Fiddle Tunes for the Beginning Violinist. From the creators of Barrage. For Fidd...(+)
Fiddle Tunes for the
Beginning Violinist. From
the creators of Barrage.
For Fiddle. Solos. Swath
Publishing. Bluegrass and
Country. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 56
pages. Published by Swath
Publishing.
String orchestra (str min. 6.6.4.4.2.) SKU: BR.PB-5579-07 Urtext. ...(+)
String orchestra (str
min. 6.6.4.4.2.)
SKU:
BR.PB-5579-07
Urtext. Composed
by Bela Bartok.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). The
Breitkopf Urtext edition
is based on Bartok's
autograph and the first
edition of the score,
which he meticulously
revised. Symphony;
Serenade/divertimento;
Early modern. Study
Score. 44 pages. Duration
23'. Breitkopf and
Haertel #PB 5579-07.
Published by Breitkopf
and Haertel
(BR.PB-5579-07).
ISBN
9790004213896. 6.5 x 9
inches.
In the
summer of 1939, Bela
Bartok traveled to
Switzerland to compose
the Divertimento for
String Orchestra within
the two weeks in which he
enjoyed the hospitality
of his patron Paul
Sacher. Inspired by the
convivial atmosphere
there, he felt like an
old-world musician. The
Divertimento is Bartok's
highly original
contribution to this
traditionally
entertaining genre of
music. The title and
three-part structure with
two dance-like, vital
outer movements allude to
Mozart's time, whereas
the cheerful alternation
between solo group and
tutti in the final
movement tie up with the
Baroque concerto grosso
principle. Only the
burnished glow of the
middle movement suggests
that Bartok found little
of comfort in the world
of his time just a few
days before the outbreak
of World War II.The
Breitkopf Urtext edition
is based on Bartok'
autograph and the first
edition of the score,
which he meticulously
revised. Subsequent
emendations noted by
Bartok in his personal
copy were taken into
account.
The
Breitkopf Urtext edition
is based on Bartok's
autograph and the first
edition of the score,
which he meticulously
revised..
String quartet SKU: FG.55011-639-9 Composed by Einojuhani Rautavaara. Sco...(+)
String quartet
SKU:
FG.55011-639-9
Composed by Einojuhani
Rautavaara. Score +
parts. Fennica Gehrman
#55011-639-9. Published
by Fennica Gehrman
(FG.55011-639-9).
ISBN
9790550116399.
New
Urtext edition (2020) of
Einojuhani Rautavaara's
String Quartet No. 1 is
based on the composer's
manuscript, incorporating
corrections and comments
by composer's hand in
various sources.
Einojuhani Rautavaara
(1928-2016) was one of
Finland's internationally
most successful
composers. He made his
major breakthrough with
the Seventh Symphony,
Angel of Light, in the
1990s, but his output
includes numerous classic
operas, concertos,
chamber music works and
choral works. Over his
extensive career, he
progressed from
Neo-Classicism to strict
dodecaphony to free-tonal
Neo-Romanticism. His
catalogue of influences
over the decades includes
Orthodox liturgical music
and Finnish fiddlers.
Rautavaara's first string
quartet (1953) is from
his Neo-Classical early
period when he composed
only little chamber
music. Stravinsky and the
Finnish folk music are
present in the rhythmical
first movement; later
enters a characteristic
scale alternating half
and whole steps. After
the Slavic romanticism of
the slow movement Andante
the fiddler is back in
the cheerful Gigue.
Piano - Grade 3 SKU: HL.14042725 Composed by Niels Viggo Bentzon. Music S...(+)
Piano - Grade 3
SKU:
HL.14042725
Composed
by Niels Viggo Bentzon.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31866.
Published by Edition
Wilhelm Hansen
(HL.14042725).
ISBN
9788759828465.
10
Sma Praeludier , in
English, translates to 10
Little Preludes . This
collection of short
preludes for Piano was
composed by Niels Viggo
Bentzon in 1965. Niels
Viggo Bentzon descended
from a line of great
Danish composers, he was
the son of Johan Ernst
Hartmann and the
great-grandson of J.P.E.
