone & Piano. Level 2. Published by Editions Marc Reift

Guitar, tenor saxophone

SKU: GI.G-8596INST

Composed by Sally Ann Morris. This edition: Instrument edition. Christmas Day, Ordinary Time 4 C. Tune Name: Donna Marie. Sacred. Instrumental part(s). 2 pages. GIA Publications #8596INST. Published by GIA Publications (GI.G-8596INST).

Text by Adam M. L. Tice.

Quartet 2 Altos, Tenor and Baritone Saxes - Grade 5

SKU: KN.16033

Composed by arr. Young. Arranged by Keith Young. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16033. Published by Kendor Music Inc (KN.16033).

UPC: 822795160338.

We welcome Keith Young to the Kendor family of writers with this grade 5 saxophone quartet. Including three recognizable standards - Swing Low, Sweet Chariot and Amazing Grace in a slow, gospel feel; followed by a rousing Dixie version of When The Saints Go Marching In, this arrangement can be performed including all three or just with the first two slow pieces. Written for 2 altos, tenor and baritone saxophones, the 1st alto part can also be played by soprano saxophone. Duration ca. 5:00.

Jazz Ensemble - Grade 2

SKU: AP.33379S

Composed by Jeff Darrohn. Jazz Ensemble; Performance Music Ensemble; Single Titles. Young Jazz Ensemble. Jazz. Score. 20 pages. Belwin Music #00-33379S. Published by Belwin Music (AP.33379S).

UPC: 038081388793. English.

Major Thoroughfare from the Young Jazz Ensemble series is designed for developing jazz groups. Full instrumentation includes 5 saxophones, 8 brass, and 4 rhythm parts. Reduced instrumentation is playable with 4 saxophones, 3 trumpets, 2 trombones and 3 rhythm parts. Optional parts include flute, tuba, horn in F and baritone T.C./tenor sax. All solos are written out with chord changes, the rhythm section parts suggest chord voicings and rhythms and guitar chord frames are provided to assist young guitarists.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal and more. - Grade 2

SKU: CF.YPS228

Composed by Michael Boo. Folio. Yps. Set of Score and Parts. 4+2+2+2+4+4+2+2+5+5+2+2+4 +4+4+2+2+3+3+3+2+3+2+1+1+ 1+2+16 pages. Duration 2:30. Carl Fischer Music #YPS228. Published by Carl Fischer Music (CF.YPS228).

ISBN 9781491157961. UPC: 680160916566. 9 x 12 inches.

Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you donat have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece wonat suffer if you donat have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments wonat be missed if you donat have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldnat be treated as staccatos. Being aware of not accenting notes that donat have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented.
Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don't have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won't suffer if you don't have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won't be missed if you don't have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn't be treated as staccatos. Being aware of not accenting notes that don't have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented.
Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next.Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don’t have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won’t suffer if you don’t have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won’t be missed if you don’t have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum.Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering.At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn’t be treated as staccatos. Being aware of not accenting notes that don’t have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented.

Big band, mixed chorus, 2 soprano voice soli and baritone voice solo (or tenor voice) (2000-2440-12-0-5 saxophones-piano-double bass-drums)

SKU: GH.CG-7081K

For Big band, mixed chorus and three soloists. Composed by Nils Lindberg. Choral score. With Language: Latin. 24 pages. Duration 45 minutes. Gehrmans Musikforlag #CG 7081K. Published by Gehrmans Musikforlag (GH.CG-7081K).

ISBN 9790070042734. A4 inches. Text: Dodsmassan (Requiem Mass), traditional.

For big band, mixed chorus, 2 soprano soli and baritone solo (or tenor).

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal and more. - Grade 2

SKU: CF.YPS228F

Composed by Michael Boo. Sws. Yps. Full score. 16 pages. Duration 2:30. Carl Fischer Music #YPS228F. Published by Carl Fischer Music (CF.YPS228F).

ISBN 9781491157978. UPC: 680160916573. 9 x 12 inches.

Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you donat have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece wonat suffer if you donat have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments wonat be missed if you donat have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldnat be treated as staccatos. Being aware of not accenting notes that donat have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented.
Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don't have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won't suffer if you don't have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won't be missed if you don't have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn't be treated as staccatos. Being aware of not accenting notes that don't have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented.
Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next.Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don’t have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won’t suffer if you don’t have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won’t be missed if you don’t have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum.Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering.At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn’t be treated as staccatos. Being aware of not accenting notes that don’t have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-494-140

Composed by Philip Sparke. Debut Series (Anglo). Concert March. Score Only. Composed 2021. 28 pages. Anglo Music Press #AMP 494-140. Published by Anglo Music Press (BT.AMP-494-140).

English-German-French- Dutch.

March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.

March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodieâ€℠¢ boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.

Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.

