| Concerto for Oboe Hautbois Heugel
Oboe SKU: HL.48187775 Composed by Darius Milhaud. Leduc. Classical. Softc...(+)
Oboe SKU:
HL.48187775 Composed
by Darius Milhaud. Leduc.
Classical. Softcover. 20
pages. Heugel & Cie
#HE31597. Published by
Heugel & Cie
(HL.48187775). UPC:
888680872953.
9.25x12.0x0.298
inches. French
composer and teacher,
Darius Milhaud
(1892-1974) was a
prolific composer of the
20th century as a member
of 'Les Six'. His
compositions remain
highly regarded, Concerto
for Oboe being no
exception. Milhaud's
compositions are
influenced by jazz and
polytonality, as
exemplified in Concerto
for Oboe, which includes
a Piano reduction
accompaniment. Composed
in 1957, Concerto for
Oboe is an alternative,
exciting concerto made up
of three movements; 1)
Animated, 2) With
Serenity, and 3)
Animated. With a typical
performance lasting
around 18 and a half
minutes, Milhaud makes
use of variation in
articulation, complex
rhythms, chromaticism,
altering tempos,
variation in dynamics and
a wide tessitura, amongst
other aspects. Milhaud's
Concerto for Oboe is
essential to all advanced
oboists seeking modern
and exciting
repertoire.. $57.80 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto de Poche pour 2 Claviers - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Xylophone (Mvt.1 and Mvt 3), 1 Vibraphone ...(+)
Chamber Music & Piano
Accompaniment 1 Xylophone
(Mvt.1 and Mvt 3), 1
Vibraphone (Mvt. 2) 1
Piano - Grade 3 SKU:
FL.FX074303 Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074303.
Published by FLEX
Editions (FL.FX074303).
3 movements of
a mini concerto for mini
soloists who have been
playing their instruments
for 4-5 years - Pascal
PROUST ; Instruments: 1
Xylophone (Mvt.1 and Mvt
3), 1 Vibraphone (Mvt. 2)
1 Piano; Difficuly Level:
Grade 3; Duration: 3 mn
35 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Pascal PROUST. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Brandenburg No. 3 - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS1...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 - Grade 3
SKU: CF.CAS156F
2nd Movement.
Composed by Johann
Sebastian Bach. Arranged
by Todd Parrish. Cas.
Full score. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CAS156F.
Published by Carl Fischer
Music (CF.CAS156F).
ISBN 9781491165416.
UPC: 680160924325. Key: G
major. This
energetic second movement
from Bach's famed
Brandenburg Concerto No.
3 has been skillfully
arranged to be more
accessible to the
developing string
ensemble. Remaining in
the key of G major, this
piece has been re-scored
from the original
compound meter of 12/8 to
simple 3/4 time, allowing
both conductor and
players to more easily
manage the pulse. All
instruments get moving
parts with vigorous
melodies and
countermelodies, while
the original solos have
been integrated into the
sections. An excellent
introduction to a classic
piece of Baroque
repertoire.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto de Poche pour Euphonium - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 C Euphonium B.C. or 1 Bb Euphonium/Saxhorn...(+)
Chamber Music & Piano
Accompaniment 1 C
Euphonium B.C. or 1 Bb
Euphonium/Saxhorn B.C. or
1 Bb Euphonium/Saxhorn
T.C. 1 Piano - Grade 3
SKU: FL.FX074305
Composed by Pascal
Proust. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX074305.
Published by FLEX
Editions (FL.FX074305).
3 movements of
a mini concerto for mini
soloists who have been
playing their instruments
for 4-5 years - Pascal
PROUST ; Instruments: 1 C
Euphonium B.C. or 1 Bb
Euphonium/Saxhorn B.C. or
1 Bb Euphonium/Saxhorn
T.C. 1 Piano; Difficuly
Level: Grade 3; Duration:
3 mn 35 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Pascal PROUST. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto de Poche pour Clarinette Clarinette - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Bb Clarinet 1 Piano - Grade 3 SKU: FL.F...(+)
Chamber Music & Piano
Accompaniment 1 Bb
Clarinet 1 Piano - Grade
3 SKU: FL.FX074301
Composed by Pascal
Proust. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX074301.
