| Music for Vibraphone and Electronica Vibraphone C. Alan Publications
By Matt Moore. For Vibraphone (4-mallet) and CD (Vibraphone (3-octave) CD accomp...(+)
By Matt Moore. For
Vibraphone (4-mallet) and
CD (Vibraphone (3-octave)
CD accompaniment).
Medium. Duration 6:20.
Published by C. Alan
Publications
$15.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cant de les Estrelles Editorial de Musica Boileau
Piano, organ SKU: BO.B.3436A Composed by Granados-Riva. Parts. Duration 1...(+)
Piano, organ SKU:
BO.B.3436A Composed
by Granados-Riva. Parts.
Duration 15:00. Published
by Editorial de Musica
Boileau (BO.B.3436A).
English
comments: On 11th
March 1911, the great
pianist and composer
Enric Granados performed
this piece as an absolute
premiere at Barcelona's
modernista concert hall
Palau de la Musica
Catalana. In spite of the
great success achieved on
the day of the premiere
by this ambitious work
for piano, organ and
three choirs whose words
in Catalan were provided
by an unknown writer, the
piece was never again
performed or published.
Its manuscript was
assumed to be lost for
decades and it was even
thought that it might
have been burnt in a
fire. Finally, the
pianist and Granados
specialist Douglas Riva
recovered it and offered
it to Boileau Editorial
de Musica for
publication. El Cant de
les estrelles was
performed once again on
22nd March 2007, 96 years
after its first
performance, in New
York's Ascension Church,
with Douglas Riva himself
at the piano and Dennis
Keene
conducting.
Come
ntarios del
Espanol: El 11 de
marzo de 1911 el gran
pianista y compositor
Enric Granados interpreto
esta obra, con caracter
de estreno absoluto, en
el modernista Palau de la
Musica Catalana de
Barcelona. Esta ambiciosa
obra para piano, organo y
tres coros, con texto en
lengua catalana de autor
desconocido, tuvo gran
exito el dia de su
estreno pero no se volvio
a interpretar mas y
tampoco fue editada. El
manuscrito de El cant de
les estrelles se dio por
perdido durante decadas e
incluso se penso que se
habia quemado en un
incendio. Finalmente, el
especialista en Granados
y pianista Douglas Riva
lo recupero y ofrecio su
edicion a Boileau
Editorial de Musica. El
Cant de les estrelles ha
sido de nuevo
interpretado el 22 de
marzo de 2007, 96 anos
despues de su estreno,
por el propio Douglas
Riva al piano bajo la
direccion de Dennis Keene
en la Iglesia de la
Ascencion de Nueva
York. $51.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dirt Simple Hammered Dulcimer Dulcimer Mel Bay
Composed by Dr. Mark Alan Wade. Saddle-stitched. Dirt Simple. Book and online ...(+)
Composed by Dr. Mark Alan
Wade. Saddle-stitched.
Dirt
Simple. Book and online
audio. Published by Mel
Bay
Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music from The Avengers Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Alan Silvestri. Arranged by Larry Moore. For String Orchestra (Score and Part...(+)
By Alan Silvestri.
Arranged by Larry Moore.
For String Orchestra
(Score and Parts). Pop
Specials for Strings.
Grade 3-4. Published by
Hal Leonard
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Avengers Piano seul [Partition] Hal Leonard
(Music from the Motion Picture Soundtrack). By Alan Silvestri. Piano Solo Songbo...(+)
(Music from the Motion
Picture Soundtrack). By
Alan Silvestri. Piano
Solo Songbook. 32 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A baby so small, a message so great Chorale SATB SATB, Piano Oxford University Press
By Alan Bullard (1947-). For SATB choir and piano. Mixed Voices. Christmas, Chor...(+)
By Alan Bullard (1947-).
For SATB choir and piano.
Mixed Voices. Christmas,
Choral Leaflet. Vocal
score. 8 pages. Duration
2'. Published by Oxford
University Press
$3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Joy of Six for Solo Piano or Keyboard Piano seul [Partition + CD] - Intermédiaire/avancé Dancing Hands
(A Polyrhythmic Journey in 6/8 Time). By Alan Dworsky. For Keyboard (Piano). Met...(+)
(A Polyrhythmic Journey
in 6/8 Time). By Alan
Dworsky. For Keyboard
(Piano). Methods. Dancing
Hand. World Music.
Intermediate-Advanced.
Book/CD Set. 96 pages.
Published by Dancing
Hands
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Conga Drumming: A Beginner's Guide to Playing With Time Conga [Partition + CD] Dancing Hands
by Alan Dworsky and Betsy Sansby. For drumset. Dancing Hand. Country. Level: Beg...(+)
by Alan Dworsky and Betsy
Sansby. For drumset.
Dancing Hand. Country.
Level: Beg-Intermediate.
Book/CD package. Solos.
Size 8.5x10.87. 160
pages. Published by
Dancing Hand
$19.99 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Concert Music For Mallets (10 Pieces From The Lute And Classical Guitar Repertoire) - Intermédiaire Kendor Music Inc.
Mallet Percussion (marimba, vibraphone) - 4-5 SKU: KN.13756 (10 Pieces...(+)
Mallet Percussion
(marimba, vibraphone) -
4-5 SKU: KN.13756
(10 Pieces From The
Lute And Classical Guitar
Repertoire). Composed
by arr. Houllif. Arranged
by Murry Houlif. Solo.
Kendor Solo Series. Solo
Part. Kendor Music Inc
#13756. Published by
Kendor Music Inc
(KN.13756). UPC:
822795137569. 9 x 12
inches. Selected
from the lute and guitar
literature by masters
from the Elizabethan,
Renaissance, Classical
and Romantic periods,
these 10 grade 3-5
transcriptions are
perfect for the 4-mallet
marimbist and vibist.
Very suitable for
contest, recital and
private
study.
Contents:Pavana No. 1 (Milan);
Two Studies (Aguado); Two
Pieces (De Visee); Pavana
No. 2 (Milan); Tarleton's
Resurrection (Dowland);
El Testament D'Amelia
(Catalan folk song); Mrs.
Vaux's Jig (Dowland);
Cordoba (Mangore);
Caprice (Legnani); and
Rondo (Giuliani). $8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rockschool Classical Piano Grade 4 (2021+) Piano seul [Partition + Accès audio] Rock School Limited (RSL)
Piano SKU: HL.360545 Book and Audio Online. Piano Solo Songbook. C...(+)
Piano SKU:
HL.360545 Book and
Audio Online. Piano
Solo Songbook. Classical.
Softcover Audio Online.
Rockschool #RSK200142.
Published by Rockschool
(HL.360545). ISBN
9781789361964. 9.0x12.0
inches. The new RSL
Classical Piano syllabus
aims to reflect the
widening tastes of young
people, positioning
itself at the forefront
of thevast array of music
available to pianists,
encompassing the rich
heritage of music from
the Baroque right through
to the modern day and
emerging composers. The
repertoire strikes a
balance between a radical
redesign and maintaining
a recognisable structure,
and sticks to four key
principles: championing
ethnically diverse
composers, representing
genders, acknowledging
the history and tradition
of piano learning, and
enabling students to feel
comfortable studying
music in a popular and
classical environment.
The syllabus books are
all beautifully
presented, and to the
high standard for which
RSL books have become
renowned from their
market-leading Rockschool
examinations for
contemporary music. Each
contains 10 pieces from a
diverse range of
composers and include
everything students need
to take their exams,
including technical
exercises and supporting
texts for sight-reading,
ear tests and general
musicianship
questions. $17.99 - Voir plus => Acheter | | |
| Arie, Ariette e Romanze - Volume 2 Piano, Voix Ricordi
Late 19th Century Italian Songs. By Various. Arranged by Riccardo Allorto. Vocal...(+)
Late 19th Century Italian
Songs. By Various.
Arranged by Riccardo
Allorto. Vocal
Collection. Size 9x12
inches. 112 pages.
