(14 Jazzy Pieces With a CD of Performances and Accompaniments 1 Piano, 4 Hands)....(+)
(14 Jazzy Pieces With a
CD of Performances and
Accompaniments 1 Piano, 4
Hands). By Anton Diabelli
(1781-1858). Arranged by
Uwe Korn. Piano.
Softcover with CD. 40
pages. Schott Music
#ED20718. Published by
Schott Music
Made Easy for Piano, 4 Hands. By Amilcare Ponchielli; Anton Rubenstein; Claude D...(+)
Made Easy for Piano, 4
Hands. By Amilcare
Ponchielli; Anton
Rubenstein; Claude
Debussy; Frederic Chopin;
Gioacchino Rossini; Igor
Fyodorovich Stravinsky;
Jacques Offenbach; Johann
Strauss; Johannes Brahms;
Ludwig Van Beethoven;
Nikolai Rimsky-Korsakov;
Richard Wagner; Robert
Schumann. Arranged by
John Brimhall. 1 piano,
4-hands. For Piano I,
Piano II. Great Music
Made Easy: Duet Series.
Performance score. 63
pages. Published by Carl
Fischer.
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...(+)
Cello and Piano. Composed
by
Ludwig van Beethoven
(1770-
1827). Edited by Jens
Dufner.
Henle Music Folios.
Classical. Softcover. 62
pages. G. Henle #HN1471.
Published by G. Henle
(Young Men's Edition Volume 1 26 Songs from 21 Musicals). Composed by Various. A...(+)
(Young Men's Edition
Volume 1 26 Songs from 21
Musicals). Composed by
Various. Arranged by
Various. For Vocal. Vocal
Collection. 180 pages.
Published by Hal Leonard
(E-Z Play Today Volume 166). Composed by Ludwig van Beethoven (1770-1827). For O...(+)
(E-Z Play Today Volume
166). Composed by Ludwig
van Beethoven
(1770-1827). For Organ,
Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover. 48
pages. Published by Hal
Leonard
Piano Duet SKU: YM.GTP01100075 Take turns playing main melodies!. ...(+)
Piano Duet
SKU:
YM.GTP01100075
Take turns playing
main melodies!.
Composed by Various.
Piano-Duet Repertoire.
Arranged Classical Music.
Score. Yamaha Music Media
#GTP01100075. Published
by Yamaha Music Media
(YM.GTP01100075).
ISBN
9784636100563. 8.5 x 12
inches.
In this
piano-duet repertoire
series, both of the primo
(upper part) and the
secondo (lower part) have
their own melody parts to
play. It is a great
choice for both children
and adults teaching or
learning to play the
piano, as well as for a
variety of uses, from
piano lesson to live
performances, including
concerts, online video
live streaming, and
street piano
performances!
For keyboard. Format: easy piano solo songbook. With big note notation, chord na...(+)
For keyboard. Format:
easy piano solo songbook.
With big note notation,
chord names and .
Baroque, classical period
and romantic period.
Series: Hal Leonard E-Z
Play Today. 72 pages.
9x12 inches.
10 Favorite Hymns, Spirituals and Sunday School Songs. Arranged by Christine H. ...(+)
10 Favorite Hymns,
Spirituals and Sunday
School Songs. Arranged by
Christine H. Barden,
Gayle Kowalchyk, E. L.
Lancaster. For Piano.
Piano - Music for Little
Mozarts. Music for Little
Mozarts. Family; Hymn;
Sacred; Spiritual. Level:
Levels 1-2. Book. 32
pages. Published by
Alfred Publishing.
Orchester of plucked instruments - intermediate to advanced SKU: M7.GHE-915(+)
Orchester of plucked
instruments -
intermediate to advanced
SKU: M7.GHE-915
The Complete
Repertoire composed and
arranged for Lira
Orfeo. Edited by
Stefano Grondona.
Arranged by Miguel
Llobet. This edition:
Saddle-wire stitching.
Sheet music. 112 pages.
