Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134702

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A134702. Published by LudwigMasters Publications (AP.36-A134702).

UPC: 659359985690. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134748

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Solo Violin Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A134748. Published by LudwigMasters Publications (AP.36-A134748).

ISBN 9798888529850. UPC: 659359935244. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134701

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A134701. Published by LudwigMasters Publications (AP.36-A134701).

ISBN 9798888529843. UPC: 659359537080. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Composed by Robert D. Levin / Wolfgang Amadeus Mozart. Stuttgart Urtext Edition. German title: Messen (18), Requiem, 2 Vespern /Schuber. Latin Masses, Missa brevis in Latin, Requiem. Set with study scores. Published by Carus Verlag

(4. Adagietto). By Gustav Mahler (1860-1911). Arranged by Christiaan Janssen. For Concert Band. Grade 5. Full score and set of parts. Duration 11:00

By Johann Sebastian Bach. Arranged by Roland L. Moelmann. By Johann Sebastian Bach / arr. Roland L. Moelmann. For Concert Band. Concert band. Classic Band. Level: Medium Easy (grade 3). Conductor Score & Parts. 182 pages. Duration 6:10:00. Published by Alfred Publishing.

By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Victor LÌ_pez. Concert Band. Concert Band; Masterworks; SmartMusic. Belwin Concert Band. Masterwork Arrangement; Romantic. Grade 3. Conductor Score and Parts. 238 pages. Published by Belwin Publishing

(Aux Chapelles). By Charles Francois Gounod (1818-1893). Arranged by Martin Baumgartner. For Choir and Concert Band. Grade 3. Full score and set of parts. Duration 15:00. Published by Baton Music . Full score and set of parts.

(Aux Chapelles). By Charles Francois Gounod (1818-1893). Arranged by Martin Baumgartner. For Choir and Concert Band. Grade 3. Score. Duration 15:00

(St. Anne's Fugue). By Joh. Sebastian Bach. Arranged by Gary Bricault. For Concert Band. Grade 4. Full score and set of parts. Duration 6:00

(4. Finale). By Anton Bruckner (1824-1896). Arranged by Christiaan Janssen. For Concert Band. Grade 6. Full score and set of parts. Duration 21:30

Grade 3

SKU: CL.MHT-0012-75

Composed by Johann Sebastian Bach. Arranged by Hindsley. Concert Band. Oversized, spiral-bound score. C.L. Barnhouse #MHT-0012-75. Published by C.L. Barnhouse (CL.MHT-0012-75).

Grade 3

SKU: CL.MHT-0012-01

Composed by Johann Sebastian Bach. Arranged by Hindsley. Concert Band. Extra full score. C.L. Barnhouse #MHT-0012-01. Published by C.L. Barnhouse (CL.MHT-0012-01).

Grade 3

SKU: CL.MHT-0012-00

Composed by Johann Sebastian Bach. Arranged by Hindsley. Concert Band. Score and set of parts. C.L. Barnhouse #MHT-0012-00. Published by C.L. Barnhouse (CL.MHT-0012-00).

(2. Andante con moto). By Franz Schubert (1797-1828). Arranged by Jos van de Braak. For Concert Band. Grade 4. Full score and set of parts. Duration 11:30

By John Edmondson. For concert band. Queenwood Developing Band. Grade 1.5. Score and set of parts. Published by Queenwood Publications . Score and Parts.

Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

For the Concertos for Piano and Orchestra C major K 467 and D major K 537 'Coronation' by Wolfgang Amadeus Mozart. Composed by Wolfgang Amadeus Mozart (1756-1791) and Faz?l Say. Edited by Fazil Say. This edition: Saddle stitching. Sheet music. Piano. Classical. Softcover. Composed 1995/2005. 12 pages. Schott Music #ED20504. Published by Schott Music

Concert Band (Score & Parts)

SKU: HL.4008643

Score and Parts. Composed by Franco Cesarini. Arranged by Franco Cesarini. Editions Franco Cesarini. Concert Band, Tuning, Warm-Up. Softcover. Hal Leonard #EFC003-CBHA. Published by Hal Leonard (HL.4008643).

ISBN 9798350114997. UPC: 196288189664.

Durin g his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing” exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground.

Concert Band (Full Score)

SKU: HL.4007483

Score. Composed by Franco Cesarini. Arranged by Franco Cesarini. Editions Franco Cesarini. Concert Band, Tuning, Warm-Up. Softcover. Hal Leonard #EFC003-SC. Published by Hal Leonard (HL.4007483).

UPC: 196288058175.

Durin g his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing” exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground.

(Full Score and Parts (CD Audio Inside Internet/Web Interactive)). By Andrew Balent. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Tenor I, Tenor II, Euphonium, Bassoon, Tuba, S. Carl Fischer Concert Performance Series (Sounds Spectacular). Grade 3. Score and Set of Parts. Standard notation. 36 pages. Published by Carl Fischer

Metamorphoses on a Theme by Tchaikovsky for Brass Band. By Johan De Meij. (Score). Amstel Concert Bands. 90 pages. Published by Amstel Music.

Composed by Oskar Reiding. Edited by Kurt Sassmannshaus. Stapled. Barenreiter's Concert Pieces. Piano reduction, part(s). 7/15 pages. Baerenreiter Verlag #BA 10697. Published by Baerenreiter Verlag

(Full Score). By Andrew Balent. Concert Band. For Concert Band. Sounds Spectacular - Grade 3. Grade 3. Full Score. Standard notation. 36 pages

Orchestra Orchestra

SKU: AP.6-80531X

Composed by Franz Joseph Haydn. Full Orchestra (Full Score). Dover Edition. Classical; Masterwork. Score; Book. 300 pages. Dover Publications #06-80531X. Published by Dover Publications (AP.6-80531X).

ISBN 9780486805306. UPC: 800759805310. English.

Commission ed in 1786 by the Paris-based orchestra Le Concert de la Loge Olympique, these six symphonies were created for an extraordinarily large ensemble of both professional and amateur players, including reinforced woodwind parts and a large string section. The symphonies are:
Symphony No. 82 in C major, L'Ours (The Bear), 1786
Symphony No. 83 in G minor, La Poule (The Hen), 1785
Symphony No. 84 in E flat major, In Nomine Domini, 1786
Symphony No. 85 in B flat major, La Reine (The Queen), 1785
Symphony No. 86 in D major, 1786
Symphony No. 87 in A major, 1785
Composer Giuseppe Maria Cambini, a member of the orchestra, noted that the enthusiastically received premieres featured some of the city's finest musicians. A contemporary critic remarked that Each hearing increases our appreciation and admiration of the works of the great genius, who, in all his pieces, understands so well how to draw the richest and most varied developments from every theme. Reproduced from the authoritative Breitkopf & Härtel editions, this volume offers musicians and music lovers an inexpensive and authoritative compilation of Haydn's ever-popular works.

Concert Band - Grade 2

SKU: AP.46660

Composed by Mark D. Slater. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Form: March. Score and Part(s). 184 pages. Alfred Music #00-46660. Published by Alfred Music (AP.46660).

UPC: 038081532752. English.

A march written predominately in a minor key? Crazy! This unique and fun-to-play march explores the tonal centers of F minor and D-flat major. Chock-full of rhythmic and dynamic elements, this is a great teaching piece that will be an exciting component of any concert or contest program.

Concert Band - Grade 2

SKU: AP.46660S

Composed by Mark D. Slater. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Form: March. Score. 16 pages. Alfred Music #00-46660S. Published by Alfred Music (AP.46660S).

UPC: 038081532769. English.

A march written predominately in a minor key? Crazy! This unique and fun-to-play march explores the tonal centers of F minor and D-flat major. Chock-full of rhythmic and dynamic elements, this is a great teaching piece that will be an exciting component of any concert or contest program.

By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major). German title: Violinsonate in D. Part: basso continuo. Language: all languages. 8 pages. Duration 12 minutes. Published by Carus Verlag