Published by Ricordi.
$28.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Preparatory Flute Repertoire Flûte traversière The Frederick Harris Music Company
Flute - Preparatory SKU: FH.FLR00 2010 Edition. Composed by The Ro...(+)
Flute - Preparatory
SKU: FH.FLR00
2010 Edition.
Composed by The Royal
Conservatory. Overtones:
A Comprehensive Flute
Series. Book/Piano
Accompaniment/CD. The
Frederick Harris Music
Company #FLR00. Published
by The Frederick Harris
Music Company (FH.FLR00).
ISBN
978-1-55440-288-5.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation. Polly
Wolly Doodle Traditional
American, arr. Akiko and
Forrest Kinney The
Birch Tree Traditional
Russian, arr. Akiko and
Forrest Kinney Royal
Ceremony Alan
Bullard The Cuckoo
Traditional Chinese
Flute Tea Paul
Harris Petite souris
(Little Mouse) Thierry
Masson Valse des trois
petits ours (Waltz of the
Three Little Bears)
Thierry
Masson Edinburgh
Castle Richard
Peat Tete-a-tete
(Head-to-head) Marine
Perez Menuet (Rondeau)
Francois Philidor, arr.
Kathleen Wood a la
claire fontaine (At the
Clear Fountain)
Traditional French
Canadian, arr. Akiko and
Forrest Kinney Huron
Carol 16th-century
French, arr. Akiko and
Forrest Kinney Syrian
Love Song Traditional
Syrian, arr. Judith
Pearce and Christopher
Gunning Graceful Waltz
Alan Bullard Seesaw
Christopher
Norton Labyrinth Susan
Piltch What Is a Day?
Philip Rosseter, arr.
Akiko and Forrest
Kinney Kojo no Tsuki
(The Moon Over the Ruined
Castle) Rentaro Taki,
arr. Mark
Mrozinski Polly Wolly
Doodle Traditional
American, arr. Akiko and
Forrest Kinney The
Birch Tree Traditional
Russian, arr. Akiko and
Forrest Kinney Royal
Ceremony Alan
Bullard The Cuckoo
Traditional Chinese
Flute Tea Paul
Harris Petite souris
(Little Mouse) Thierry
Masson Valse des trois
petits ours (Waltz of the
Three Little Bears)
Thierry
Masson Edinburgh
Castle Richard
Peat Tete-a-tete
(Head-to-head) Marine
Perez Menuet (Rondeau)
Francois Philidor, arr.
Kathleen Wood a la
claire fontaine (At the
Clear Fountain)
Traditional French
Canadian, arr. Akiko and
Forrest Kinney Huron
Carol 16th-century
French, arr. Akiko and
Forrest Kinney Syrian
Love Song Traditional
Syrian, arr. Judith
Pearce and Christopher
Gunning Graceful Waltz
Alan Bullard Seesaw
Christopher
Norton Labyrinth Susan
Piltch What Is a Day?
Philip Rosseter, arr.
Akiko and Forrest
Kinney Kojo no Tsuki
(The Moon Over the Ruined
Castle) Rentaro Taki,
arr. Mark Mrozinski.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hymns & Letters. Full Music Chorale SATB Stainer and Bell
Mixed choir SKU: ST.B854 Composed by Ann Griffiths. Edited by Alan Luff. ...(+)
Mixed choir SKU:
ST.B854 Composed by
Ann Griffiths. Edited by
Alan Luff. Books & Study
Scores. Hymns translated
by Alan Gaunt.. Music
edited by Alan Luff..
Letters translated and
edited by Alan Luff..
Introduction by Kathryn
Jenkins. Choral Score.
Stainer & Bell Ltd.
#B854. Published by
Stainer & Bell Ltd.
(ST.B854). ISBN
9780852498545.
