Ruppels Kanon in
Kombination mit
Monteverdis
Gonzaga-Fanfare und
seinem Halleluja aus der
Marienvesper.
Composed by Claudio
Monteverdi / Paul E.
Ruppel. Arranged by Armin
Schaefer. Aulos.
Performance score.
Möseler Verlag #MOS
42243-11. Published by
Möseler Verlag
(M2.MOS-42243-11).
ISBN
9790203748311.
In
der vorliegende
Bearbeitung - erstellt
fur den Ersten Deutschen
Evangelischen Posaunentag
2008 in Leipzig - wird
der bekannte Kanon Vom
Aufgang der Sonne (EG
456) von Paul Ernst
Ruppel mit der herrlichen
Toccata von Claudio
Monteverdi kombiniert und
mundet am Ende des Werkes
in das originale
Halleluja Monteverdis.
Die Toccata mit der
Gonzaga-Fanfare ist in
den Einleitungssatzen der
Marienvesper und der Oper
L'Orfeo zu finden; das
Halleluja ist der Schluss
des Einleitungssatzes der
Marienvesper. Die
Auffuhrung mit
Blechblasern und der
Gemeinde lasst das Lob
Gottes auf beeindruckende
Weise erklingen und
stellt den Kanon in das
Licht der fruhbarocken
Klangpracht Venedigs. Die
Gemeinde kann mit
Trompeten (Chor I)
unterstutzt werden, die
nahe der jeweiligen
Kanongruppen aufgestellt
sind; der kleine
Blaserchor (Chor II)
sollte solistisch, der
grosse Blaserchor (Chor
III) chorisch besetzt
sein. Eine raumlich
getrennte Aufstellung der
Chore erhoht den Effekt
des Stuckes. Die Tuben
beider Blaserchore
spielen
posaunenchortypisch eine
Oktave tiefer die
Bassposaunenstimme.
Congregation (4-part,
canon), small ensemble (3
trumpets, 3 trombones),
larger ensemble (3
trumpets, 3 trombones)
(Chor II: 1 trumpet I (C)
- 1 trumpet I (Bb) - 1
trumpet II (C) - 1
trumpet II (Bb) - 1
trumpet III (C) - 1
trumpet III (Bb) - 1
trombone I - 2 trombones
II+III - 1 tuba) - level
3
SKU:
M2.MOS-42243-12
Ruppels Kanon in
Kombination mit
Monteverdis
Gonzaga-Fanfare und
seinem Halleluja aus der
Marienvesper.
Composed by Claudio
Monteverdi / Paul E.
Ruppel. Arranged by Armin
Schaefer. Aulos. Set of
parts. Möseler Verlag
#MOS 42243-12. Published
by Möseler Verlag
(M2.MOS-42243-12).
ISBN
9790203748328.
In
der vorliegende
Bearbeitung - erstellt
fur den Ersten Deutschen
Evangelischen Posaunentag
2008 in Leipzig - wird
der bekannte Kanon Vom
Aufgang der Sonne (EG
456) von Paul Ernst
Ruppel mit der herrlichen
Toccata von Claudio
Monteverdi kombiniert und
mundet am Ende des Werkes
in das originale
Halleluja Monteverdis.
Die Toccata mit der
Gonzaga-Fanfare ist in
den Einleitungssatzen der
Marienvesper und der Oper
L'Orfeo zu finden; das
Halleluja ist der Schluss
des Einleitungssatzes der
Marienvesper. Die
Auffuhrung mit
Blechblasern und der
Gemeinde lasst das Lob
Gottes auf beeindruckende
Weise erklingen und
stellt den Kanon in das
Licht der fruhbarocken
Klangpracht Venedigs. Die
Gemeinde kann mit
Trompeten (Chor I)
unterstutzt werden, die
nahe der jeweiligen
Kanongruppen aufgestellt
sind; der kleine
Blaserchor (Chor II)
sollte solistisch, der
grosse Blaserchor (Chor
III) chorisch besetzt
sein. Eine raumlich
getrennte Aufstellung der
Chore erhoht den Effekt
des Stuckes. Die Tuben
beider Blaserchore
spielen
posaunenchortypisch eine
Oktave tiefer die
Bassposaunenstimme.
Vespers 1610. Composed by Claudio Monteverdi (1567-1643). Edited by Uwe W...(+)
Vespers 1610.
Composed by Claudio
Monteverdi (1567-1643).
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Marienvesper. Innovative
practice aids, Sacred
vocal music, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violone + Basso co. SV
206. 36 pages. Duration
90 minutes. Carus Verlag
#CV 27.801/18. Published
by Carus Verlag
(CA.2780118).
Composed by Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. This edit...(+)
Composed by Claudio
Monteverdi (1567-1643).
Edited by Hendrik
Schulze. This edition:
urtext edition. Stapled.
Part(s). 15 pages.
Published by Baerenreiter
Verlag (BA.BA8794-74).
SKU: M2.MOS-91043 Hofkapellmeister und Komponist zwischen Renaissance ...(+)
SKU: M2.MOS-91043
Hofkapellmeister und
Komponist zwischen
Renaissance und
Barock. Composed by
Siegfried Vogelsanger.
Möseler Verlag #MOS
91043. Published by
Möseler Verlag
(M2.MOS-91043).
ISBN
9783787730438.
Die
Lebenszeit von Michael
Praetorius fallt in jene
Jahrzehnte um 1600, die
zu den spannendsten in
der Musikgeschichte
uberhaupt gehoren: Ende
der Vokalpolyphonie und
Beginn der
generalbassgestutzten
Barockmusik,
Herausbildung der
Mehrchorigkeit und des
konzertierenden Stils,
Entstehung von Monodie
und Oper. Der stets
neugierige und umtriebige
Praetorius war nicht nur
Augen- und Ohrenzeuge
dieses gravierenden
stilistischen Umbruchs,
sondern auch der
bedeutendste
Musik-Enzyklopadist
seiner Zeit. Neben dem
autodidaktischen Studium
aktueller Musikdrucke
(Claudio Monteverdis
Marienvesper etwa war ihm
wohlbekannt), bezog
Praetorius sein
umfassendes Wissen aus
zahlreichen Reisen im
Auftrag oder im Gefolge
des Wolfenbutteler
Herzogs. Diese fuhrten
ihn vor allem auch nach
Prag, wo er am
kaiserlichen Hof wichtige
Kontakte zu fuhrenden
Musikern knupfen konnte.
So lernte Praetorius,
obgleich er Norditalien
nie besucht hat, den
neuen italienischen Stil
in allen Auspragungen
kennen und stand ihm sehr
aufgeschlossen gegenuber.
Prag wurde sein Venedig,
um es mit Siegfried
Vogelsanger zu sagen. Das
kompositorische Werk
zeigt eindrucksvoll, wie
eigenwertig und kunstvoll
Praetorius mit dem stile
nuovo umzugehen
vermochte. Leider hat
sich die Musikforschung
mit Michael Praetorius
nicht annahernd soviel
befasst, wie mit seinem
Zeitgenossen Heinrich
Schutz. So blieben der
musikhistorische Rang und
vor allem die
kompositorische Substanz
des Wolfenbutteler
Hofkapellmeisters bis
heute unterbewertet. Um
so verdienstvoller ist
daher diese Monographie
des in Wolfenbuttel
ansassigen
Praetorius-Forschers
Siegfried Vogelsanger.
Das unter Mitarbeit von
Winfried Elsner
aufschlussreich
bebilderte Buch liefert
bei einem uberschaubaren
Gesamtumfang ein
ausgezeichnetes Resumee
des aktuellen
Forschungsstandes und
bietet somit die solide
Basis fur weiterfuhrende
Studien. Der in
allgemeinverstandlicher
Form abgefasste Text kann
auf der Grundlage solider
wissenschaftlicher
Quellen sowohl dem
Musikliebhaber als auch
dem Musikstudierenden als
reiches Kompendium
dienen, sich uber Leben
und Werk von Michael
Praetorius zu
informieren.
First viola (1. Viola) SKU: BA.BA08794-79 Composed by Claudio Monteverdi....(+)
First viola (1. Viola)
SKU: BA.BA08794-79
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 6
pages. Baerenreiter
Verlag #BA08794_79.
Published by Baerenreiter
Verlag (BA.BA08794-79).
ISBN 9790006529100.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo soprano...(+)
By Claudio Monteverdi
(1567-1643). Edited by
Hendrik Schulze. For 2
solo sopranos/3 solo
tenors/2 solo
basses/mixed choir:
SSATTB/mixed choir 2:
SATTB/orchestra. This
edition: Urtext edition.
Paperback. Score.
English/German. Published
by Baerenreiter Ver
Aus:
Marienvesper.
Composed by Claudio
Monteverdi. Edited by
Fritz Naf. Arranged by
Paul Horn. Ave Maris
Stella Aus Sv 206. Sacred
vocal music, Hymns. Full
score. Composed 1610. SV.
16 pages. Duration 5
minutes. Carus Verlag #CV
03.315/30. Published by
Carus Verlag (CA.331530).
ISBN 9790007172084.
Key: D dorian. Text
language:
Latin.
Melinstr
colla parte, Ritornell
with 4-voice
obligato.
Second violin (2. Violin) SKU: BA.BA08794-75 Composed by Claudio Montever...(+)
Second violin (2. Violin)
SKU: BA.BA08794-75
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 14
pages. Baerenreiter
Verlag #BA08794_75.
Published by Baerenreiter
Verlag (BA.BA08794-75).
ISBN 9790006529087.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
By Giovanni Battista Pergolesi. Edited by Bruno, Malcolm;Higginbottom, Edward;Ro...(+)
By Giovanni Battista
Pergolesi. Edited by
Bruno,
Malcolm;Higginbottom,
Edward;Ross, Robert.
Piano Reduction/Vocal
Score (paperbound).
Published by
Baerenreiter-Ausgaben
(German import). (BA7675
90)
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. Arranged by Andrea...(+)
By Claudio Monteverdi
(1567-1643). Edited by
Hendrik Schulze. Arranged
by Andreas Kohs. For 2
solo sopranos/3 solo
tenors/2 solo
basses/mixed choir:
SSATTB/mixed choir 2:
SATTB/3 cornetts/3
violins/3
violas/violoncello/contra
bass/2 flutes/2
Recorders/3 tr
SKU: BA.BVK02407 Composed by Olaf Matthias Roth. Paperback. Baerenreiter ...(+)
SKU: BA.BVK02407
Composed by Olaf Matthias
Roth. Paperback.
Baerenreiter
Werkeinfuhrungen. Book.
115 pages. Baerenreiter
Verlag #BVK02407_00.
Published by Baerenreiter
Verlag (BA.BVK02407).
ISBN 9783761824078. 19
x 12.5 cm inches.
Language: German.
Preface: Roth, Olaf
Matthias.
Third viola (3. Viola) SKU: BA.BA08794-81 Composed by Claudio Monteverdi....(+)
Third viola (3. Viola)
SKU: BA.BA08794-81
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Single sheet. Barenreiter
Urtext. Single part. 1
pages. Baerenreiter
Verlag #BA08794_81.
Published by Baerenreiter
Verlag (BA.BA08794-81).
ISBN 9790006529094.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 sol...(+)
Composed by Claudio
Monteverdi (1567-1643).
Edited by Hendrik
Schulze. For 2 solo
soprano voices/3 solo
tenor voices/2 solo bass
voicees/mixed choir:
SSATTB/mixed choir 2:
SATTB/3 cornets/3
violins/3
violas/violoncello/contra
bass/2 flutes/2
Recorders/3
trombones/bass
trombone/basso continuo).
This edition: Urtext
edition. Stapled. Satze
in hohen Schlusseln.
Piano reduction.
Language: Latin. 76
pages. Published by
Baerenreiter Verlag
Second viola (2. Viola) SKU: BA.BA08794-80 Composed by Claudio Monteverdi...(+)
Second viola (2. Viola)
SKU: BA.BA08794-80
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 6
pages. Baerenreiter
Verlag #BA08794_80.
Published by Baerenreiter
Verlag (BA.BA08794-80).
ISBN 9790006529117.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Third violin (3. Violin) SKU: BA.BA08794-76 Composed by Claudio Monteverd...(+)
Third violin (3. Violin)
SKU: BA.BA08794-76
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 3
pages. Baerenreiter
Verlag #BA08794_76.
Published by Baerenreiter
Verlag (BA.BA08794-76).
ISBN 9790006543694.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Aus:
Marienvesper.
Composed by Claudio
Monteverdi. Arranged by
Paul Horn. Separate
edition with choral
collection. Sacred vocal
music, Advent, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Composed 1610. SV.
Duration 5 minutes. Carus
Verlag #CV 03.042/10.
Published by Carus Verlag
(CA.304210).
ISBN
9790007147716. Key: D
dorian. Text language:
Latin.
Melinstr
colla parte, Ritornell
with 4-voice
obligato.
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 12
pages. Baerenreiter
Verlag #BA08794_82.
Published by Baerenreiter
Verlag (BA.BA08794-82).
ISBN 9790006529124.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Basso continuo (Bassus Generalis) SKU: BA.BA08794-86 Composed by Claudio ...(+)
Basso continuo (Bassus
Generalis)
SKU:
BA.BA08794-86
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Single part. 87
pages. Baerenreiter
Verlag #BA08794_86.
Published by Baerenreiter
Verlag (BA.BA08794-86).
ISBN 9790006543700.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First flute, second flute, first cornett (third cornett), second cornett (third ...(+)
First flute, second
flute, first cornett
(third cornett), second
cornett (third cornett),
first trombone, second
trombone, third trombone,
trombone-B (low) (1.
Flute, 2. Flute, 1.
Cornett (3. Cornett), 2.
Cornett (3. Cornett), 1.
Trombone, 2. Trombone, 3.
Trombone, Bass trombone
(tief))
SKU:
BA.BA08794-65
Composed by Claudio
Monteverdi. Edited by
Hendrik Schulze. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. 3/3/17/17/10/10/5
pages. Baerenreiter
Verlag #BA08794_65.
Published by Baerenreiter
Verlag (BA.BA08794-65).
ISBN 9790006529148.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
