Chamber Ensemble SKU: HL.14021749 For Percussion and Orchestra. Co...(+)
Chamber Ensemble
SKU:
HL.14021749
For
Percussion and
Orchestra. Composed
by Poul Ruders. Music
Sales America. Classical.
Score. Edition Wilhelm
Hansen #KP00076.
Published by Edition
Wilhelm Hansen
(HL.14021749).
ISBN
9788759889817.
Danish.
Poul
Ruders' MONODRAMA,
dedicated to percussion
virtuoso Gert Sorensen
and commissioned by The
Danish Radio, was written
in New York in the early
winter 1988 and makes the
centre as well as the
middle of the tri-part
opus called The Drama
Trilogy. All three works
employ the word Drama in
their title, Drama in the
original meaning of the
word: event. No specified
event, but a premonition
or omen rather, that
something is afoot, a
free Drama-offer from
which anyone may populate
the stage of his private,
inner theatre.The first
piece of the series
DRAMAPHONIA for piano and
chamber ensemble was
premiered in London in
the spring of 1988 by
Lontano and Poul
Rosenbaum. This piece is
emotionally and
rhythmically unstable as
opposed to MONODRAMA
(single-event) which is
modelled from the
archetypal idea of
obtaining accomplishment
from nothingness. The 31
instruments of the
orchestra (no flutes and
no violins or violas) are
more or less wrapped
around the solo-part to
become one with that and
thus emerge as one,
gigantic percussion
instrument. The
rhythmical patterns of
the orchestral part more
or less follow those of
the percussionpart, a
single-event also on the
rhythmical level.After 20
minutes climbing toward
the peak of rage, the
composition casts its
slough and is reborn into
a chorale-like march and
the struggle between
totally depopulated
sound-scapes and
ferociously roaring
sub-oceanic storms begin
and the piece paces
toward the abyss; rage
becomes despondency, New
Rage as opposed to New
Age, the spineless
worshipper of beauty
without pain.The third
instalment of the DRAMA
TRILOGY, the cello
concerto POLYDRAMA will
be premiered in Stockholm
May 1990.MONODRAMA lasts
aprox. 32 minutes.Poul
Ruders.
Cello and Orchestra SKU: HL.14028003 Cello Concerto No. 1. Compose...(+)
Cello and Orchestra
SKU: HL.14028003
Cello Concerto No.
1. Composed by Poul
Ruders. Music Sales
America. Classical.
Score. Composed 2002.
Edition Wilhelm Hansen
#WH30292. Published by
Edition Wilhelm Hansen
(HL.14028003).
ISBN
9788759862896.
Poul
Ruders Polydrama
(Manyfold Event) for
cello and orchestra, is
the last part of a drama
trilogy otherwise
consisting of Dramaphonia
for piano and 11
instruments and Monodrama
for percussion and 32
instruments. In this
abstract drama, the
individual listener is
left entirely to his own
associations. The
composer has compared
polydrama with the
gradual defoliation of a
big tree: the vigorously
growing organism is
attacked by a swarm of
locusts until, finally,
nothing remains but bare
branches in a landscape
of long shadows; a
solitary, singing bird
remains, however, like a
streak of hope in an
increasingly dark and
pessimistic universe.
Piano and Chamber Ensemble - Grade 4 SKU: HL.14027981 Composed by Poul Ru...(+)
Piano and Chamber
Ensemble - Grade 4
SKU: HL.14027981
Composed by Poul Ruders.
Music Sales America. 20th
Century. Score. Composed
2002. Edition Wilhelm
Hansen #WH30293.
Published by Edition
Wilhelm Hansen
(HL.14027981).
ISBN
9788759808368.
English.
'Dramaphon
ia' for piano solo and 11
instruments forms the
first part of a trilogy
of solo-concertos, the
remaining two being one
for percussion and
smaller symphony
orchestra ('Monodrama')
and the last
('Polydrama') for
violoncello and full
orchestra. All three
pieces are in one
movement each and may be
performed together, thus
presenting a vast
concerto grosso of the
duration of one hour and
a half. Each concerto,
however, stands by
itself, offering its own
story: having employed
the word drama in all
three pieces, I naturally
want to imply that
something is going on, a
series of hidden events
created by each
listener's own inner
theatre which enables him
to stage his own,
personal associations,
and in the case of
'Dramaphonia', the
compositorical tension
alters between action and
frozen panoramas. In the
percussion concerto, the
rhythmical progression is
being constantly
intensified, whereas the
metric proportions of
Dramaphonia tighten and
loosen, like a magnifying
glass being wielded in
and out of focus.