Though little known in
her lifetime (1776-1805),
Ann Griffiths is now
widely regarded as being
among the leading
hymnwriters in Wales. She
is a major figure whose
word speaks strongly to a
contemporary audience at
a time of growing
sensitivity to Christian
spirituality in its many
and varied forms, and to
the often unacknowledged
role of women in the life
and history of the
church. As a
crystallising of the
gifts of many people,
this treasure of a book
would be hard to rival.
(Christoper Idle,
News of Hymnody). $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dramatic Music Part III Stainer and Bell
SKU: ST.PE21 Composed by Henry Purcell. Edited by Margaret Laurie. Librar...(+)
SKU: ST.PE21
Composed by Henry
Purcell. Edited by
Margaret Laurie. Library
Volumes. Edited Margaret
Laurie. Vocal and
Instrumental Music for
the Stage, Part III.
First published in 2010..
Pages: 288. Format:
Hardback. Dimensions
(mm): 303 x 213 x 27.
Score. Stainer & Bell
Ltd. #PE21. Published by
Stainer & Bell Ltd.
(ST.PE21). ISBN
9790220222733. Purc
ell began writing for the
stage in 1680. His work
for the two London
theatre companies (which
merged in 1682, but which
in 1695 split once more
into two competing
factions) constituted an
increasingly important
aspect of his creative
activities in the late
1680s, and became
exceptionally fruitful in
the last six years of his
life, encompassing not
merely his four great
dramatic operas but also
a prodigious quantity of
music for more modest
stage pieces.
The productions for which
the music is included in
this volume are: Oedipus
(1692), Oroonoko (1695),
Pausanias (1696), Regulus
(1692), Rule a wife and
have a wife (1693), Sir
Anthony Love (1690), Sir
Barnaby Whigg (1681),
Sophonisba (?1685), The
Old Batchelour (1693),
The Richmond Heiress
(1693), The Rival Sisters
(1695), The Spanish Fryar
(1695), The Tempest
(1695), The Virtuous Wife
(1695), The Wives Excuse
(1691), Theodosius
(1680), and Tyrannick
Love (1694). The
original Purcell Society
edition of this volume,
edited by Alan Gray and
published in 1917, has
long been out of print.
This comprehensive new
edition - the only one
available of most of the
music - is based on a
fresh examination of all
the surviving materials,
including newly
discovered manuscript
sources, carried out by
one of the greatest
living authorities on
Purcell's dramatic
music. $133.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Flute Repertoire 6 Flûte traversière - Intermédiaire The Frederick Harris Music Company
Flute - Intermediate SKU: FH.FLR06 2010 Edition. Composed by The R...(+)
Flute - Intermediate
SKU: FH.FLR06
2010 Edition.
Composed by The Royal
Conservatory. Overtones:
A Comprehensive Flute
Series. Book/Piano
Accompaniment/CD. The
Frederick Harris Music
Company #FLR06. Published
by The Frederick Harris
Music Company (FH.FLR06).
ISBN
978-1-55440-294-6.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation. Sonata in
E Minor, op. 3, no. 7
(complete) Jean-Baptiste
Loeillet, arr. Kathleen
Wood Sonata in G
Minor, op. 2, no. 3
(complete) Benedetto
Marcello, arr. Kathleen
Wood Sonata in A
Minor, op. 17, no. 3
(complete) Johann
Christian Schickhardt,
arr. Kathleen Wood
Sonata in D Major
(complete) Leonardo
Vinci, arr. Kathleen Wood
Intermezzo Karl
Joachim Andersen Tico
Tico Zequinha Abreu, arr.
Alan Gout Trois
pieces pour flute et
piano, op. 31 (complete)
Arthur Foote
Soliloquy Harry
Freedman Barcarolle
melancolique, op. 72, no.
1 Charles Edouard
Lefebvre Red Bossa
Gary Schocker
Capriccio, op. 3, no.
3 Franz Weiss Essay
Louis Applebaum
Musefully listening,
nursing a thought Jack
Behrens.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Homeward Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS258 Composed by William Harbinson....(+)
Band concert band - Grade
2 SKU: CF.YPS258
Composed by William
Harbinson. Set of Score
and Parts. Carl Fischer
Music #YPS258. Published
by Carl Fischer Music
(CF.YPS258). ISBN
9781491163580. UPC:
680160922376. Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Homeward Orchestre d'harmonie Carl Fischer
Band concert band SKU: CF.YPS258F Composed by William Harbinson. Full sco...(+)
Band concert band SKU:
CF.YPS258F Composed
by William Harbinson.
Full score. 12 pages.
Carl Fischer Music
#YPS258F. Published by
Carl Fischer Music
(CF.YPS258F). ISBN
9781491163986. UPC:
680160922772. Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Golden Age of American Bands GIA Publications
SKU: GI.G-10368 A Document History (1835-1935). Composed by Bryan ...(+)
SKU: GI.G-10368
A Document History
(1835-1935). Composed
by Bryan J. Proksch.
Music Education. 346
pages. GIA Publications
#10368. Published by GIA
Publications
(GI.G-10368). ISBN
9781622776276. This
is a fascinating and
important book for
everybody even remotely
interested in the history
of American bands. Bryan
Proksch has done some
painstakingly thorough
research in putting
together an amazing
assemblage of
documents… This is
a must-have book!
—Jon Ceander
Mitchell   The
Wind Music Research
Quarterly:
Mitteilungsblatt der IGEB
  (March 2022),
14–15 For the
scholar, each entry
presents an opportunity
for expansion. For the
teacher, this work
provides source readings
for courses on wind band
history or for
complementing Strunk or
Weiss-Taruskin in
university music history
courses. That said, these
documents stand as an
enriching and
entertaining read in
their own right for
anyone interested in the
subject. —Michael
O’Connor  Â
Historic Brass Today 1/2
(Spring 2022), 32 The
Golden Age of American
Bands is ideally suited
for courses on the
history and literature of
bands in America. Indeed,
this volume could suffice
as a textbook for
adventuresome teachers in
that it touches on the
major musicians,
instruments, ensembles,
and functions expected of
such a course. . . . Both
private and classroom
band instructors will
find compelling glimpses
into the history of their
craft. [It is] bursting
with opportunities to
inspire curiosity in
their students while
effectively supporting
their own curricular
goals. —Benjamin
D. Lawson and James A.
Davis   The
Journal of Music History
Pedagogy Proksch’s
new collection of
documents is a most
welcome step in the
direction of getting [the
story of bands] under
control. The
juxtaposition of
documents from so many
levels and types of
ensembles proves to have
a cumulative effect: one
begins to see the subtle
and long-lasting
connections among them
despite the big
differences. It is easy
to envision it as a
supplemental text in a
course on band history
and literature, but the
book is also just an
absorbing read. There is
much to learn here, and
much to enjoy.
—Ken Kreitner Â
 Notes 79/2 (December
2022): 217-218 This is
the story of the American
wind band, told
chronologically by those
who experienced it in
real time from 1835 to
1935. How did bands
become bands? How did
they rise in popularity?
Which figures had
insights and specific
impacts on the
development of the genre?
Through source documents
and articles, Bryan
Proksch takes us on an
extraordinary journey
from the time of the
first brass bands in the
1830s, through the Civil
War and the golden ages
of Gilmore and Sousa, to
the cusp of the wind
ensemble just before
World War II. Hear from a
young Frederick Fennell
about his efforts to
create the first band at
Eastman. Read the outline
of Allessandro
Liberati’s
unpublished trumpet
method book. Eavesdrop on
Karl L. King as he muses
on the fate of bands
after the death of Sousa.
See Patrick
Conway’s first
undergraduate music
education curriculum.
