Chord Melody Arrangements in Standard Notation and Tab. By Robert B. Yelin. Guit...(+)
Chord Melody Arrangements
in Standard Notation and
Tab. By Robert B. Yelin.
Guitar Solo. With notes
and tablature. Size 9x12
inches. 144 pages.
Published by Hal Leonard.
(Solo Version (Printed Edition)). By Sergei Rachmaninoff (1873-1943). Arranged b...(+)
(Solo Version (Printed
Edition)). By Sergei
Rachmaninoff (1873-1943).
Arranged by Peng-Peng
Gong. LKM Music. Hal
Leonard #X410103.
Published by Hal Leonard
It's Me, O Lord Piano seul [Partition + CD] - Intermédiaire/avancé Hal Leonard
The Eugenie Rocherolle Series. Arranged by Eugenie R. Rocherolle. Piano Solo Son...(+)
The Eugenie Rocherolle
Series. Arranged by
Eugenie R. Rocherolle.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Softcover
with CD. Size 9x12
inches. 32 pages.
Published by Hal Leonard.
Guitar - intermediate SKU: M7.VOGG-85 Composed by Peter Bursch. Sheet mus...(+)
Guitar - intermediate
SKU: M7.VOGG-85
Composed by Peter Bursch.
Sheet music. Incl. TAB.
Voggenreiter #VOGG 85.
Published by Voggenreiter
(M7.VOGG-85).
ISBN
9783802400858.
FÃ
r alte und junge Hippies
Mit über 100 Songs,
die sich mit Spaß
singen und spielen
lassen. Von den Beach
Boys, Joan Baez, Bob
Dylan, Simon & Garfunkel,
John Denver, Reinhard
Mey, Fugees u. v. a. Dazu
die richtigen Griffe,
gute
Gitarrenbegleitungen,
Tabulaturen und alle
Texte. Mit
Hintergrundwissen und
Entstehungsgeschichte zu
den Liedern und ihren
Interpreten. Alles
Wichtige über die
Gitarre und andere
Folk-Instrumente.
Songliste: Alberta, All
around my hat, All my
trials, Amazing grace,
Banana-Boat (Day-O),
Banks of the Ohio,
Barbara Allen, Bella
ciao, Can the circle be
unbroken, Catch the wind,
Cocaine, Colours, Come
all ye fair and tender
ladies, Days of '49, Der
Deserteur, Der Winter ist
vergangen, Die freie
Republik, Die Gedanken
sind frei, Die
Moorsoldaten, Donna,
Donna, Drill ye tarriers,
drill, East Virginia, El
condor pasa, Es dunkelt
schon in der Heide, Es
geht ein' dunkle Wolk'
herein, Es saß ein
klein wild Vögelein,
Es zogen einst fünf
wilde Schwäne, Go
down, Moses,
Greensleeves, Grizzly
bear, Guantanamera, Gypsy
Rover, Havah nagila,
Heute hier, morgen dort,
House of the rising sun,
Ich komme schon durch
manche Land, (La
Marmotte), If I had a
hammer, I'll fly away, In
1841 (Paddy works on the
railway), Jackaroe, John
Barleycorn, Joshua fit
the battle of Jericho,
Kalinka, Killing me
softly, Kinder, Kisses
sweeter than wine,
Kumbaya, Lady in black,
La-le-lu, La Marmotte,
(Ich komme schon durch
manche Land), Lady in
black, Little beggarman,
Lord Franklin, Matty
Groves, Mein Vater wird
gesucht, Mr. Bo Jangles,
Nehmt Abschied,
Brüder, Oh, freedom,
Oh Susanna, Pick a bale
of cotton, Plaisir
d'amour, Pretty Peggy-O,
Puff, the magic dragon,
Sag mir, wo die Blumen
sind?, St. James
Infirmary, Santy Anno,
Scarborough Fair, Should
auld acquaintance (Auld
lang syne), Sloop John
B., Sometimes I feel like
a motherless child,
Stewball, Streets of
London, Take me home,
country roads, The bonny
lass of FYVIE-O, The
circle game, The cuckoo,
The Foggy Dew, The last
thing on my mind, The
marvelous toy, There but
for fortune, Three
drunken maidens, The
trees they grow high,
This land is your land,
Three drunken maidens,
Trotz alledem, Turn,
turn, turn, Ãœber den
Wolken, Un as der Rebbe
singt, Waxie's Dargle,
Wayfaring stranger, We
shall overcome, What
shall we do with the
drunken sailor?, Where
have all the flowers
gone?, Whiskey in the jar
(Gilgary Mountain), Will
ye go, lassie, go (Wild
Mountain Thyme).
Composed by Michael Nyman. Music Sales America. Classical, Opera. Book Only. Com...(+)
Composed by Michael
Nyman. Music Sales
America. Classical,
Opera. Book Only.
Composed 2008. 120 pages.
Chester Music
#MUSCH66693. Published by
Chester Musi
(Songs from 13 Shows and Films). Composed by Stephen Sondheim (1930-). For V...(+)
(Songs from 13 Shows and
Films). Composed by
Stephen
Sondheim (1930-). For
Vocal,
Piano/Vocal/Guitar. P/V/G
Composer Collection. 144
pages. Published by
Rilting
Music, Inc.
(10 Elegant Settings of Inspirational Solos). Arranged by Thomas Fettke. For Pia...(+)
(10 Elegant Settings of
Inspirational Solos).
Arranged by Thomas
Fettke. For Piano. Book;
Piano Collection; Piano
Supplemental. Sacred
Performer Collections.
Communion; Sacred;
Spiritual. Early
Advanced. 36 pages.
Published by Alfred Music
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
15'. Breitkopf and
Haertel #OB 5215-16.
Published by Breitkopf
and Haertel
(BR.OB-5215-16).
ISBN
9790004331170. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5252-15. Published by
Breitkopf and Haertel
(BR.OB-5252-15).
ISBN
9790004334027. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C547. Published by
Clifton Edition
(ST.C547).
ISBN
9790570815470.
Whether a student or a
great artist, the desire
to make a beautiful sound
is a constant in the life
of any musician. Sound is
the musician’s voice,
the means of
communicating an artistic
vision to the audience
and it should be the aim
for children of any age
or standard to be engaged
in good tone
production.
The
inspiration for writing
the pieces for this book
came to me from the wish
to give the young
children I teach music
which would develop their
ear for both good
intonation and beautiful
tone production. All the
pieces have a strongly
implied harmonic
structure allowing them
to be played without
accompaniment. The
purpose of the second
violin part is therefore
to enable the teacher to
underline the harmony as
well as to influence the
student’s tone
production and intonation
through his own sound, as
much can be taught by
good example. The violin
student also has the
option to play with
piano. The accompaniments
included within this book
are written by Heidi
Rolfe.
The choice
of keys in this book
covers most of the
requirements for scales
in the Associated Board
syllabus Grade
1.
Finally I think
that children enjoy the
challenge of expressing
different moods and
emotions musically, and I
hope that the range of
ideas implied by the keys
and the titles of these
pieces will fire their
imagination.
Nigel
Goldberg
Grades
3–4 Former Spartan
Press Cat. No.: SP954 and
SP955.
Choral (ShowTrax CD) SKU: HL.244507 By Miley Cyrus. Arranged by Mac Huff....(+)
Choral (ShowTrax CD)
SKU: HL.244507
By
Miley Cyrus. Arranged by
Mac Huff. Pop Choral
Series. Pop. CD. Duration
250 seconds. Published by
Hal Leonard (HL.244507).
UPC: 888680708337.
5.0x5.0x0.19
inches.
Here is a
guitar driven pop song
from pop icon Miley
Cyrus. In a musical style
that celebrates the new
direction in her life and
in her music she says I'm
giving the world a hug
and saying, Hey, look.
We're good - I love you.
And I hope that you can
love me back. A beautiful
message for your singers
to express.
Voice with Piano Accompaniment. By Andrew Lloyd Webber, David Zippel. Piano/Voca...(+)
Voice with Piano
Accompaniment. By Andrew
Lloyd Webber, David
Zippel.
Piano/Vocal/Chords Vocal
Selections (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 72 pages.
Published by Hal Leonard.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5383-15. Published by
Breitkopf and Haertel
(BR.OB-5383-15).
ISBN
9790004335352. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Composed
by Wolfgang Amadeus
Mozart. Edited by Albert
Dunning. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. KV 287 (271b, 271
H). Baerenreiter Verlag
#BA08809_00. Published by
Baerenreiter Verlag
(BA.BA08809).
ISBN
9790006568970. 31 x 24.3
cm inches. Key: B-flat
major. Preface: Gudula
Schutz.
Mozart
composed his two
â??Lodron Serenadesâ?
for open-air performances
on the name day of
Countess Antonia Lodron
in June 1776 and 1777.
Their bright â??al
frescoâ? character is
immediately recognisable.
Alfred Einstein
considered these two
divertimentos to be
â??among the purest,
gayest, most satisfying,
and most perfect that
ever assumed musical
formâ?.
For
both works Mozart chose
an ensemble of two horns,
two violins, viola and
bass instruments.
However, the second
Lodron Serenade, the
Divertimento in B-flat
major K. 287, stands out
from this sextet format
by assigning a remarkably
virtuosic solo role to
the first violin, from
the richly diverse
opening movement to the
finale with its almost
ironic recitative and an
exhilarating passage on
the folk song
â??Dâ??Bäurin hat
dâ??Katz verlornâ?.
Mozart himself played
first violin in the 1777
performance. Later he
wrote, â??They all
opened their eyes! I
played as though I were
the finest fiddler in all
Europeâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(10 Contemporary Settings for Solo Voice and Piano For Recitals, Concerts, and C...(+)
(10 Contemporary Settings
for Solo Voice and Piano
For Recitals, Concerts,
and Contests (Medium Low
Voice)). By and arr. Jay
Althouse. For Voice (Low
voice (Medium-Low)).
Book; Vocal Collection.
For Solo Singers.
Patriotic. 52 pages.
Published by Alfred Music
Publishing
By Various. Edited by David Fanning. For baritone, piano. 19th and 20t Century r...(+)
By Various. Edited by
David Fanning. For
baritone, piano. 19th and
20t Century repertoire.
Selected and edited by
David Fanning. Published
by C.F. Peters.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 13'.
Breitkopf and Haertel #OB
5251-16. Published by
Breitkopf and Haertel
(BR.OB-5251-16).
ISBN
9790004332955. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).