SKU: M7.EDA-49

Composed by Krzysztof Meyer. CD. Duration 64'. Eda records #EDA 49. Published by eda records (M7.EDA-49).

UPC: 840387100494.

Kolja Lessing dedicates this recording to Krzysztof Meyer on the occasion of the composer's eightieth birthday in 2023. Meyer, one of the most important Polish composers of his generation, taught for many years as professor of composition at the Cologne College of Music and numbers among the important bridge-builders between Polish and German cultural life. As a pupil of Krzysztof Penderecki and Nadia Boulanger, he remarkably manages to integrate important communicative elements into an avant-garde musical language of great suggestive power and narrative charm. In the works written over a period of more than 40 years, Meyer proves himself to be an expert with profound knowledge of the technical possibilities of the violin. Kolja Lessing and Rainer Maria Klaas's interpretations, developed with the composer, captivate by means of their authenticity, by dint of their deep understanding of a music that is both expressive and euphonious, and through which a distinguished, deeply humanistic personality speaks.

SKU: GI.G-CD-585

Full CD-set. Sacred. CD. GIA Publications #585. Published by GIA Publications (GI.G-CD-585).

This ground-breaking new collection for young people, grades K–8, features all the music found in the Silver Burdett Ginn school catechetical series, Blest Are We. All music (grades 1–6) found here will be included in the new hymnal, Gather Comprehensive, Second Edition. Using Blest Are We music in classrooms and religious education settings is a great unprecedented way to connect youth activities to the larger Sunday Eucharist. This eight-CD set is available for this collection and includes both fully performed tracks as well as instrumental backing tracks for each song. There are also bonus meditation and catechetical tracks—perfect for classroom learning! CONTENTS: Blest Are We - We Praise You DAMEANS - Come All You People ARR. BELL - He Came Down ARR. BELL - If You Believe and I Believe ARR. BELL - Laudate Dominum BERTHIER - You Have Put on Christ HUGHES - Psalm 51: Be Merciful, O Lord HAUGEN - Go and Listen to the Word of God BATASTINI - Eat This Bread BERTHIER - Celtic Alleluia O'CARROLL / WALKER - We Are One ARR. FOSTER - Jesus, Heal Us - Gather Round This Table HAUGEN - Jubilate Servite BERTHIER - Bring Forth the Kingdom HAUGEN - All You Works of God HAUGEN - Blest Are They - O Breathe on Me, O Breath of God GAELIC HYMN - Hands of Healing HAUGEN - Song of the Body of Christ - The Lord's Prayer CHANT - Sing Out, Earth and Skies HAUGEN - Who Calls You by Name - I Am the Bread of Life / Yo Soy el Pan de Vida TOOLAN - The Hand of God - The Summons BELL - I Say Yes / Digo Sí, Señor PEÑA - Wade in the Water SPIRITUAL - Let Us Go Rejoicing JONCAS - We Are Climbing Jacob's Ladder SPIRITUAL - Creator of the Stars of Night CHANT - With You by My Side - Come, Emmanuel ALONSO - We Are the Hope TATE - In Remembrance of You TATE - Hold Us in Your Mercy: Penitential Litany COONEY/DAIGLE - Send Us Your Spirit - Hope at the Crossroads MAHLER - We Are Called - Give Us Your Peace MAHLER - I Have Been Anointed ROSE WARNER - Shelter Your Name ROSE - Send Down the Fire HAUGEN - We Have Been Told - Gloria CHANT - Glory to God (from Mass of Creation) HAUGEN - Come to the Table ALONSO - God Is ROSE - Set Your Heart on the Higher Gifts WARNER.

Orchestra Soli A, 2 Vl, 2 Va, Bc

SKU: CA.3105407

Cantata for Oculi. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. Stuttgart Urtext Edition: Bach vocal. Cantatas, Advent, Holy Week. Study score. Composed 1714. BWV 54. 20 pages. Duration 14 minutes. Carus Verlag #CV 31.054/07. Published by Carus Verlag (CA.3105407).

ISBN 9790007241346. Language: German/English. Text: Lehms, Georg Christian.

The cantata Widerstehe doch der Sunde BWV 54 is now one of Johann Sebastian Bach's most popular solo cantatas. The short text, which comprises three movements, comes from a 1711 collection of cantata texts by the Darmstadt court poet Christian Lehms, and warns in drastic terms that no sinner will inherit the kingdom of God. It is certainly no coincidence that Bach allocated this text to an alto voice, then often regarded as a symbol for the repentant sinner. The cantata comes from Bach's Weimar period and only survives in a fair copy of the score by Johann Gottfried Walther (music text ) and Johann Tobias Krebs (vocal text underlay). This didn't 't present any difficulties in preparing an edition. In Lehms' word book the cantata is allocated to Oculi Sunday (the third Sunday in Lent), but can also readily be sung on other occasions in the church year. Score available separately - see item CA.3105400.

SSATB choir

SKU: CA.982300

Chili con carne (Real Group) aus Berlin. Composed by Anders Edenroth. Arranged by Michael Betzner-Brandt. Modern a cappella. Full score. Duration 5 minutes. Carus Verlag #CV 09.823/00. Published by Carus Verlag (CA.982300).

ISBN 9790007143268. Text language: German. Text: Ludde, Cathleen / Zigutkin, Eugen. Text by Cathleen Ludde / Eugen Zigutkin.

SSAATTBB Choir

SKU: CA.967400

Composed by Jacek Sykulski. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 16 pages. Duration 8 minutes. Carus Verlag #CV 09.674/00. Published by Carus Verlag (CA.967400).

ISBN 9790007187484. Language: Latin.

With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions.

1 or 2 Voices (soprano, mezzo, bass) and continuo

SKU: FZ.5470

Composed by Benigne (De) Bacilly. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Chamber Music. Score. Published by Anne Fuzeau Productions - France (FZ.5470).

ISBN 9790540054700. 22.00 x 31.00 cm inches.

This facsimile of an original by Benigne de Bacilly is part of our French classical music collection. Edition : Paris, l'Auteur, 1668. Facsimiles of the edition in the Department of music, Bibliotheque Nationale, Paris. The preface gives the catalogue of the works of Bacilly and the paragraphs from Bacilly's treatise corresponding to each of their airs. Preface by: Philippe Lescat: catalogue of Bacilly's works. Jean Saint-Arroman application of Bacilly's Remarques to his Livre d'airs. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Floor Tom, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tam-tam, Timpani, Trombone, Trumpet, Tuba, Xylophone, alto Saxophone and more. - Grade 1

SKU: CF.BPS136F

Composed by Joseph Compello. Sws. Bps. Full score. 12 pages. Duration 2:10. Carl Fischer Music #BPS136F. Published by Carl Fischer Music (CF.BPS136F).

ISBN 9781491158050. UPC: 680160916658. 9 x 12 inches.

Cyclops is intended for first-year band students. Young players will better understand the character and mood of the music once they are given a description of the beastly, mythological giant with only one eye in middle of its forehead. An effective performance will require young players to adhere as closely as possible to the suggested tempo with a continuous marcato articulation. The piece has only one theme which is first heard in the low brass and low woodwinds from m. 9 to m. 21. Students should be made aware of the need for balance between the theme and the countermelody at m. 41. Percussion will learn to execute a crescendo at m. 61. Wind instruments will learn to properly perform ff with accents at m. 63. If a Tam-tam is not available, many electronic keyboards can closely simulate the sound. Thank you for choosing this composition. Joseph Compello.
Cyclops is intended for first-year band students. Young players will better understand the character and mood of the music once they are given a description of the beastly, mythological giant with only one eye in middle of its forehead. An effective performance will require young players to adhere as closely as possible to the suggested tempo with a continuous marcato articulation. The piece has only one theme which is first heard in the low brass and low woodwinds from m. 9 to m. 21. Students should be made aware of the need for balance between the theme and the countermelody at m. 41. Percussion will learn to execute a crescendo at m. 61. Wind instruments will learn to properly perform ff with accents at m. 63. If a Tam-tam is not available, many electronic keyboards can closely simulate the sound.Thank you for choosing this composition.Joseph Compello.

Holiday, Saddle-stitched. Christmas. Book and online audio. 76 pages. Mel Bay Publications, Inc #31045M. Published by Mel Bay Publications, Inc

(from Islas y Montanas). By Shelley Hanson. (Full Score). Boosey and Hawkes Concert Band. 26 pages. Published by Boosey and Hawkes.