Hartmann . In
Bentzon&rsquo,s long
career his compositions
extend to 664 opus
numbers varying from
symphonies, operas,
concertos, ballets and
many other styles.
Voice and organ SKU: M7.DOHR-12699 Composed by Lothar Graap. Sheet music....(+)
Voice and organ
SKU:
M7.DOHR-12699
Composed by Lothar Graap.
Sheet music. 40 pages.
MDS (Music Distribution
Services) #DOHR 12699.
Published by MDS (Music
Distribution Services)
(M7.DOHR-12699).
ISBN
9790202026991.
German.
Die
großen Feste des
christlichen Glaubens
verlangen nach einer
besonderen
kirchenmusikalischen
Gestaltung. Die hier
vorgelegten sechs kleinen
Choralkonzerte dienen
diesem Anliegen in
besonderer Weise. Ihr
Platz ist im
evangelischen
Gottesdienst jeweils vor
der Predigt. Darüber
hinaus können sie aber
auch bei jedweder
musikalischen
Veranstaltung im Umkreis
der jeweiligen Festzeit
Verwendung finden. Die
Singstimme ist ganz
bewusst in einer
Mittellage gehalten. So
kommen Sopran, Alt, Tenor
und Bass gleichermaßen
zu ihrem Recht.
Adventures in the Ukulele World. Book. Biography / Music Bisac, Biography / Pe...(+)
Adventures in the Ukulele
World. Book. Biography /
Music
Bisac, Biography /
Personal
Memoir,
Biography/Composers and
Musicians. Hardcover. 238
pages. Duration 180
seconds.
Published by Backbeat
Books
(Intermediate Violin Pieces with Suggestions for Practice). Edited by Kerstin W...(+)
(Intermediate Violin
Pieces with Suggestions
for Practice). Edited by
Kerstin Wartberg. For
violin. Intermediate.
Solo book with 2 CDs.
Published by Edition
Peters
Composed by Johann Sebastian Bach (1685-1750). Masterworks; Organ - Method or Co...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Masterworks;
Organ - Method or
Collection. Kalmus
Edition. Baroque;
Masterwork. Book. 92
pages. Kalmus Classic
Edition #00-K03077.
Published by Kalmus
Classic Edition
Simply the Best Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1094650-030 As performed by Tina Turn...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1094650-030
As performed by Tina
Turner. Composed by
Holly Knight and Mike
Chapman. Arranged by Ron
Sebregts. DHP Pop, Film
and Show. Pop and Rock.
Set (Score and Parts).
Composed 2009. De Haske
Publications #DHP
1094650-030. Published by
De Haske Publications
(BT.DHP-1094650-030).
9x12 inches.
English-German-French-Dut
ch.
Simply the
Best was first
performed by the little
known Bonnie Tyler in
1988, but did not gain
wide-spread popularity
until Tina Turner
recorded it barely one
year later. The song has
become one of Tina
Turnerâ??s all time
greatest hits and is a
favourite around the
world when something
needs celebrating. Ron
Sebregtsâ?? arrangement
really rocks and will
make sure your next
concert is Simply the
Best!
Simply the
Best wurde 1988
zunächst von Bonnie
Tyler veröffentlicht -
richtig bekannt wurde es
jedoch in der nur ein
Jahr jüngeren Version
von Tina Turner, die
heute noch jeder im Ohr
hat. Diese Interpretation
war auch die Grundlage
der rockigen Bearbeitung
von Ron Sebregts. Der
perfekte Titel, um im
unterhaltsamen Rahmen
jemandem einen Tribut zu
zollen oder einfach nur
das Publikum in Fahrt zu
bringen!
A met
degli anni â??70, Anna
Mae Bullock (alias Tina
Turner) inizia la
carriera da solista e
riesce ben presto a
divenire la superstar del
rock femminile. La
leonessa dalla voce soave
regala ai suoi fan
concerti unici nel suo
genere nei quali canta e
si scatena. Simply the
Best è senza
dubbio uno dei suoi
più grandi
successi.
Soli/instrumental (Soli, Instrument) SKU: BA.BA10553-01 Composed by Johan...(+)
Soli/instrumental (Soli,
Instrument)
SKU:
BA.BA10553-01
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech,
Thomas Röder, and
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 3. Edition
of selected works, Score.
Baerenreiter Verlag
#BA10553_01. Published by
Baerenreiter Verlag
(BA.BA10553-01).
ISBN
9790006553020. 33 x 25.5
cm inches. Text Language:
Latin. Preface: Paech,
Katharina Larissa /
Hirschmann, Wolfgang /
Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now.
Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Simply the Best Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1094650-020 As performed by Tina Tu...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1094650-020
As performed by Tina
Turner. Composed by
Holly Knight and Mike
Chapman. Arranged by Ron
Sebregts. DHP Pop, Film
and Show. Pop & Rock. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094650-020. Published by
De Haske Publications
(BT.DHP-1094650-020).
9x12 inches.
English-German-French-Dut
ch.
Simply the
Best was first
performed by the little
known Bonnie Tyler in
1988, but did not gain
wide-spread popularity
until Tina Turner
recorded it barely one
year later. The song has
become one of Tina
Turner’s all time
greatest hits and is a
favourite around the
world when something
needs celebrating. Ron
Sebregts’
arrangement really rocks
and will make sure your
next concert is Simply
the Best!
Simply the
Best wurde 1988
zunächst von Bonnie
Tyler veröffentlicht -
richtig bekannt wurde es
jedoch in der nur ein
Jahr jüngeren Version
von Tina Turner, die
heute noch jeder im Ohr
hat. Diese Interpretation
war auch die Grundlage
der rockigen Bearbeitung
von Ron Sebregts. Der
perfekte Titel, um im
unterhaltsamen Rahmen
jemandem einen Tribut zu
zollen oder einfach nur
das Publikum in Fahrt zu
bringen!
A met
degli anni ’70,
Anna Mae Bullock (alias
Tina Turner) inizia la
carriera da solista e
riesce ben presto a
divenire la superstar del
rock femminile. La
leonessa dalla voce soave
regala ai suoi fan
concerti unici nel suo
genere nei quali canta e
si scatena. Simply the
Best è senza
dubbio uno dei suoi
più grandi
successi.
Simply the Best Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1094650-120 As performed by Tina Tu...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1094650-120
As performed by Tina
Turner. Composed by
Holly Knight and Mike
Chapman. Arranged by Ron
Sebregts. DHP Pop, Film
and Show. Pop & Rock.
Score Only. Composed
2009. 20 pages. De Haske
Publications #DHP
1094650-120. Published by
De Haske Publications
(BT.DHP-1094650-120).
9x12 inches.
English-German-French-Dut
ch.
Simply the
Best was first
performed by the little
known Bonnie Tyler in
1988, but did not gain
wide-spread popularity
until Tina Turner
recorded it barely one
year later. The song has
become one of Tina
Turner’s all time
greatest hits and is a
favourite around the
world when something
needs celebrating. Ron
Sebregts’
arrangement really rocks
and will make sure your
next concert is Simply
the Best!
Simply the
Best wurde 1988
zunächst von Bonnie
Tyler veröffentlicht -
richtig bekannt wurde es
jedoch in der nur ein
Jahr jüngeren Version
von Tina Turner, die
heute noch jeder im Ohr
hat. Diese Interpretation
war auch die Grundlage
der rockigen Bearbeitung
von Ron Sebregts. Der
perfekte Titel, um im
unterhaltsamen Rahmen
jemandem einen Tribut zu
zollen oder einfach nur
das Publikum in Fahrt zu
bringen!
A met
degli anni ’70,
Anna Mae Bullock (alias
Tina Turner) inizia la
carriera da solista e
riesce ben presto a
divenire la superstar del
rock femminile. La
leonessa dalla voce soave
regala ai suoi fan
concerti unici nel suo
genere nei quali canta e
si scatena. Simply the
Best è senza
dubbio uno dei suoi
più grandi
successi.
Composed
by Johann Pachelbel.
Edited by Wolfgang
Hirschmann. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel
Complete Vocal Works 11.
Edition of selected
works, Score, anthology.
Baerenreiter Verlag
#BA10561_00. Published by
Baerenreiter Verlag
(BA.BA10561).
ISBN
9790006553105. 33 x 26.5
cm inches.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now.
Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition The
edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
Simply the Best Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1094650-130 As performed by Tina Turn...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1094650-130
As performed by Tina
Turner. Composed by
Holly Knight and Mike
Chapman. Arranged by Ron
Sebregts. DHP Pop, Film
and Show. Pop & Rock.
Score Only. Composed
2009. 20 pages. De Haske
Publications #DHP
1094650-130. Published by
De Haske Publications
(BT.DHP-1094650-130).
9x12 inches.
English-German-French-Dut
ch.
Simply the
Best was first
performed by the little
known Bonnie Tyler in
1988, but did not gain
wide-spread popularity
until Tina Turner
recorded it barely one
year later. The song has
become one of Tina
Turner’s all time
greatest hits and is a
favourite around the
world when something
needs celebrating. Ron
Sebregts’
arrangement really rocks
and will make sure your
next concert is Simply
the Best!
Simply the
Best wurde 1988
zunächst von Bonnie
Tyler veröffentlicht -
richtig bekannt wurde es
jedoch in der nur ein
Jahr jüngeren Version
von Tina Turner, die
heute noch jeder im Ohr
hat. Diese Interpretation
war auch die Grundlage
der rockigen Bearbeitung
von Ron Sebregts. Der
perfekte Titel, um im
unterhaltsamen Rahmen
jemandem einen Tribut zu
zollen oder einfach nur
das Publikum in Fahrt zu
bringen!
A met
degli anni ’70,
Anna Mae Bullock (alias
Tina Turner) inizia la
carriera da solista e
riesce ben presto a
divenire la superstar del
rock femminile. La
leonessa dalla voce soave
regala ai suoi fan
concerti unici nel suo
genere nei quali canta e
si scatena. Simply the
Best è senza
dubbio uno dei suoi
più grandi
successi.
Simply the Best Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094650-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094650-140
As performed by Tina
Turner. Composed by
Holly Knight and Mike
Chapman. Arranged by Ron
Sebregts. DHP Pop, Film
and Show. Pop & Rock.
Score Only. Composed
2009. 20 pages. De Haske
Publications #DHP
1094650-140. Published by
De Haske Publications
(BT.DHP-1094650-140).
9x12 inches.
English-German-French-Dut
ch.
Simply the
Best was first
performed by the little
known Bonnie Tyler in
1988, but did not gain
wide-spread popularity
until Tina Turner
recorded it barely one
year later. The song has
become one of Tina
Turner’s all time
greatest hits and is a
favourite around the
world when something
needs celebrating. Ron
Sebregts’
arrangement really rocks
and will make sure your
next concert is Simply
the Best!
Simply the
Best wurde 1988
zunächst von Bonnie
Tyler veröffentlicht -
richtig bekannt wurde es
jedoch in der nur ein
Jahr jüngeren Version
von Tina Turner, die
heute noch jeder im Ohr
hat. Diese Interpretation
war auch die Grundlage
der rockigen Bearbeitung
von Ron Sebregts. Der
perfekte Titel, um im
unterhaltsamen Rahmen
jemandem einen Tribut zu
zollen oder einfach nur
das Publikum in Fahrt zu
bringen!
A met
degli anni ’70,
Anna Mae Bullock (alias
Tina Turner) inizia la
carriera da solista e
riesce ben presto a
divenire la superstar del
rock femminile. La
leonessa dalla voce soave
regala ai suoi fan
concerti unici nel suo
genere nei quali canta e
si scatena. Simply the
Best è senza
dubbio uno dei suoi
più grandi
successi.
Simply the Best Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094650-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094650-010
As performed by Tina
Turner. Composed by
Holly Knight and Mike
Chapman. Arranged by Ron
Sebregts. DHP Pop, Film
and Show. Pop and Rock.
Set (Score and Parts).
Composed 2009. De Haske
Publications #DHP
1094650-010. Published by
De Haske Publications
(BT.DHP-1094650-010).
9x12 inches.
English-German-French-Dut
ch.
Simply the
Best was first
performed by the little
known Bonnie Tyler in
1988, but did not gain
wide-spread popularity
until Tina Turner
recorded it barely one
year later. The song has
become one of Tina
Turnerâ??s all time
greatest hits and is a
favourite around the
world when something
needs celebrating. Ron
Sebregtsâ?? arrangement
really rocks and will
make sure your next
concert is Simply the
Best!
Simply the
Best wurde 1988
zunächst von Bonnie
Tyler veröffentlicht -
richtig bekannt wurde es
jedoch in der nur ein
Jahr jüngeren Version
von Tina Turner, die
heute noch jeder im Ohr
hat. Diese Interpretation
war auch die Grundlage
der rockigen Bearbeitung
von Ron Sebregts. Der
perfekte Titel, um im
unterhaltsamen Rahmen
jemandem einen Tribut zu
zollen oder einfach nur
das Publikum in Fahrt zu
bringen!
A met
degli anni â??70, Anna
Mae Bullock (alias Tina
Turner) inizia la
carriera da solista e
riesce ben presto a
divenire la superstar del
rock femminile. La
leonessa dalla voce soave
regala ai suoi fan
concerti unici nel suo
genere nei quali canta e
si scatena. Simply the
Best è senza
dubbio uno dei suoi
più grandi
successi.
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 6. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10556_01.
Published by Baerenreiter
Verlag (BA.BA10556-01).
ISBN 9790006553112. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now.
Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano Quintet SKU: BR.EB-9399 Hommage a Schubert. Composed by Chri...(+)
Piano Quintet
SKU:
BR.EB-9399
Hommage
a Schubert. Composed
by Christian Mason.
Chamber music; stapled.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score and
parts. Composed 2020. 72
pages. Duration 15'.
Breitkopf and Haertel #EB
9399. Published by
Breitkopf and Haertel
(BR.EB-9399).
ISBN
9790004188736. 9 x 12
inches.
One of my
favourite pieces of music
as a child - and I still
love it - was Schubert's
Trout Quintet. It was
partly the wonderful
music, of course, so
light-hearted and joyful
on the surface, yet with
twists and turns and
murky depths of feeling
too. But I also liked the
picture of a trout on the
album sleeve - such
beautiful creatures! Last
year, while resident at
the Villa Concordia in
Bamberg, as I took daily
walks along the Regnitz
river, I observed the
trout as they calmly
hovered and swayed in the
shallows... But if they
felt my shadow they were
gone in a split second!
If you ever get a chance
to look closely at brown
trout you see that they
are covered in myriad
brown/red spots of varied
sizes; camouflage I
suppose. Now those
patterns seem to be
mixing in my mind with
the shifting colours of
the spectral arpeggios
that flow through this
little piece. It's a
watery piece, with
rippling waves,
shimmering surfaces and
textural veils around the
melodies which flow
through it. But it also
takes inspiration (and
it's title) from a Pablo
Neruda poem: the third
stanza of Every Day You
Play includes the line
The sky is a net crammed
with shadowy fish.
There's no singer, but I
imagine an invisible or
imaginary voice somewhere
behind (or beyond) the
music, and so the score
includes a melodic
setting of the text. Even
though this is not
performed by a voice, the
melody is always played
by the ensemble -
especially high register
cello - making the piece
something like the
inverse of a song without
words. (Christian
Mason)
World
premiere:
Aix-en-Provence, October
16, 2020 Commissioned by
the Grand Theatre de
Provence -
Aix-en-Provence.
Composed
by Johann Pachelbel.
Edited by Katharina
Larissa Paech. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 4. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10554_00.
Published by Baerenreiter
Verlag (BA.BA10554).
ISBN 9790006553037. 33
x 26 cm inches.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Vocal soli/instrument (Soli, Instrument) SKU: BA.BA10552 Composed by Joha...(+)
Vocal soli/instrument
(Soli, Instrument)
SKU: BA.BA10552
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 2. Edition
of selected works, Score.
Baerenreiter Verlag
#BA10552_00. Published by
Baerenreiter Verlag
(BA.BA10552).
ISBN
9790006553013. 33 x 26 cm
inches. Text Language:
Latin. Preface: Katharina
Larissa Paech.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding