| Sound Percussion Ensembles Alfred Publishing
Multi Percussion Ensemble; Mallet Percussion SKU: AP.48265 Arrangement...(+)
Multi Percussion
Ensemble; Mallet
Percussion SKU:
AP.48265
Arrangements and
Original Selections in a
Variety of Styles.
Composed by Chris M.
Bernotas and Dave Black.
Band Method; Concert Band
Resources; MakeMusic
Cloud;
Method/Instruction. Sound
Innovations: Sound
Percussion. Book and
Digital Download. 24
pages. Alfred Music
#00-48265. Published by
Alfred Music (AP.48265).
ISBN 9781470643133.
UPC: 038081555034.
English. Sound
Percussion Ensembles by
Dave Black and Chris
Bernotas contains 11
arrangements and two
original pieces at the
intermediate level
designed to give your
percussion students a
valuable group
performance experience.
It synthesizes skills
taught in Sound
Percussion and can be
used as a supplement to
any percussion method, or
independently as
stand-alone performance
music. Playing in a group
as a percussion ensemble
will help your students
develop independence and
rhythmic stability, while
offering a fun incentive
to practice with friends.
This book features a
variety of music styles
such as holiday,
patriotic, multicultural,
processional, classical,
and original repertoire
that can be used for
performances throughout
the entire school year.
Each piece contains a
Sound Advice section,
providing helpful
performance tips for your
students on preparing for
each work, executing the
technique with
excellence, and helping
them understand notation.
SI Online includes
streaming demonstration
tracks for each
arrangement, providing
excellent practice
resources. Titles
include: Trumpet Tune *
Funeral March / March of
the Marionette * Jingle
Bells / Parade of the
Wooden Soldiers *
Hanukkah, Oh Hanukkah *
Joy to the World / Deck
the Halls * Chester /
Battle Hymn of the
Republic * España
Cañi (Spanish Paso
Doble) * Mama Paquita
(Brazilian Folk Song) *
Sakura/Arirang
(Traditional Japanese /
Korean Folk Song) * The
Entertainer * Pomp and
Circumstance * Mission
Possible * Gears. This
title is available in
MakeMusic Cloud. $7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Choro Advance Music
SKU: AP.1-ADV18013 Basic Concepts for Playing Brazilian Music (English...(+)
SKU: AP.1-ADV18013
Basic Concepts for
Playing Brazilian Music
(English/Spanish Language
Edition). Composed by
Pedro Ramos. All
Instruments Method or
Collection;
Improvisation;
Method/Instruction.
Advance Music. Latin.
Book and CD. Advance
Music #01-ADV18013.
Published by Advance
Music (AP.1-ADV18013).
ISBN 9783954810178.
UPC: 805095180138.
English. Like bossa
nova and samba, the choro
is among the most popular
music styles originating
in Brazil. Originally
emerged from a blend of
European and African
folklore, titles like
Tico Tico are popular
throughout the world
today. The present
textbook explains
step-by-step the way to
your own interpretation
of the traditional choro
melodies and to an
improvisation in style.
All examples are notated
for C, B-flat, E-flat,
and bass instruments.
Enjoy playing this
music! $41.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Instant Guide to Drum Grooves Batterie [Partition + CD] Hal Leonard
The Essential Reference for the Working Drummer. Percussion. Book and CD package...(+)
The Essential Reference
for the Working Drummer.
Percussion. Book and CD
package. Size 9x12
inches. 32 pages.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Arquichorinho Flûte traversière et Piano Schott
(Flute and Piano). By Alexandre Eisenberg. For Flute, Piano/Keyboard. Woodwind. ...(+)
(Flute and Piano). By
Alexandre Eisenberg. For
Flute, Piano/Keyboard.
Woodwind. Softcover. 24
pages. Schott Music
#FTR222. Published by
Schott Music
$18.99 - Voir plus => Acheter | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Live...This Is Your House [Partition] Word Music
| | |
| Tva latinamerikanska sanger Chorale SATB SATB, Piano Gehrmans Musikforlag
SATB choir, piano SKU: GH.GE-11346 Composed by Traditional. Arranged by G...(+)
SATB choir, piano SKU:
GH.GE-11346 Composed
by Traditional. Arranged
by Geoff Weaver. Octavo.
With Language: Spanish,
Swedish. Gehrmans
Musikforlag #GE 11346.
Published by Gehrmans
Musikforlag
(GH.GE-11346). 185 x
262 mm inches. Text:
Kajsa
Brattgard. Sanger
fran Argentina och
Brasilien i arrangemang
for blandad kor och
piano. Santo, santo
(Helig, helig) och Ouve,
Senhor (Min Gud, min
Gud). For de
tempore-angivelser, se
respektive titel! $4.34 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Selected Works for Organ Orgue - Intermédiaire Barenreiter
Organ - Level 3 SKU: BA.BA11230 Composed by Joan Cabanilles. Edited by Ge...(+)
Organ - Level 3 SKU:
BA.BA11230 Composed
by Joan Cabanilles.
Edited by Gerhard Doderer
and Miguel Bernal Ripoll.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Volume III. Performance
score, anthology.
Baerenreiter Verlag
#BA11230_00. Published by
Baerenreiter Verlag
(BA.BA11230). ISBN
9790006561049. 24 x 30.5
cm inches. Preface:
Ripoll, Miguel Bernal /
Doderer,
Gerhard. Joan
Cabanilles was cathedral
organist in Valencia and
the towering figure in
Spanish organ music of
the late 17th century.
His brilliant and diverse
musical language, rooted
in the traditional sounds
of Spain, has not managed
to reach a large audience
outside the Iberian
peninsula, although he is
often called “a
musician of European
statureâ€.
The aim of this
three-volume Urtext
edition is to grant
access to his most
appealing works. To this
end, all available
sources in the libraries
of Astorga, Barcelona,
San Lorenzo de el
Escoreal,
Felanitx/Mallorca, Jaca
and Montserrat have been
examined and newly
evaluated.
If
Cabanilles’s
oeuvre consists primarily
of tientos, organ hymns
and versets, the third
and final volume contains
three versos, three
pasacalles, two
galliards, two toccatas
and such special forms as
Paseos de tercer tono,
Diferencias de FolÃas
and a
Jácara.
â
žThis is an excellent
resource for organists
interested in exploring
this satisfying
repertoire.“
(Brian E. Harlow,
Journal of the
Association of Anglican
Musicians 1/2018)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$51.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suite Sobre Cantos Populares Gallegos Editorial de Musica Boileau
Symphony orchestra SKU: BO.B.3624 Composed by E. Granados/M. Mestre. Publ...(+)
Symphony orchestra
SKU: BO.B.3624
Composed by E.
Granados/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3624).
The Suite on
Galician songs was
written in 1899 and
debuted on 31 October
that same year, as part
of a series of concerts
organised by the
Philharmonic Society of
Barcelona at the Teatro
Lirico, under the
direction of Joan Lamote
de Grignon.
The
work is made up of four
movements: I. Canto de la
manana (‘Morning
song'), also known as En
la montana (‘In the
mountains'), II. Danza
Scherzo (Galician folk
dance), III. Morrina
(‘Homesickness')
and IV. La Fiesta
(finale). The entire
composition is laced with
Galician folk melodies,
which serve as the
pretext for developing a
piece that is entirely
descriptive and scenic in
nature, by means of a
meticulous and precise
orchestration of great
technical and folkloric
interest. The work
reveals not only
Granados' great technical
expertise as
orchestrator, but also
his imagination and
intelligence when
recreating the most
distinctive sounds of
traditional Galician folk
music. He achieves this
effect through a
masterful use of
instrumentation and
experimentation
throughout the 23 minute
duration of this
magnificent suite. $56.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Greensleeves Violon et Piano Peters
| | |
| Cantos de Espana, Op. 232 Piano seul - Avancé Alfred Publishing
Composed by Isaac Albéniz. Edited by Olga Llano Kuehl- White. Book; Masterwo...(+)
Composed by Isaac
Albéniz.
Edited by Olga Llano
Kuehl-
White. Book; Masterworks;
Piano Collection; Piano
Supplemental. Alfred
Masterwork Edition. Form:
Dance; Suite. Latin;
Masterwork; Recital;
Romantic. 44 pages.
Published by Alfred Music
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Espana Romantica. Anthology of Guitar Works by Spanish Masters of the 19th Century - Vol. 3: 14 Folk and Flamenco Pieces Guitare Ut Orpheus
Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 276. Publ...(+)
Edited by Mario Martino.
Saddle stitching.
Classical.
Ut Orpheus #CH 276.