Published by FLEX
Editions (FL.FX074301).
3 movements of
a mini concerto for mini
soloists who have been
playing their instruments
for 4-5 years - Pascal
PROUST ; Instruments: 1
Bb Clarinet 1 Piano;
Difficuly Level: Grade 3;
Duration: 3 mn 35 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Pascal
PROUST. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto de Poche pour Piccolo - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Piccolo 1 Piano - Grade 3 SKU: FL.FX074...(+)
Chamber Music & Piano
Accompaniment 1 Piccolo 1
Piano - Grade 3 SKU:
FL.FX074300 Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074300.
Published by FLEX
Editions (FL.FX074300).
3 movements of
a mini concerto for mini
soloists who have been
playing their instruments
for 4-5 years - Pascal
PROUST ; Instruments: 1
Piccolo 1 Piano;
Difficuly Level: Grade 3;
Duration: 3 mn 35 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Pascal
PROUST. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto de Poche pour Flute a Bec - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Recorder 1 Piano - Grade 3 SKU: FL.FX07...(+)
Chamber Music & Piano
Accompaniment 1 Recorder
1 Piano - Grade 3 SKU:
FL.FX074298 Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074298.
Published by FLEX
Editions (FL.FX074298).
3 movements of
a mini concerto for mini
soloists who have been
playing their instruments
for 4-5 years - Pascal
PROUST ; Instruments: 1
Recorder 1 Piano;
Difficuly Level: Grade 3;
Duration: 3 mn 35 s;
Musical Style: Classical,
Educational; Category:
Original Composition;
Composer: Pascal
PROUST. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Triple Trombone Concerto Theodore Presser Co.
Orchestra *any one of these sets of proportions is ideal, 1 Solo Bass Trombone, ...(+)
Orchestra *any one of
these sets of proportions
is ideal, 1 Solo Bass
Trombone, 2 Solo Tenor
Trombones, 3 Timpani (25
28 30), 5 temple blocks,
I. ride cymbal, II. snare
drum, String Orchestra
*(6,6,4,4,2--8,8,6,4,3--1
2,10,8,8,4),
glockenspiel, hi-hat and
more SKU:
PR.416414680 For
Three Trombones, String
Orchestra, and 2
Percussion. Composed
by Carter Pann.
Contemporary. Full score.
With Standard notation.
Composed December 1 2001.
84 pages. Theodore
Presser Company
#416-41468. Published by
Theodore Presser Company
(PR.416414680). UPC:
680160612949. 8.5 x 11
inches. Commissione
d by trombonist John
Rutherford for the
Three’s Company
Trombone Trio,
Pann’s concerto
for three trombones is
scored for string
orchestra and two
percussionists, leaving
all the wind color to the
soloists. The three
movements are titled: I.
Rutherford’s Rag,
II. Angela’s
Waltz, and III.
Gallop. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto Grosso for 4 Strings and Bass Continuo in d, Op. 6 No. 10 Orchestre Lucks Music Library
Orchestra (cem,str=4.4(1).3.2.2) SKU: TM.01847SET Composed by Giuseppe To...(+)
Orchestra
(cem,str=4.4(1).3.2.2)
SKU: TM.01847SET
Composed by Giuseppe
Torelli. Set Type: M. Set
of parts. Lucks Music
Library #A3251. Published
by Lucks Music Library
(TM.01847SET).
Contains
movements I, V, IV, and
VII. This version does
not contain harp. $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chinese Folk Dance Suite Violon et Piano Theodore Presser Co.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano SKU:
PR.114419280 Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280). ISBN
9781491132357. UPC:
680160676125. Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines. $26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Concerto in A minor Op. 16 Breitkopf & Härtel
Violin 1 (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-15152-...(+)
Violin 1 (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str) SKU:
BR.OB-15152-15
Urtext. Composed
by Edvard Grieg. Edited
by Emil-Gunter Heinemann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15152-15. Published by
Breitkopf and Haertel
(BR.OB-15152-15). ISBN
9790004344057. 10 x 12.5
inches. The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg. $11.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Classical Syncs for Two Violins, Book One 2 Violons (duo) C. Harvey Publications
| | |
| Four Dirges op. 9-a Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ1765 Composed by Bela Bartok. Book Only. Composed 1955....(+)
Piano SKU:
BT.EMBZ1765 Composed
by Bela Bartok. Book
Only. Composed 1955. 12
pages. Editio Musica
Budapest #EMBZ1765.
Published by Editio
Musica Budapest
(BT.EMBZ1765).
'This music,
moving even in its
bleakness, is
characterised by the
complete absence of
ornamentation. The arc of
all four pieces [1.
Adagio, 2. Andante, 3.
Poco lento, 4. Assai
andante] is similar:
after beginning softly
they reach a fortissimo
climax, then sink back
into numbing grief. Only
the decidedly important
melodic and harmonic
elements are heard, pared
down, occasionally
reinforced with octave
doubling. In the Adagio
of the Second Piano
Concerto Bartók was to
return to this peculiar
piano instrumentation.
The lyricism and
Hungarian turns of phrase
of the second movement
differ a little from the
series: he orchestrated
it with the title
'Melody' in 1931 as
thecentral piece of the
five-movement 'Hungarian
Sketches'.' (HCD 32525
Bartók New Series Vol.
25, Somfai
László). $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto G Minor For 2 Cellos, Str Orch And Bc, Rv531 Score, Urtext 2 Violoncelles (duo) - Intermédiaire Schott
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Violoncello/Kontrabass -
1 Basso continuo) -
intermediate SKU:
HL.49019633
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Softcover. 28 pages.
Schott Music #CON267.
Published by Schott Music
(HL.49019633). ISBN
9790001191289. UPC:
841886019614.
9.25x12.0x0.13
inches. The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
'Concerto for Two
Violoncellos, String
Orchestra and Basso
continuo in G minor (RV
531)' written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources. $22.99 - Voir plus => Acheter | | |
| Concerto G Minor For 2 Cellos, Str Orch And Bc, Rv531 Set Of String Parts Urtext 2 Violoncelles (duo) - Intermédiaire Schott
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Basso - 1 Cembalo) -
intermediate SKU:
HL.49019634
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Folder. Sheet music.
String Ensemble.
Softcover. 88 pages.
Schott Music #CON267-70.
Published by Schott Music
(HL.49019634). ISBN
9790001191296. UPC:
888680913090.
9.0x12.0x0.26
inches. The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources. $68.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Celesta,
Clarinet 1, Clarinet 2,
Contrabass, Flute, Flute
1, Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Trumpet 3 and more.
SKU: PR.41641515L
Composed by Behzad
Ranjbaran. Premiered by
the Philadelphia
Orchestra, Yannick
Nezet-Seguin, Music
Director, Jeffrey Khaner,
flute; Verizon Hall,
Philadelphia.
Contemporary. Large
Score. With Standard
notation. Composed 2013.
Duration 28 minutes.
Theodore Presser Company
#416-41515L. Published by
Theodore Presser Company
(PR.41641515L). UPC:
680160621750. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions. In writing my
flute concerto, I aimed
not only to highlight the
modern flautist's ability
to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages. Two prominent
characters permeate the
first movement of my
concerto. They are marked
in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively. The
lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others. In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. The solo flute is
left out in an agitated
middle section that
references the first
movement. In the third
section of the movement
the solo flute returns in
meditative fashion
culminating in a duet
with the harp. The third
movement is written as
one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
Some of the materials
from the earlier
movements are presented
again with joyous
character. The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. $160.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tanzsuite mit Deutschlandlied Breitkopf & Härtel
(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar. 3.dble bsn - 4.3.3.1 - perc(4) - h...(+)
(solos: 2vl.va.vc -
4(4picc.A-fl).3.3.B-clar.
3.dble bsn - 4.3.3.1 -
perc(4) - hp - pno - str:
10.10.8.8.6) SKU:
BR.PB-5714 Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714). ISBN
9790004216514. 10.5 x 14
inches. More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980. $160.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 3 Cadences for Mozart's Flute Concerto in G Major Flûte traversière Leduc, Alphonse
Flute SKU: HL.48180856 Composed by Wolfgang Amadeus Mozart. Leduc. Classi...(+)
Flute SKU:
HL.48180856 Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
Softcover. 6 pages.
Alphonse Leduc #AL19492.
Published by Alphonse
Leduc (HL.48180856).
UPC: 888680907662.
9.0x12.0
inches. Wolfgang
Amadeus Mozart's
(1756-1791) Flute
Concerto in G was written
by the composer in 1778.
The concerto remains
widely studied and
performed on the flute,
making it one of the most
important concerti in the
instrument's repertoire.
Paul Taffanel and
Philippe Gaubert's
composed cadenzas for the
work are essential to all
performers of the
concerto. Concerto in G
is in three movements; 1.
Allegro maestoso, 2.
Adagio ma non troppo, and
3. Rondo: Tempo di
Menuetto. The first and
last movements are in the
tonic key, whilst the
second movement is in the
subdominant key of D
major. All three
movements contain a
cadenza which initially
would have been left for
the performer to
improvise. However,
cadenzas have since been
written, including those
of Taffanel and Gaubert.
Both were prominent
flautists of their time
and their understanding
of the flute concerto
repertoire is second to
none, making their
cadenzas well-informed
and essential to
performers of the
concerto. $14.20 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Works for Violin and Orchestra K. 207, 211, 216, 218, 219, 261, 269 (261a), 373 Orchestre, Violon Barenreiter
(KV 207, 211, 216, 218, 219, 261, 269 (261a), 373). Composed by Wolfgang Amadeus...(+)
(KV 207, 211, 216, 218,
219, 261, 269 (261a),
373). Composed by
Wolfgang Amadeus Mozart
(1756-1791). For solo
violin and orchestra.
This edition: Urtext
edition. Paperback. Study
score, Anthology. Text
Language: German/English.
KV 207, 211, 216, 218,
219, 261, 269 (261a),
373. Published by
Baerenreiter Verlag
$52.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Celesta,
Clarinet 1, Clarinet 2,
Contrabass, Flute, Flute
1, Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Trumpet 3 and more.
SKU: PR.416415150
Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150). ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches. Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Clarinet Exam Pieces 2017-2020: Grade 8 (score & part) Clarinette Trinity College London
Clarinet - Grade 8 SKU: TL.TCL015976 Repertoire. Trinity College London #...(+)
Clarinet - Grade 8
SKU: TL.TCL015976
Repertoire. Trinity
College London #TCL
015976. Published by
Trinity College London
(TL.TCL015976). ISBN
9780857365507. Sele
cted pieces for Trinity
College London clarinet
exams for 2017-2020,
expertly graded and
edited by leading music
educators. This item
contains both the full
score and clarinet
part. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Clarinet Exam Pieces 2017-2020 CD: Grade 8 Clarinette Trinity College London
Clarinet - Grade 8 SKU: TL.TCL016225 Repertoire. CD. Trinity College Lond...(+)
Clarinet - Grade 8
SKU: TL.TCL016225
Repertoire. CD. Trinity
College London #TCL
016225. Published by
Trinity College London
(TL.TCL016225). ISBN
9780857365750. $33.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Clarinet Exam Pieces 2017-2020: Grade 8 (part only) Clarinette Trinity College London
Clarinet - Grade 8 SKU: TL.TCL016065 Repertoire. Trinity College London #...(+)
Clarinet - Grade 8
SKU: TL.TCL016065
Repertoire. Trinity
College London #TCL
016065. Published by
Trinity College London
(TL.TCL016065). ISBN
9780857365590. Sele
cted pieces for Trinity
College London clarinet
exams for 2017-2020,
expertly graded and
edited by leading music
educators. This item
contains the clarinet
part only. $7.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Tchaikovsky Highlights Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165728-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1165728-140
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Wil van der Beek. Great
Classics. Classical.
Score Only. Composed
2016. 32 pages. De Haske
Publications #DHP
1165728-140. Published by
De Haske Publications
(BT.DHP-1165728-140).
English-German-French-
Dutch. Pjotr
Iljitsj Tchaikovsky is
famous for his fantastic
moving melodies.
Different to many of his
other romantic Russian
contemporaries,
Tchaikovsky had a
particular feel for the
European music taste of
music, which made him
immensely popular. In
this accessible
compilation, arranger Wil
van der Beek uses a
selection of
Tchaikovsky’s most
beautiful melodies from
works including
Capriccio Italien,
String Quartet No.
1 and his famous
Piano Concerto
No.1.
Pjotr
Iljitsj Tsjaikovski staat
bekend om zijn
fantastische, treffende
melodieën. Anders dan
veel van zijn Russische
tijdgenoten uit de
romantiek had Tsjaikovski
veel gevoel voor de
Europese muzieksmaak,
waardoor hij immens
populair werd. Voor deze
toegankelijke compilatie
heeft arrangeur Wil van
der Beek een selectie van
Tsjaikovski’s
mooiste melodieën
gebruikt, uit de werken
Capriccio Italien,
het Strijkkwartet nr.
1 en het beroemde
Pianoconcert
nr.1.
Peter
Iljitsch Tschaikowski ist
berühmt für seine
fantastischen, bewegenden
Melodien. Im Gegensatz zu
vielen anderen seiner
russischen romantischen
Zeitgenossen hatte
Tschaikowski ein
besonderes Gespür
für den
europäischen
Musikgeschmack, was ihn
ausgesprochen populär
machte. In dieser
Zusammenstellung
verwendet der Arrangeur
Wil van der Beek eine
Auswahl von Tschaikowskis
schönsten Melodien aus
dem Capriccio
Italien, dem
Streichquartett Nr.
1 und seinem
berühmten
Klavierkonzert Nr.
1.
Piotr
Ilitch Tcha kovski est
connu pour ses
magnifiques mélodies
émouvantes. Au
contraire de la plupart
de ses collègues
russes au style
romantique, Tcha kovski
avait une aptitude
particulière pour le
go t de la musique
européenne, ce qui le
rendit très populaire.
Dans ce medley la
portée de tous,
l’arrangeur Wil
van der Beek incorpore
une sélection des plus
belles mélodies de
Tcha kovski, comme celles
du Capriccio
Italien, du
Quatuor cordes
n°1 et son
célèbre Concerto
pour piano
n°1. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tchaikovsky Highlights Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165728-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1165728-010
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Wil van der Beek. Great
Classics. Classical. Set
(Score & Parts). Composed
2016. De Haske
Publications #DHP
1165728-010. Published by
De Haske Publications
(BT.DHP-1165728-010).
English-German-French-
Dutch. Pjotr
Iljitsj Tchaikovsky is
famous for his fantastic
moving melodies.
Different to many of his
other romantic Russian
contemporaries,
Tchaikovsky had a
particular feel for the
European music taste of
music, which made him
immensely popular. In
this accessible
compilation, arranger Wil
van der Beek uses a
selection of
Tchaikovsky’s most
beautiful melodies from
works including
Capriccio Italien,
String Quartet No.
1 and his famous
Piano Concerto
No.1.
Pjotr
Iljitsj Tsjaikovski staat
bekend om zijn
fantastische, treffende
melodieën. Anders dan
veel van zijn Russische
tijdgenoten uit de
romantiek had Tsjaikovski
veel gevoel voor de
Europese muzieksmaak,
waardoor hij immens
populair werd. Voor deze
toegankelijke compilatie
heeft arrangeur Wil van
der Beek een selectie van
Tsjaikovski’s
mooiste melodieën
gebruikt, uit de werken
Capriccio Italien,
het Strijkkwartet nr.
1 en het beroemde
Pianoconcert
nr.1.
Peter
Iljitsch Tschaikowski ist
berühmt für seine
fantastischen, bewegenden
Melodien. Im Gegensatz zu
vielen anderen seiner
russischen romantischen
Zeitgenossen hatte
Tschaikowski ein
besonderes Gespür
für den
europäischen
Musikgeschmack, was ihn
ausgesprochen populär
machte. In dieser
Zusammenstellung
verwendet der Arrangeur
Wil van der Beek eine
Auswahl von Tschaikowskis
schönsten Melodien aus
dem Capriccio
Italien, dem
Streichquartett Nr.
1 und seinem
berühmten
Klavierkonzert Nr.
1.
Piotr
Ilitch Tcha kovski est
connu pour ses
magnifiques mélodies
émouvantes. Au
contraire de la plupart
de ses collègues
russes au style
romantique, Tcha kovski
avait une aptitude
particulière pour le
go t de la musique
européenne, ce qui le
rendit très populaire.
Dans ce medley la
portée de tous,
l’arrangeur Wil
van der Beek incorpore
une sélection des plus
belles mélodies de
Tcha kovski, comme celles
du Capriccio
Italien, du
Quatuor cordes
n°1 et son
célèbre Concerto
pour piano
n°1. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Serenade No. 5 in D, K. 204/213a LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set SKU:
AP.36-A183202
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A183202.
Published by
LudwigMasters
Publications
(AP.36-A183202). UPC:
659359530821.
English. Wolfgang
Amadeus Mozart
(1756-1791) wrote the
SERENADE No. 5 in D
Major, K. 204/213a on
August 5, 1775 for
ceremonies at the
University of Salzburg.
Concurrently writing his
five violin concertos,
the composer chose to
feature a solo violin in
three of the movements.
While it retains a
seven-part structure, an
impromptu violin concerto
is cleverly couched
within the work. As he
did with most of his
serenades for orchestra,
Mozart crafted a symphony
using the other four
movements.
Instrumentation: 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $150.00 - Voir plus => Acheter | | |
| Serenade No. 5 in D, K. 204/213a LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set SKU:
AP.36-A183248
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra. Kalmus
Orchestra Library.
Part(s). LudwigMasters
Publications #36-A183248.
Published by
LudwigMasters
Publications
(AP.36-A183248). ISBN
9798892704335. UPC:
659359535086.
English. Wolfgang
Amadeus Mozart
(1756-1791) wrote the
SERENADE No. 5 in D
Major, K. 204/213a on
August 5, 1775 for
ceremonies at the
University of Salzburg.
Concurrently writing his
five violin concertos,
the composer chose to
feature a solo violin in
three of the movements.
While it retains a
seven-part structure, an
impromptu violin concerto
is cleverly couched
within the work. As he
did with most of his
serenades for orchestra,
Mozart crafted a symphony
using the other four
movements.
Instrumentation: 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $5.50 - Voir plus => Acheter | | |
| Serenade No. 5 in D, K. 204/213a LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set SKU:
AP.36-A183201
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A183201.
Published by
LudwigMasters
Publications
(AP.36-A183201). ISBN
9798892704328. UPC:
659359524264.
English. Wolfgang
Amadeus Mozart
(1756-1791) wrote the
SERENADE No. 5 in D
Major, K. 204/213a on
August 5, 1775 for
ceremonies at the
University of Salzburg.
Concurrently writing his
five violin concertos,
the composer chose to
feature a solo violin in
three of the movements.
While it retains a
seven-part structure, an
impromptu violin concerto
is cleverly couched
within the work. As he
did with most of his
serenades for orchestra,
Mozart crafted a symphony
using the other four
movements.
Instrumentation: 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $25.00 - Voir plus => Acheter | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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