SKU: GI.G-006507

Edited by Ralph Sprague. Sacred. GIA Publications #006507. Published by GIA Publications (GI.G-006507).

The ultimate resource for presiders and planners. This quarterly publication gives sample texts for many ritual moments, including Introduction to the Liturgy of the Day, Penitential Act Invocations, Introduction to the Liturgy of the Word, Dismissal of Catechumens (and Candidates), complete Prayers of the Faithful, Introduction to the Eucharistic Prayer, weddings, funerals, and occasional other liturgies. Also included are liturgical reminders and suggestions, a calendar listing, a Question of the Week, and a “Homily Helps” section based on the Sunday readings.  WLP worship resource subscribers get one Pastoral Patterns subscription free when they subscribe to 50 or more missals/hymnals!    Call customer service to receive the following quantity pricing:  5+ subscriptions: 12.00 each, plus shipping (Overseas subscriptions: $24.95 each, plus shipping).

Fanfare Band - Grade 3

SKU: BT.DHP-1053952-020

Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop and Rock. Set (Score and Parts). Composed 2006. De Haske Publications #DHP 1053952-020. Published by De Haske Publications (BT.DHP-1053952-020).

9x12 inches. English-German-French-Dut ch.

It is high time to expand the series Peterâ??s Popular Collection with a medley in latin style - music that is appealing to both young and old. For this arrangement, Peter Kleine Schaars has selected perhaps the three most well-known latin compositions ever written: the sultry rumba Bésame Mucho, the spicy cha-cha-cha Guantanamera and of course the stirring samba Quando, Quando, Quando. A dance feast in tropical mood!

Een medley in latin-stijl - vrolijke muziek die jong en oud aanspreekt. Peter Kleine Schaars selecteerde voor zijn arrangement de drie misschien wel bekendste latin-composities ooit geschreven: de zwoele rumba Besame Mucho,de pittige cha-cha-cha Quantanamera (of Guantanamera) en uiteraard de opzwepende samba Quando, Quando, Quando. Een dansfestijn in tropische sfeer!

Es ist an der Zeit, die beliebte Reihe Peter's Popular Collection um ein Medley im lateinamerikanischen Stil zu erweitern. Diese Musik spricht Jung und Alt an. Für sein Arrangement wählte Peter Kleine Schaars die drei vielleicht berühmtesten aller lateinamerikanischen Stücke, die je komponiert wurden, aus: die sinnliche Rumba Besame Mucho, den hei�en Cha-Cha-Cha Quantanamera und natürlich die bewegende Samba Quando, Quando, Quando. Ein Tanzfest in südamerikanischer Atmosphäre!

Ave c un titre aussi évocateur que Latin Favourites, Peter Kleine Schaars signe une oeuvre piquante aux couleurs du soleil sud-américain. Latin Favourites contient trois des plus belles pages de la musique latino-américaine : la sensuelle rumba Besame Mucho de la compositrice mexicaine Consuelito Velasquez, lâ??immortel cha-cha Guantanamera signé Joséito Fernandez et la très pétillante samba Quando,Quando,Quando.

Con un titolo così evocatore, Peter Kleine Schaars firma unâ??opera dai colori del sole sud-americano. Latin Favourites contiene tre tra le più belle melodie della musica latino-americana: la sensuale rumba Besame Mucho della compositrice messicana Consuelito Velasquez, lâ??intramontabile cha-cha Guantamanera firmata Joséito Fernandez e la spumeggiante samba Quando, Quando, Quando.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-203-010

Composed by Claude Debussy. Arranged by Philip Sparke. Anglo Music Midway Series. Classical. Set (Score & Parts). Composed 2007. Anglo Music Press #AMP 203-010. Published by Anglo Music Press (BT.AMP-203-010).

9x12 inches. English-German-French-Dut ch.

Claude Debussy wrote his two books of piano Preludes late in life, between 1909 and 1913. The 12 short pieces in each book display a rich variety of styles, moods and emotions almost a summing up of his compositional output and each has its own evocative title. The Girl with the Flaxen Hair is the 8th Prelude in the 1st book and popular for its emotional depth, despite its technical and harmonic simplicity. Indulge your band with this delightful arrangement.

Claud e Debussy (1862-1918) schreef zijn twee boeken met pianopreludes laat in zijn leven: tussen 1909 en 1913. De twaalf korte stukken in elk boek bevatten een rijke variatie aan stijlen, stemmingen en emoties. The Girl with theFlaxen Hair (La fille au cheveux de lin) is de achtste prelude uit het eerste boek, ze is geliefd vanwege de emotionele diepgang in de muziek, ondanks de technische en harmonische eenvoud. We weten niet wie het meisje in kwestiewas, maar deze mooie miniatuur roept levensechte beelden op.

The Girl with the Flaxen Hair ist ein Präludium des französischen Komponisten Claude Debussy und berühmt für seine emotionale Tiefe, trotz seiner technischen und harmonischen Schlichtheit. Wer das im Titel genannte Mädchen mit dem flachsfarbenen Haar war, ist nicht bekannt, aber diese wunderschöne Miniatur lässt sehr lebendige Bilder vor dem inneren Auge entstehen. Bewegend!

Composés entre 1909 et 1912, les deux livres de Préludes pour Piano comptent parmi les œuvres tardives de Claude Debussy (1862-1918). Chacune des vingt-quatre compositions - douze par livre - porte un titre évocateur. Elles révèlent une grande diversité de styles, de textures, de climats et d’émotions, et constituent un condensé de toutes les particularités du langage du musicien. Debussy a pris soin de n'indiquer les titres qu'en fin de morceau, de façon permettre chacun de découvrir ses impressions propres sans être influencé par des images ou poèmes existants. Le terme « impressionniste » prend ici tout son sens.La Fille aux Cheveux de Lin est lehuitième prélude du premier livre. Il est célèbre pour sa profondeur émotionnelle malgré sa simplicité technique et harmonique. Nul ne sait qui fut la fille aux cheveux de lin, mais cette miniature merveilleusement subtile réveille notre imaginaire.

Claude Debussy scrisse i suoi due libri di Preludi per pianoforte in tarda et , tra il 1909 e il 1913. I 12 brevi pezzi di ogni libro mostrano una ricca variet di stili, umori ed emozioni, quasi un riassunto della sua produzione compositiva e ognuno ha il suo titolo evocativo. The Girl with the Flaxen Hair è l’ottavo preludio nel primo libro ed è molto popolare per la sua profondit emotiva, nonostante la sua semplicit tecnica ed armonica.

Piano - Grade 5

SKU: ET.PNO27

Composed by Julien-Francois Zbinden. Contemporary. Composed 2000. Duration 13'. Editions BIM #PNO27. Published by Editions BIM (ET.PNO27).

ISBN 9790207024527.

As the title indicates, I have based the whole work on the letters of the first name of the dedicatee Marc Pantillon - german and french notations mixed - Mi, La, Re, Do (english E.A.D.C.). In melodic as well as in harmonic use.
The musical discourse is maintained by a various set of easy recognisable sequences, but not bearing any resemblance to the traditional variations of the pianistic repertoire.
Marc Pantillon has played the world premiere in March 2001 in Neuchâtel (Switzerland).
Julien-François Zbinden.

Violin and Viola. Composed by Ludovico Einaudi. String Ensemble. Contemporary Music. Book Only. Composed 2019. 16 pages. Ricordi #NR 13473400. Published by Ricordi

By Greg Gilpin. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

Piano

SKU: BT.SLB-00262800

Composed by Isaac Albeniz. Score Only. Composed 1984. 268 pages. Editions Salabert #SLB 00262800. Published by Editions Salabert (BT.SLB-00262800).

Contents: Almeria (Iberia) · Aragon · Barcarola, Op. 25 · Cadiz (Suite Espagnole) · Castilla · Cataluna · Cordoba, Op. 232, No. 4 · Cuba · El Albaicin (Iberia Suite) · El Polo (Iberia Suite) · El Puerto (Iberia Suite) · Eritana(Iberia Suite) · Evocation (Iberia Suite) · Fete Dieu a Seville · Granada · Jerez (Iberia Suite) · Lavapies (Iberia Suite) · Malaga (Iberia Suite) · Mallorca, Op. 202 · Orientale · Prelude (Chants D'espagne) · Rondena (IberiaSuite) · Seguidillas, Op. 232, No. 5 · Sevilla (Sevillanas) · Sous Le Palmier (Chants D'espagne) · Theme From Asturias · Triana (Iberia Suite).

Voice and basso continuo (1 or 2 soprano voices)

SKU: FZ.3276

Composed by Nicolas-Antoine Lebegue. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Sacred. Score. Published by Anne Fuzeau Productions - France (FZ.3276).

ISBN 9790230632768. 23.50 x 32.50 cm inches.

This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, C. Ballard, 1687. These motets, quite short and presenting few difficulties, are an excellent introduction to the French vocal repertory of the second half of the 17th century. Preface by: Philippe Lescat: Lebegue's works. Jean Saint-Arroman: bibliography of the motets - comparison of the sources. Motet for 2 soprano voices and continuo: O crux ave (page 11). All the other motets are for 1 soprano voice and continuo. Motets in which the right hand part of the organ is written between the sung phrases: Veni Sancte Spiritus (page 1) - O Rex gloriae (page 14) - Parasti in conspectu (page 18) - Vidi speciosam (page 24) - O salutaris hostia (page 35) - Anima Christi (page 39) - Ave verum (page 44) - Salve Regina (page 49) - Regina Coeli (page 56) - Exultet Omnium (page 60) - Domine salvum fac Regem (page 65) - Domine salvum fac Regem (page 68). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.










Facsimile of a copy in the Schonborn Castle's Library of Wiesentheid (Germany). Anne Fuzeau Classique propose period copies of classical music scores.

Flute; Recorder; Violin; Orchestra; Early Music

SKU: UT.GCE-20

Composed by Francesco Geminiani. Edited by Rudolf Rasch. Francesco Geminiani Opera Omnia. Classical. Score. Ut Orpheus #GCE 20. Published by Ut Orpheus (UT.GCE-20).

ISBN 9790215328259. 9 x 12 inches.

Given that appendices have since been included in other volumes, it now seems appropriate to compile an appendix for Volume 1A in the form of a separate publication, Volume 1C of the series. Even with a whole volume available, however, it is impossible to include all known arrangements. Such a publication would be of disproportionate size: it would require about 600 pages, due largely to the two complete or near-complete sets of concerto arrangements. The present volume thus includes only selections from these sets of concerto arrangements and also only a selection from Edward Finch’s complete set of arrangements in the form of transverse-flute sonatas. The smaller sets of arrangements—eithe r as solo sonatas or as trio sonatas—are included in their entirety.
The available arrangements fall into three distinct categories: solo sonatas, trio sonatas, and concertos. There are fourteen arrangements by Edward Finch for transverse flute with figured bass; they are found in the so-called Armstrong-Finch manuscript and comprise a full set of twelve plus two duplicate versions. Four of these arrangements are included in the present volume. Three more arrangements for transverse flute or recorder with figured bass are found in anthologies of sonatas for these instruments published in the 1720s; they are all of them edited here. Geminiani’s Sonatas VII-XII were transformed into trio sonatas by Francesco Barsanti and published in this format in 1727. These arrangements are included here in complete form as well. A near-complete set of concerto arrangements—Sonat a XI is missing—was composed by Charles Avison and a complete set by Gerhard Christoph Raupach, both sets composed probably in the 1730s. From each of these two sets, two examples were selected for inclusion in the present volume. They are supplemented by single concerto arrangements by William Hayes (after Sonata IV) and Johan Helmich Roman (after Sonata VI), composed at all probability in the 1730s as well. None of these concerto arrangements was published in the eighteenth century.

Choral SSA Choir and Piano

SKU: CF.CM9704

Composed by Richard Hageman. Arranged by Stephen Rotz. Jbc. 12 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #CM9704. Published by Carl Fischer Music (CF.CM9704).

ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore.

Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker.  .
Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time  that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic” to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .

Violin and continuo

SKU: FZ.2664

Composed by Charles-Antoine Branche. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Chamber Music. Published by Anne Fuzeau Productions - France (FZ.2664).

ISBN 9790230626644. 22.50 x 31.50 cm inches.

This facsimile of an original by Charles-Antoine Branche is part of our French classical music collection. Edition : Paris, l'Auteur, Boivin, Leclerc, Castagnery, 1748. These sonatas are very interesting on account of their technical difficulties as well as their melodic quality and wealth of ornamentation. Preface by Philippe Lescat: biography of C. A. Branche - Branche's works - notation - accidentals - figures - phrasing - ornamentation - time signatures. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS26

Full Score. Composed by Sean O'Loughlin. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #FAS26. Published by Carl Fischer Music (CF.FAS26).

