Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Michael
Stegemann. This edition:
urtext. Stapled. Organ
part. 16 pages. Published
by Baerenreiter Verlag
(BA.BA7896-67).
Orchestra SKU: HL.51489069 Study Score. Composed by Franz Joseph H...(+)
Orchestra
SKU:
HL.51489069
Study
Score. Composed by
Franz Joseph Haydn.
Edited by Horst Walter.
Henle Music Folios.
Classical. Softcover. 93
pages. G. Henle #HN9069.
Published by G. Henle
(HL.51489069).
UPC:
840126951905.
6.75x9.5x0.291
inches.
Haydn
arrived in London at the
beginning of February
1794 for his second stay
in England. By this time,
he had completed three
movements of the Symphony
in D major Hob. I:101,
and the finished work was
premiered on 3 March.
Even the members of the
audience at the premiere
took note of the
pendulum-like
accompanying figure in
the second movement,
which was in fact
explicitly mentioned in a
review: “The
management of the
accompaniments of the
andante, though perfectly
simple, was
masterly.†The even
tick-tock oscillations
sparked the imagination
of listeners so much,
apparently, that the
nickname
“Clock†came
into use later in the
nineteenth century. And
while this name may have
nothing to do with Haydn,
is it even possible to
listen to the famous
second movement today
without making the
association? To everyone
wishing to become more
acquainted with this
symphony, let this
inexpensive study edition
be commended - with
reliable commentaries on
its genesis, sources, and
edition as well as an
unassailable musical text
taken from the Haydn
Complete Edition.
Composed
by Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. This
edition: urtext edition.
Stapled. Score. Hob.
I:88. Duration 23
minutes. Baerenreiter
Verlag #BA10980_00.
Published by Baerenreiter
Verlag (BA.BA10980).
ISBN 9790006562831. 31
x 24.3 cm inches. Key: G
major. Text Language:
German, English. Preface:
Andreas
Friesenhagen.
This
edition clarifies a
performance aspect of
Haydn’s Symphony
in G major that has long
been misunderstood: in m.
1 of the second movement
(Largo) the viola,
violoncello and several
wind instrument parts are
marked
“soloâ€,
indicating that they play
important motifs or
themes and ought to stand
out. Contrary to
other editions, the
“soloâ€
marking in the
violoncello should not be
construed as indicating a
solo instrument with the
remaining cellos doubling
the basses. Rather, the
cellos should play as a
section so as to stand
out all the more
clearly.
Continuin
g the collaboration
between Bärenreiter
and the Henle publishing
company in large-scale
choral works, operas and
symphonies, this edition
is based on the Henle
Complete Edition of the
“Works of Joseph
Haydnâ€. The
complete performance
material for several
“Sturm und
Drang†symphonies
and all of the London and
Paris symphonies is now
available from
Bärenreiter.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Study Score) SKU: HL.51489055 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489055
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9055.
Published by G. Henle
(HL.51489055).
ISBN
9790201890555. UPC:
888680950590.
7.0x9.0x0.25 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489054
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9054. Published
by G. Henle
(HL.51489054).
ISBN
9790201890548. UPC:
888680950606.
7.0x9.0x0.287 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489052 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489052
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Clothbound. Henle
Study Scores. Classical.
Softcover. 60 pages. G.
Henle #HN9052. Published
by G. Henle
(HL.51489052).
ISBN
9790201890524. UPC:
888680950682.
7.0x9.0x0.238 inches.
Preface: Ullrich
Schneidler.
Orchestra (Study Score) SKU: HL.51489050 (L'ours) Orchestra Study Scor...(+)
Orchestra (Study Score)
SKU: HL.51489050
(L'ours) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Klaus Lippe and
Sonja Gerlach. Study
Score. Paperbound. Henle
Study Scores. Classical.
Softcover. 66 pages. G.
Henle #HN9050. Published
by G. Henle
(HL.51489050).
ISBN
9790201890500. UPC:
888680950699.
7.0x9.0x0.251 inches.
Preface: Ullrich
Schneidler.
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen; Chri...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen;
Christin Heitmann. This
edition: urtext edition.
Stapled. Score. Hob.
I:26. Duration 17
minutes. Published by
Baerenreiter Verlag
(BA.BA10975).
SATB Choir and Orchestra SKU: HL.14042782 Composed by Judith Weir. Music ...(+)
SATB Choir and Orchestra
SKU: HL.14042782
Composed by Judith Weir.
Music Sales America.
Classical. Softcover.
Chester Music #CH78628.
Published by Chester
Music (HL.14042782).
Stars, Night,
Music And Light was
commissioned by BBC Radio
3 and first performed at
the BBC Proms on 15th
July 2011. A4 study
score. The performance
was given to open the
First Night of the Proms
at the Royal Albert Hall,
London, by the BBC
Symphony Orchestra, the
BBC Symphony Chorus and
the BBC Singers,
conducted by Ji i B
lohlavek.
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For orchestra. This e...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
orchestra. This edition:
Urtext edition.
Paperback. Score.
English/Czech/German. No.
7, Op. 70. Duration 38
minutes. Published by
Baerenreiter Verlag
Chamber Music Piano, Viola SKU: PR.114417880 Composed by Behzad Ranjbaran...(+)
Chamber Music Piano,
Viola
SKU:
PR.114417880
Composed
by Behzad Ranjbaran. This
edition: Piano Reduction
with Solo Part. Sws.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2014.
38+40+12+20 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41788. Published by
Theodore Presser Company
(PR.114417880).
ISBN
9781491131664. UPC:
680160637089. 9x12
inches.
Commissione
d by the Santa Rosa
Symphony for Paul
Silverthorne, principal
violist of the London
Symphony, the character
of this grand
three-movement work may
best be described in the
composer’s own
words: “If I had to
describe the character of
each instrument in the
orchestra, I would
consider the viola to be
the voice of wisdom,
moderation, and prudence.
However I find there is
much flair and brilliance
hidden beneath the
surface. In my viola
concerto I aimed to
explore these contrasts:
beauty and sweetness;
agitation and angst;
brilliance and
virtuosity.â€.
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.14041762
Violin
and Piano. Composed
by Helen Grime. Music
Sales America. Classical.
Softcover. Composed 2011.
12 pages. Chester Music
#CH79508. Published by
Chester Music
(HL.14041762).
9.0x12.0x0.071
inches.
'Romanc
e for violin and piano is
a short, reflective piece
that exploits the lyrical
qualities inherent in the
combination. Originally
written for a very young
but talented violinist,
Romance travels through
numerous moods andcolours
within a continuous
musical development of
the opening material. At
first gentle and
reflective with
increasing dramatic
outbursts outlined by the
violin sforzandi and
parallel sixths in the
piano writing, numerous
shortsolo passages in
both instruments
culminate in a fiery
climax. Quickly subsiding
into the calmer yet now
more melancholy strains
of the earlier stages of
the piece, the ending is
somewhat incomplete. This
seems to suggest
acontinuous turn of
events alluded to in the
music.' <
em> &nbs
p;  
;
- Helen
Grime
Born in 1981,
Helen studied oboe with
JohnAnderson and
composition with Julian
Anderson and Edwin
Roxburgh at the Royal
College of Music. She
graduated from the BMus
course with First Class
Honours and completed her
Masters with Distinction
in 2004. From 2005-07,
Helenwas a Legal &
General Junior Fellow at
the Royal College of
Music. In 2003 she won a
British Composer Award
for her Oboe Concerto,
and was awarded the
intercollegiate Theodore
Holland Composition Prize
in 2003 as well as allthe
major composition prizes
in the RCM. In 2008 she
was awarded a Leonard
Bernstein Fellowship to
study at the Tanglewood
Music Center where she
studied with John
Harbison, Michael
Gandolfi, Shulamit Ran
and Augusta Read
Thomas.Helen has had
works commissioned by
some of the most
established performers
and organisations
including ENO, London
Symphony Orchestra, BCMG,
Britten Sinfonia, BBC
Scottish Symphony
Orchestra and the
Tanglewood Music
Center.Conductors who
have performed her work
include Daniel Harding,
Oliver Knussen, Pierre
Boulez and Yan Pascal
Tortelier. Helen is the
2010 recipient of the
Lili Boulanger Memorial
Fund and Associate
Composer of The Halle
from the.
