Arranged by
Audrey Snyder. Pop Choral
Series. Americana,
Bluegrass, Oldies.
Octavo. Duration 180
seconds. Published by Hal
Leonard (HL.152238).
UPC: 888680093440.
6.75x10.5x0.029
inches.
Look yonder
comin'! Whether you use
the playable fiddle part,
let your soloist ad lib,
or use the professionally
recorded ShowTrax CD,
your audience will love
this Americana favorite
that will bring down the
house!
(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinh...(+)
(Kantate zum
Johannistag). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
ATB, SATB Choir, 2 Oboe
d'Amore, 2 Violins solo,
Strings, Organ. This
edition: paperbound. BWV
7. Full score available
separately - see item
CA.3100700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1724. 40 pages.
Duration 26 min
(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebas...(+)
(Kantate zum
Reformationsfest
(Rekonstruktion: Reinhold
Kubik)). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn / Reinhold
Kubik. For Soli SATB,
SATB Choir, 2 Oboes, 2
Oboe d'Amore, Oboe
d'Amore, Violin solo,
Strings, Violone, Organ,
[3 Trumpets, Timpani].
This edition: paperbound.
BWV 80. Full score
available separately -
see item CA.3108000.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Special Days, Reformation
day. Level 3. Piano/Vocal
score. Language:
German/English. 72 pages.
Duration 30 min
Guitar SKU: M7.VOGG-344 3 Steps to Successful Lead Guitar Playing....(+)
Guitar
SKU:
M7.VOGG-344
3
Steps to Successful Lead
Guitar Playing.
Arranged by Chris
Korblein. Sheet music
with CD. Method. 130
pages. Voggenreiter #VOGG
344. Published by
Voggenreiter
(M7.VOGG-344).
ISBN
9783802403446.
English.
Solo
Solutions is a 3-step
guideline for the
electric guitar player
who intends to develop
his soloing skills. While
the 1st step explains
different playing
techniques and stylistic
devices, the 2nd step is
dealing with lead guitar
related music theory and
scales. The 3rd step
combines the two first
chapters with countless
examples and suggestions
on developing your own
style.This book features
an exclusive hands-on
approach, which makes it
a great learning tool and
a must for the modern
guitar player.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Prague Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
The
Prague Symphony will
sound different with the
new Breitkopf Urtext
material.
Symphony;
Classical. Study Score.
64 pages. Duration 30'.
Breitkopf and Haertel #PB
5513-07. Published by
Breitkopf and Haertel
(BR.PB-5513-07).
ISBN
9790004211656. 6.5 x 9
inches.
The present
edition is the first
since 1932 to be based on
Mozarts autograph score.
It reflects the
conviction that his
autograph scores
represent not only the
substance of his works,
but also actual
performances. A Fassung
letzter Hand is scarcely
possible.Cliff Eisen, one
of the leading Mozart
specialists of his
generation, takes
particular care in
bringing his expert
knowledge of contemporary
performance practice into
play when evaluating
authentic part material.
In the Prague Symphony,
Eisen comes to surprising
conclusions in a number
of cases, such as the
delicate matter of the
division of the bassoons
led col basso. Which of
the low strings are they
intended to play along
with? When read properly,
the sources provided a
clear-cut
answer.
The Prague
Symphony will sound
different with the new
Breitkopf Urtext
material.
Prague Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Prague Symphony will
sound different with the
new Breitkopf Urtext
material. Symphony;
Classical. Part. 14
pages. Duration 30'.
Breitkopf and Haertel #OB
5254-15. Published by
Breitkopf and Haertel
(BR.OB-5254-15).
ISBN
9790004335222. 10 x 12.5
inches.
The present
edition is the first
since 1932 to be based on
Mozarts autograph score.
It reflects the
conviction that his
autograph scores
represent not only the
substance of his works,
but also actual
performances. A Fassung
letzter Hand is scarcely
possible.Cliff Eisen, one
of the leading Mozart
specialists of his
generation, takes
particular care in
bringing his expert
knowledge of contemporary
performance practice into
play when evaluating
authentic part material.
In the Prague Symphony,
Eisen comes to surprising
conclusions in a number
of cases, such as the
delicate matter of the
division of the bassoons
led col basso. Which of
the low strings are they
intended to play along
with? When read properly,
the sources provided a
clear-cut
answer.
The Prague
Symphony will sound
different with the new
Breitkopf Urtext
material.
Prague Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Prague Symphony will
sound different with the
new Breitkopf Urtext
material. Symphony;
Classical. Part. 8 pages.
Duration 30'. Breitkopf
and Haertel #OB 5254-19.
Published by Breitkopf
and Haertel
(BR.OB-5254-19).
ISBN
9790004335246. 10 x 12.5
inches.
The present
edition is the first
since 1932 to be based on
Mozarts autograph score.
It reflects the
conviction that his
autograph scores
represent not only the
substance of his works,
but also actual
performances. A Fassung
letzter Hand is scarcely
possible.Cliff Eisen, one
of the leading Mozart
specialists of his
generation, takes
particular care in
bringing his expert
knowledge of contemporary
performance practice into
play when evaluating
authentic part material.
In the Prague Symphony,
Eisen comes to surprising
conclusions in a number
of cases, such as the
delicate matter of the
division of the bassoons
led col basso. Which of
the low strings are they
intended to play along
with? When read properly,
the sources provided a
clear-cut
answer.
The Prague
Symphony will sound
different with the new
Breitkopf Urtext
material.
Prague Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). The
Prague Symphony will
sound different with the
new Breitkopf Urtext
material. Symphony;
Classical. Set of parts.
80 pages. Duration 30'.
Breitkopf and Haertel #OB
5254-30. Published by
Breitkopf and Haertel
(BR.OB-5254-30).
ISBN
9790004335260. 10 x 12.5
inches.
The present
edition is the first
since 1932 to be based on
Mozarts autograph score.
It reflects the
conviction that his
autograph scores
represent not only the
substance of his works,
but also actual
performances. A Fassung
letzter Hand is scarcely
possible.Cliff Eisen, one
of the leading Mozart
specialists of his
generation, takes
particular care in
bringing his expert
knowledge of contemporary
performance practice into
play when evaluating
authentic part material.
In the Prague Symphony,
Eisen comes to surprising
conclusions in a number
of cases, such as the
delicate matter of the
division of the bassoons
led col basso. Which of
the low strings are they
intended to play along
with? When read properly,
the sources provided a
clear-cut
answer.
The Prague
Symphony will sound
different with the new
Breitkopf Urtext
material.
Basso (cello/double bass)
(2.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.OB-5254-26
Prague Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
Prague Symphony will
sound different with the
new Breitkopf Urtext
material. Symphony;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
5254-26. Published by
Breitkopf and Haertel
(BR.OB-5254-26).
ISBN
9790004335253. 10 x 12.5
inches.
The present
edition is the first
since 1932 to be based on
Mozarts autograph score.
It reflects the
conviction that his
autograph scores
represent not only the
substance of his works,
but also actual
performances. A Fassung
letzter Hand is scarcely
possible.Cliff Eisen, one
of the leading Mozart
specialists of his
generation, takes
particular care in
bringing his expert
knowledge of contemporary
performance practice into
play when evaluating
authentic part material.
In the Prague Symphony,
Eisen comes to surprising
conclusions in a number
of cases, such as the
delicate matter of the
division of the bassoons
led col basso. Which of
the low strings are they
intended to play along
with? When read properly,
the sources provided a
clear-cut
answer.
The Prague
Symphony will sound
different with the new
Breitkopf Urtext
material.
For God has Loved the World so Well, BWV 68. By Johann Sebastian Bach. Arranged ...(+)
For God has Loved the
World so Well, BWV 68. By
Johann Sebastian Bach.
Arranged by Hans
Grischkat. (Study
Score). Schott. 38 pages.
Published by Eulenburg.
By Johann Sebastian Bach / Nikolaus Herman. Edited by Klaus Hofmann. This editio...(+)
By Johann Sebastian Bach
/ Nikolaus Herman. Edited
by Klaus Hofmann. This
edition: paperbound. Hymn
Settings, Mass sections;
Use during the church
year: Advent, Special
Days, End of the Church
Year, Epiphany, Lent and
Passiontide, Ascension,
New Year, Holy Week,
Easter and Eastertide,
Pentecost, Trinity,
Christmas; Choral
Collections for Mixed
Choi. Choral collection.
88 pages. Published by
Carus Verlag
By Johann Sebastian / Herman Bach. Edited by Klaus Hofmann. Hymn settings, Mass ...(+)
By Johann Sebastian /
Herman Bach. Edited by
Klaus Hofmann. Hymn
settings, Mass Sections;
Choral Collections, Mixed
Choir; Occasions: Peace
and Justice, Morning,
Midday, Evening; Use
during church year:
Advent, Special Days,
Epiphany, Lent and
Passiontide, Holy Week,
Easter and Eastertide,
Ascension, Christmas.
Choral collection. 80
pages. Published by Carus
Verlag (German import).
Chamber Music Flute, Piano, Violoncello SKU: PR.114406220 For Flute, C...(+)
Chamber Music Flute,
Piano, Violoncello
SKU: PR.114406220
For Flute, Cello, and
Piano. Composed by
Joseph Turrin. Set of
Score and Parts. With
Standard notation.
38+12+13 pages. Duration
17 minutes. Theodore
Presser Company
#114-40622. Published by
Theodore Presser Company
(PR.114406220).
UPC:
680160009916.
THE
DUXBURY FANFARE was
commissioned by the South
Shore Conservatory in
commemoration of the
first anniversary of the
Ellison Center for the
Arts in Duxbury,
Massachusetts. The
3-minute fanfare is staid
yet exhilarating, full of
life from beautiful
sonorities and exciting
rhythms. Appropriate for
concerts as well as
special events!
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Piano SKU: BT.PWM4927 National Edition. Composed by Frederic Chopi...(+)
Piano
SKU:
BT.PWM4927
National Edition.
Composed by Frederic
Chopin. Chopin National
Edition. Classical. Book
Only. Composed 2019. 80
pages. Polskie
Wydawnictwo Muzyczne
#PWM4927. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM4927).
Initiated a new
genre of piano music; the
ballades are not known
earlier in instrumental
music. Widely defined
phrases, accelerated and
slowed musical narrative,
culminations in great
climaxes, or ending with
codas full of pathos -
these qualities give
Chopin's ballads a
special, epic tone.
Critical source-edition
edited by Jan Ekier and
Pawe Kami ski based on
manuscripts, copies
approved by Chopin
himself, and first
editions. Its purpose is
to present the works of
Chopin in authentic
form.
Look To The Lamb. (An Easter Musical for Every Choir). By Thomas Fettke. For SAT...(+)
Look To The Lamb. (An
Easter Musical for Every
Choir). By Thomas Fettke.
For SATB Choir. Musical.
Easter. Easy. Choral
Book. Duration 38
minutes. Published by
Word Music (
Piano - Easy to Intermediate Levels SKU: YM.GTP01101652 The Ultimate S...(+)
Piano - Easy to
Intermediate Levels
SKU:
YM.GTP01101652
The
Ultimate Studio Ghibli
Piano Solo
Collection. Composed
by Joe Hisaishi. Studio
Ghibli. Anime Song;
J-Pop. Book. Yamaha Music
Media #GTP01101652.
Published by Yamaha Music
Media (YM.GTP01101652).
ISBN 9784636113334.
8.75 x 12
inches.
Here is the
ultimate, official,
complete edition of
Studio Ghibli Piano Solo
Collection, featuring 77
of Studio Ghibli's
essential musical
masterpieces, fully
supported in three
languages: Japanese,
English and Simplified
Chinese! From 20 of
Studio Ghibli's most
beloved films, including
My Neighbor Totoro,
Princess Mononoke,
Spirited Away, and more,
comes a piano solo
collection featuring 77
iconic songs. In addition
to timeless favorites,
songs from popular
soundtracks such as
Kiki's Delivery Service
and Porco Rosso are
included. Featuring
Studio Ghibli's musical
masterpieces in solo
piano arrangements, this
collection includes the
film's theme songs as
well as fan-favorite
instrumental music. The
difficulty levels range
from easy to
intermediate, making them
accessible to a wide
range of players, and the
simpler arrangements can
be fully enjoyed by
players who can feel the
essence and atmosphere.
The book cover features
official Studio Ghibli
artwork. The book is
supported in Japanese,
English and Chinese. This
single volume offers a
comprehensive, special
collector's edition for
enjoying the music of
Studio Ghibli. Studio
Ghibli 77 Selections is
sure to take you on a
musical journey through
20 Studio Ghibli
films!