ISBN 9780825854811. UPC: 798408054816. 8.5 X 11 inches. Key: D major.

Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teachingA pizzicato playing as a melodic device. Most often,A pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the mainA pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing theseA pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of theseA pizzicatoA lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teachingA pizzicato playing as a melodic device. Most often,A pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the mainA pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing theseA pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of theseA pizzicatoA lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless. Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lines.
Arches is a piece for the developing string orchestra that derives its title from the national park in Utah. I visited the Arches National Monument in June of 2003 during a cross-country trip. The Delicate Arch is the recognizable landmark from this beautiful national park. In order to see this remarkable natural formation up close, you have to hike a trail of over two miles. The music in this piece is inspired by my journey to see the arch. Once there, you are treated to a vast panoramic view of the golden Utah landscape that leaves one breathless.Arches is an effective piece in teaching pizzicato playing as a melodic device. Most often, pizzicato is used as an effect or punctuation mark to larger melodic ideas. There is a brief arco section to provide contrast and build up to the dramatic return of the main pizzicato melody. Each section in the ensemble has a statement of the melody. It is important to think linearly in addition to vertically when playing these pizzicato lines. Forward motion is of up-most importance in terms of making musical phrases out of these pizzicato lin es.

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 576 pages. Published by Hal Leonard

By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 144 pages. Published by Mel Bay Publications, Inc.

Piano; Vocal; Voice (Low Voice)

SKU: HL.48016320

Composed by Salvatore Cardillo. This edition: M570020041. Boosey & Hawkes Voice. Classical, Contemporary. 8 pages. Josef Weinberger #M570020041. Published by Josef Weinberger (HL.48016320).

UPC: 073999374896. 68.5x11.0x0.017 inches.

In C.

By James McLeod. Orchestra Method/Study. Night At the Symphony. Level: Grade 4. Music Book. Published by Neil A. Kjos Music Company.

Violin

SKU: BT.DHP-1084617-400

Composed by Gunter Van Rompaey, Jaap van Elst, and Wim Meuris. Speel viool! Book with CD. Composed 2009. 60 pages. De Haske Publications #DHP 1084617-400. Published by De Haske Publications (BT.DHP-1084617-400).

ISBN 9789043130592. 9x12 inches. Dutch.

Speel viool! is uitstekend geschikt voor gebruik in de individuele of groepsles. Met 24 gestructureerde lessen en twee zorgvuldig samengestelde cdâ??s vormt elk deel een prima leidraad voor iedere vioolleerling. De methode onderscheidtzich door duidelijke instructies, intonatie- en naspeeloefeningen (met de cdâ??s als hulpmiddel), ritmeoefeningen, opdrachten en spelletjes. De leerstof is ook verwerkt in bekende en nieuwe speelstukjes, evenals duetten.Een kruiswoordraadsel (deel 1), een sudoku (deel 2) en interessante achtergrondinformatie maken de boeken extra aantrekkelijk voor de leerling.Viool leren spelen wordt zo nóg leuker!Deel 1 behandelt onder meer:â?¢ pizzicatospelâ?¢ deeerste twee vingerstandenâ?¢ vlot leren strijkenâ?¢ legatospelâ?¢ snaarwisselingenâ?¢ basistoonladdersâ?¢ fluittonenâ?¢ eenvoudig dubbelsnarenspelâ?¢ improvisatieâ?¢ bewegingsoefeningenDeel 2 behandelt onder meer:â?¢ de derde en de vierde vingerstandâ?¢de derde positie (tweede vingerstand), eenvoudige positiewisselingenâ?¢ grote- en kleine-tertstoonladders, evenals drieklankenâ?¢ staccato, portato, spiccato (basis)â?¢ vibrato â?¢ syncopenâ?¢ triolen â?¢ dubbelgrepen â?¢ zittend spelenâ?¢ muzikaleaanduidingen â?¢ fluittonenDe pianobegeleidingen van Speel viool! zijn afzonderlijk verkrijgbaar. Bij elk van de pianoboeken hoort een cd waarop de begeleidingen te horen zijn, ingespeeld op een echte vleugel.Extra speelmateriaalvoor bij deel 1 (vanaf les 8) en deel 2:.