By Johann Sebastian Bach / Nikolaus Herman. Edited by Klaus Hofmann. This editio...(+)
By Johann Sebastian Bach
/ Nikolaus Herman. Edited
by Klaus Hofmann. This
edition: paperbound. Hymn
Settings, Mass sections;
Use during the church
year: Advent, Special
Days, End of the Church
Year, Epiphany, Lent and
Passiontide, Ascension,
New Year, Holy Week,
Easter and Eastertide,
Pentecost, Trinity,
Christmas; Choral
Collections for Mixed
Choi. Choral collection.
88 pages. Published by
Carus Verlag
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for
Performance and Personal
Enjoyment). Composed by
David Mcdonald. For voice
solo. Sacred Vocal.
Published by Lillenas
Publishing Company
Lyrics/Chords Guitar SKU: HL.242081 By The Beatles. The Little Black Song...(+)
Lyrics/Chords Guitar
SKU: HL.242081
By
The Beatles. The Little
Black Songbook. Pop. 384
pages. Hal Leonard
#HL00242081. Published by
Hal Leonard (HL.242081).
ISBN 9781785588617.
UPC: 888680704407.
4.75x7.75x0.956
inches.
A
pocket-sized collection
of 195 Beatles hits
presented in chord
songbook format. Includes
complete lyrics, chord
names & a handy chord
box reference sheet.
Including classic hits
such as: All You Need Is
Love • Can't Buy Me
Love • Day Tripper
• Do You Want to
Know a Secret •
Eleanor Rigby •
From Me to You •
Get Back • Help!
• Hey Jude •
I Want to Hold Your Hand
• Let It Be •
Magical Mystery Tour
• Ob-La-Di Ob-La-Da
• Please Please Me
• Ticket to Ride
• Twist and Shout
• and more.
Flute - early intermediate SKU: BT.DHP-1175761-400 The world's most be...(+)
Flute - early
intermediate
SKU:
BT.DHP-1175761-400
The world's most
beautiful arias with full
orchestra play along.
Opera or Operetta. Book
with CD. Composed 2017.
64 pages. De Haske
Publications #DHP
1175761-400. Published by
De Haske Publications
(BT.DHP-1175761-400).
ISBN 9789043151795.
English-German-French-Dut
ch.
Great opera
singers have enthralled
us for over three hundred
years. When we see them
on stage our ears are
filled with some of the
finest classical melodies
of all time. Live at
the Opera makes this
precious treasure trove
accessible to
instrumentalists, too: 15
Italian operatic arias
have been individually
arranged for flute,
recorded by the
world-renowned flautist
Walter Auer. The
accompaniment is supplied
by an authentic opera
orchestra, and it is also
available as a play-along
version without the
soloist. A historical
background to each piece,
along with performance
tips, is included in this
unique
collection.
Al
meer dan driehonderd jaar
weten grote operazangers
en -zangeressen hun
publiek te betoveren.
Wanneer ze voor ons op
het podium staan,
vertolken ze melodieën
die behoren tot de
allermooiste van de
klassieke muziek. Live
at the opera maakt
deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten:
vijftien Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor fluit en opgenomen
door de wereldberoemd
fluitist Walter Auer. Een
echt operaorkest neemt de
begeleiding voor zijn
rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria en tipsvoor
de uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen und
-sänger uns in ihren
Bann. Wenn sie auf der
Bühne stehen, bringen
sie einige der
schönsten klassischen
Melodien aller Zeiten zu
Gehör. Live at the
Opera macht
diesenkostbaren
Melodienschatz nun auch
Instrumentalisten
zugänglich: 15
italienische Opernarien
wurden individuell für
Flöte eingerichtet und
werden von dem weltweit
renommierten Flötisten
Walter Auer vorgespielt.
Ein echtes Opernorchester
übernimmt dabeidie
Begleitung, welche
zusätzlich auch in
einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Musikhistorisches
Hintergrundwissen und
Ausführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.
Disponibili
inoltre le basi
orchestrali e la versione
play-along senza la parte
solista di ogni traccia.
Arricchiscono
lâ??edizione
unâ??introduzione
storica per ciascun brano
e utili consigli per
lâ??interpretazione.
Clarinet - intermediate SKU: BT.DHP-1175777-400 The world's most beaut...(+)
Clarinet - intermediate
SKU:
BT.DHP-1175777-400
The world's most
beautiful arias with full
orchestra play along.
Opera or Operetta. Book
with CD. Composed 2017.
64 pages. De Haske
Publications #DHP
1175777-400. Published by
De Haske Publications
(BT.DHP-1175777-400).
ISBN 9789043151801.
English-German-French-Dut
ch.
Great opera
singers have enthralled
us for over three hundred
years. When we see them
on stage our ears are
filled with some of the
finest classical melodies
of all time. Live at
the Opera makes this
precious treasure trove
accessible to
instrumentalists, too: 11
Italian operatic arias
have been individually
arranged for clarinet,
recorded by the
world-renowned /
clarinettist Matthias
Schorn. The accompaniment
is supplied by an
authentic opera
orchestra, and it is also
available as a play-along
version without the
soloist. A historical
background to each piece,
along with performance
tips, is included in this
unique
collection.
Al
meer dan driehonderd jaar
weten grote operazangers
en -zangeressen hun
publiek te betoveren.
Wanneer ze voor ons op
het podium staan,
vertolken ze melodieën
die behoren tot de
allermooiste van de
klassieke muziek. Live
at the opera maakt
deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: elf
Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor klarinet en
opgenomen door de
wereldberoemd
klarinettist Matthias
Schorn. Een echt
operaorkest neemt de
begeleiding voor zijn
rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voor
de uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen und
-sänger uns in ihren
Bann. Wenn sie auf der
Bühne stehen, bringen
sie einige der
schönsten klassischen
Melodien aller Zeiten zu
Gehör. Live at the
Opera macht
diesenkostbaren
Melodienschatz nun auch
Instrumentalisten
zugänglich: 11
italienische Opernarien
wurden individuell für
Klarinette eingerichtet
und werden von dem
weltweit renommierten
Klarinettisten Matthias
Schorn vorgespielt. Ein
echtes
Opernorchesterübernimm
t dabei die Begleitung,
welche zusätzlich auch
in einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Musikhistorisches
Hintergrundwissen und
Ausführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigenSammlung.
Da oltre
tre secoli i grandi
cantanti di opera
entusiasmano il pubblico
con performance che fanno
rivivere le melodie
classiche più
amate. Live at the
Opera d la possibilit
ai musicisti di
cimentarsi con questo
repertorio grazie a 15
ariedellâ??opera
italiana arrangiate per
flauto, clarinetto e
tromba.
Disponibili
inoltre le basi
orchestrali e la versione
play-along senza la parte
solista di ogni traccia.
Arricchiscono
lâ??edizione
unâ??introduzione
storica per ciascun brano
e utili consigli per
lâ??interpretazione.
Fakebook (spiral bound) for Eb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound)
for Eb instrument and
voice. With vocal melody,
lyrics, chord names,
black and white photos
and introductory text.
574 pages. Published by
Sher Music Company.
Fakebook (spiral bound) for Bb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound)
for Bb instrument and
voice. With vocal melody,
lyrics, chord names,
black and white photos
and introductory text.
574 pages. Published by
Sher Music Company.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Sher Music Company
By Various. Almost 600 pages of world-famous Sher Music transcriptions! Don't go...(+)
By Various. Almost 600
pages of world-famous
Sher Music
transcriptions! Don't go
to the gig without it!.
Various. Fake Book.
Published by Sher Music
Company.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
Performed by The Beatles. For voice(s), guitar(s), bass guitar, drum set and key...(+)
Performed by The Beatles.
For voice(s), guitar(s),
bass guitar, drum set and
keyboard. Format: full
score. With vocal melody,
lyrics, standard guitar
notation, guitar
tablature, standard bass
notation, bass tablature,
chord names and drum
notation. Classic rock,
pop rock and psychedelic
rock. Popular boxed gift
set. Includes complete
transcriptions of all
instrumental and vocal
parts. Series: Hal
Leonard Transcribed
Scores. 1136 pages.
7.25x10.88 inches.
Published by Hal Leonard.
SKU: CA.1290100 Composed by Various. Edited by Gunther Kretzschmar. This ...(+)
SKU: CA.1290100
Composed by Various.
Edited by Gunther
Kretzschmar. This
edition: Paperbound.
Choral collections for
children's choir; Hymns
by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. Musik fur
Gottesdienst, Spiel und
Fest. Psalms, German,
Songs for children,
Secular choral music,
Special days, Ascension,
New year, Easter and
Eastertide, Whitsun,
Reformation day, Praise
and thanks, Morning,
midday, evening.
Collection. Composed
1992-96. 160 pages. Carus
Verlag #CV 12.901/00.
Published by Carus Verlag
(CA.1290100).
Performed by The Beatles. For voice and guitar (no tablature - lyrics & chords o...(+)
Performed by The Beatles.
For voice and guitar (no
tablature - lyrics &
chords only). Format:
guitar/vocal songbook.
With lyrics, chord names
and guitar chord
diagrams. Classic rock,
britpop and psychedelic
rock. 399 pages.
6.75x9.75 inches.
Published by Hal Leonard.
Performed by The Beatles. Piano/Vocal/Chords (Arrangements for piano and voice w...(+)
Performed by The Beatles.
Piano/Vocal/Chords
(Arrangements for piano
and voice with guitar
chords). Size 9.5x12.7
inches. 896 pages.
Published by Hal Leonard.
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
Breitkopf
and Haertel #EB-9340.
Published by Breitkopf
and
Haertel
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by The Beatles. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by The Beatles.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Classic
Rock, Pop Rock and
Psychedelic Rock. 512
pages. 9x12 inches.
Published by Hal Leonard.
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
