Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105209

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. 1x 31.052/21 oboe 1, 1x 31.052/22 oboe 2, 1x 31.052/23 oboe 3, 1x 31.052/24 bassoon, 1x 31.052/31 horns 1 and 2, 1x 31.052/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/09. Published by Carus Verlag (CA.3105209).

ISBN 9790007206307. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

Orchestra Bass Clarinet, Bassoon, Clarinet, Contrabass, English Horn, Flute, Horn 1, Horn 2, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.446412600

For Piano and Orchestra. Composed by Ellen Taaffe Zwilich. Watkiss. Premiere: Louisiana Philharmonic Orchestra, Carlos Miguel Prieto, Music Director. Contemporary. Full score. With Standard notation. Composed 2011. 96 pages. Duration 20 minutes. Theodore Presser Company #446-41260. Published by Theodore Presser Company (PR.446412600).

ISBN 9781598063936. UPC: 680160602933. 9x12 inches.

Shadows is Ellen Zwilich’s fifth piano concerto and the second concerto that Zwilich has composed for pianist Jeffrey Biegel and a consortium of many orchestras. The composer describes Shadows as a work evoking the recollection of ancestral, religious, and cultural roots in people’s constant migration. The final movement reflects the triumph of the human spirit over natural and man-made disasters. Duration: 20’.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704849

Composed by Johann David Heinichen. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1765. Duration 45 minutes. Carus Verlag #CV 27.048/49. Published by Carus Verlag (CA.2704849).

ISBN 9790007199449. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704819

Composed by Johann David Heinichen. German title: Missa Nr. 9 in D. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 45 minutes. Carus Verlag #CV 27.048/19. Published by Carus Verlag (CA.2704819).

ISBN 9790007138868. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and parts available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704811

Composed by Johann David Heinichen. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/11. Published by Carus Verlag (CA.2704811).

ISBN 9790007199401. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704805

Composed by Johann David Heinichen. Sacred vocal music, Masses, Latin. Choral Score. Duration 45 minutes. Carus Verlag #CV 27.048/05. Published by Carus Verlag (CA.2704805).

ISBN 9790007109653. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704809

Composed by Johann David Heinichen. 1x 27.048/21 flute 1, 1x 27.048/22 flute 2, 1x 27.048/23 oboe 1, 1x 27.048/24 oboe 2, 1x 27.048/31 horn 1, 1x 27.048/32 horn 2, 1x 27.048/33 trumpet 1, 1x 27.048/34 trumpet 2, 1x 27.048/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 72 pages. Duration 45 minutes. Carus Verlag #CV 27.048/09. Published by Carus Verlag (CA.2704809).

ISBN 9790007199395. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and parts available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704812

Composed by Johann David Heinichen. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/12. Published by Carus Verlag (CA.2704812).

ISBN 9790007199418. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704814

Composed by Johann David Heinichen. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/14. Published by Carus Verlag (CA.2704814).

ISBN 9790007199432. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704813

Composed by Johann David Heinichen. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 45 minutes. Carus Verlag #CV 27.048/13. Published by Carus Verlag (CA.2704813).

ISBN 9790007199425. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

Chamber Music Bass Clarinet 2, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Flute 1, Flute 2, Oboe 1, Oboe 2, alto Saxophone, soprano Saxophone

SKU: PR.114414480

18 Transcriptions of J.S. Bach for Chamber Winds. Composed by Johann Sebastian Bach. Folder. Baroque. Set of Score and Parts. With Standard notation. 64+12+12+12+12+12+12+12+1 2+12+12+12+12+12+12 pages. Duration 48 minutes. Theodore Presser Company #114-41448. Published by Theodore Presser Company (PR.114414480).

ISBN 9781598063264. UPC: 680160597932. 9x12 inches. Key: Bb major. Transcribed by Carter Pann.

A unique collection of elegant transcriptions of Bach’s keyboard and instrumental gems scored for 10 woodwinds, with flexible scoring and ossia parts – ideal for schools and “pull-out” groups on wind ensemble concerts.
The music of Johann Sebastian Bach (1685-1750) is a gift. Nearly every piece that poured out of this man is as inspired and perfected as the next. His body of work has cut a deep incision in the recorded history of music and set a benchmark to which all the contrapuntal masters who followed have aspired to meet.The transcriptions found within this volume add to the thousands upon thousands of versions of his music already re-worked for different groups and media. The music here does not, however, embellish Bach’s own scores (save but for a couple of instances in which it was felt necessary to add an inner voice to serve the expansive range of the ten woodwinds). The selections are ordered (loosely) to assume a smooth, inclined trajectory of both difficulty and musical breadth. The first piece is a small and simpleminuet, the last is a long interior movement of one of the most beloved and advanced violin concertos in the whole repertoire.As a keyboard player I grew up learning and falling in love with much of Bach’s music at the piano. For this very reason, much of this volume consists of the composer’s keyboard works. One cannot, however, deny many of the most cherished works from Bach’s oeuvre when compiling a set of transcriptions, and many of those “hits” are included here as well.Departing from a traditional harmoniemusik ensemble, I have replaced the horns here with saxophones. There are two reasons: 1) the nature of much of this music requires instruments with an ease of agility not executable so readily on the horn; and 2) the opportunity for saxophone players to be included in such an ensemble was very attractive, pedagogically.I hope you enjoy these gems from such a great genius.

Orchestra Bassoon 1, Bassoon 2, Cello, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Flute 3, Horn, Oboe 1, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trombone, Trumpet, Tuba, Viola, Violin 1, Violin 2

SKU: CF.CY753F

For Piano and Orchestra. Composed by Louise Talma. Full score. With Standard notation. 93 pages. Duration 21 minutes. Carl Fischer Music #CY753F. Published by Carl Fischer Music (CF.CY753F).

ISBN 9781491144428. UPC: 680160901920.

A devout Catholic and social progressive, Louise Talma was devastated by John F. Kennedy's death, and immediately began commemorating the president in her music. Her first work of commemoration was her piano concerto Dialogues, which was premiered in December 1965 by pianist Grant Johannesen and the Buffalo Orchestra led by Lukas Foss. A response to Kennedy's unfinished plans, all five of the piece's movements, Challenge, Struggle, Respite, Pursuit, and Peace, are focused on the creation and completion of patterns. --Kendra Preston Leonard, Louise Talma: A Life in Composition.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Percussion Ensemble

SKU: BT.WH31279

Composed by Per Nørgård. Classical. Score Only. Composed 2012. 138 pages. Edition Wilhelm Hansen #WH31279. Published by Edition Wilhelm Hansen (BT.WH31279).

ISBN 9788759821947. English.

For two Percussion soloists and ten instruments. Commissioned by and dedicated to Safri Duo. A Concerto in three movements based on Preludes by J.S. Bach, for Percussion Duo and Orchestra. Reduced version, 2010, by Steve Ferre, approved by the composer for Percussion Duo (unchanged) and ten instruments (5 woodwind, 5 strings) 1 Flute dbl. Piccolo and Alto Flute in G 1 Oboe dbl. Cor Anglaid in FY 1 Clarinet in Bb dbl. Bass Clarinet in Bb 1 Bassoon 1 Horn in F 1 Violin 1 1 Violin 2 1 Viola 1 Cello 1 Double Bass The score is written in C.

Chamber Ensemble

SKU: HL.50039400

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Ensemble. Classical. 24 pages. Ricordi #PR1004. Published by Ricordi (HL.50039400).

8.0x10.75x0.091 inches.

Orchestra

SKU: HL.50032780

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Score Only. Composed 1984. Ricordi #PR305. Published by Ricordi (HL.50032780).

6.75x10.5 inches.

SKU: HL.50486944

Study Score. Hal Leonard #PR556. Published by Hal Leonard (HL.50486944).

By Antonio Vivaldi. Woodwind and string ensembles. Published by International Music Co.

Chamber Orchestra

SKU: HL.50031510

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Score Only. Composed 1984. Ricordi #PR599. Published by Ricordi (HL.50031510).

8.0x10.75x0.112 inches.

Orchestra

SKU: HL.50482784

Parts. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Instrumental works by A. Vivaldi edited by G. F. Malipiero. Classical. Set of Parts. Composed 1991. Ricordi #NR135832. Published by Ricordi (HL.50482784).

UPC: 073999811674. 7.75x10.75x0.144 inches.

SKU: HL.50484068

Parts. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Special Import. Classical. Ricordi #R135855. Published by Ricordi (HL.50484068).

6.75x10.5 inches.

Composed by Tarquinio Merula. Edited by Alessandro Bares. For 2 violins, cello (violone, viola da gamba or bassoon) and basso continuo. This edition: Paperback. Concerto de' varii stromenti. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Arien f!r Singstimme, Blockfl!ten und Bc; Nr. 4 und 5 mit obligatem Fagott (im der Partitur beiliegenden Stimmensatz auch die Vokalstimme). By Sch!Rmann, Georg Caspar. Edited by Delius, Nicolaus. For hSingSt, Alto recorder (f,g) (2), Bassoon, Basso continuo. Concerto vocale. Playing Score; Set of Parts (paperbound). Published by Baerenreiter-Ausgaben (German import).

Mixed Chamber Ensemble

SKU: HL.50037090

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Score Only. Composed 1984. Ricordi #PR849. Published by Ricordi (HL.50037090).

8.0x10.5x0.271 inches.

Mixed Chamber Ensemble

SKU: HL.50037100

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Score Only. Composed 1984. Ricordi #PR848. Published by Ricordi (HL.50037100).

6.75x10.5 inches.