Stars, Night, Music And Light was commissioned by BBC Radio 3 and first performe...(+)
Stars, Night, Music And
Light was commissioned by
BBC Radio 3 and first
performed at the BBC
Proms on 15th July 2011.
Vocal score. The
performance was given to
open the First Night of
the Proms at the Royal
Albert Hall, London, by
the BBC Symphony
Orchestra, the BBC
Symphony Chorus and the
BBC Singers, conducted by
Ji i B lohlavek
Texan Tenebrae Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48025168 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48025168
Orchestra Study
Score. Composed by
Mark-Anthony Turnage.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 48 pages.
Duration 480 seconds.
Boosey & Hawkes
#M060126192. Published by
Boosey & Hawkes
(HL.48025168).
ISBN
9780851628639. UPC:
196288110736.
8.25x11.75x0.194
inches.
This work
was commissioned by the
Canary Islands Festival,
the Royal Concertgebouw
Orchestra and the Chicago
Symphony Orchestra. It
was composed in 2009 and
first performed on 21
January 2010 at Auditorio
de Tenerife, Santa Cruz
de Tenerife, Spain, by
the London Philharmonic
Orchestra, conducted by
Vladimir Jurowski. This 8
minute atmospheric piece
is moody and full of
suspense, structured in a
single slow movement.
Suitable for advanced
standard performers.
Violin, Performance and Play-Along CD SKU: HU.F0571536921 Edited by Jessica O'L...(+)
Violin, Performance and
Play-Along CD
SKU: HU.F0571536921
Edited by Jessica
O'Leary. Strings,
Repertoire, Collections.
The Best of Grade 2
Violin. Softcover Book
and CD. 40 pages. Faber
Music #F0571536921.
Published by Faber Music
(
Orchestra String Orchestra, solo string quartet SKU: AP.36-A103001 Compos...(+)
Orchestra String
Orchestra, solo string
quartet
SKU:
AP.36-A103001
Composed by Edward Elgar.
String Orchestra. Edwin
F. Kalmus. Score.
LudwigMasters
Publications #36-A103001.
Published by
LudwigMasters
Publications
(AP.36-A103001).
ISBN
9781581068764. UPC:
654690664686.
English.
Sir Edward
Elgar's Introduction and
Allegro for Strings, Op.
47, was composed in 1905
for performance in an
all-Elgar concert by the
newly formed London
Symphony Orchestra.
Scored for string quartet
and string orchestra,
Elgar composed it to show
off the players'
virtuosity.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by George
Butterworth. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A718902.
Published by
LudwigMasters
Publications
(AP.36-A718902).
UPC:
659359730764.
English.
George
Butterworth (1885-1916),
an English composer whose
life was cut short at the
Battle of the Somme,
wrote two song cycles
based on A SHROPSHIRE
LAD, a collection of 63
poems by A.E. Housman.
Conceived as an epilogue,
the orchestral rhapsody
to A SHROPSHIRE LAD is
widely considered to be
his masterpiece. The
London Symphony Orchestra
gave the first
performance at the Leeds
Festival on October 2,
1913 under the direction
of Arthur Nikisch.
Originally titled THE
LAND OF THE LOST CONTENT,
it looks back at an
idyllic world threatened,
perhaps prophetically, by
the fear of uncertainty
and loss.
Instrumentation:
2.2+EH.2+BCl.2: 4.2.3.1:
Timp: Hp: Str (9-8-7-6-5
in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra - Grade 2 SKU: AP.33739S Second Movement. Composed by Fr...(+)
Orchestra - Grade 2
SKU: AP.33739S
Second Movement.
Composed by Franz Joseph
Haydn. Arranged by
Richard Meyer. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Highland/Etling First
Philharmonic. Form:
Transcription. Classical;
Masterwork Arrangement.
Score. 20 pages.
Highland/Etling
#00-33739S. Published by
Highland/Etling
(AP.33739S).