MDS (Music Distribution
Services) #GHE 915.
Published by MDS (Music
Distribution Services)
(M7.GHE-915).
(Score) SKU: HL.49003135 An Anthology of Listening Material for GCSE M...(+)
(Score)
SKU:
HL.49003135
An
Anthology of Listening
Material for GCSE
Music. Composed by
Bruce Cole and David
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Collection. Score. 200
pages. Schott Music
#ED12351. Published by
Schott Music
(HL.49003135).
ISBN
9780946535132. UPC:
884088991623.
8.25x11.75x0.436 inches.
English.
This
anthology of 72 music
examples, consisting of
the Teacher's Manual,
Pupil's Questions, Music
Book and two recordings
on CD or cassettes, is
intended to provide
comprehensive resource
materials for the
listening component of
the GCSE music
syllabuses. The extracts
have been selected
especially to illustrate
the periods, styles and
rudiments of music
encompassed within the
syllabuses, and the four
components of the
publication produced to
ensure maximum assistance
to the teacher in the
classroom. Selected
contents: MUSIC IN THE
LATE RENAISSANCE O quam
gloriosum est regnum * T.
Morley: MUSIC IN THE
BAROQUE ERA: H. Purcell:
Hark, each tree (from Ode
for St Cecilia's Day) *
A. Vivaldi: Second
Allegro (from Op. 3 No.
11) * G.F. Handel: Lascia
ch'io * J.S. Bach:
Erschienen ist der
herrliche Tag (BWV 629) *
F. Couperin: Le
Petit-Rein MUSIC IN THE
ROMANTIC PERIOD: F.
Schubert: Am Meer (from
Schwanengesang) * H.
Berlioz: Un Bal (from
Symphonie fantastique) *
F. Chopin: Mazurka (Op. 7
No. 5) * R. Schumann:
Fantasiestuck (Op. 73 No.
1) * R. Wagner: Prelude
(to Tristan and Isolde) *
R. Strauss: Epilog (from
Till Eulenspiegels
lustige Streiche) * MUSIC
IN THE TWENTIETH CENTURY:
B. Bartok: Third movement
(from Sonata for two
Pianos and Percussion) *
K. Stockhausen: Zyklus *
C. Berberian: Stripsody *
JAZZ AND POP: F. Molton:
Peace in the Valley * Bix
Beiderbecke and his Gang:
Jazz Me Blues * The
Platters: Only You * E.
Fitzgerald: Mack the
Knife * S. Getz and A.
Gilberto: The Girl From
Ipanema and more.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-15. Published by
Breitkopf and Haertel
(BR.OB-5353-15).
ISBN
9790004340707. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble)
SKU:
HL.51481531
Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. 84 pages. G.
Henle #HN1531. Published
by G. Henle
(HL.51481531).
UPC:
840126989311.
9.25x12.25x0.361
inches.
Mendelssohn
is considered a
self-critical composer,
who repeatedly reworked a
number of his pieces
until he deemed them
worthy to be published.
The path to his first
Piano Trio was
particularly rocky: only
after several attempts
was he able to complete
it in the summer of 1839;
it appeared in 1840 after
further revisions. This
perfectionism paid off,
for Mendelssohn's D Minor
Trio was immediately
received with enthusiasm.
Robert Schumann wrote:
“It is the master
trio of the present day,
like those of Beethoven
in Bb and D and that of
Franz Schubert in Eb were
in their time; a very
beautiful composition
which after years will
still delight
grandchildren and
great-grandchildren.â€
Which was to prove
true: even today, it
numbers among the most
popular works in the trio
repertoire in general.
The trio, taken from the
volume Mendelssohn
• Piano Trios HN
957, is now available
from Henle for the first
time also as a practical
single edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-19. Published by
Breitkopf and Haertel
(BR.OB-5353-19).
ISBN
9790004340721. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-23. Published by
Breitkopf and Haertel
(BR.OB-5353-23).
ISBN
9790004340738. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB...(+)
Violin and orchestra
(solo: vl - 1.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.PB-5531-07
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
Beethoven would
probably have loved to be
able to commission a new
edition of his violin
concerto from Clive
Brown, since he is one of
the top specialists, with
a profound knowledge and
experience of performance
practice in Beethoven's
day.
Solo concerto;
Classical. Study Score.
88 pages. Duration 45'.
Breitkopf and Haertel #PB
5531-07. Published by
Breitkopf and Haertel
(BR.PB-5531-07).
ISBN
9790004212608. 6.5 x 9
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 16
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-16. Published by
Breitkopf and Haertel
(BR.OB-5353-16).
ISBN
9790004340714. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Part. 12
pages. Duration 45'.
Breitkopf and Haertel #OB
5353-27. Published by
Breitkopf and Haertel
(BR.OB-5353-27).
ISBN
9790004340745. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Beethoven would probably
have loved to be able to
commission a new edition
of his violin concerto
from Clive Brown, since
he is one of the top
specialists, with a
profound knowledge and
experience of performance
practice in Beethoven's
day. Solo concerto;
Classical. Set of parts.
92 pages. Duration 45'.
Breitkopf and Haertel #OB
5353-30. Published by
Breitkopf and Haertel
(BR.OB-5353-30).
ISBN
9790004340752. 10 x 12.5
inches.
What with
all the traditional
editions available on the
market, can we still
expect new readings? This
is what editor Clive
Brown asked himself as he
meticulously examined the
often conflicting
sources. The result is a
wealth of new readings in
the score, which deserve
as much attention as the
extensively commented
arrangement for violin
and piano. The treatment
of the solo instrument is
particularly interesting:
next to the Urtext solo
part, the edition also
contains a historically
informed and marked-up
part with fingerings and
bowings that go back to
Franz Clement, the
soloist of the premiere
performance, and to the
Viennese performance
tradition of Beethovens
time. For violinists of
today, this is a treasure
trove of new, innovative
ideas and suggestions for
the individual shaping of
the part.
Clash Of The Triads! Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
Arranged by Deborah Baker Monday. For string orchestra (88555) with optional 3rd...(+)
Arranged by Deborah Baker
Monday. For string
orchestra (88555) with
optional 3rd violin/viola
TC (3 copies) and piano.
Playground String
Orchestra Series. Grade
1.5. Score and set of
parts. Duration 2
minutes, 45 seconds.
Published by Kendor Music
Inc (KN
Harp SKU: UT.MAG-276 Composed by Ludwig van Beethoven. Edited by Anna Pas...(+)
Harp
SKU:
UT.MAG-276
Composed
by Ludwig van Beethoven.
Edited by Anna Pasetti.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 276.
Published by Ut Orpheus
(UT.MAG-276).
ISBN
9790215326880. 9 x 12
inches.
Johannes
Snoer is not one of the
most remembered harpists
today, but his didactic
work was really important
and can still be useful
today. For didactic
purposes, he also
published collections of
simple pieces by great
composers transcribed for
harp. Among his
transcriptions there is
the Adagio from Sonata n.
5 in C minor, op. 10 no.
1, by Ludwig van
Beethoven, subject of
this edition. The
original musical text has
been left unchanged, only
the ornamentation has
been written in full and
the harp fingerings and
indications relating to
the movement of the
pedals have been added.
The work brings the
dedication to Mr. H.
Rutters, probably a
relative of his wife
Antoinette.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Ludwig van Beethoven
composed the Choral
Fantasy op. 80 for the
gigantic concert event
that took place at the
Theater an der Wien on 22
December 1808. Solo
concerto; Classical.
Part. 4 pages. Breitkopf
and Haertel #OB 5230-15.
Published by Breitkopf
and Haertel
(BR.OB-5230-15).
ISBN
9790004331514. 10 x 12.5
inches.