Gawk as trombonist
Fredrick Neil Innes
embarrasses
“world’s
greatest cornetistâ€
Jules Levy at Coney
Island. Explore as Alan
Dodworth revolutionizes
bands. Retreat with a
military band in the
middle of a Civil War
battle. Find out what it
felt like to sit in a
Sousa Band rehearsal. Ask
Herbert L. Clarke why he
thinks you should be
playing a cornet instead
of a trumpet. Find out
how P. S. Gilmore managed
to pull off the biggest
concert events in
American history. The
book includes numerous
rare and unknown
illustrations to show you
the places where band
history happened. The
documents include rare
periodical excerpts,
handwritten letters, and
other writings taken from
archives throughout the
United States. These
first-person accounts are
certain to further refine
and deepen our
understanding and
appreciation of American
band history on a grand
scale. Contents:
Beginnings
(1835–1859) The
Civil War
(1860–1865) The
Jubilees
(1866–1879) The
Gilded Age
(1880–1896) The
Band Age
(1897–1914) World
War I (1915–1919)
Transition and Decline
(1920–1935) Â
Click here to download a
FREE addenda. Bryan
Proksch is a
distinguished faculty
lecturer and associate
professor of music
history and literature at
Lamar University in
Beaumont, Texas. This is
his third book. His A
Sousa Reader: Essays,
Interviews, and Clippings
(GIA Publications, 2016)
explores the documents
relating to the life and
career of John Philip
Sousa. $39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 300 Fiddle Tunes
Violon [Partition] Centerstream
Fiddle, Violin - Difficulty: medium SKU: HL.235 By Various. Fiddle. Folk....(+)
Fiddle, Violin -
Difficulty: medium
SKU: HL.235 By
Various. Fiddle. Folk.
Solo fiddle songbook.
With performance notes,
introductory text and
standard notation. 96
pages. Published by
Centerstream Publications
(HL.235). ISBN
9781574240566. UPC:
073999567786. 9x12
inches. This
comprehensive collection
of fabulous fiddle tunes
includes reels,
hornpipes, strathspeys,
jigs, waltzes and slow
airs. (13)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Martin Rock Bug Hal Leonard
SKU: HL.438843 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0107. Pu...(+)
SKU: HL.438843
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0107. Published by Hal
Leonard (HL.438843).
UPC: 196288079453.
4.75x7.0x2.75
inches. The Carl
Martin Rock Bug is an
Amp/Speaker Simulator and
Headphone rehearsal unit
that operates on a single
9v battery. Although this
type of accessory is not
new, we believe there is
nothing on the market
that feels as real or
sounds as realistic as
the Rock Bug! You simply
get the feeling that you
are playing through a
good tube amp. Just plug
your guitar (with or
without pedals) into the
unbalanced 1/4″
input, plug your
favourite headphones into
the unbalanced 1/4″
output and off you go!
Adjust your instruments'
volume with the Guitar
knob, select an open
cabinet or closed cabinet
simulation with the
mini-toggle switch, and
wail away through the
privacy of your
headphones. If you like,
use the AUX stereo inputs
and add an MP3, CD or DAT
player to the mix; adjust
the Master volume for
your music, blend in your
guitar sounds with the
Guitar volume, and either
play along with your
favourite cd's or add a
personal touch to your
pre-recorded backing
tracks. Utilizing the
balanced XLR output, you
can connect your Rock Bug
to a mixing console for
recording, solo gigs
accompanying the
pre-recorded music with
your live guitar, or as a
DI for live performance
when you are packing
light, or your amp goes
down. You might not think
an Amp-Speaker Simulator
is new, but with all
these features, the Rock
Bug is the little
Danish-Swiss Army Knife
that belongs in the
pocket of every
guitar-players
gig-bag. $179.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
$125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.11441998S Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S). UPC:
680160681730. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Duets: Baroque Composers 1 Piano, 4 mains [Partition] Oxford University Press
Edited by Michael Aston. For piano, 4-hands. Beautifully prepared editions of at...(+)
Edited by Michael Aston.
For piano, 4-hands.
Beautifully prepared
editions of attractive
and varied piano duets.
Collection. 71 pages.
Published by Oxford
University Press.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Swedish Hymn of Praise Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3400-01 Arranged by Longfield. Young Concert Band. Co...(+)
Grade 2 SKU:
CL.011-3400-01
Arranged by Longfield.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR336). Extra full
score. Composed 2005.
Duration 3 minutes, 35
seconds. C.L. Barnhouse
#011-3400-01. Published
by C.L. Barnhouse
(CL.011-3400-01).
This old
Swedish melody is the
basis for one of the best
known sacred hymns, How
Great Thou Art. This easy
arrangement is excellent
for developing tone,
intonation, balance, and
blend and it's a perfect
choice for almost any
performance by private
and parochial school band
programs.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Student, Primer
Piano seul [Partition] - Débutant Alfred Publishing
By David Carr Glover and Louise Garrow. For Piano. Piano - Glover Library. Book....(+)
By David Carr Glover and
Louise Garrow. For Piano.
Piano - Glover Library.
Book. 48 pages. Published
by Alfred Publishing.
(3)$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Musician, Heal Thyself! GIA Publications
SKU: GI.G-10542 Free Your Shoulder Region through Body Mapping. Co...(+)
SKU: GI.G-10542
Free Your Shoulder
Region through Body
Mapping. Composed by
Jennifer Johnson. Body
Mapping. Music Education.
184 pages. GIA
Publications #10542.
Published by GIA
Publications
(GI.G-10542). ISBN
9781622775927. Pain
in the shoulder region is
one of the most common
problems afflicting
instrumentalists,
vocalists, and conductors
alike. Musician, Heal
Thyself! uses the
principles of Body
Mapping to free musicians
of their shoulder pain,
injury, and limitations,
leading to more
expressive and healthy
music making. While
keenly aware of the
importance of whole-body
balance and context,
author Jennifer Johnson
presents the four most
common patterns that
cause shoulder pain and
fatigue, along with
guidance on how to
“remap†the
body for healthier whole
arm movements in playing,
singing, and conducting.
Also included in the book
are anatomical images for
remapping and many
photographs of
world-class musicians who
exhibit exemplary arm
movement and a free
shoulder region in their
performances. Especially
helpful are the
book’s movement
exploration activities,
online video links, and
the appendix, which
outlines the functions of
the shoulder region
muscles in
layman’s
vocabulary. A healthier
approach to music making
begins today with the
ideas and insights
presented in Musician,
Heal Thyself! Jennifer
Johnson is a licensed and
internationally
sought-after lecturer on
Body Mapping, teaching
musicians how to move
according to the design
of their bodies to
address and prevent
playing injuries. She
maintains an active
private violin studio,
performs regularly, and
is the author of three
books on Body Mapping.
 Musician, Heal
Thyself! is an invaluable
resource for performers
and teachers at every
level. The material is so
clearly elucidated and
its concepts immediately
useful and empowering. I
love this book!
—Carol Rodland,
violist   Viola
and Chamber Music
Faculty, The Juilliard
School After doing
several of the very clear
and thorough explorations
in Jennifer
Johnson’s new
book, my arms had the
freedom and ease of a
child’s, and I
felt a corresponding ease
in my trumpet posture and
sound. Emotional
re-mapping is also part
of any physical
improvement, and Ms.
Johnson describes that
aspect of the process
clearly and
compassionately. I
recommend this book for
all musicians seeking to
express their music with
efficiency, freedom, and
beauty. —Jeffrey
Reynolds, trumpet Â
 Associate Professor,
Faculty of Music,
University of Toronto For
years, I stubbornly
ignored my body’s
messages because I was
afraid to find out I was
'doing everything wrong.'
But Jennifer’s
wealth of experience
working with musicians
and her compassionate
approach in Musician,
Heal Thyself! have made
playing more fun and less
painful. Why did I wait
so long? —Nathan
Cole, First Assistant
Concertmaster, Los
Angeles Philharmonic Â
 Founder of
natesviolin.com. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| David Carr Glover : Piano Student, Level 5 Piano seul [Partition] - Intermédiaire Alfred Publishing
By David Carr Glover. For Piano. Piano - Glover Library. Book. 48 pages. Publish...(+)
By David Carr Glover. For
Piano. Piano - Glover
Library. Book. 48 pages.
Published by Alfred
Publishing.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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