Ma rch of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-494-010

Composed by Philip Sparke. Debut Series (Anglo). Concert March. Set (Score & Parts). Composed 2021. Anglo Music Press #AMP 494-010. Published by Anglo Music Press (BT.AMP-494-010).

English-German-French- Dutch.

March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.

March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodieâ€℠¢ boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.

Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.

Ma rch of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final.

Jazz Ensemble - Grade 1

SKU: AP.33332S

Composed by Mike Lewis. Jazz Ensemble; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz; Latin. Score. 12 pages. Belwin Music #00-33332S. Published by Belwin Music (AP.33332S).

UPC: 038081380605. English.

Un Poquito Latino (A Little Bit Latin) from the First Year Charts for Jazz Ensemble is deisgned for first year jazz ensembles. Full instrumentation includes 5 saxophones, 6 brass, and 4 rhythm parts. Reduced instrumentation is playable with 3 saxophones, 2 trumpets, 1 trombone and 3 rhythm parts. Optional parts include flute, tube, horn in F and baritone T.C./tenor sax. All solos are written out , the rhythm section parts suggest chord voicings and rhythms and guitar chord frames are provided to assist young guitarists.

Concert Band - difficult

SKU: HL.49015665

Full Score. Composed by Bertold Hummel. This edition: Paperback/Soft Cover. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. Composed 1977. Op. 67. 104 pages. Duration 25'. Schott Music #SHS1023. Published by Schott Music (HL.49015665).

ISBN 9790001139786. UPC: 884088156251. 9.0x12.0x0.296 inches.

Best playability and musical spirit - this is what characterizes the music of Bertold Hummel who died in 2002, and why his music must be part of the repertoire of any amateur and semi-professional orchestra. The Oregon Symphony occupies a special position in his oeuvre: it was written by Hummel for the typically American symphonic wind bands, requiring almost 100 musicians, including 15 clarinets in three groups of five alone, as well as four piccolos and six flutes, bass clarinet, bassoons, saxophones, trumpets, horns, tubas and the typically American sousaphone, and five percussionists. The work consists of four movements; in the rousing finale, Hummel mixes jazz motifs with popular themes and even weaves the anthem of the State of Oregon in the final music. For getting better acquainted with this music, the first movement is also separately available ('Symphonische Ouverture', SHS 1001).

Picc. * 2 * 2 * Klar. in Es * 3 * Bassklar. in B * 2 Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 2 - 4 * 3 (Korn.) * 3 * Tenorhr. in B (Bar.) * 2 - P. S. (Trgl. * 4 hg. Beck. * Beckenp. * Tamt. * Gong * Glock. ad lib. * Bngs. * Schellentr. * kl. Tr. * gr. Tr. * Holzbl. * Tempelbl. * Ratsche * Xyl. * Vibr) (5 Spieler) - Kb.

Quartet 2 Altos, Tenor and Baritone Saxes - Grade 4

SKU: KN.15938

Composed by Denis Diblasio. Ensemble. Kendor Ensemble Series. Kendor Music Inc #15938. Published by Kendor Music Inc (KN.15938).

UPC: 822795159387.

Imagi ne a church bell tower using jazz harmonies, and the church bells were saxophones. This grade 4 work is unique, easy to place in a program, and very effective when successfully performed. Written for AATB saxophone quartets. Duration ca. 2:10.

Quartet 2 Alto, Tenor, and Baritone Saxophones - Grade 4

SKU: KN.15980

Composed by Marcel Frank. Ensemble. Kendor Ensemble Series. Kendor Music Inc #15980. Published by Kendor Music Inc (KN.15980).

A moderately difficult composition for AATB Saxophone Quartet.

Saxophone Quintet Soprano, 2 Altos, Tenor, Baritone Saxophones - Grade 4

SKU: FL.FX070753

Composed by Traditional. Arranged by Alain Lopez. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX070753. Published by FLEX Editions (FL.FX070753).

Saxophone Quintet Soprano, 2 Altos, Tenor, Baritone Saxophones - Grade 4

SKU: FL.FX071873-3

Composed by Patrice Bernard. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071873-3. Published by FLEX Editions (FL.FX071873-3).

Saxophone Quintet Soprano, 2 Altos, Tenor, Baritone Saxophones - Grade 4

SKU: FL.FX071873-4

Composed by Patrice Bernard. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071873-4. Published by FLEX Editions (FL.FX071873-4).

Saxophone Quintet Soprano, 2 Altos, Tenor, Baritone Saxophones - Grade 4

SKU: FL.FX071873

Composed by Patrice Bernard. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071873. Published by FLEX Editions (FL.FX071873).

Saxophone Quintet 2 Soprano, Alto, Tenor, Baritone Saxophones - Grade 3

SKU: FL.FX071784

Composed by Jean-Baptiste Lully. Arranged by Jean Louis Couturier. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071784. Published by FLEX Editions (FL.FX071784).

