Double Bass SKU: BT.YE0095 Composed by Alan Ridout. Exam Material. Book O...(+)
Double Bass
SKU:
BT.YE0095
Composed by
Alan Ridout. Exam
Material. Book Only.
Yorke Edition #YE0095.
Published by Yorke
Edition (BT.YE0095).
for Double
bass (or cello) and
piano.
Six
short, easy pieces
written to supplement the
examination repertoire.
Can be played separately
or as a suite.
Alan Ridout
died shortly after
correcting proofs ofthese
tuneful movements: his
popular Concerto and
Little Sad Sound (also
available) are in similar
style.
CD
available
here (Selections
from the Cello
Repertoire). Compiled,
ed., arr., and composed
by Carey Cheney. For
Cello and Piano. String -
Cello Studies or
Collection. Companion CD
also available (see item
21620X). Instrumental
Solo Book and Piano
Accompaniment Book. 88
pages. Published by
Alfred Publishing.
(str) SKU: TM.01616SC Composed by Johann Stamitz. Edited by Hoffmann. Sco...(+)
(str)
SKU:
TM.01616SC
Composed
by Johann Stamitz. Edited
by Hoffmann. Score. Lucks
Music Library #A7114.
Published by Lucks Music
Library (TM.01616SC).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string.
Stamitz’s players
would have followed the
general rule of the down
bow, where the strong
beat would begin with a
down bow. In Concerto No.
1 in G, the Violin I
parts reach to sixth
position, requiring high
G’s. Unusual
writing for its time,
these passages are both
logical and easy for
players to find and hear.
Cello and bass parts
reach high F’s on
occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp.
By Bill Piburn. For Guitar (Fingerpicking). Solos. Bluegrass and Country. Level:...(+)
By Bill Piburn. For
Guitar (Fingerpicking).
Solos. Bluegrass and
Country. Level:
Intermediate. Book. Size
9.5x11.75. 384 pages.
Published by Mel Bay
Publications, Inc.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 50 pages. Duration
9'. Breitkopf and Haertel
#OB 15155-30. Published
by Breitkopf and Haertel
(BR.OB-15155-30).
ISBN
9790004344989. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Fanfare Band - Grade 3 SKU: BT.DHP-1135394-120 Bad Orb Impressions...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1135394-120
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2013. De Haske
Publications #DHP
1135394-120. Published by
De Haske Publications
(BT.DHP-1135394-120).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
2 Pianos, 4 mains [Partition] - Intermédiaire/avancé Alfred Publishing
Edited by Scott Beard and Lucy Mauro. For Piano. This edition: 2 copies required...(+)
Edited by Scott Beard and
Lucy Mauro. For Piano.
This edition: 2 copies
required. Piano Duo (Two
Pianos, Four Hands).
Masterwork. Level: Late
Intermediate / Early
Advanced. Book. 144
pages. Published by
Alfred Publishing.
Piano SKU: BT.EMBZ1765 Composed by Bela Bartok. Book Only. Composed 1955....(+)
Piano
SKU:
BT.EMBZ1765
Composed
by Bela Bartok. Book
Only. Composed 1955. 12
pages. Editio Musica
Budapest #EMBZ1765.
Published by Editio
Musica Budapest
(BT.EMBZ1765).
'This music,
moving even in its
bleakness, is
characterised by the
complete absence of
ornamentation. The arc of
all four pieces [1.
Adagio, 2. Andante, 3.
Poco lento, 4. Assai
andante] is similar:
after beginning softly
they reach a fortissimo
climax, then sink back
into numbing grief. Only
the decidedly important
melodic and harmonic
elements are heard, pared
down, occasionally
reinforced with octave
doubling. In the Adagio
of the Second Piano
Concerto Bartók was to
return to this peculiar
piano instrumentation.
The lyricism and
Hungarian turns of phrase
of the second movement
differ a little from the
series: he orchestrated
it with the title
'Melody' in 1931 as
thecentral piece of the
five-movement 'Hungarian
Sketches'.' (HCD 32525
Bartók New Series Vol.
25, Somfai
László).
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Fanfare Band - Grade 3 SKU: BT.DHP-1135394-020 Bad Orb Impressions...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1135394-020
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135394-020. Published by
De Haske Publications
(BT.DHP-1135394-020).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Arranged by John Cacavas. Series; Solo Small Ensembles; Trio; Woodwind - Saxopho...(+)
Arranged by John Cacavas.
Series; Solo Small
Ensembles; Trio; Woodwind
- Saxophone Trio. John
Cacavas Trio Series.
Book. 24 pages. Alfred
Music #00-20615.
Published by Alfred Music
Arranged by Daniel Kelley. For Flute and piano. Solos. Recital. Level: Intermedi...(+)
Arranged by Daniel
Kelley. For Flute and
piano. Solos. Recital.
Level: Intermediate.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Piano seul [Partition] - Facile Kjos Music Company
By Jane Bastien. (Older Beginner Piano Library). Bastien Piano. Solo Collections...(+)
By Jane Bastien. (Older
Beginner Piano Library).
Bastien Piano. Solo
Collections. Level: Level
1. Music Book. Size 232.
Published by Neil A. Kjos
Music Company.
Fiddle Tunes for the Beginning Violinist. From the creators of Barrage. For Fidd...(+)
Fiddle Tunes for the
Beginning Violinist. From
the creators of Barrage.
For Fiddle. Solos. Swath
Publishing. Bluegrass and
Country. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 56
pages. Published by Swath
Publishing.
Clarinet Instrumental Solos. By Wolfgang Amadeus Mozart. De Haske Play-Along Boo...(+)
Clarinet Instrumental
Solos. By Wolfgang
Amadeus Mozart. De Haske
Play-Along Book.
Softcover with CD. Size
9x12 inches. 28 pages.
Published by De Haske
Publications.
Composed
by Johann Sebastian Bach.
Set Type: A. Set of
parts. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SET).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp.