(At a Glance Series). At a Glance. Softcover with DVD. Guitar tablature. 48 pages. Published by Hal Leonard

Edited by Amy Appleby. For piano. Format: solo piano book (spiral bound). With introductory text and lyrics. Blues and ragtime. 319 pages. 9x12 inches. Published by Music Sales.

(Complete Original Sheet Music Editions) Performed by Nat "King" Cole. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Jazz, standards and pop vocal. Series: Creative Concepts Publishing, . 176 pages. 9x12 inches. Published by Hal Leonard.

(Tenor Sax). For Tenor Saxophone (Tenor Sax). De Haske Play-Along Book. Play Along. Book with CD. 32 pages. De Haske Publications #1053868400. Published by De Haske Publications

For Tuba/Bass Trombone. Includes a high-quality printed music score; and a compact disc with complete versions (with soloist) followed by the orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One.

SATB choir with piano or Large orchestra or wind ensemble

SKU: EC.RBM-121

Composed by Randol Alan Bass. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-121. Published by Randol Bass Music (EC.RBM-121).

This arrangement was created for the Chicago Symphony and Chorus in 2005 for their “Welcome Yule” presentations of that year. The original version was fashioned as an instrumental-only setting of four bell-song arrangements that had appeared in other carols settings by the arranger over time, with the vocal parts having been substituted for by orchestral instruments.

(E-Flat Alto Saxophone, E-Flat Clarinet). Arranged by Michael Story and Michael Story. For Alto Saxophone (E-Flat Saxes and E-Flat Clarinets). Mixed Instruments - Flexible Instrumentation; Quartet. Instrumental Ensembles for All. Movie. Book. 24 pages

By Various. Edited by Helen Marlais. For Piano. The FJH Pianist's Curriculum. Jazz, Blues, and Rags. Level: Intermediate. Collection and Listening CD. Published by The FJH Music Company Inc.

By Various. Arranged by Gale, Nagle And Thomas. Saxophone Quartet. For Part 4: Baritone Saxophone. Individual part. Published by Music Express.

Oboe and Piano. By Christopher Norton. (Oboe). Boosey and Hawkes Chamber Music. Size 8.25x11.75 inches. 32 pages. Published by Boosey and Hawkes.

Melody/Lyrics/Chord Frames. Performed by Various. Guitar Collection. Size 9x12 inches. 98 pages. Published by Hal Leonard.

(Viola). Arranged by Michael Story. For Viola. Mixed Instruments - Flexible Instrumentation; Quartet. Instrumental Ensembles for All. Movie. Book. 24 pages

By Tricia Woods. For Electronic Keyboard. Electronic Keyboard. National Guitar Workshop. Blues. Level: Advanced. Book and CD. 48 pages. Published by Alfred Publishing.

(Trombone). For Trombone (Trombone). De Haske Play-Along Book. Play Along. Book with CD. 60 pages. De Haske Publications #1053866400. Published by De Haske Publications

by William Bay. For clarinet. Complete. Jazz. Level: Intermediate. Book. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.

Guitar Tab Method. Instruction. Softcover Audio Online. With guitar tablature. 32 pages. Published by Hal Leonard

(Flute, Piccolo). Arranged by Michael Story and Michael Story. For Flute, Piccolo. Mixed Instruments - Flexible Instrumentation; Quartet. Instrumental Ensembles for All. Movie. Book. 24 pages

SATB choir, piano accompaniment - Intermediate

SKU: GI.G-9958

Composed by Wayland Rogers. Children. Global Encounters for Young Choirs. Music Education. Octavo. 12 pages. GIA Publications #9958. Published by GIA Publications (GI.G-9958).

UPC: 785147995807. English. Text Source: From I Loved You First, Christina Rossetti, 1830-1894, alt. Text by Christina Rossetti.

 The English Romantic poet, Christina Rossetti (1830–1894), is chiefly known for her mystic religious lyrics. Her limited number of love poems are mostly of an unhappy nature, rather like objective expressions of happiness denied. A certain steely stoicism within her caused her to turn away from love twice in her lifetime with two separate men. There is no evidence of resolute refusal of love in this poem, however. Here she profusely proclaims her deep love for another. Wayland Rogers has set the last five lines of I Loved You First to music. The setting is an excerpt from his song cycle, I-Thou , which was commissioned and premiered by Fourth Coast Ensemble in Chicago in 2018.  About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.

Book and accompaniment CD for singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet harmonica. Celebrate the music of great innovaters who started in all with these Dixieland favorites. Level: Intermediate/Advanced. Series: Jamey Aebersold Standards Play-A-Long. Published by Jamey Aebersold Jazz.

By Various. Arranged by Gale, Nagle And Thomas. Saxophone Quartet. For Part 1: Soprano Saxophone. Individual part. Published by Music Express.

Chamber Music String Quartet

SKU: PR.164002720

Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720).

UPC: 680160573042. 8.5 x 11 inches.

My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change.   I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania]   The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla.   Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional.   II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts]   This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture.   This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream.   III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts]   The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this.   Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1.   String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet.

Ten Years of Popular Hits Arranged for EASY PIANO. Arranged by Dan Coates. For Piano. Piano - Easy Piano Collection. Decade by Decade. Nostalgia; Pop. Level: Easy Piano. Book. 144 pages. Published by Alfred Publishing.

(Guitar Play-Along Volume 146). By Robert Johnson. For Guitar. Guitar Play-Along. Softcover with CD. Guitar tablature. 80 pages. Published by Hal Leonard

Performed by Robert Johnson. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 216 pages. Published by Hal Leonard.

By Various. Arranged by Gale, Nagle And Thomas. Clarinet Quartet. For Part 1: Bb Clarinet 1. Individual part. Published by Music Express.

By Various. Arranged by Nagle and Thomas Gale. Saxophone Quartet. For part 1 (alto saxophone - sub for soprano saxophone). Instrument part 1 (alto saxophone/sub. For soprano saxophone). Published by Music Express

Correlates with Book 2. By Various. Guitar Method. Instruction, Method, Pop/Rock. Softcover Audio Online. 48 pages. Published by Hal Leonard

(Reggae, Rock and More Express Musical for Young Voices). Composed by John Jacobson and Roger Emerson. For Choral (CLASSRM KIT). Music Express Books. Published by Hal Leonard