The history
of the origins and
sources of Beethovens
Choral Phantasy is
complex and poses
considerable difficulties
to todays researchers. A
definitive final version
is not extant. Instead,
there are contemporary
printed editions which
diverge from each other
in many details. The
English musicologist
Clive Brown thus also
based part of his
text-critical work on his
comprehensive knowledge
of the performance and
notation practice of
Beethovens time.Fur
Orchester, die
gelegentlich mit einem
Chor zusammenarbeiten,
auf jeden Fall zu
empfehlen. Ein gerade in
seiner Einmaligkeit
interessantes Stuck - und
auch nicht besonders
schwer. Verwiesen sei
noch auf das vorzugliche
Vorwort des Herausgebers.
(Plischke, Das
Liebhaberorchester).
Published by Santorella Publications. The Moonlight Sonata also known as "Quasi ...(+)
Published by Santorella
Publications. The
Moonlight Sonata also
known as "Quasi Una
Fantasia" may be
considered as one of
Beethoven's most
recognizable themes. This
emotionally melancholy
masterpiece, published by
Santorella Publications,
is heard as the backdrop
to countless venues.
Weddings, recitals and
film scores are a few
diverse examples of its
use in today's
marketplace. This
arrangement for flute and
guitar by Lee West is
transcribed from the
original piano works,
therefore the historical
importance alone is just
one of the reasons to
experience this
phenomenal piece.
Piano SKU: BR.EB-8118 Composed by Richard Wagner. Solo instruments; Softc...(+)
Piano
SKU:
BR.EB-8118
Composed
by Richard Wagner. Solo
instruments; Softcover.
Edition Breitkopf.
Sonata; Romantic. Score.
Composed 1831. 24 pages.
Breitkopf and Haertel #EB
8118. Published by
Breitkopf and Haertel
(BR.EB-8118).
ISBN
9790004175019. 9 x 12
inches.
Richard
Wagner (1813-1883) is
rightly considered as the
19th-century music
dramatist whose formal
and harmonic originality,
for example in Tristan
and Isolde, provided a
significant impetus to
the development of
20th-century music.
Despite Wagner's fame,
his reuvre for piano
remains practically
unknown. Tobe sure, these
primarily early works and
occasional compositions
hardly even hint at the
outstanding
characteristics of the
later works such as
leit-motifs, flowing
transitions or original
forms. Nonetheless,
whoever is acquainted
with Wagner's later music
dramas will undoubtedly
not fail to be impressed
by the individual melodic
and harmonic traits of
his piano works. The
Sonata in B-flat Major
Op. 1 is of special
interest to us today
since it is Wagner's
first published work,
composed in 1831 and
printed in 1832 by
Breitkopf & Hartel. At
that time, Wagner was
studying counterpoint
with Theodor Weinlig, the
choral master and music
director of the
Thomasschule in Leipzig.
Weinlig, however, only
agreed to give Wagner
lessons if he promised to
refrain from composing
for half a year. In the
course of his studies,
Wagner was allowed to
compose the piano sonata
in B-flat Major as a kind
of journeyman-work. His
teacher Weinlig succeeded
in having the work
published by Breitkopf &
Hartel. Hence the
dedication of this piece
to Weinlig is not
surprising, since the
18-year-old Wagner would
otherwise have had great
difficulty finding a
publisher. This Sonata in
B-flat Major, which has
long been out of print,
is a reproduction of the
first edition by
Breitkopf & Hartel (plate
number 10433). For this
reprint, obvious
typographical errors have
been corrected (missing
or wrong accidentals and
dynamic indications). The
work presents a
four-movement classical
sonata form and is
stylistically reminiscent
of Mozart and Beethoven.
Shortly before composing
this sonata, Wagner wrote
a piano reduction of
Beethoven's Ninth
Symphony, which was
easily playable and yet
gratifying to hear. This
helps explain the
octave-doublings typical
of piano reductions.
Wiesbaden, Fall
1980
Respectfully
dedicated to Theodor
Weinlig, the choral
master and music director
of the Thomasschule in
Leipzig.