| Deep Winter's Night [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Jingle Bells,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS243F
Incorporating The
First Noel. Composed
by Ed Kiefer. Sws. Cps.
Full score. 24 pages.
Duration 4:15. Carl
Fischer Music #CPS243F.
Published by Carl Fischer
Music (CF.CPS243F).
ISBN 9781491158517.
UPC: 680160917112. 9 x 12
inches. This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite. When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet, nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
match articulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance. This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite.When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet,nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
matcharticulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Wondrous Love - Accompaniment CD Lorenz Publishing Company
SKU: LO.99-1662L Composed by Robert Lau. Choral, cantatas. Holy Week, Eas...(+)
SKU: LO.99-1662L
Composed by Robert Lau.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
Accompaniment CD. Lorenz
Publishing Company
#99/1662L. Published by
Lorenz Publishing Company
(LO.99-1662L). UPC:
000308058222. From
the haunting opening
strains of What Wondrous
Love Is This? to the
tender, moving rendition
of Jesus, Keep Me Near
The Cross, this work for
Holy Week skillfully
weaves simple narration,
scripture, and hymn texts
and tunes into a powerful
presentation of the
Savior's suffering.
Familiar hymns and new
material are designed to
impress upon the
congregation and choir
alike the magnitude of
the sacrifice our Lord
endured for our
salvation. The closing
anthem is a triumphant
testimony to the victory
of Easter, and may be
used separately as an
Easter anthem, allowing
the rest of the work to
stand complete as a
service for Good Friday.
Performance time: 30
minutes. Flute, Oboe,
opt. Clarinet, Horn,
Trumpet 1/2, Double Bass,
Conductor's score,
trombone 1/2, percussion
(windchime, sus cym,
bells, triangle) snare
drum, timpani, harp,
violin 1/2, viola,
cello. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Polovtsian Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-010(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-010
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094652-010. Published by
De Haske Publications
(BT.DHP-1094652-010).
9x12 inches.
English-German-French-Dut
ch. This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Les Danses
polovtsiennes offrent
l’exemple le plus
spectaculaire de
l’exotisme musical
russe, d’une
sensualité pre,
sauvage, et d’une
rare virtuosité
orchestrale. Ce
divertissement dansé
et chanté en plusieurs
épisodes, quintessence
de l'opéra Le
Prince Igor (1879),
contient tout ce qui
suscita la faveur de
l'Europe fin XIXe :
désir d'ailleurs,
attraction pour un Orient
plus rêvé que
réel. Masamicz Amano
en a réalisé une
version étonnante pour
Orchestre
d’Harmonie avec un
délicieux solo de
caisse claire.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante. $143.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Polovtsian Dances Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-140(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-140
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Score Only.
Composed 2009. 40 pages.
De Haske Publications
#DHP 1094652-140.
Published by De Haske
Publications
(BT.DHP-1094652-140).
9x12 inches.
English-German-French-Dut
ch. This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Les Danses
polovtsiennes offrent
l’exemple le plus
spectaculaire de
l’exotisme musical
russe, d’une
sensualité pre,
sauvage, et d’une
rare virtuosité
orchestrale. Ce
divertissement dansé
et chanté en plusieurs
épisodes, quintessence
de l'opéra Le
Prince Igor (1879),
contient tout ce qui
suscita la faveur de
l'Europe fin XIXe :
désir d'ailleurs,
attraction pour un Orient
plus rêvé que
réel. Masamicz Amano
en a réalisé une
version étonnante pour
Orchestre
d’Harmonie avec un
délicieux solo de
caisse claire.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante. $27.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jam on Top [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ride Cymbal, Snare
Drum, Tambourine,
Timpani, Trombone,
Trumpet 1 and more. -
Grade 2 SKU:
CF.YPS232F Composed
by Mark Lortz. Sws. Yps.
Full score. 16 pages.
Duration 2 minutes, 5
seconds. Carl Fischer
Music #YPS232F. Published
by Carl Fischer Music
(CF.YPS232F). ISBN
9781491158197. UPC:
680160916795. 9 x 12
inches. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39a50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39-50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm.
39–50 could be
opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jam on Top - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ride Cymbal, Snare
Drum, Tambourine,
Timpani, Trombone,
Trumpet 1 and more. -
Grade 2 SKU:
CF.YPS232 Composed by
Mark Lortz. Folio. Yps.
Set of Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+4+6
+2+3+1+1+2+3+16 pages.
Duration 2 minutes, 5
seconds. Carl Fischer
Music #YPS232. Published
by Carl Fischer Music
(CF.YPS232). ISBN
9781491158180. UPC:
680160916788. 9 x 12
inches. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39a50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39-50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm.
39–50 could be
opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nutcracker March (from The Nutcracker Suite) Chorale SATB SATB A Cappella [Octavo] Alfred Publishing
Arranged by Jeff Funk. Octavo for SATB choir (A Cappella) and snare drum. Eb Maj...(+)
Arranged by Jeff Funk.
Octavo for SATB choir (A
Cappella) and snare drum.
Eb Major. Series: Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
$1.65 $1.5675 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cornish Coastal Walk Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Rain Stick, Snare
Drum, Suspended Cymbal,
Tambourine, Timpani,
Tom-tom, Triangle and
more. - Grade 2 SKU:
CF.YPS205 Composed by
Michael J. Miller. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+2+4+5+4+4+4+8+12+6+
6+1+1+10+16+4+4+4+2
pages. Duration 3
minutes, 9 seconds. Carl
Fischer Music #YPS205.
Published by Carl Fischer
Music (CF.YPS205).
ISBN 9781491152256.
UPC: 680160909759. Key: F
major. Cornish
Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cornish Coastal Walk Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Rain Stick, Snare
Drum, Suspended Cymbal,
Tambourine, Timpani,
Tom-tom, Triangle and
more. - Grade 2 SKU:
CF.YPS205F Composed
by Michael J. Miller.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS205F.
Published by Carl Fischer
Music (CF.YPS205F).
ISBN 9781491152935.
UPC:
680160910434. Corni
sh Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Wondrous Love - Orchestration Chorale SATB Lorenz Publishing Company
Composed by Robert Lau. Choral, cantatas. Holy Week, Eastertide, Sacred. Orche...(+)
Composed by Robert Lau.
Choral, cantatas. Holy
Week, Eastertide,
Sacred. Orchestration.
Lorenz Publishing Company
#30/1736L. Published by
Lorenz Publishing Company
(LO.30-1736L).
$150.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ballet of the Dinosaur Hatchlings Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ratchet, Slap Stick,
Snare Drum, Timpani,
Tom-tom, Trombone,
Trumpet, Tuba and more. -
Grade 0.5 SKU:
CF.PPS52F A
Fantasy for Band.
Composed by Joseph
Compello. Primer Band
(PPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#PPS52F. Published by
Carl Fischer Music
(CF.PPS52F). ISBN
9781491152645. UPC:
680160910144. Balle
t of the Dinosaur
Hatchlings is an
imaginative and
fun selection for a
beginning band with less
than one year of
instruction. Wind parts
use only five pitches and
only the percussion
parts use eighth
notes. Two sound effects
are required in the
piece. First, the
hatching eggs are
portrayed by a ratchet,
and second, the snapping
dinosaurs jaws are
represented by a
slapstick. Ballet of the
Dinosaur Hatchlings
is an intriguing piece
that beginning students
are sure to
love. Ballet of the
Dinosaur Hatchlings is a
descriptive novelty
selection for a beginning
band with less than one
year of instruction. Wind
parts use only five
pitches. Only percussion
parts use eighth notes.
Two sound effects are
required. First, the
hatching eggs are
portrayed by the ratchet
beginning at m. 2, and
second, the snapping
dinosaurs jaws, which are
first heard at m. 14, are
represented by an
accented note augmented
by a slapstick. Directors
are encouraged to use
more elaborate sound
effects if they are
inclined to do so. The
story described by the
music is as
follows:• Dinosaur
eggs begin to hatch (the
ratchet, mm. 1-8).•
The parent dinosaurs
guard the nest (Low Brass
and Woodwinds mm.
9-12).• The
hatchlings begin walking
(m. 13).• The
hatchlings snap their
jaws as they learn to eat
(m. 14, Xylophone and
Slapstick).•
Thunder (Timpani, m.
29).• The parent
dinosaurs seek shelter
for all (m. 33, Low Brass
and Woodwinds).•
The hatchlings follow
while they continue
snapping their jaws (m.
41).• More thunder
(mm. 53-54).• All
the dinosaurs roar loudly
at the clouds (m. 55) as
the thunder becomes
louder. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ballet of the Dinosaur Hatchlings Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ratchet, Slap Stick,
Snare Drum, Timpani,
Tom-tom, Trombone,
Trumpet, Tuba and more. -
Grade 0.5 SKU:
CF.PPS52 A Fantasy
for Band. Composed by
Joseph Compello. Primer
Band (PPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+4+4+16+2 pages.
Duration 2 minutes, 46
seconds. Carl Fischer
Music #PPS52. Published
by Carl Fischer Music
(CF.PPS52). ISBN
9781491151969. UPC:
680160909469. Balle
t of the Dinosaur
Hatchlings is an
imaginative and
fun selection for a
beginning band with less
than one year of
instruction. Wind parts
use only five pitches and
only the percussion
parts use eighth
notes. Two sound effects
are required in the
piece. First, the
hatching eggs are
portrayed by a ratchet,
and second, the snapping
dinosaurs jaws are
represented by a
slapstick. Ballet of the
Dinosaur Hatchlings
is an intriguing piece
that beginning students
are sure to
love. Ballet of the
Dinosaur Hatchlings is a
descriptive novelty
selection for a beginning
band with less than one
year of instruction. Wind
parts use only five
pitches. Only percussion
parts use eighth notes.
Two sound effects are
required. First, the
hatching eggs are
portrayed by the ratchet
beginning at m. 2, and
second, the snapping
dinosaurs jaws, which are
first heard at m. 14, are
represented by an
accented note augmented
by a slapstick. Directors
are encouraged to use
more elaborate sound
effects if they are
inclined to do so. The
story described by the
music is as
follows:• Dinosaur
eggs begin to hatch (the
ratchet, mm. 1-8).•
The parent dinosaurs
guard the nest (Low Brass
and Woodwinds mm.
9-12).• The
hatchlings begin walking
(m. 13).• The
hatchlings snap their
jaws as they learn to eat
(m. 14, Xylophone and
Slapstick).•
Thunder (Timpani, m.
29).• The parent
dinosaurs seek shelter
for all (m. 33, Low Brass
and Woodwinds).•
The hatchlings follow
while they continue
snapping their jaws (m.
41).• More thunder
(mm. 53-54).• All
the dinosaurs roar loudly
at the clouds (m. 55) as
the thunder becomes
louder. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Charles Dickens Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507. Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals. $75.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Tum Balalaika Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Cymbals, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Triangle, Trombone,
Trumpet 1, Trumpet 2,
Tuba and more. - Grade 2
SKU: CF.YPS199
Composed by Russian Folk
Song. Arranged by Carl
Strommen. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+2+2+12+2 pages.
Duration 2 minutes, 14
seconds. Carl Fischer
Music #YPS199. Published
by Carl Fischer Music
(CF.YPS199). ISBN
9781491152195. UPC:
680160909698. Key: G
minor. Tum
Balalaika is
attributed to a number of
Eastern European
countries, but is best
known as a Russian Jewish
folk/love/“riddleâ
€ song. Loosely
translated,
“tum†means
“noise,†and
the Balalaika is a
Russian stringed
instrument with a
characteristic
triangular, hollow,
wooden body and three
strings, closely related
to the domra and
mandolin. Carl Strommen's
wonderful setting will
help any group sound
their best. Tum
Balalaika is attributed
to a number of Eastern
European countries, but
is best known as a
Russian Jewish
folk/love/“riddleâ
€ song. Loosely
translated,
“Tum†means
“noise,†and
the Balalaika is a
Russian stringed
instrument with the
characteristic triangular
wooden hollow body and
three strings, closely
related to the Domra and
Mandolin. Tum Balalaika
should be played brightly
and in a broad flowing
manner. As always,
attention should be paid
to dynamics and
articulations. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tum Balalaika Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Cymbals, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Triangle, Trombone,
Trumpet 1, Trumpet 2,
Tuba and more. - Grade 2
SKU: CF.YPS199F
Composed by Russian Folk
Song. Arranged by Carl
Strommen. Young Band
(YPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#YPS199F. Published by
Carl Fischer Music
(CF.YPS199F). ISBN
9781491152874. UPC:
680160910373. Tum
Balalaika is
attributed to a number of
Eastern European
countries, but is best
known as a Russian Jewish
folk/love/“riddleâ
€ song. Loosely
translated,
“tum†means
“noise,†and
the Balalaika is a
Russian stringed
instrument with a
characteristic
triangular, hollow,
wooden body and three
strings, closely related
to the domra and
mandolin. Carl Strommen's
wonderful setting will
help any group sound
their best. Tum
Balalaika is attributed
to a number of Eastern
European countries, but
is best known as a
Russian Jewish
folk/love/“riddleâ
€ song. Loosely
translated,
“Tum†means
“noise,†and
the Balalaika is a
Russian stringed
instrument with the
characteristic triangular
wooden hollow body and
three strings, closely
related to the Domra and
Mandolin. Tum Balalaika
should be played brightly
and in a broad flowing
manner. As always,
attention should be paid
to dynamics and
articulations. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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