Published
by Ut Orpheus
$26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Staeliana Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
String quartet SKU: BO.B.3542 Composed by Domenec Gonzalez de la Rubia. P...(+)
String quartet SKU:
BO.B.3542 Composed by
Domenec Gonzalez de la
Rubia. Published by
Editorial de Musica
Boileau (BO.B.3542).
Staeliana was
commissioned by the
Fundacio Caixa de
Catalunya in 2007 for the
inauguration of an
exposition of the work of
Nicolas Staël at La
Pedrera, Barcelona. In
this work I wanted to
compose homage to a
painter who knew how to
join together in his
unique works both the
traditions of the past
along with the vanguard
of his time. Beginning
with figurative works
which lead toward
abstraction, his body of
work can be defined as a
contrast between these
two concepts which, with
extreme simplicity,
define his entire
artistic conception.
Staeliana, an expressive
chorale, at times both
luminous and dramatic,
dissolves into the most
minimal expression. From
the first joining
together of the voices it
concludes with utter
simplicity of expression.
The suicide of the artist
in 1955 is representative
of the dissolution of his
existence as well as of
his artistic works. This
contrast between
figurative and
abstraction is reflected
in the music by the
contrast between
stability and tension. I
believe that this duality
may be found both in his
work and in his life,
always oscillating
between living a creative
life or opting for death,
which may be seen as a
fusion in nothingness
with the plenitude of
purest simplicity. $28.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Violin Concerto Orchestre, Violon [Conducteur d'étude / Miniature] Eulenburg
Orchestra; Violin (Study Score) SKU: HL.49046240 Violin and Orchestra ...(+)
Orchestra; Violin (Study
Score) SKU:
HL.49046240 Violin
and Orchestra Study
Score. Composed by
Alban Berg. Edited by
Douglas Jarman. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed 1935.
92 pages. Duration 1740
seconds. Eulenburg
Edition #ETP1906.
Published by Eulenburg
Edition (HL.49046240).
ISBN 9783795714536.
UPC: 888680964696.
6.0x9.0x0.237
inches. The violin
concerto from 1935 is
probably the best-known
and most frequently
performed instrumental
work by Alban Berg.
Written on behalf of the
violinist Louis Krasner,
it is his last completed
composition. Krasner
played the solo part at
the world premiere at the
Palau de la Música
Catalana in Barcelona on
19 April 1936 after
Berg's death. The concert
is dedicated to
“The Memory of an
Angel.†Berg
processed the death of
18-year-old Manon
Gropius, who had
contracted polio, and his
daughter Alma
Mahler-Werfel's marriage
to architect Walter
Gropius. His intention
was “to translate
the traits of the young
girl into musical
charactersâ€. With
more than 1,200 titles
from orchestral and
choral literature,
chamber music and music
theater, Edition
Eulenburg is the largest
score series in the
world. It covers a large
part of music history
from the baroque to
classical modernism and
looks back on a long
tradition. $22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Espana Romantica. Anthology of Guitar Works by Spanish Masters of the 19th Century - Vol. 1: 26 Easy to Intermediate Pieces Guitare - Facile Ut Orpheus
Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 274. Publ...(+)
Edited by Mario Martino.
Saddle stitching.
Classical.
Ut Orpheus #CH 274.
Published
by Ut Orpheus
$20.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Espana Romantica. Anthology of Guitar Works by Spanish Masters of the 19th Century - Vol. 4: 15 Opera and Zarzuela Transcriptions Guitare Ut Orpheus
Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 348. Publ...(+)
Edited by Mario Martino.
Saddle stitching.
Classical.
Ut Orpheus #CH 348.
Published
by Ut Orpheus
$29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Granados -- Allegro de Concierto, Op. 46 Piano seul - Avancé Alfred Publishing
Composed by Enrique Granados (1867-1916). Edited by Olga Llano Kuehl-White. M...(+)
Composed by Enrique
Granados
(1867-1916). Edited by
Olga
Llano Kuehl-White.
Masterworks; Piano Solo;
Solo; Solo Small
Ensembles.
Alfred Masterwork
Edition.
Masterwork; Romantic. 20
pages. Alfred Music #00-
47909. Published by
Alfred
Music
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Espana Romantica. Anthology of Guitar Works by Spanish Masters of the 19th Century - Vol. 2: 10 Advanced Pieces Guitare - Avancé Ut Orpheus
Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 275. Publ...(+)
Edited by Mario Martino.
Saddle stitching.
Classical.
Ut Orpheus #CH 275.
Published
by Ut Orpheus
$22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
1 31 61 |