'Dramaphonia' is
commissioned and
dedicated to LONTANO and
Poul Rosenbaum.
(HC) SKU: HL.49033205 Carl Maria von Weber und die Schauspielmusik sei...(+)
(HC)
SKU:
HL.49033205
Carl
Maria von Weber und die
Schauspielmusik seiner
Zeit. Composed by
Peteris Vasks. Edited by
Dagmar Beck and Frank
Ziegler. This edition:
Hardback/Hard Cover.
Book. Edition Schott. 332
pages. Schott Music #ED
9623. Published by Schott
Music (HL.49033205).
ISBN 9783795703837.
German.
Bis vor
wenigen Jahren wurde der
Schauspielmusik,
abgesehen von einzelnen
herausragenden Werken,
von der Musikwissenschaft
kaum Beachtung geschenkt;
eine historiographische
Gesamtdarstellung bzw.
editorische
Auseinandersetzung steht
noch aus. Gerade das
letzte Drittel des 18.
und das erste Drittel des
19. Jahrhunderts konnen
als eine Blutezeit der
Schauspielmusik angesehen
werden. In diesen
Jahrzehnten entstand
nicht nur eine
unuberschaubare Menge
solcher Kompositionen;
die Problematik der
musikalischen Untermalung
bzw. Bereicherung des
Sprechtheaters wurde auch
im asthetischen Diskurs,
anknupfend an Gottsched,
Scheibe und Lessing,
immer wieder
thematisiert. Am Beispiel
ausgewahlter Buhnenwerke,
beginnend mit
Kompositionen von Johann
Andre, G. J. Vogler und
J. F. Reichardt bis hin
zu Mendelssohn, Lortzing
und Wagner, wird
deutlich, wie
verschiedenartig die
Anspruche von Autoren und
Theaterleitern in Bezug
auf die Schauspielmusik
sein konnten, und wie die
unterschiedlichen
Moglichkeiten der
Theater-Ensembles die
Komponisten
beeinflussten. Die Spanne
reicht von weitgehend
beliebigen Arrangements
mit grosstmoglichem
'Wiederverwendungswert'
bis hin zu gross
angelegten 'analogen', d.
h. ausschliesslich auf
ein bestimmtes Schauspiel
bezogenen, vorbildhaften
Kompositionen (z. B.
Beethovens Egmont, Webers
Preciosa, Mendelssohns
Sommernachtstraum-Musik).
Besonderes Interesse gilt
der Problematik der
Edition von
Schauspielmusiken, die
durch ihre enge Bindung
an das Drama einen
fachubergreifenden
Austausch unter
Literatur-, Theater- und
Musikwissenschaftlern
erforderlich macht. Hier
zeigt sich, dass kaum
eine 'Patentlosung' zu
finden ist; vielmehr
stellt jeder Komponist,
jedes Werk andere
Anspruche an den Editor.
Ausgehend von einem
Grundkonsens, der die
wechselseitige
Bedingtheit von Drama und
Musik unterstreicht,
fuhren nur individuelle,
vom einzelnen Werk
ausgehende Strategien zu
einer adaquaten
Wiedergabe in der
Edition.
(GEH) SKU: HL.49023838 Composed by Kunterbund. This edition: Saddle stitc...(+)
(GEH)
SKU:
HL.49023838
Composed
by Kunterbund. This
edition: Saddle
stitching. Sheet music.
Kunter-bund-edition.
Melody line (with
chords). 96 pages. Schott
Music #BUND 71115.
Published by Schott Music
(HL.49023838).
ISBN
9783795756659.
5.75x8.25x0.147 inches.
German.
Die
Liedersonne bringt eine
liebevoll
zusammengestellte Auswahl
von rund 90 Liedern.
Schwerpunkte in der
Liedersonne sind: Neue
Kinderlieder, von heiter
bis besinnlich;
deutschsprachige Lieder
von Herbert Gronemeyer,
Ina Deter, Munchener
Freiheit, Erste
Allgemeine Verunsicherung
und vielen anderen;
sudamerikanische Lieder,
russische Lieder und
naturlich internationale
Hits.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (itali...(+)
Dramma per musica.
Klavierauszug nach dem
Urtext der Haydn-
Gesamtausgabe
(italienisch/deutsch). By
Franz Joseph Haydn.
Arranged by Barthel,
Ernst R. For 3 Soprano
solo, Tenor solo, 2 Bass
solo, Mixed Choir-SATB, 2
Flute, 2 Oboe, 2 Eh, 2
Clarinet (b flat), 2
Bassoon, 2 Horn, 2
Trumpet, Kettledrum,
Harp, Strings, Basso
continuo. Piano
Reduction/Vocal Score
(paperbound). Hob.
XXVIII:13. Published by
Baerenreiter-Ausgaben
(German import).
(HC) SKU: HL.49020880 Mozart - Die Musik der Wiener Jahre. Compose...(+)
(HC)
SKU:
HL.49020880
Mozart
- Die Musik der Wiener
Jahre. Composed by
Stoffels. This edition:
Hardback/Hard Cover.
Book. Edition Schott. Das
Phanomen Mozart, sein
Lebens- und Buhnendrama,
ist von einer
ratselhaften Sphare
umgeben, die unversehens
in ein Abenteuer der
Seele und des Geistes
fuhrt. Man kann Mozart
schatzen, ohne sie je
wahrgenommen zu haben,
aber man wird sie um so
tiefer lie. 398 pages.
Schott Music #ATL 6240.
Published by Schott Music
(HL.49020880).
ISBN
9783254002402.
German.
Macht und
Liebe sind
Gravitationszentren in
der Musik Mozarts. Beide
wandeln ihr Gesicht
tiefgreifend in der nur
kurzen, aber schopferisch
so uberreichen Zeitspanne
der Wiener Jahre. In den
letzten Lebensjahren
umgibt Mozarts Musik die
bedurftige, nach Gluck
suchende Welt des
Menschlichen immer
greifbarer mit einem
Schimmer von
Transzendenz. Sie
verdeckt mit ihrer
lichten Aura ein dunkles
Inneres, einen Bodensatz
von Leid und innerem
Ruckzug.Mozarts Spatwerk
gilt als apollinisch und
abgeklart. Warum aber
dieser fruhe Abschied von
den lebensvollen Kampfen
und Leidenschaften, die
in den Werken seiner
fruhen Wiener Jahre so
begluckend aufbluhten?
Sie finden ihren
dramatischen Hohepunkt in
Don Giovanni, der
Ausnahme-Oper, die als
einzige den erlosenden
Gestus der Verzeihung
verweigert. Hier nimmt
die rachende Figur eines
Vaters ubermenschliche
Dimensionen an, die
unantastbare Grenze
zwischen Diesseits und
Jehseits wird gewaltsam
aufgerissen. Dieses Jahr
1787, das den realen Tod
seines Vaters udn den
Buhnentod des
(Uber-)Vaters sah,
scheint auch die Wende zu
Mozarts Spatstil zu sein.
Findet man hier den
Ursprung jenes erdfernen,
zartlich umhullenden
Lichtes in den Werken der
letzten
Schaffensjahre?
Orchestra (Full Score) SKU: HL.48022456 Full Score. Composed by Fr...(+)
Orchestra (Full Score)
SKU: HL.48022456
Full Score.
Composed by Fredrik
Pacius. Boosey & Hawkes
Scores/Books. Classical,
Contemporary. Softcover.
Fennica Gehrman
#M550096516. Published by
Fennica Gehrman
(HL.48022456).
Full score of
two melodramas by
Fredrick Pacius, edited
by Mikko Nisula &
Jani Kyllonen. Die Weihe
der Tone and Tod im Tode.
Volume No. 1 in the
Pacius series The
Complete Works of Musical
Drama.
SKU: HL.49007288 Analyse der diastematischen, formalen und musikdramat...(+)
SKU: HL.49007288
Analyse der
diastematischen, formalen
und musikdramatischen
Komposition. Composed
by Christian Martin
Schmidt. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 335 pages.
Schott Music #ED 7503.
Published by Schott Music
(HL.49007288).
ISBN
9783795717964.
German.
Dieses Buch
konzentriert sich auf die
Musik von Schonbergs
Moses und Aron; es stellt
damit den Versuch dar,
eine Lucke im Schrifttum
uber die Oper, das
zumeist nur das Libretto
und dessen
philosophisch-religiose
Ausrichtung behandelt, zu
schliessen. Thematisiert
werden die
Tonhohenorganisation, die
formale Disposition sowie
deren Bedeutung fur das
Musikdrama (z.B.
Modifikation der
Leitmotivtechnik,
Verhaltnis zwischen
musikalischer Form und
formaler Anlage des
Librettos).Der erste Teil
gibt einen Uberblick uber
die methodischen
Verfahrensweisen der
Arbeit und die
kompositionstechnischen
Voraussetzungen ihres
Gegenstandes, fasst aber
zugleich die Ergebnisse
zusammen, zu denen der
zweite Teil in
detaillierten
Einzelanalysen gelangt.
Im Vordergrund steht die
Erkenntnis der
konstruktiven Prinzipien
der Zwolftonkomposition
in Vertikale und
Horizontale, wobei
bislang unerkannte
Kompositionstechniken
Schonbergs gezeigt werden
konnen.Die
Darstellungsform will
Ergebnisse der
amerikanischen
Musikforschung in das
hierzulande gangige
Repertoire der
Zwolftonanalyse
einfuhren; die
Durchleuchtung des
gesamten Tonsatzes ergibt
eine umfassende
Beispielsammlung zu
Schonbergs Komposition
mit zwolf nur aufeinander
bezogenen Tonen.
Piano (Piano Solo) SKU: HL.14041880 The Costume Drama Collection. ...(+)
Piano (Piano Solo)
SKU: HL.14041880
The Costume Drama
Collection. By
Jessica Williams. Music
Sales America. Softcover.
Composed 2008. 96 pages.
Music Sales #AM992134.
Published by Music Sales
(HL.14041880).
ISBN
9781847723659.
9.0x12.0x0.246
inches.
Step back
in time and play these
superb solo piano
arrangements of forty
memorable themes from 20
classic costume dramas.
With evocative moods and
romantic themes from
popular films such as
Dangerous Liaisons, Pride
and Prejudice,Elizabeth
and The Age of
Innocence.
Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica.
Composed
by Francesco Cavalli
(1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected
works,
Urtext edition. Cloth
bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag
#BA08915-
01. Published by
Baerenreiter
Verlag
King Arthur Ensemble de cuivres Faber Music Limited
Scenes from a radio drama. Composed by Benjamin Britten (1913-1976). 5 or More...(+)
Scenes from a radio
drama.
Composed by Benjamin
Britten
(1913-1976). 5 or More;
Brass Band; Performance
Music Ensemble; Solo
Small
Ensembles. Faber Edition:
Faber Brass Band Series.
20th Century; Masterwork.
Score; Part(s). Faber
Music
#12-0571572073. Published
by
Faber Music
(14 Evocative solo piano pieces from classic feature films, including Pride and...(+)
(14 Evocative solo piano
pieces from classic
feature films, including
Pride and Prejudice,
Becoming Jane, Emma and
Brideshead Revisited).
For Piano. Book; Piano
Collection; Piano
Supplemental. Faber
Edition. Movie.
Intermediate. Published
by Faber Music
Orchestra (Study Score) SKU: HL.49010307 Incidental Music for Goethe's...(+)
Orchestra (Study Score)
SKU: HL.49010307
Incidental Music for
Goethe's Drama.
Composed by Ludwig van
Beethoven. Edited by
Wilhelm Altmann. Arranged
by Wilhelm Altmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Opera,
Romantic. Study Score.
Op. 84. 92 pages.
Eulenburg Edition
#ETP823. Published by
Eulenburg Edition
(HL.49010307).
ISBN
9783795769468. UPC:
841886014923.
5.25x7.5x0.219 inches.
German.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
(Orchestra) SKU: HL.49013026 Dance drama by Luchino Visconti. One set<...(+)
(Orchestra)
SKU:
HL.49013026
Dance
drama by Luchino
Visconti. One set.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1956. 168
pages. Duration 50'.
Schott Music #ED 9416.
Published by Schott Music
(HL.49013026).
ISBN
9790001131476.
1
(auch Picc.) * 1 * Engl.
Hr. * 1 * Bassklar. * 1 -
2 * 2 * 1 * 0 - P. - Hfe.
- Str.Jazzband (kann nach
Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg. Beck.
* Tamt. * kl. Tr. [mit
Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. * Tubo)
(3 Spieler) - Klav. -
Kb.
1 (auch Picc.)
* 1 * Engl. Hr. * 1 *
Bassklar. * 1 - 2 * 2 * 1
* 0 - P. - Hfe. -
Str. Jazzband (kann
nach Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg.
Beck. * Tamt. * kl. Tr.
[mit Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. *
Tubo) (3 Spieler) - Klav.
- Kb.
Stage Works SKU: UT.NAP-11R Composed by Saverio Mercadante. Edited by Eli...(+)
Stage Works
SKU:
UT.NAP-11R
Composed
by Saverio Mercadante.
Edited by Elisabetta
Pasquini and Enrico
Lombardi. Paperback (Soft
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Vocal Score. Ut Orpheus
#NAP 11R. Published by Ut
Orpheus (UT.NAP-11R).
Francesca
da Rimini is a drama
for music in two acts by
Saverio Mercadante,
libretto by Felice
Romani; the text is
freely inspired by the
unfortunate events of the
two lovers, Francesca and
Paolo, of which Dante's
Comedy (canto V)
also
narrates. According to
some scholars, the first
performance of
Francesca da
Rimini took place in
Madrid in January 1828;
however, this date is not
reflected in the Diario
de Avisos de Madrid, a
publication that daily
reserved a conspicuous
space for news on the
shows staged in the
Spanish city: the years
between 1828 and 1831 in
fact do not mention the
work. Furthermore, no
printed libretto of
Mercadante's Francesca
da Rimini is
preserved today –
an inexplicable fact, if
one admits that the
performance took place.
The text of the opera can
be largely traced back to
the one prepared by
Romani for the homonymous
work by Antonio Carlini
(Naples 1825), which
Mercadante was able to
know before his stay in
Spain. Following the
missed Spanish premiere,
the opera should then
have been represented at
La Scala Theater in a
subsequent season, with
reliability the imminent
one of the 1831/32
carnival; but shortly
thereafter the impresario
died: thus the
contractual obligations
involving him were no
longer fulfilled, and,
for a second time,
Mercadante was then
forced to shelve the
plans about Francesca
da Rimini, put aside
now for several months.
In fact, the scoring
– very similar to
that of the operas
planned at La Scala in
the same Carnival period
– assumes that
Francesca da
Rimini was destined
for a theatre of great
means, like few others in
Italy besides La Scala.
But the failure of the
opera may also have been
due to the presence of
the part of an amoroso
en travesti,
Paolo, to whom Mercadante
assigns a prominent role
also in terms of music:
in 1831 and in Italy such
a solution was no longer
so frequent as a few
years before or in
provincial theatres, and
so this condition may
possibly have affected
the fate of the
negotiations in Milan,
and may explain how the
composer was then unable
to have the score
performed
elsewhere. This
critical edition is based
on manuscript copies
conserved in the Museo
internazionale e
Biblioteca della Musica
di Bologna (autograph
score) and in the
Biblioteca Histórica
Municipal in Madrid
(score and separate
parts).
Stage Works SKU: UT.NAP-11 Composed by Saverio Mercadante. Edited by Elis...(+)
Stage Works
SKU:
UT.NAP-11
Composed by
Saverio Mercadante.
Edited by Elisabetta
Pasquini. Paperback (Soft
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Score. 916 (2 volumes)
pages. Ut Orpheus #NAP
11. Published by Ut
Orpheus (UT.NAP-11).
Francesca
da Rimini is a drama
for music in two acts by
Saverio Mercadante,
libretto by Felice
Romani; the text is
freely inspired by the
unfortunate events of the
two lovers, Francesca and
Paolo, of which Dante's
Comedy (canto V)
also
narrates. According to
some scholars, the first
performance of
Francesca da
Rimini took place in
Madrid in January 1828;
however, this date is not
reflected in the Diario
de Avisos de Madrid, a
publication that daily
reserved a conspicuous
space for news on the
shows staged in the
Spanish city: the years
between 1828 and 1831 in
fact do not mention the
work. Furthermore, no
printed libretto of
Mercadante's Francesca
da Rimini is
preserved today –
an inexplicable fact, if
one admits that the
performance took place.
The text of the opera can
be largely traced back to
the one prepared by
Romani for the homonymous
work by Antonio Carlini
(Naples 1825), which
Mercadante was able to
know before his stay in
Spain. Following the
missed Spanish premiere,
the opera should then
have been represented at
La Scala Theater in a
subsequent season, with
reliability the imminent
one of the 1831/32
carnival; but shortly
thereafter the impresario
died: thus the
contractual obligations
involving him were no
longer fulfilled, and,
for a second time,
Mercadante was then
forced to shelve the
plans about Francesca
da Rimini, put aside
now for several months.
In fact, the scoring
– very similar to
that of the operas
planned at La Scala in
the same Carnival period
– assumes that
Francesca da
Rimini was destined
for a theatre of great
means, like few others in
Italy besides La Scala.
But the failure of the
opera may also have been
due to the presence of
the part of an amoroso
en travesti,
Paolo, to whom Mercadante
assigns a prominent role
also in terms of music:
in 1831 and in Italy such
a solution was no longer
so frequent as a few
years before or in
provincial theatres, and
so this condition may
possibly have affected
the fate of the
negotiations in Milan,
and may explain how the
composer was then unable
to have the score
performed
elsewhere. This
critical edition is based
on manuscript copies
conserved in the Museo
internazionale e
Biblioteca della Musica
di Bologna (autograph
score) and in the
Biblioteca Histórica
Municipal in Madrid
(score and separate
parts).
(TH BR) SKU: HL.49041690 Der Ring des Nibelungen. Composed by Rich...(+)
(TH BR)
SKU:
HL.49041690
Der
Ring des Nibelungen.
Composed by Richard
Wagner. Edited by Kurt
Pahlen. This edition:
Paperback/Soft Cover.
Paperback. Serie Musik.
Text book/libretto. 336
pages. Schott Music #SEM
8037. Published by Schott
Music (HL.49041690).
ISBN 9783254080370.
4.75x7.5x0.795 inches.
German.
This book,
a comprehensive
introduction to Richard
Wagner's opera 'The
Valkyrie', the first
evening of the tetralogy
'The Nibelung's Ring',
contains the complete
libretto with numerous
music examples. Kurt
Pahlen comments on the
work with music-related
references as well
explanations on the
external and internal
plot. A summary of the
plot and a brief outline
of the genesis bring 'The
Valkyrie' into relation
with the composer's
entire oeuvre and his
life, thus providing
comprehensive, richly
illustrated information
on this music drama.
Symphonie -
Kirchenmusik -
Melodrama. Composed
by Christine
Heyter-Rauland and
Christoph Hellmut
Mahling. Edited by
Christine Heyter-Rauland
and Christoph Hellmut
Mahling. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Classical. 314 pages.
Schott Music #ED 8309.
Published by Schott Music
(HL.49007906).
ISBN
9783795713331.
German.
Im Fruhjahr
1987 hat ein Kolloquium
zu Fragen der
deutsch-tschechischen
Musikbeziehungen,
veranstaltet von der
Arbeitsgemeinschaft fur
Mittelrheinische
Musikgeschichte e.V., von
der Mozartgemeinde
Kurpfalz und vom
Musikwissenschaftlichen
Institut der Johannes
Gutenberg-Universitat
Mainz, in Mannheim
stattgefunden. Die auf
dieser Tagung gehaltenen
Referate lieferten
Beitrage zu dem
Generalthema allgemein,
aber auch speziell zu den
Gattungen Symphonie,
Kirchenmusik und
Melodrama. Die
vorliegende Publikation
fasst diese
Untersuchungen zusammen
und versucht auf diese
Weise, einen weiteren
Beitrag zur Geschichte
der Musikverbindungen
zwischen Mannheim und den
Gebieten Bohmens und
Mahrens beizusteuern.
(Book) SKU: HL.322673 Opera Book. Composed by Bent Lorentzen. Book...(+)
(Book)
SKU:
HL.322673
Opera
Book. Composed by
Bent Lorentzen. Book.
Classical, Opera.
Softcover. Edition
Wilhelm Hansen #WH31425.
Published by Edition
Wilhelm Hansen
(HL.322673).
ISBN
9781540069498. UPC:
888680975364.
A
composer has decided he
wants to do an opera. Now
he has been through all
the genres, and to crown
his life's work with
something big, he wants
to do an opera. He goes
to a Danish, acclaimed
poet and orders a
libretto. After some
time, he / she gets the
text back and begins his
composition work. One day
he / she is done, and so
what? It is common for
composers to know very
little about dramaturgy,
and therefore not really
competent to take on the
responsibility.
Therefore, the composer
must learn dramaturgy. Of
course, on the other
hand, no good opera has
to come out of an
excellent dramaturgical
text. In other words, if
it is possible to analyze
that something is a good
dramaturgy craft, then it
is worth the try.Bent
Lorentzen shows with this
book what good music
dramaturgy is. All opera
enthusiasts can gain
greater insight into the
opera's instruments -
such as theater.
Trombone and Piano SKU: IS.TRP4208EM Composed by Jef Schampaert. Brass - ...(+)
Trombone and Piano
SKU: IS.TRP4208EM
Composed by Jef
Schampaert. Brass -
Trombone. Metropolis
Music Publishers
#TRP4208EM. Published by
Metropolis Music
Publishers
(IS.TRP4208EM).
ISBN
9790365042081.
Joze
f (Jef) Schampaert's 1952
Dramatische Fantaisie
(Fantaisie Dramatique)
for trombone and piano,
dedicated to trombone
professor Peter
Roupcinsky, was written
as a concours piece for
the Royal Conservatoire
Antwerp in Belgium. While
the rest of the Belgian
school was experimenting
with a return to lush
romanticism (Alpaerts,
Maes, and the musical
progeny of Benoit), or
beginning to prod the
tonal bounds of
listenable 12-tone and
serialism (Constant and
Verbesselt), Schampaert
took towards a different
sound: that of the
Impressionists,
transmuted through his
distinctly Flemish
touch.
SKU: M7.DOHR-66466 Die Erstellung formaler Spannungsabläufe als Erg...(+)
SKU: M7.DOHR-66466
Die Erstellung
formaler
Spannungsabläufe als
Ergänzung der
musikalischen
Analyse. Composed by
Martin Kirschbaum. Sheet
music. 120 pages. MDS
(Music Distribution
Services) #DOHR 66466.
Published by MDS (Music
Distribution Services)
(M7.DOHR-66466).
ISBN
9783925366468.
German.
Machtvolle
Steigerungen,
explosionsartige
Entladungen, Gipfel des
Höhepunkts - die
musikalische Analyse ist
reich an bildhaften
Beschreibungen für
Stellen erhöhter
musikalischer Spannung.
Eine Auseinandersetzung
mit dem Phänomen
Höhepunkt ist jedoch
kaum zu finden. Wie sind
die einzelnen
musikalischen Elemente an
der Höhepunktbildung
beteiligt? Wie kann man
die unterschiedlichen
Intensitäten von
Höhepunkten bestimmen?
Welche Bedeutung haben
sie für die
Dramaturgie des ganzen
Musikwerkes? Diese und
weitere Fragen versucht
der vorliegende Band zu
beleuchten. Es werden
Höhepunktbildung und
Dramaturgie als
formbildende Elemente der
Musik dargestellt und
zehn zeitgenössische
Werke auf den Einsatz
dieser Elemente hin
untersucht, darunter der
zweite Satz aus Anton
Weberns Symphonie op. 21,
die Kontakte von
Karlheinz Stockhausen,
piano von Morton Feldman
und Tanzsuite mit
Deutschlandlied von
Helmut Lachenmann,
jeweils mit grafischer
Darstellung des
dramaturgischen Verlaufs.
Der ungewöhnliche
Blickwinkel auf die
untersuchten
Kompositionen offenbart
zahlreiche neue
Erkenntnisse, nicht nur
im Hinblick auf die
Kompositionen, sondern
auch auf die Arbeitsweise
ihrer Urheber.
SKU: HL.49006631 Gesammelte Aufsatze zur Neuen Musik. Composed by ...(+)
SKU: HL.49006631
Gesammelte Aufsatze
zur Neuen Musik.
Composed by Carl
Dahlhaus. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 416 pages.
Schott Music #ED 6767.
Published by Schott Music
(HL.49006631).
ISBN
9783795721688.
German.
Musikwissen
schaft und Neue Musik -
Neue Musik als
historische Kategorie -
Fortschritt und
Avantgarde - Avantgarde
und Popularitat -
Musikalischer
Funktionalismus - Die
Neue Musik und das
Problem der musikalischen
Gattungen - Moderne
Orgelmusik und das 19.
Jahrhundert - Probleme
des Rhythmus in der Neuen
Musik - Der
Tonalitatsbegriff in der
Neuen Musik - Schonbergs
musikalische Poetik -
Schonberg und die
Programmmusik -
Musikalische Prosa -
Emanzipation der
Dissonanz - Schonberg und
Schenker - Uber das
Analysieren Neuer Musik.
Zu Schonbergs
Klavierstucken op. 11/1
und 33a - Schonbergs Lied
Streng ist uns das Gluck
und sprode - Schonbergs
Orchesterstuck op. 16/3
und der Begriff der
Klangfarbenmelodie - Das
obligate Rezitativ -
Ausdrucksprinzip und
Orchesterpolyphonie in
Schonbergs Erwartung -
Was ist eine
Zwolftonreihe? -
Schonberg und Bach -
Rhythmische Strukturen in
Weberns Orchesterstucken
op. 6 - Analytische
Instrumentation. Bachs
sechsstimmiges Ricercar
in der Orchestrierung
Anton Weberns - Schreker
und die Moderne. Zur
Dramaturgie des Fernen
Klang - Struktur und
Expression bei Alexander
Skrjabin - Asthetische
Probleme der
elektronischen Musik -
Notenschrift heute -
Pladoyer fur eine
romantische Kategorie.
Der Begriff des
Kunstwerks in der
neuesten Musik - Uber den
Zerfall des musikalischen
Werkbegriffs - Das
musikalische Kunstwerk
als Gegenstand der
Soziologie - Thesen uber
engagierte Musik -
Politische und
asthetische Kriterien der
Kompositionskritik -
Probleme der
Kompositionskritik -
Adornos Begriff des
musikalischen Materials -
Form - Erhard Karkoschka
und die Dialektik der
musikalischen Form - Uber
Sinn und Sinnlosigkeit in
der Musik - Komposition
und Improvisation - Neue
Formen der Vermittlung
von Musik - Vom
Missbrauch der
Wissenschaft -
Bibliographie samtlicher
Schriften von Carl
Dahlhaus.
SKU: BT.PS1805 Risposte est/etiche per la crescita dei valori civili e...(+)
SKU: BT.PS1805
Risposte est/etiche
per la crescita dei
valori civili e morali
delle nuove
generazioni. Composed
by Maurizio Spaccazocchi.
Book with CD. Composed
2018. 160 pages. Progetti
Sonori #PS1805. Published
by Progetti Sonori
(BT.PS1805).
ISBN
9788899849139.
Italian.
Come
contribuire a risolvere
la crisi di valori e
ideali presente nella
societ moderna? Cosa
possono fare la scuola o
i vari centri
socio-educativi per
incentivare, riattivare o
potenziare nei giovani un
atteggiamento e una
mentalit più
umanitaria? A questi ed
altri interrogativi vuole
rispondere il nuovo
preziosissimo lavoro
multidisciplinare di
Maurizio Spaccazocchi,
che si rivolge ai docenti
e agli animatori sociali,
ma soprattutto alle
ragazze e ai ragazzi, per
dar loro la possibilit di
risvegliare o acquisire
condotte più civili ed
etiche. Le attivit
prendono spunto dalla
lettura e
dall’analisi di un
testo (poesie, citazioni,
discorsi di personaggi
esemplari, protagonisti
delle battaglie per i
diritti umani, paladini
della giustizia, ecc.),
allo scopo di
sensibilizzare i giovani
verso tematiche o
problematiche di
interesse collettivo,
storico, sociale, morale,
culturale, e per giungere
a un dibattito in classe
libero e democraticamente
gestito dai docenti. I
risultati delle letture,
dei dibattiti, uniti alle
proposte e ai consigli
dell’Autore, si
materializzeranno in
drammatizzazioni
pubbliche fatte di
recitazioni e di azioni
sceniche sulla base di
coinvolgenti sottofondi
musicali presenti nel CD
allegato. L’intera
messa in scena è
pertanto il momento
fondamentale del lavoro,
lo strumento più
efficace per far sì
che il gruppo-classe, a
sua volta, si faccia
portatore di un più
alto messaggio morale e
di una rinnovata umanit
al di fuori
dell’ambito
scolastico. Le risposte
est/etiche qui presenti
sono proposte
educativo-drammaturgiche
(30 in totale) in cui la
musica in tutte le sue
forme, la parola narrata
o poetica,
l’azione
espressiva gesto-motoria,
da comuni mezzi estetici
si elevano a mezzi etici,
per rendere i ragazzi
cittadini carichi di un
reale senso civile, e
dunque più
responsabili, sensibili,
altruisti, rispettosi,
maturi e tolleranti sul
piano umano: insomma, con
questa pubblicazione si
desidera incentivare una
più ampia coscienza
morale nelle nuove
generazioni, compito
questo che dovrebbe
essere la vera priorit
della scuola
italiana.