Saxophone Quintet Soprano, 2 Altos, Tenor, Baritone Saxophones - Grade 4

SKU: FL.FX071873-1

Composed by Patrice Bernard. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071873-1. Published by FLEX Editions (FL.FX071873-1).

Quartet 2 Eb Alto, Bb Tenor, and Eb Baritone Saxophones - Grade 3.5

SKU: KN.16188

(K. 157, Mvt. 3 Presto). Composed by Wolfgang Amadeus Mozart. Arranged by Gregory Sisco. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16188. Published by Kendor Music Inc (KN.16188).

UPC: 822795161885.

This is a fun and lively rondo which features the lead alto player while the rest of the ensemble takes on accompaniment roles. Duration 2:10.

Concert Band

SKU: SU.45001150

For Concert Band. Composed by Eric Moe. Woodwinds, Woodwind Ensemble. Full Score. Subito Music Corporation #45001150. Published by Subito Music Corporation (SU.45001150).

Piccolo, 2 flutes, oboe, 3 Bb clarinets, bass clarinet (low C), 4 saxophones (2 alto, tenor, baritone), 3 trumpets, 4 horns, 3 trombones, baritone, Tuba, timpani, 4 percussion Duration: 3' Set of Parts: available for sale (#45001151) Composed: 1999 Published by: Dead Elf Music.

Quartet 2 Alto, Tenor and Baritone Saxophones - Grade 2.5

SKU: KN.16030

(from the Well-Tempered Clavier). Arranged by Wycliffe Gordan. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16030. Published by Kendor Music Inc (KN.16030).

Concert Band

SKU: SU.45001151

For Concert Band. Composed by Eric Moe. Woodwinds, Woodwind Ensemble. Set of Parts. Subito Music Corporation #45001151. Published by Subito Music Corporation (SU.45001151).

2 flutes, piccolo, oboe, 3 Bb clarinets, bass clarinet (low C), 4 saxophones (2 alto, tenor, baritone), 3 trumpets, 4 horns, 3 trombones, baritone, Tuba, timpani, 4 percussion Duration: 3' Full Score: available for sale (#45001150) Composed: 1999 Published by: Dead Elf Music.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Flute, Horn, Oboe, Snare Drum, Suspended Cymbal, Tambourine, Triangle, Trumpet 1, Trumpet 2, Tuba, alto Clarinet, alto Saxophone, baritone Saxophone, tenor 1, tenor 2 and more. - Grade 2-2.5

SKU: CF.YBS116F

Composed by Quincy C. Hilliard. SWS. Carl Fischer Young Band Series. Full score. With Standard notation. Duration 4:30. Carl Fischer Music #YBS116F. Published by Carl Fischer Music (CF.YBS116F).

ISBN 9780825832536. UPC: 798408032531. 9 X 12 inches.

Chamber Ensemble (ssax (large and very nasty-sounding ratchet).asax (ssax, bcl).bcl-Ctpt (large metal bar or piece of scaffolding, hit with household hammer).tbn-perc (sn.dr., 4 tom-toms, large ride cym., hi-hat, ratch., large metal bar)-pno-db (amplified))

SKU: HL.49003144

Study Score. Composed by Mark-Anthony Turnage. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1987. 20 pages. Duration 8'. Schott Music #ED 12366. Published by Schott Music (HL.49003144).

ISBN 9790220115646. UPC: 884088086121. 9.0x12.0x0.086 inches.

2 Saxophones (SA), Bass-Clarinet, Trumpet in C, Tenor-Trombone, Percussion, Piano and Double-bass.

Composed by Doc Pomus and Mort Shuman. Arranged by Mac Huff. Pop Choral Series. Doo- Wop, Show Choir, Pop, Oldies. Octavo. 16 pages. Published by Hal Leonard

Quartet 2 Alto, Tenor, and Baritone Saxophones - Grade 3

SKU: KN.16057

Composed by Various. Arranged by James McLeod. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16057. Published by Kendor Music Inc (KN.16057).

UPC: 822795160574.

Choral (ShowTrax CD)

SKU: HL.285091

Composed by Doc Pomus and Mort Shuman. Arranged by Mac Huff. Pop Choral Series. Doo-Wop, Oldies, Pop, Show Choir. CD. Duration 160 seconds. Published by Hal Leonard (HL.285091).

UPC: 888680879976. 5.0x5.0x0.178 inches.

First recorded by Ben E. King and the Drifters in 1960 this easy listening love song is here set in a doo wop style that harkens back to the 1950s with finger snaps, a doo wop bass line and a feature for a soloist who can really bring the style. The instrumental accompaniment for 2 trumpets, tenor and baritone saxophones, trombone and rhythm section is just as stylish as the vocals and together a scene with poodle skirts, bobby sox, duck tail hairstyles and all things cool from the period is set.