UPC:
038081394602.
English.
One of
Haydn's most famous
symphonic movements, this
selection will give your
students a chance to
develop a refined,
Classic style of playing.
It seems like Haydn
included everything in
this movement---a
delicately beautiful main
theme, wild, minor-keyed
outbursts, military
percussion, and a solo
trumpet fanfare. No
wonder the London
audiences went crazy over
it! Arranged with the
young orchestra in mind,
all string parts are in
first position. A great
introduction to a
too-often neglected
style.
Composed by Ralph Vaughan
Williams. Score. Lucks
Music Library #A8115.
Published by Lucks Music
Library (TM.07789SC).
Rev 1920; Can
reduce instrumentation if
necessary and have the
absent instrument cues
played by the orchestra:
Omit FL III part and FL
II will play from
alternate FL II & Picc
part instead. OB II and
ENG HN can be performed
by 1 player and follow
notes when to omit one of
the parts. BASS CL and
CONTRA BN can be omitted.
If using 2 COR(/TPT): use
the 2 parts titled FOR
REDUCED ORCHESTRA. If
using 3 COR(/TPT): use
regular parts and omit
TPT II part.
Composed by Ralph Vaughan
Williams. Set Type: D.
Set of parts. Lucks Music
Library #A8115. Published
by Lucks Music Library
(TM.07789SET).
Rev 1920; Can
reduce instrumentation if
necessary and have the
absent instrument cues
played by the orchestra:
Omit FL III part and FL
II will play from
alternate FL II & Picc
part instead. OB II and
ENG HN can be performed
by 1 player and follow
notes when to omit one of
the parts. BASS CL and
CONTRA BN can be omitted.
If using 2 COR(/TPT): use
the 2 parts titled FOR
REDUCED ORCHESTRA. If
using 3 COR(/TPT): use
regular parts and omit
TPT II part.
Full Score SKU: HL.339866 For Baritone and Orchestra Full Score. C...(+)
Full Score
SKU:
HL.339866
For
Baritone and Orchestra
Full Score. Composed
by Kenneth Fuchs. LKM
Music. Softcover. 50
pages. Edward B. Marks
Music #MP078006.
Published by Edward B.
Marks Music (HL.339866).
ISBN 9781540091390.
UPC: 840126917598.
11.25x17.0x0.433
inches.
FALLING MAN
for baritone and
orchestra are based on
Don DeLillo's 2007 novel
about the events,
aftermath, and changed
lives of 9/11,a book
which enthralled Kenneth
Fuchs. DeLillo's
unflinching description
of raw terror and
absolute chaos provided a
standpoint from which
Fuchs could begin to come
to terms as a composer
with the shocking and
world-changing events of
that fateful morning. The
work is cast in the form
of a dramatic scena for
baritone voice and
orchestra, and the
principal melodic and
harmonic elements are
organized around a
falling twelve-tone
theme. Recorded by JoAnn
Falletta and the London
Symphony Orchestra with
baritone Roderick
Williams at Abbey Road
Studio, Naxos CD Falling
Man 8.559753. This is a
wonderfully recorded disc
that should continue to
gain Fuchs the notoriety
he so deserves. --Steven
Bergman, Edge A chamber
version for baritone and
mixed octet, arranged by
David Krane, is also
available from the
publisher.
Composed by George
Butterworth. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A718901.
Published by
LudwigMasters
Publications
(AP.36-A718901).
ISBN
9798892704250. UPC:
659359778070.
English.
George
Butterworth (1885-1916),
an English composer whose
life was cut short at the
Battle of the Somme,
wrote two song cycles
based on A SHROPSHIRE
LAD, a collection of 63
poems by A.E. Housman.
Conceived as an epilogue,
the orchestral rhapsody
to A SHROPSHIRE LAD is
widely considered to be
his masterpiece. The
London Symphony Orchestra
gave the first
performance at the Leeds
Festival on October 2,
1913 under the direction
of Arthur Nikisch.
Originally titled THE
LAND OF THE LOST CONTENT,
it looks back at an
idyllic world threatened,
perhaps prophetically, by
the fear of uncertainty
and loss.
Instrumentation:
2.2+EH.2+BCl.2: 4.2.3.1:
Timp: Hp: Str (9-8-7-6-5
in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Franz Joseph
Haydn. Edited by Hubert
Unverricht. This edition:
urtext edition. Stapled.
Set of wind parts. Hob. I
:104.
11/11/10/8/7/7/12/12/8/8/
7/7/7 pages. Baerenreiter
Verlag #BA04668_65.
Published by Baerenreiter
Verlag (BA.BA04668-65).
ISBN 9790006452804.
32.5 x 25.5 cm inches.
Key: D
major.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
Eulenburg Audio+Score
Series, Vol. 55 Study
Score/CD Pack.
Composed by Johannes
Brahms. Edited by Richard
Clarke. This edition:
Paperback/Soft Cover.
Sheet music with CD.
Eulenberg Audio plus
Score. Classical.
Softcover with CD.
Composed 1877. Op. 73.
182 pages. Duration 44'.
Eulenburg Edition
#EAS155. Published by
Eulenburg Edition
(HL.49017981).
ISBN
9783795765552. UPC:
841886012790.
6.0x9.0x0.408
inches.
The
Eulenburg Audio+Score
Series contains the
orchestral world's
treasures from the
baroque, classical and
romantic repertoire.
Volumes 54 and 55 each
include a Naxos CD with
performances by the
London Philharmonic
Orchestra conducted by
Marin Alsop.
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
Full Score SKU: HL.347384 For Alto Saxophone and Orchestra Full Score<...(+)
Full Score
SKU:
HL.347384
For Alto
Saxophone and Orchestra
Full Score. Composed
by Kenneth Fuchs. E.B.
Marks. Softcover. 82
pages. Edward B. Marks
Music #MP077008.
Published by Edward B.
Marks Music (HL.347384).
ISBN 9781540095299.
UPC: 840126927290.
11.0x17.0x0.43
inches.
“Kenn
eth Fuchs's fifth Naxos
recording with the London
Symphony Orchestra
conducted by JoAnn
Falletta won the 2018
GRAMMY® Award in the
category Best Classical
Compendium. Among the
works featured on the
album is Rush (Concerto
for Alto Saxophone),
which was commissioned by
Ryan Janus, principal
saxophonist of the United
States Air Force Academy
Band, and a consortium of
saxophonists and ensemble
conductors. The work is
composed in a
two-movement form, each
about seven minutes in
duration, connected by an
extended cadenza for the
saxophone soloist. The
first movement, which
begins with a short
cadenza that introduces
the thematic material of
the work, is a rhapsodic
Adagietto with
transparent textures. The
second movement, which
begins with an extended
cadenza that introduces
blue notes into the
harmonic language, is
cast in the form of a
jazz-inflected
passacaglia with ten
variations and a coda.
Versions for orchestra
and band are available
from the publisher, as
well as a piano
reduction.â€.
Violin SKU: HL.242899 Violin Solo Part. Composed by Philip Glass. ...(+)
Violin
SKU:
HL.242899
Violin
Solo Part. Composed
by Philip Glass. Music
Sales America. Classical.
Softcover. Composed 2017.
24 pages. Chester Music
#DU1116501. Published by
Chester Music
(HL.242899).
UPC:
888680953126. 9x12.25
inches.
This is the
violin solo part of
Philip Glass's wonderful
Violin Concerto No.
2 “American
Four Seasons.” The
piece was commissioned by
Toronto Symphony
Orchestra and London
Philharmonic Orchestra,
among others, the world
premiere was held in
Toronto on December 9th
2009, conducted by Peter
Oundjian. At this
premiere, the violinist
was Robert McDuffie, for
whom the Concerto was
composed. During the
summer and autumn of
2009, Glass composed this
work after many years of
exchanges with McDuffie.
His idea of creating a
work that would be
influenced by, and an
accompaniment to
Vivaldi's The Four
Seasons.
Interestingly, Glass has
provided no indication in
the score of where each
season falls, making it
open for interpretation
by the performers or the
audience.