Orchestra - Grade 2.5 SKU: AP.35970S Composed by Robert Sieving. Performa...(+)
Orchestra - Grade 2.5
SKU: AP.35970S
Composed by Robert
Sieving. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form: Ballade.
Christmas; Secular;
Winter. Score. 8 pages.
Highland/Etling
#00-35970S. Published by
Highland/Etling
(AP.35970S).
UPC:
038081411767.
English.
This piece
will remind audiences of
other non-traditional
seasonal pieces in the
style of American
standard songs with their
evocations of sleigh
rides, apple cider, and
cozy hearths. The melodic
style and contemporary
harmonies suggest a time
when gatherings of
friends and families are
remembered with pleasure
and a particular kind of
American nostalgia for
days gone by.
Performance Score Flute; Guitar (Score and Solo Part) - intermediate SKU: HL....(+)
Performance Score Flute;
Guitar (Score and Solo
Part) - intermediate
SKU: HL.49044531
Suite for Flute and
Guitar - Performance
Score. Composed by
Laurent Mé and
neret. This edition:
Saddle stitching. Sheet
music. Ensemble.
Classical. Softcover. 24
pages. Schott Music
#SF1013. Published by
Schott Music
(HL.49044531).
For
Woodwind Quintet and
Quartet of Strings.
Composed by Donald
Crockett. LKM Music.
Concert. Duration 1320
seconds. Lauren Keiser
Music Publishing
#X692502. Published by
Lauren Keiser Music
Publishing (HL.1335416).
ISBN 9798350113846.
UPC: 196288187677.
9.0x14.0x0.855
inches.
Composed in
honor of the 75th
Anniversary of the Summer
Music Camp for
Can't-Get-Enough-Chamber-
Music Aficionados, aka
the Chamber Music
Conference and Composers'
Forum of the East, Camera
Oscura explores musical
kernels imbedded in the
names of some of Donald
Crockett's favorite
composers in the rich
history of chamber music,
though the musical
evocations are based on
the names, not their
styles. In addition to
the noisy fanfares
introduced by the
traditional nonet
(woodwind quintet, plus a
quartet of strings:
violin, viola, cello and
bass), there are smaller
combinations based on
iconic pieces in the
repertory, for example,
oboe quartet, clarinet
quintet, Schubert octet,
woodwind quintet, string
trio, etc. Movements: I.
Fanfares, II. Songs, III.
Scherzo, IV. Lament.
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cello and Piano SKU: HL.14040470 Composed by Raymond Salmon. Music Sales ...(+)
Cello and Piano
SKU:
HL.14040470
Composed
by Raymond Salmon. Music
Sales America. Classical.
Book [Softcover].
Editions Musicales
Transatlantiques
#ETR001140. Published by
Editions Musicales
Transatlantiques
(HL.14040470).
Evocations Orchestre d'harmonie - Intermédiaire Martin, Robert
Concert band - Grade 5 SKU: RM.BOUT04428-BA Composed by Roger Boutry. Ori...(+)
Concert band - Grade 5
SKU:
RM.BOUT04428-BA
Composed by Roger Boutry.
Original music. Prestige
collection. Orchestra.
Full set. Duration 11
minutes, 30 seconds.
Editions Robert Martin
#BOUT04428-BA. Published
by Editions Robert Martin
(RM.BOUT04428-BA).
Flute, violin or harpsichord SKU: HH.HH599-FSP Composed by Benjamin Skinn...(+)
Flute, violin or
harpsichord
SKU:
HH.HH599-FSP
Composed
by Benjamin Skinner.
Edited by Michael Talbot.
Full score and parts.
Edition HH Music
Publishers #HH599-FSP.
Published by Edition HH
Music Publishers
(HH.HH599-FSP).
ISBN
9790708213147.
Eigh
teenth-century
England was full of
amateur musicians making
music without fanfare at
home. Some of them were
also gifted composers,
and among the best was
Benjamin Skinner
(1728–1757) from what
was then the village of
Bromley near Bow, today
part of London’s East
End. Skinner’s main
publication was a set of
six sonatas for flute,
violin or solo
harpsichord, which came
out in 1752. These
unpretentious pieces,
then as now well suited
to performance by
amateurs or by musicians
in training, are full of
delights, mixing
stylistic features
inspired by Purcell or
Handel with evocations of
English popular vocal
music and also the
newer galant style
introduced from Italy.
Perhaps these sonatas
work best with flute and
basso continuo, but the
other two performance
options are good
alternatives.
SKU: HL.14064344 Composed by Eleuthre Lovreglio. Instrumental. General Me...(+)
SKU: HL.14064344
Composed by Eleuthre
Lovreglio. Instrumental.
General Merchandise.
Duration 240 seconds.
Editions Musicales
Transatlantiques
#ETR1119-S. Published by
Editions Musicales
Transatlantiques
(HL.14064344).
SSA, Piano SKU: SU.80300128 For SSA, Piano. Composed by Mary Howe....(+)
SSA, Piano
SKU:
SU.80300128
For
SSA, Piano. Composed
by Mary Howe.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Treble Clef Music Press
#80300128. Published by
Treble Clef Music Press
(SU.80300128).
Lisa, go dip
your long white hands/In
the cool waters of that
spring... The evanescent
dreaminess (Mrs. Howe's
words) of the text are
set in an impressionistic
style, with repeated
evocations of Lisa, Lisa
by the chorus. First
published in 1936. SSA
and piano. Medium. SSA,
piano Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Choral SSA Choir and Piano SKU: CF.CM9575 Born on a Fishing Boat. ...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9575
Born on
a Fishing Boat.
Composed by Braeden
Ayres. Fold. Performance
Score. 8 pages. Duration
2 minutes, 51 seconds.
Carl Fischer Music
#CM9575. Published by
Carl Fischer Music
(CF.CM9575).
ISBN
9781491153970. UPC:
680160912476. 6.875 x
10.5 inches. Key: F
minor. English. Mei-Li
Medvar.
Original.
Choral TB chorus with Piano and optional Solos SKU: CF.CM9709 Materna<...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9709
Materna. Composed
by Samuel Ward. Arranged
by Aaron Humble. 8 pages.
Duration 2:30. Carl
Fischer Music #CM9709.
Published by Carl Fischer
Music (CF.CM9709).
ISBN 9781491160046.
UPC: 680160918645. Key:
Bb major. English.
Katharine Bates.
Katharine L.
Bates.
As long as I
can remember, I've been
drawn to this beautiful
poetry written by
Katharine Lee Bates. The
text is incredibly
evocative, and it
describes a country that
is beautifully diverse in
population and landscape.
For this particular
setting, I've chosen to
use some of the original
text that is not often
sung: Till selfish gain
no longer stain, The
banner of the free! It's
a gentle reminder that we
are at our best when we
put our neighbors first.
One challenge that this
piece presents is the
overwhelming use of
quarter notes in the
melody. I encourage you
to speak the text and
find and stress those
important and evocative
words more than those
that are not. So often
the key to the right
musical phrasing is in
the text, right before
our eyes. This piece
works well accompanied or
a cappella, to provide
the most opportunity for
performing in concerts,
assemblies, and civic or
sacred settings when
there is not a piano
available. Thank you for
selecting this piece.
Savor the text, and lift
your voices to celebrate
our nation as we all
strive to make tomorrow
better than today. As
long as I can remember,
I’ve been drawn to
this beautiful poetry
written by Katharine Lee
Bates. The text is
incredibly evocative, and
it describes a country
that is beautifully
diverse in population and
landscape. For this
particular setting,
I’ve chosen to use
some of the original text
that is not often sung:
“Till selfish gain
no longer stain, The
banner of the
free!â€Â
It’s a gentle
reminder that we are at
our best when we put our
neighbors first.One
challenge that this piece
presents is the
overwhelming use of
quarter notes in the
melody. I encourage you
to speak the text and
find and stress those
important and evocative
words more than those
that are not. So often
the key to the right
musical phrasing is in
the text, right before
our eyes.This piece works
well accompanied or a
cappella, to provide the
most opportunity for
performing in concerts,
assemblies, and civic or
sacred settings when
there is not a piano
available. Thank you for
selecting this piece.
Savor the text, and lift
your voices to celebrate
our nation as we all
strive to make tomorrow
better than today.
Entre
le bœuf et l'âne
gris. Composed by 0.
Arranged by Ian David
Coleman. Sws. Yas. Full
score. 8 pages. Carl
Fischer Music #YAS201F.
Published by Carl Fischer
Music (CF.YAS201F).
ISBN 9781491157589.
UPC: 680160916160. 9 x 12
inches.
This
ancient melody has an
intrinsic beauty in both
its shape and harmonic
support. Reflecting those
elements, this
arrangement also creates
an evocative sound world.
The mood of this piece is
inspired by viewing the
expanse of the night sky.
Throughout history, we as
humans are connected, in
a sense, by the fact that
we look up at the same
pattern of stars today as
those who created this
ancient tune so many
years ago, which suggests
a point of connection
over time. In this
arrangement you will find
a sense of wonder and awe
as the melody weaves its
way between consonance
and dissonance, and that
the reimagining of an
ancient melody in a new
setting, also reflects
the timeless nature that
points of celebration,
such as in the Christmas
season. This ancient
melody has an intrinsic
beauty in both its shape
and harmonic support.
Reflecting those
elements, this
arrangement also creates
an evocative sound
world. The mood of
this piece is inspired by
viewing the expanse of
the night sky.Â
Throughout history, we as
humans are connected, in
a sense, by the fact that
we look up at the same
pattern of stars today as
those who created this
ancient tune so many
years ago, which suggests
a point of connection
over time. In this
arrangement you will find
a sense of wonder and awe
as the melody weaves its
way between consonance
and dissonance, and that
the reimagining of an
ancient melody in a new
setting, also reflects
the timeless nature that
points of celebration,
such as in the Christmas
season.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Joseph
Compello. Young String
Orchestra. Set of Score
and Parts. With Standard
notation.
16+4+16+10+5+5+3+8 pages.
Duration 2 minutes, 48
seconds. Carl Fischer
Music #YAS159. Published
by Carl Fischer Music
(CF.YAS159).
ISBN
9781491143742. UPC:
680160901241. Key: E
minor.
Dorian
Dialogue is a concert
piece for string
ensembles set in the
Dorian mode. The original
melodies are evocative of
English folk melodies.
The first theme is rustic
in nature and performed
with gusto, while the
contrasting second theme
flows in a singing style.
A perfect selection to
highlight your ensemble
in festival performance
and help you teach simple
sixteenth note
figures. Dorian
Dialogue is a concert
piece for string
ensembles with at least
two years of instruction.
Owing to the setting in
the Dorian mode, the
melodies, while original,
may strike some as being
evocative of English folk
melodies. The first theme
is rustic in nature and
should be performed with
gusto. The contrasting
second theme (m.38)
should flow in a singing
style. Balance is
critical when the two
themes are heard
simultaneously beginning
in m. 54. First violin
players who are capable
of playing 8va at mm.
57–61 should do so
at the
“optionalâ€
indication.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
SATB choir and organ SKU: ST.Y222 Composed by Rhian Samuel. SATB and orga...(+)
SATB choir and organ
SKU: ST.Y222
Composed by Rhian Samuel.
SATB and organ. Choral.
Octavo. Stainer & Bell
Ltd. #Y222. Published by
Stainer & Bell Ltd.
(ST.Y222).
ISBN
9790220221491.
A
short choral nocturne for
SATB and organ, Pan
ddaw ust y nos is a
setting of a poem by
Nesta Wyn Jones. Welsh
speakers will respond to
the subtle imagery and
verbal nuance of the
poet's wordplay, as well
as to the intense lyric
moment of charged
reminiscence captured
both in her evocation of
bygone summer evenings
and in Rhian Samuel's
simple, evocative music.
Pan ddaw ust y
nos was written for
the London Welsh Chorale,
conductor Kenneth Bowen,
was premiered at St
David's Cathedral, West
Wales, on 24 September
2005. An English
translation by the
composer is also
included.
The Sea Of Eternity Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4525-01 Composed by J. Bell. Young Con...(+)
Concert band - Grade 2
SKU:
CL.011-4525-01
Composed by J. Bell.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR392). Extra full
score. Composed 2017.
Duration 2 minutes, 23
seconds. C.L. Barnhouse
#011-4525-01. Published
by C.L. Barnhouse
(CL.011-4525-01).
Somber and
majestic, The Sea of
Eternity conveys a
feeling of hope and
peacefulness. The flowing
nature of the melody,
combined with the ocean
drum, creates a sense of
calm wonder, evocative of
the vast size and
emptiness of the sea. An
excellent teaching tool
to develop phrasing,
blend, and balance.
Haunting and
evocative!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Entre le
bœuf et l'âne
gris. Composed by
Traditional French Carol.
Arranged by Ian David
Coleman. Folio. Yas. Set
of Score and Parts.
8+8+2+5+5+8+5 pages.
Duration 3 minutes, 5
seconds. Carl Fischer
Music #YAS201. Published
by Carl Fischer Music
(CF.YAS201).
ISBN
9781491157763. UPC:
680160916344. 9 x 12
inches.
Though not
as familiar as other
holiday carols, this
ancient melody has an
intrinsic beauty in both
its shape and harmonic
support. Reflecting those
elements, this
arrangement creates an
evocative sound world.
The mood is inspired by
viewing the expanse of
the night sky. Throughout
history, we as humans are
connected, in a sense, by
the fact that we look up
at the same pattern of
stars today as those who
created this ancient tune
so many years ago, which
suggests a point of
connection over time. In
this arrangement you will
find a sense of wonder
and awe as the melody
weaves its way between
consonance and
dissonance. The
re-imagining of this
medieval carol reflects
the timeless nature of
the Christmas season.
Students will work on
sustaining long tones and
tuning non-traditional
chords in this
choral-like setting for
string orchestra. The
melody flows between all
the parts with short
musical interludes
between. Though not as
familiar as other holiday
carols, this ancient
melody has an intrinsic
beauty in both its shape
and harmonic support.
Reflecting those
elements, this
arrangement creates an
evocative sound
world. The mood is
inspired by viewing the
expanse of the night
sky. Throughout
history, we as humans are
connected, in a sense, by
the fact that we look up
at the same pattern of
stars today as those who
created this ancient tune
so many years ago, which
suggests a point of
connection over time.Â
In this arrangement you
will find a sense of
wonder and awe as the
melody weaves its way
between consonance and
dissonance. The
re-imagining of this
medieval carol reflects
the timeless nature of
the Christmas season.
Students will work on
sustaining long tones and
tuning non-traditional
chords in this
choral-like setting for
string orchestra. The
melody flows between all
the parts with short
musical interludes
between.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels