| Elements in Time - TRADITIONAL Caisse Claire [Conducteur] - Intermédiaire/avancé Tapspace Publications
Three traditional snare solos for the rudimental drummer. Composed by Dan...(+)
Three traditional
snare solos for the
rudimental drummer.
Composed by Danny
Raymond. Score. 16 pages.
Published by Tapspace
Publications
(TA.TSPCS-68).
$24.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Swing Time - Snare Drum Caisse Claire - Facile Editions Marc Reift (Swiss import)
By Various. Concert Band. For Snare Drum. Swiss import. Jazz; Ragtime; Dixieland...(+)
By Various. Concert Band.
For Snare Drum. Swiss
import. Jazz; Ragtime;
Dixieland. Level: Grade
2+. Part. Published by
Editions Marc Reift. (EMR
1312-35)
$8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Modern School For Snare Drum With A Guide For The Artist-percussionist Caisse Claire [Partition] Alfred Publishing
With a Guide Book for the Artist Percussionist -- Covering All of the Instrument...(+)
With a Guide Book for the
Artist Percussionist --
Covering All of the
Instruments of the
Percussion Family.
Composed by Morris
Goldenberg. Edited by
musical interpretations
and editing by Anthony J.
Cirone.
Method/Instruction;
Percussion - Snare Drum
Method. Morris Goldenberg
Classics. Book. 184
pages. Alfred Music
#00-0714B. Published by
Alfred Music
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First 50 Solos You Should Play on Snare Drum Caisse Claire Hal Leonard
Composed by Various. Drum Book. Classical, Contest. Softcover. 80 pages. Publi...(+)
Composed by Various. Drum
Book. Classical, Contest.
Softcover. 80 pages.
Published
by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The ULTIMATE Collection for Marching and Pep Band Caisse Claire - Facile Alfred Publishing
(Featuring ten of the greatest rock and pop classics of all time (Snare Drum)). ...(+)
(Featuring ten of the
greatest rock and pop
classics of all time
(Snare Drum)). Arranged
by Doug Adams, Nick
Baratta, Ralph Ford,
Victor López, Shane
Porter, and Mike Story.
Marching Band. For Snare
Drum. Book; Marching Band
Collection. Pop/Rock.
Grade 2; Grade 2.5; Grade
3. 12 pages. Published by
Alfred Music Publishing
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Secret Mission - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132 Composed by
Jason Taurins. Folio.
Bps. Set of Score and
Parts.
8+2+8+2+5+2+2+8+3+3+3+2+3
+1+1+2+4+12 pages.
Duration 1 minute, 41
seconds. Carl Fischer
Music #BPS132. Published
by Carl Fischer Music
(CF.BPS132). ISBN
9781491158463. UPC:
680160917068. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Secret Mission [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132F Composed
by Jason Taurins. Sws.
Bps. Full score. 12
pages. Carl Fischer Music
#BPS132F. Published by
Carl Fischer Music
(CF.BPS132F). ISBN
9781491158470. UPC:
680160917075. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do You Hear What I Hear Chorale 2 parties Shawnee Press
By Regney, Shayne. Arranged by Harry Simeone. Two-part. Christmas Music, Popular...(+)
By Regney, Shayne.
Arranged by Harry
Simeone. Two-part.
Christmas Music, Popular
Standards/Show Tunes.
Published by Shawnee
Press.
(3)$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Do You Hear What I Hear? SATB
Chorale SATB SATB, Piano Shawnee Press
By Gloria Shayne and Noel Regney. Arranged by Harry Simeone. For SATB Choir (SAT...(+)
By Gloria Shayne and Noel
Regney. Arranged by Harry
Simeone. For SATB Choir
(SATB). Shawnee Press.
Choral, Sacred,
Christmas. 8 pages.
Shawnee Press #A0708.
Published by Shawnee
Press
(7)$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Do You Hear What I Hear Chorale 3 parties SSA Shawnee Press
By Regney, Shayne. Arranged by Harry Simeone. Choral - SSA. Christmas Music, Pop...(+)
By Regney, Shayne.
Arranged by Harry
Simeone. Choral - SSA.
Christmas Music, Popular
Standards/Show Tunes.
Published by Shawnee
Press.
(1)$2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Do You Hear What I Hear Chorale 3 parties SAB Shawnee Press
By Regney, Shayne. Arranged by Harry Simeone. Choral - SAB. Christmas Music, Pop...(+)
By Regney, Shayne.
Arranged by Harry
Simeone. Choral - SAB.
Christmas Music, Popular
Standards/Show Tunes.
Published by Shawnee
Press.
$2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| When Hearts Tremble Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5 SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75). ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major. When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others . $140.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Brazilian Groove Book: Samba and Bossa Nova Batterie [Partition + Accès audio] Hudson Music
Online Audio and Video Included!. Percussion. Bossa Nova, Brazilian, Samba. S...(+)
Online Audio and Video
Included!. Percussion.
Bossa
Nova, Brazilian, Samba.
Softcover Video Online.
96
pages. Hudson Music
#HDBK55.
Published by Hudson Music
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Factory Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor. Factory
Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Factory Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207F
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Full score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS207F.
Published by Carl Fischer
Music (CF.YPS207F).
ISBN 9781491152959.
UPC:
680160910458. Facto
ry Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Light Cavalry Overture Ensemble de Percussions [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
By Franz von Suppe (1819-1895). Arranged by Murray Houllif. For percussion septe...(+)
By Franz von Suppe
(1819-1895). Arranged by
Murray Houllif. For
percussion septet (bells,
xylophone, vibes,
marimba, timpani,
tambourine/snare drum,
bass drum/cymbals). Grade
4. Score and parts.
Published by Kendor Music
Inc
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spiritus! - Intermédiaire Kendor Music Inc.
By Jared Spears. For Percussion Quintet. Percussion Quintet. Grade 3. Published ...(+)
By Jared Spears. For
Percussion Quintet.
Percussion Quintet. Grade
3. Published by Kendor
Music Inc
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Sonorities Calabrese Brothers Music, LLC
Clarinet & Drumset SKU: SU.21000213 For Clarinet & Drumset. Compos...(+)
Clarinet & Drumset
SKU: SU.21000213
For Clarinet &
Drumset. Composed by
Patrick Hardish.
Woodwinds, Clarinet,
Percussion, Percussion.
Accompanied by
percussion, Drum Set.
Performance Score.
Calabrese Brothers Music,
LLC #21000213. Published
by Calabrese Brothers
Music, LLC (SU.21000213).
UPC:
820821003284. Jazz
Sonorities (2002) was
composed for Esther
Lamneck at her request
and premiered by her and
Barbara Allen on drums at
the Loewe Theater of New
York University on May
30, 2002. Ms. Lamneck
asked me to compose a
piece for either solo
clarinet or clarinet and
piano. I decided on the
former to continue my
Sonorities series of
works for solo
instruments which
eventually resulted in
Sonorities VII for solo
b-flat clarinet
(2003-04). However,
shortly after getting
started with my
Sonorities VII I kept
hearing the swinging
sounds of a jazz clarinet
backed up by a jazz drum
set. Part of the reason I
kept hearing these sounds
is that I grew up
listening to the big
swing bands of such
clarinet leaders as Benny
Goodman, Artie Shaw,
Woody Herman, and Jimmy
Dorsey. These musicians
were my first exposure to
the clarinet. So I
decided to first compose
a piece for clarinet with
a jazz quality and a
swinging partly ad lib
part for the drums and to
put my solo clarinet
piece for Esther on hold
for a year. There was
also a personal reason to
use the drums in the
piece. My first ambition
in music was to be a jazz
drummer and indeed I
studied drums with a jazz
drummer and played drums
professionally in dance
bands for several years.
Ms. Lamneck's part in
this piece is almost
entiirely written out
except for a few measures
of improvisation around
the middle of the piece.
The jazz quality of her
part comes mostly in the
prasing and using bluesy
like pitch bends, slides,
and microtones. The jazz
quality of the drum set
part is in the swinging
beat that is used
throughout most of the
piece. The influence of
the famous recording of
Sing Sing Sing, with a
swing by Benny Goodman &
his orchestra in 1937
featuring Gene Krupa on
drums is heard in the
middle section when the
drummer switches to a
beat on the floor tom and
high tom for several
measures. Also, the Afro
Cuban section toward the
end of the piece was
influenced by the many
recordings of Stan Kenton
& his orchestra
particularly the 1950
Pete Rugolo arrangement
of Cole Porter's Love for
Sale. In the drum solo of
the Afro Cuban section
which is near the end can
use optional claves
and/or maracas (1-2
additional players). At
the premiere the composer
joined in this section on
maracas. The drum set
calls for a bass drum,
floor tom, snare drum,
high tom, ride cymbal,
sizzle cymbal, and
hi-hat. --Patrick
Hardish. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jock Jams Super Book - Snare Drum Fanfare Hal Leonard
Contemporary Marching Band. Book only. Size 6.75x5.25 inches. 16 pages. Publishe...(+)
Contemporary Marching
Band. Book only. Size
6.75x5.25 inches. 16
pages. Published by Hal
Leonard.
$3.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F). ISBN
9781491152928. UPC:
680160910427. Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Avalon Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204). ISBN
9781491152249. UPC:
680160909742. Key: D
minor. Avalonâ€â
€œLong Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suite from Carmen Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, C...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Tambourine, Timpani,
Triangle and more. -
Grade 3-3.5 SKU:
CF.CPS17 Composed by
Georges Bizet. Arranged
by Andrew Balent.
FS-SWS-Ž Spine.
Carl Fischer Concert
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation. Carl Fischer
Music #CPS17. Published
by Carl Fischer Music
(CF.CPS17). ISBN
9780825843686. UPC:
798408043681. 9 X 12
inches. Key: F
major. Music from
Bizet's immortal opera
gets the Balent treatment
in this sparkling
arrangement of three
excerpts from the Carmen
Suite No. 1. Leading off
with the bustling Les
Toreadors from the
Overture, Mr. Balent has
also included the
seductive Habanera
(featuring Clarinets on
the tune) and the
swaggering Toreador Song
with a solo Trumpet on
the famous melody. This
is music everyone knows
and loves in a first-rate
arrangement for medium
level band. Duration: 4'
20. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joy in the Morning - Orchestration Orchestre Lorenz Publishing Company
Full orchestra SKU: LO.30-1493L An Easter Cantata For Choir And Worshi...(+)
Full orchestra SKU:
LO.30-1493L An
Easter Cantata For Choir
And Worship Leader.
Composed by Gregg Sewell.
Choral, cantatas.
Eastertide, Sacred.
Orchestration. Lorenz
Publishing Company
#30/1493L. Published by
Lorenz Publishing Company
(LO.30-1493L). UPC:
000308074642. John'
s Gospel is the basis for
an innovative new musical
setting of the timeless
Easter story. The
composer weaves striking
new melodies and
traditional hymn tunes
together to produce a
vibrant, energetic work
of meditation and praise.
The congregation is
called on to sing with
the choir in a sensitive
setting of When I Survey
the Wondrous Cross and a
rousing arrangement of
Crown Him With Many
Crowns. New settings of
What Wondrous Love Is
This? and O Sacred Head,
Now Wounded are
ingeniously intertwined
with new anthems. An
inspirational and deeply
moving experience for
choir and congregation
alike. Performance time:
approx. 25 minutes. Flute
1 & 2, Violin 2, Viola,
Cello, Double Bass, Oboe
1 & 2, Horn, Trumpet 1 &
2, Trombone 1 & 2, Tuba,
Percussion (Windchimes,
Suspended Cymbal)
Glockenspiel,Triangle,Chi
mes, Snare Drum,Timpani,
Harp, Violin 1. $150.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Code of Honor - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Rain
Stick, Snare Drum,
Suspended Cymbal,
Tom-tom, Trombone,
Trumpet and more. - Grade
0.5 SKU: CF.PPS57
Composed by Kevin Hilbun.
Pps. Set of Score and
Parts.
8+2+8+2+2+5+2+2+8+4+3+3+2
+3+1+2+2+1+1+1+12 pages.
Duration 1:06. Carl
Fischer Music #PPS57.
Published by Carl Fischer
Music (CF.PPS57). ISBN
9781491161432. UPC:
680160920020. PROGR
AM NOTES: While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum. PERFORMANCE
NOTES: The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. PROGRAM
NOTES:While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum.PERFORMANCE
NOTES:The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Code of Honor [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Rain
Stick, Snare Drum,
Suspended Cymbal,
Tom-tom, Trombone,
Trumpet and more. - Grade
0.5 SKU: CF.PPS57F
Composed by Kevin Hilbun.
Pps. Full score. 12
pages. Duration 1:06.
Carl Fischer Music
#PPS57F. Published by
Carl Fischer Music
(CF.PPS57F). ISBN
9781491161814. UPC:
680160920495. PROGR
AM NOTES: While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum. PERFORMANCE
NOTES: The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. PROGRAM
NOTES:While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum.PERFORMANCE
NOTES:The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Deep Winter's Night - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Jingle Bells,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS243
Incorporating The
First Noel. Composed
by Ed Kiefer. Folio. Cps.
Set of Score and Parts.
2+8+8+4+8+8+8+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+4+8+1+2+
3+1+2+24 pages. Duration
4:15. Carl Fischer Music
#CPS243. Published by
Carl Fischer Music
(CF.CPS243). ISBN
9781491158500. UPC:
680160917105. 9 x 12
inches. This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite. When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet, nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
match articulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance. This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite.When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet,nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
matcharticulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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