| La Dorilla, RV 709 - Intermédiaire Ricordi
Voice, Piano Accompaniment (Vocal Score) - intermediate SKU: HL.50603505 ...(+)
Voice, Piano
Accompaniment (Vocal
Score) - intermediate
SKU: HL.50603505
Reduction for Voice
and Piano based on the
Critical Edition. By
Ivano Bettin. By Antonio
Vivaldi. Vocal Score.
Classical. Softcover.
Composed 2020. 252 pages.
Ricordi #CP14195600.
Published by Ricordi
(HL.50603505). ISBN
9788881920549. UPC:
840126929034. 8x11
inches. Italian-English.
- Vivaldi - It. - Intro
in It./Eng. -. The
present reduction derives
from the critical edition
of the score, published
in this catalog in
November 2019. Antonio
Vivaldi's La Dorilla, a
heroic-pastoral opera on
a libretto by Antonio
Maria Lucchini, was
premiered at the Teatro
Sant'Angelo in Venice on
6 November 1726. Six
years later it was
revived in a much
shortened and altered
form at the Sporck
Theatre in Prague. In
1734 it returned for the
last time to the Venetian
stage at the Teatro Sant
Angelo, where, despite
being greatly revised, it
was once again
successful. Many of its
recitatives had been
shortened and several
arias replaced, some with
movements borrowed from
other operas by Vivaldi
and some with arias taken
from ones by other
composers, such as Johann
Adolf Hasse, Geminiano
Giacomelli, Domenico
Sarro and Leonardo Leo.
The adaptation was the
work of the Venetian man
of letters Bartolomeo
Vitturi, who adjusted the
libretto with the precise
aim of satisfying the
demands of the public,
which wished to hear the
most famous pieces by the
composers who were
fashionable in those
years. This vocal-score
edition includes a
synthetic introduction of
the historical context,
the description of the
main source employed and
a choice of the critical
Notes to the musical
text. $34.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sosarme, Re di Media, HWV 30 Barenreiter
Soloists, Orchestra (Sg-S-solo,4Sg-A-solo,Sg- T-solo,Sg-B-solo,Orch) SKU: BA....(+)
Soloists, Orchestra
(Sg-S-solo,4Sg-A-solo,Sg-
T-solo,Sg-B-solo,Orch)
SKU: BA.BA10713-90
Opera in 3 acts.
Composed by George
Frideric Handel. Edited
by Michael Pacholke.
Arranged by Andreas Kohs.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
London Version 1732.
Vocal Score. HWV 30.
Baerenreiter Verlag
#BA10713_90. Published by
Baerenreiter Verlag
(BA.BA10713-90). ISBN
9790006558407. 27 x 19 cm
inches. Text Language:
Italian, German. Preface:
Stephan Blaut. Text:
Rossi, Giacomo (?) (nach
Antonio
Salvi). Handel's
three-act operaSosarme,
Re di Media(HWV 30) was
performed for the first
time in 1732 with star
castrato Senesino in the
title role. The plot
centres on a family
conflict over the
succession to the throne.
This edition also
contains the recitatives
written for the early
two-act versionFernando,
Re di Castigliawhich the
composer did not
complete. In addition,
the early versions of
three arias which do not
belong toFernandoare
included.
The
vocal score with its
well-presented layout is
based on theHalle Handel
Edition(HHA) and contains
the original Italian text
as well as a singable
German
translation.
$74.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Verdi Ein Maskenball Text Book Schott
(TB BR) SKU: HL.49041679 Einfuhrung und Kommentar. Composed by Giu...(+)
(TB BR) SKU:
HL.49041679
Einfuhrung und
Kommentar. Composed
by Giuseppe Verdi. Edited
by Kurt Pahlen. This
edition: Paperback/Soft
Cover. Paperback. Serie
Musik. Text
book/libretto. 235 pages.
Schott Music #SEM 8023.
Published by Schott Music
(HL.49041679). ISBN
9783254080233. Italian -
German. Having
composed five operas in
the 1850s, Verdi, while
looking for a suitable
libretto, came across a
manuscript of Eugene
Scribe which had already
been the subject of works
by other composers.
Although the political
aspect only played a
minor role in the plot,
the censor's office
demanded that the locale
be moved outside Europe.
The world premiere in
Rome on 17 February 1859
was a huge triumph for
Verdi and 'Un Ballo in
Maschera' with is
brilliant arias and
effective choral
scenes.Kurt Pahlen
juxtaposes the Italian
text with the translation
of the libretto
frequently used at German
theatres, adding
information on the
compositional structure
and context to the
musical as well as
external and internal
dramatic action of the
opera. A short synopsis
and a brief outline of
the genesis bring the
work into relation with
the composer's entire
oeuvre and life, thus
offering a comprehensive,
richly illustrated
introduction. $15.99 - Voir plus => Acheter | | |
| The Ultimate Tenor Aria Album (Version 2.0)
Voix Tenor [CD Sheet Music] Subito Music
For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Pub...(+)
For Vocal. (Voice). CD
Sheet Music (Version
2.0). PDF file on CD. 800
pages. Published by
Subito Music.
(3)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Almira, Konigin von Kastilien HWV 1 Chorale SATB Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass ...(+)
Solo voices, choir,
orchestra (3 Soprano
Voice Solo, 3 Tenor Voice
Solo, 2 Bass Voice Solo,
SATB Choir, 2
recorder-Alto, 2 Oboe,
bassoon, 3 Trumpets,
timpani, 3 Violins,
Viola, Cello, Bassi(Vc,
double bass, bassoon,
harpisc.)) SKU:
BA.BA04050 Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian. “A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$380.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cleofide Carus Verlag
Vocal soli, choir, 2 flutes, 2 oboes, 2 horns, 2 trombones, 2 violins, viola, ba...(+)
Vocal soli, choir, 2
flutes, 2 oboes, 2 horns,
2 trombones, 2 violins,
viola, basso continuo
SKU: CA.5070400
Opera in three
acts. Composed by
Johann Adolf Hasse.
Edited by Zenon Mojzysz.
This edition: Complete
edition, linen cover.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. German title:
Cleofide. Opera,
singspiel. Full score
(complete edition /
selected edition).
Composed 1731. 432 pages.
Duration 240 minutes.
Carus Verlag #CV
50.704/00. Published by
Carus Verlag
(CA.5070400). ISBN
9790007092283. Language:
Italian. Text: Boccardi,
Michelangelo /
Metastasio, Pietro. Text:
Michelangelo Boccartdi,
Pietro
Metastasio. Hasse's
Cleofide of 1731 can be
regarded as the zenith of
his creative output - not
least of all because he
integrated several of his
greatest arias from
earlier works into this
opera. The theme from
antiquity Alexander's
conquests in India was
perfectly suited to
flatter August the
Strong, a rather
unsuccessful
commander-in-chief, who
at that moment was
occupied with the
reorganization of his
armies. For performance
at the Court of Dresden,
Metastasio's original
libretto was reworked by
Michelangelo Boccardi. As
a result, the title of
the opera was changed
from Alessandro nell'
Indie to Cleofide and
Faustina Bordoni, the
prima donna and wife of
Johann Adolf Hasse,
became the protagonist of
the story. Musically, the
opera reflected the style
of the time. Hasse's
expressive and natural
style was admired and
appreciated by the public
professional musicians
alike. The vocal parts
were tailor-made for the
singers and in performing
this work the outstanding
soloists and the
orchestra could shine.
Hasse always tried to get
the utmost from his
musicians and in the case
of Cleofide he achieved a
100% success. The Carus
edition of Cleofide,
which has been published
as a part of the
Hasse-Werkausgabe, is the
very first printed
edition of this work. It
is based primarily on the
original parts used for
the first performance in
1731 and presents both an
accurate musicological
rendering of the sources
as well as a practical
performance edition. $372.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Giulio Cesare in Egitto, HWV 17 Barenreiter
Solo Voices, Mixed Chorus, Orchestra (2Sg-Soprano solo,3Sg-A-solo,Contralto Solo...(+)
Solo Voices, Mixed
Chorus, Orchestra
(2Sg-Soprano
solo,3Sg-A-solo,Contralto
Solo,Sg-Baritone-solo,Orc
h,BnMusik) SKU:
BA.BA10720-01
Opera in three
Acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Hallische
Handel-Ausgabe (HHA)
II/14,1+2. Complete
edition, Score. HWV 17.
Baerenreiter Verlag
#BA10720_01. Published by
Baerenreiter Verlag
(BA.BA10720-01). ISBN
9790006550302. 33 x 26.5
cm inches. Text Language:
Italian. Preface: Hans
Dieter Clausen. Text:
Haym, Nicola Francesco
(nach Giacomo Francesco
Bussani). Giulio
Cesare in Egittois by far
Handel's most frequently
performed opera owing its
success not least to its
subject matter, one of
the best known love
stories in world history.
Already during Handel's
lifetime the popular work
was often staged and
therefore adapted by
Handel for each of the
performance conditions.
The editor Hans Dieter
Clausen has succeeded in
editorially defining and
practically presenting
these adaptations -
essentially four versions
- on the basis of a
meticulous study of the
sources within the
framework of theHalle
Handel Edition. The new
edition allows for a
performance of each of
the four versions. The
version of 1725 is
particularly noteworthy
because Handel newly
devised the role of Sesto
for the famous tenor
Francesco
Borosini.
The
libretto shows the Roman
dictator Cesar in a
friendly light. He
instructs his enemy, the
Egyptian tyrant Tolomeo,
how to treat adversaries;
he reconciles the widow
and son of his enemy
Pompeo who was murdered
by Tolomeo; he is
generous and just, hands
on, but also diplomatic,
thoughtful, aware of the
limits of his power, and
susceptible for art and
nature. However, the
actual protagonist of the
opera is Cleopatra. In a
masterly way Handel
develops her character
musically.
In his
extensive Foreword Hans
Dieter Clausen not only
decribes the genesis,
historical background,
reception and the edition
of the opera, he also
examines the musical and
dramaturgical reworking
of individual numbers
inGiulio Cesare. Handel
was such an expert in
adapting arias for new
purposes and other
characters that he did
not only meet the needs
at hand but often the new
version surpassed the
original. In this way,
the reader gains, in
passing, a well-founded
insight into Handel's
work methods when
designing and redevising
his characters. The
detailed Critical
Commentary includes
information on the
comprehensive and highly
complex source situation
as well as on individual
editorial
decisions.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$1052.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Catone in Utica Boosey and Hawkes
Choir; Orchestra; Voice (Full Score) SKU: HL.48023819 Opera In Three A...(+)
Choir; Orchestra; Voice
(Full Score) SKU:
HL.48023819 Opera
In Three Acts - Full
Score - Italian.
Composed by Antonio
Vivaldi. Boosey & Hawkes
Voice. Classical, Opera.
Softcover. 192 pages.
Boosey & Hawkes
#M202533826. Published by
Boosey & Hawkes
(HL.48023819). ISBN
9783793140702.
9.25x12.0x0.576
inches. The
surviving second and
third acts of Catone in
Utica, one of
Metastasio's most
dramatic libretti,
premiered in Verona in
the spring of 1737 in a
setting by Vivaldi,
contains some of his
finest, most mature, and
most original arias, and
are published here for
the first time. They
evince a potential
dramatic intensity that
makes us regret all the
more the loss of the
first act. Only one aria
of Act I can be
definitely recovered from
a surviving opera, but
the rest has now also
been successfully
reconstructed by
Alessandro Ciccolini,
whose intimate knowledge
of Vivaldi's working
methods, combined with
brilliant stylistic
insight won universal
acclaim for his work on
Vivaldi's Montezuma and
Ercole sul
Termodoonte. $75.00 - Voir plus => Acheter | | |
| Joseph Haydn: Arianna a Naxos, Cantata a voce sola for Voice and Piano Hob. XXVIb: 2 Piano, Voix [Partition] G. Henle
For Voice and Piano. By Franz Joseph Haydn. Edited by M. Helms. Voice. Pages: V ...(+)
For Voice and Piano. By
Franz Joseph Haydn.
Edited by M. Helms.
Voice. Pages: V and 23.
Urtext edition without
fingering-paper bound.
Published by G. Henle.
$15.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Messa di Requiem - Intermédiaire/avancé Carus Verlag
Orchestra Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb,...(+)
Orchestra Solo voices,
SATB chorus, 2 Fl, 2 Ob,
2 Clt, 2 Fg, 4 Cor, 2 Tr,
3 Trb, Timp, 2 Vl, Va,
Vc, Cb, Org - Grade 4
SKU: CA.2732203
Composed by Gaetano
Donizetti. Edited by
Guido Johannes Joerg.
Vocal score. Composed
1835. 124 pages. Duration
65 minutes. Carus Verlag
#2732203. Published by
Carus Verlag
(CA.2732203). ISBN
9790007248413.
Latin. Through
works such as
Verdi’s Requiem or
Puccini’s Messa di
Gloria, we know that the
great composers of
Italian bel canto opera
also wrote marvelous
sacred music. Yet most of
these pieces are rarely
performed. This is also
true of Gaetano
Donizetti’s Messa
di Requiem, which he
composed as an expression
of grief at the early
death of Vincenzo Bellini
in 1835. Neither
performed nor printed
during Donizetti’s
lifetime, the Requiem is
ripe for rediscovery. A
rich and highly intense
work, it features
dramatic choruses with
full orchestra, fugues,
and a cappella passages
that alternate with
lengthy cantilenas for
the soloists. These solo
cantilenas are often
scored for three male
voices accompanied by low
winds to create a dark
timbre. The soprano and
alto soloists do not
themselves sing any solo
arias, instead remaining
part of the solo
ensemble.Carus is
offering a critical
edition of this
editorially challenging
work complete with vocal
score, choral score, and
all orchestral
parts.. Score
available separately -
see item CA.2732200. $39.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messa di Requiem - Intermédiaire/avancé Carus Verlag
Orchestra Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb,...(+)
Orchestra Solo voices,
SATB chorus, 2 Fl, 2 Ob,
2 Clt, 2 Fg, 4 Cor, 2 Tr,
3 Trb, Timp, 2 Vl, Va,
Vc, Cb, Org - Grade 4
SKU: CA.2732200
Composed by Gaetano
Donizetti. Edited by
Guido Johannes Joerg.
Carus digital: Extra
digital products. Full
Score. Composed 1835. 304
pages. Duration 65
minutes. Carus Verlag
#2732200. Published by
Carus Verlag
(CA.2732200). ISBN
9790007248406.
Latin. Through
works such as
Verdi’s Requiem or
Puccini’s Messa di
Gloria, we know that the
great composers of
Italian bel canto opera
also wrote marvelous
sacred music. Yet most of
these pieces are rarely
performed. This is also
true of Gaetano
Donizetti’s Messa
di Requiem, which he
composed as an expression
of grief at the early
death of Vincenzo Bellini
in 1835. Neither
performed nor printed
during Donizetti’s
lifetime, the Requiem is
ripe for rediscovery. A
rich and highly intense
work, it features
dramatic choruses with
full orchestra, fugues,
and a cappella passages
that alternate with
lengthy cantilenas for
the soloists. These solo
cantilenas are often
scored for three male
voices accompanied by low
winds to create a dark
timbre. The soprano and
alto soloists do not
themselves sing any solo
arias, instead remaining
part of the solo
ensemble.
Carus is
offering a critical
edition of this
editorially challenging
work complete with vocal
score, choral score, and
all orchestral
parts.
$166.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Quando m'en vo Peters
By Giacomo Puccini (1858-1924). For Voice, Piano. Opera Audition Arias series. S...(+)
By Giacomo Puccini
(1858-1924). For Voice,
Piano. Opera Audition
Arias series. Sheet
Music. Translations of
introduction and lyrics
into
French/German/Italian.
Published by Edition
Peters
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messa di Requiem - Intermédiaire/avancé Carus Verlag
Orchestra Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb,...(+)
Orchestra Solo voices,
SATB chorus, 2 Fl, 2 Ob,
2 Clt, 2 Fg, 4 Cor, 2 Tr,
3 Trb, Timp, 2 Vl, Va,
Vc, Cb, Org - Grade 4
SKU: CA.2732205
Composed by Gaetano
Donizetti. Edited by
Guido Johannes Joerg.
Choral Score. Composed
1835. 36 pages. Duration
65 minutes. Carus Verlag
#2732205. Published by
Carus Verlag
(CA.2732205). ISBN
9790007248420.
Latin. Through
works such as
Verdi’s Requiem or
Puccini’s Messa di
Gloria, we know that the
great composers of
Italian bel canto opera
also wrote marvelous
sacred music. Yet most of
these pieces are rarely
performed. This is also
true of Gaetano
Donizetti’s Messa
di Requiem, which he
composed as an expression
of grief at the early
death of Vincenzo Bellini
in 1835. Neither
performed nor printed
during Donizetti’s
lifetime, the Requiem is
ripe for rediscovery. A
rich and highly intense
work, it features
dramatic choruses with
full orchestra, fugues,
and a cappella passages
that alternate with
lengthy cantilenas for
the soloists. These solo
cantilenas are often
scored for three male
voices accompanied by low
winds to create a dark
timbre. The soprano and
alto soloists do not
themselves sing any solo
arias, instead remaining
part of the solo
ensemble.Carus is
offering a critical
edition of this
editorially challenging
work complete with vocal
score, choral score, and
all orchestral
parts.. Score
available separately -
see item CA.2732200. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zeffiretti, lusinghieri from 'Idomeneo' IMC (International Music Co.)
(Arias from Operas). By Wolfgang Amadeus Mozart (1756-1791). Edited by Sergius K...(+)
(Arias from Operas). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Sergius Kagen. For
soprano voice and piano.
This edition: Text
Language: Italian and
English. Voice and piano
$8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Operatic Anthology - Volume 2
Voix Mezzo-Soprano, Piano [Partition] Schirmer
(Celebrated Arias Selected From Operas By Old And Modern Composers In Five Volum...(+)
(Celebrated Arias
Selected From Operas By
Old And Modern Composers
In Five Volumes) Compiled
by Kurt Adler. For voice
(Mezzo-Soprano, Alto) and
piano. Format:
piano/vocal songbook (two
copies needed for
performance). With vocal
melody, lyrics and piano
reduction. Vocal
standards. Text language
English, Cyrilic*,
Russian (Phonetic)*,
French*, Italian*,
German*. 277 pages.
7.5x10.7 inches.
Published by G. Schirmer,
Inc..
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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