For Vocal Tenor. Classical (Opera with Orchestra). Includes a printed vocal scor...(+)
For Vocal Tenor.
Classical (Opera with
Orchestra). Includes a
printed vocal score on
high-quality ivory paper,
with informative liner
notes; and a compact disc
with complete versions
(with soloist) followed
by stereo orchestral
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One.
Orchestra; Vocal (Study Score) SKU: HL.51489547 Solo Voice(S) & Orches...(+)
Orchestra; Vocal (Study
Score)
SKU:
HL.51489547
Solo
Voice(S) & Orchestra
Study Score. Composed
by Ludwig van Beethoven.
Edited by Ernst
Herttrich. Henle Study
Scores. Classical.
Softcover. 190 pages. G.
Henle #HN9547. Published
by G. Henle
(HL.51489547).
UPC:
888680991333.
6.75x9.5x0.493
inches.
The works
for solo voice(s) and
orchestra assembled in
this volume owe their
composition to the most
diverse occasions. Some
were tailor-made for
female singers in
Beethoven's milieu, while
with others he was
dabbling in the field of
Italian opera (under the
tutelage of none other
than Antonio Salieri).
Scarcely any of them made
it into print during
Beethoven's lifetime.
Aside from canonical
works of the repertoire
such as “Ah!
perfido†op. 65,
this volume also contains
unknown gems like the
scene and aria Beethoven
revised multiple times,
“No, non
turbarti†-
“Ma tu tremi, o mio
tesoro?â€. The study
score contains the text
of the scholarly Complete
Edition. Beethoven
specialist Ernst
Herttrich additionally
provides information
about the genesis and
exciting variants in the
transmission history.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
For Vocal Bass-Baritone. Includes a printed vocal score on high-quality ivory pa...(+)
For Vocal Bass-Baritone.
Includes a printed vocal
score on high-quality
ivory paper, with
informative liner notes;
and a CD G
graphics-enabled compact
disc with complete
versions (with soloist)
followed by stereo
orchestral accompaniments
to each piece, minus the
soloist. Published by
Music Minus One.
(Baritone/Bass). By Wolfgang Amadeus Mozart (1756-1791). Edited by Paolo Toscano...(+)
(Baritone/Bass). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Paolo Toscano. For
baritone voice solo, bass
voice solo and piano
accompaniment. Universal
JV Classical. Classical
Period. Difficulty:
medium-difficult.
Collection. Vocal melody,
lyrics, piano reduction
and introductory text.
256 pages. Published by
Ricordi
Oratorio in two
parts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 3. Complete
edition, Score. HWV 47.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA04096_00.
Published by Baerenreiter
Verlag (BA.BA04096).
ISBN 9790006550098. 33
x 26 cm inches. Text
Language: Italian.
Preface: Terence Best.
Text: Carlo Sigismondo
Capece.
The Italian
oratorio La Resurrezione
(The Resurrection) was
written during
Handel’s time in
Rome. It was performed on
Easter Sunday 1708 with
great splendour and
extravagance by a large
orchestra conducted by
Arcangelo Corelli in the
Palazzo Bonelli, the
Roman palazzo of
Handel’s patron
the Marchese Francesco
Maria Ruspoli. In its
dramatic structure and
characterisation of the
protagonists, the work
displays a striking
affinity with Italian
opera. Lucifer’s
raging sixty fourth notes
call to mind the demon
characters in Venetian
opera and
Maddalena’s arias
are so full of expressive
power and virtuosity that
Handel later incorporated
one of them into his
opera Agrippina. The
unusual musical richness
of this work and the
virtuosic and masterly
shaping of the arias make
it a welcome addition to
any concert programme.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Divertimento teatrale in one act). Composed by Antonio Salieri (1750-1825). Edi...(+)
(Divertimento teatrale in
one act). Composed by
Antonio Salieri
(1750-1825). Edited by
Thomas Betzwieser. For 2
soprano voice solos/2
bass voice solos/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/2
violins/viola/double
bass/basso continuo. This
edition: Urtext edition.
Paperback. Level 3. Piano
reduction. Language:
Italian/German, Text
Language: German/English.
Duration 1 hour, 15
minutes. Published by
Baerenreiter Verlag
Composed by Giacomo
Puccini and Giuseppe
Verdi. Arranged by Bud
Caputo. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Waltz.
Masterwork Arrangement;
Romantic. Score and
Part(s). 124 pages.
Highland/Etling
#00-36003. Published by
Highland/Etling
(AP.36003).
UPC:
038081420417.
English.
Three of
the most memorable
operatic vocal arias are
presented here for young
strings. The arias are
set in comfortable keys
and remain in first
position. Your audiences
will appreciate hearing
these familiar tunes from
the world of Italian
Grand Opera, which are
performable as separate
movements or as a small
suite. Features La Donna
Mobile from Rigoletto,
Quando me'n vo (Musetta's
Waltz) from La Boheme,
and Libiamo ne'lieti
calici from La Traviata.
Students will be
additionally challenged
as they work to follow
the conductor's rubato
interpretations that
characterize the style of
Musetta's Waltz, and
strive to create a wide
range of dynamics that
are required for the
dance-like rollicking
flow of the other two
waltzes.
Orchestra - Grade 2.5 SKU: AP.36003S Composed by Giacomo Puccini and Gius...(+)
Orchestra - Grade 2.5
SKU: AP.36003S
Composed by Giacomo
Puccini and Giuseppe
Verdi. Arranged by Bud
Caputo. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Waltz.
Masterwork Arrangement;
Romantic. Score. 24
pages. Highland/Etling
#00-36003S. Published by
Highland/Etling
(AP.36003S).
UPC:
038081420424.
English.
Three of
the most memorable
operatic vocal arias are
presented here for young
strings. The arias are
set in comfortable keys
and remain in first
position. Your audiences
will appreciate hearing
these familiar tunes from
the world of Italian
Grand Opera, which are
performable as separate
movements or as a small
suite. Features La Donna
Mobile from Rigoletto,
Quando me'n vo (Musetta's
Waltz) from La Boheme,
and Libiamo ne'lieti
calici from La Traviata.
Students will be
additionally challenged
as they work to follow
the conductor's rubato
interpretations that
characterize the style of
Musetta's Waltz, and
strive to create a wide
range of dynamics that
are required for the
dance-like rollicking
flow of the other two
waltzes.
Composed
by Maurice Greene. Edited
by Michael Talbot.
Sopano, Violin & Basso
Continuo. Full score and
parts. Edition HH Music
Publishers #HH390-FSP.
Published by Edition HH
Music Publishers
(HH.HH390-FSP).
ISBN
9781910359280.
Gree
ne’s seven chamber
arias – today, we
would call them
‘concert
arias’ –
include a set of six that
appears to have been
custom-written for
Faustina Bordoni, the
great Venetian diva,
during her visits to
London in 1726–28,
since (among other
things) they all showcase
her
‘trademark’
note: the E in the top
space of the treble clef
that particularly
thrilled opera-goers. The
obbligato violin part for
all of them was probably
written for the violinist
and composer Mauro
D’Alay, her
constant companion and
reputed lover. All six
works are substantial and
full of character and
expression as well as
melodiousness and
contrapuntal finesse.
They show a composer at
the peak of his
inspiration and
ambition.
Composed
by Maurice Greene. Edited
by Michael Talbot.
Sopano, Violin & Basso
Continuo. Full score and
parts. Edition HH Music
Publishers #HH391-FSP.
Published by Edition HH
Music Publishers
(HH.HH391-FSP).
ISBN
979 0 708146 05
N6.
Greene’s
seven chamber arias
– today, we would
call them ‘concert
arias’ –
include a set of six that
appears to have been
custom-written for
Faustina Bordoni, the
great Venetian diva,
during her visits to
London in 1726–28,
since (among other
things) they all showcase
her
‘trademark’
note: the E in the top
space of the treble clef
that particularly
thrilled opera-goers. The
obbligato violin part for
all of them was probably
written for the violinist
and composer Mauro
D’Alay, her
constant companion and
reputed lover. All six
works are substantial and
full of character and
expression as well as
melodiousness and
contrapuntal finesse.
They show a composer at
the peak of his
inspiration and
ambition.
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
(Cantolopera Collection). Composed by Giuseppe Verdi (1813-1901). For Vocal, Pia...(+)
(Cantolopera Collection).
Composed by Giuseppe
Verdi (1813-1901). For
Vocal, Piano
Accompaniment. Vocal
Collection. Softcover
with CD. Ricordi
#NR141009. Published by
Ricordi
Cantolopera Collection. Composed by Giuseppe Verdi (1813-1901). Vocal Col...(+)
Cantolopera
Collection. Composed
by Giuseppe Verdi
(1813-1901). Vocal
Collection. Softcover
with CD. 114 pages.
Ricordi #NR141008.
Published by Ricordi
(HL.50499558).
(Cantolopera Collection). Composed by Giuseppe Verdi (1813-1901). For Vocal, Pia...(+)
(Cantolopera Collection).
Composed by Giuseppe
Verdi (1813-1901). For
Vocal, Piano
Accompaniment. Vocal
Collection. Softcover
with CD. 221 pages.
Ricordi #NR141007.
Published by Ricordi
Orchestra (Study Score) SKU: HL.49004865 Score. Composed by Werner...(+)
Orchestra (Study Score)
SKU: HL.49004865
Score. Composed by
Werner Egk. Edition
Schott. Classical. Book
with Audio-Online.
Composed 1952. 132 pages.
Schott Music #ED4408.
Published by Schott Music
(HL.49004865).
ISBN
9781423413134. UPC:
073999276947.
6.0x9.0x0.366
inches.
Diction
lessons on each aria in
the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.
Dicti
on lessons on each aria
in the series recorded by
top language coaches from
the Metropolitan Opera
and the Juilliard School
plus International
Phonetic Alphabet and
word for word
translations
<
br>With these
book/CDpackages that
match the standard aria
collections edited by
Robert L. Larsen, any
singer anywhere has
access to the best
diction coaching
available at a very
affordable price. Each
aria is recorded twice.
In the first version
thecoach recites the text
as an actor would speak
it, showing flow of the
language and the mood.
The second version is a
slow, deliberate lesson,
allowing time for the
student to repeat each
line. These experienced
language coachesadapt the
“R” in German
and French in the slow
versions for singers.
They also are very
sensitive to liaisons
between word sounds in
the musical settings. The
book includes
International Phonetic
Alphabet for each ariaand
word for word
translations.
The native speaking
professional diction
coaches from the
Metropolitan Opera and
the Juilliard School are:
Corradina Caporello for
Italian, Pierre Vallet
for French, Irene
Spiegelmanfor German,
Kathryn LaBouff for
English, Yveta Synek
Graff for Czech, and Gina
Levinson for Russian.
Companion to 50483986
Coloratura Arias for
Soprano.