Choir

SKU: BA.BA02931-02

Quatuor, quinque et sex vocum. Composed by Leonhard Lechner. Edited by Ludwig Finscher. This edition: complete edition, urtext edition. Paperback. Leonhard Lechner Works 1. Complete edition, Choral score, anthology. Composed 1575. Baerenreiter Verlag #BA02931_02. Published by Baerenreiter Verlag (BA.BA02931-02).

ISBN 9790006558773. 27 x 19 cm inches. Language: German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Johann Pachelbel; Walter Rodby. SATB. Sacred. Major work. Published by Roger Dean.

Operas in three acts. Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Hirschmann. This edition: complete edition, urtext edition. Cloth bound. Hallische Handel-Ausgabe (HHA) II/37. Version of the premiere, London 1737. Complete Edition, Score. HWV 38. Baerenreiter Verlag #BA10719-01. Published by Baerenreiter Verlag

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA08896

Tragédie in five acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. This edition: urtext edition. Paperback. Symphonien / Fassungen von 1733, 1742 und 1757. Score, anthology. RCT 43. Baerenreiter Verlag #BA08896_00. Published by Baerenreiter Verlag (BA.BA08896).

ISBN 9790006574926. 33 x 24 cm inches. Preface: Sylvie Bouissou. Text: Simon-Joseph Pellegrin.

Rameauâ €™s “Hippolyte et Aricie” showcases great confusions amongst nymphs and gods. The opera represents a fascinating masterpiece of a Baroque “Tragdie en musique” by the French composer. This edition of the “Symphonies” includes all of the purely instrumental numbers of the opera in their various versions. The contents provides an overview of the movements according to keys so that an effective suite can be easily compiled for a concert performance. The expressive and diverse music encompasses some of Rameau’s most popular instrumental works.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (2 Ob, bassoon, Str, Continuo)

SKU: BA.BA04205

Composed by George Frideric Handel. Edited by Frederik Hudson. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. Opus 3/5, HWV 316. 12 pages. Duration 12 minutes. Baerenreiter Verlag #BA04205_00. Published by Baerenreiter Verlag (BA.BA04205).

ISBN 9790006445127. 31 x 24.3 cm inches. Key: D minor.

Urtext der Hallischen Handel-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

MixedCh-SATB (Mixed choir (SATB))

SKU: BA.BA25021

Composed by Johannes Brahms. Edited by Peter Schmitz. This edition: urtext edition. Folded. Barenreiter Urtext. From Marienlieder for mixed choir a cappella. Choral score. Opus 22. 3 pages. Baerenreiter Verlag #BA25021_00. Published by Baerenreiter Verlag (BA.BA25021).

ISBN 9790006569373. 29.7 x 21 cm inches. Language: German.

The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.

These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 – BA 25037).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

String Quartet (Parts)

SKU: HL.51481120

Set of Parts. Composed by Wolfgang Amadeus Mozart. Edited by Wolf-Dieter Seiffert. Ensemble. Classical. Softcover. G. Henle #HN1120. Published by G. Henle (HL.51481120).

UPC: 196288034773. 9.0x12.0x0.625 inches.

This volume brings together Mozart's youthful attempts at this later so central genre of the string quartet: the astonishing “Lodi Quartet” K. 80 by the only fourteen-year-old composer, the three “Quartet-Divertimen ti” K. 136-138 which are also readily played by chamber orchestras, and Mozart's first true string-quartet cycle K. 155-160 which was composed during his third (north-)Italian journey in 1772/73. Mozart's cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem “dot or wedge.” The Armida Quartet provided artistic input for this edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SATB Choir (Mixed choir (SATB)) - Level 3

SKU: BA.BA00253

Composed by Leonhard Lechner. Edited by Walther Lipphardt. This edition: urtext edition. Stapled. Chor-Archiv. Choral score. 19 pages. Baerenreiter Verlag #BA00253_00. Published by Baerenreiter Verlag (BA.BA00253).

ISBN 9790006401116. 27 x 19 cm inches.

Urtext der Lechner-Gesamtausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Various. Edited by Cesare Fertonani. Woodwind Solo. Classical. Softcover. 108 pages. Ricordi #NR141713. Published by Ricordi

Soprano voice solo, mezzo-soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, orchestra (soprano voice solo, mezzo-soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, Orchestra)

SKU: BA.BA04064

Dramma per musica in thre acts. Composed by George Frideric Handel. Edited by Andrew V. Jones. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 16. Baroque Opera. Complete edition, Score. HWV 19. Duration 3 hours, 15 minutes. Baerenreiter Verlag #BA04064_00. Published by Baerenreiter Verlag (BA.BA04064).

ISBN 9790006495696. 33.1 x 25.9 cm inches. Nicola Francesco Haym.

After Giulio Cesare and Tamerlano , Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym , the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket, London , on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love, and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty.
Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel opera movement.

The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas.
Handel returned to Rodelinda on two occasions, in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers.
For example, Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance, doubtless to accommodate the needs and wishes of the singers, also improve the work’s dramatic substance.

Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Without Fingering. Composed by Franz Joseph Haydn (1732- 1809). Edited by Georg Feder. Henle Music Folios. Classical. Softcover. G. Henle #HN1536. Published by G. Henle

SKU: HL.49017857

Composed by Robert Schumann. Edited by Kazuko Ozawa and Matthias Wendt. This edition: Full-cloth binding. Sheet music. Robert Schumann - New Edition of Complete Works. Score and critical commentary, complete edition. Op. 107 u. a. 404 pages. Schott Music #RSA1043-10. Published by Schott Music (HL.49017857).

ISBN 9783795793333. 8.0x11.0x1.172 inches. German.

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work.

Orchestra (Study Score)

SKU: HL.51489061

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9061. Published by G. Henle (HL.51489061).

UPC: 840126932836. 6.75x9.5x0.22 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Mixed Choir (SATTB),basso continuo adlib (Mixed choir (SATTB), Basso continuo ad libitum)

SKU: BA.BA25003

Motet. Composed by Heinrich Schutz. Edited by Werner Breig. This edition: urtext edition. Stapled. Barenreiter Urtext. No. 3 from Geistliche Chor-Music. Choral score. SWV 371. 12 pages. Baerenreiter Verlag #BA25003_00. Published by Baerenreiter Verlag (BA.BA25003).

ISBN 9790006567973. 29.7 x 21 cm inches. Language: German.

Separate edition from BA 5901, „Geistliche Chor-Music“ SWV 369-380, The five-part motets, Nos. 1-12:

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music” (Sacred Choir Music). Here, the term “Chor” (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano and orchestra (P+KRB)

SKU: HL.49041558

Composed by Robert Schumann. Edited by Bernhard R. Appel and Ute Baer. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition incl. facsimile supplement. 414 pages. Schott Music #RSA1007-20. Published by Schott Music (HL.49041558).

ISBN 9783795793203. 10.0x13.25x1.535 inches. German - English.

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work.

Mixed choir, orchestra (SATB Choir, Strings, Organ) - Level 3

SKU: BA.BA05345

Composed by Wolfgang Amadeus Mozart. Edited by Monika Holl. This edition: urtext edition. Folded. Barenreiter Urtext. Score. K. 33. 4 pages. Duration 2 minutes. Baerenreiter Verlag #BA05345_00. Published by Baerenreiter Verlag (BA.BA05345).

ISBN 9790006468522. 31 x 24.2 cm inches. Key: F major.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices,basso continuo ad lib (Alto solo (2), 1. Voice, 2. Voice, 3. Voice, 4. Voice, 5. Voice, Basso continuo ad libitum)

SKU: BA.BA25015

Motet. Composed by Heinrich Schutz. Edited by Werner Breig. This edition: urtext edition. Stapled. Barenreiter Urtext. No. 28 from Geistliche Chor-Music. Choral score. SWV 396. 12 pages. Baerenreiter Verlag #BA25015_00. Published by Baerenreiter Verlag (BA.BA25015).

ISBN 9790006568093. 29.7 x 21 cm inches. Language: German.

Separate edition from BA 5902, „Geistliche Chor-Music“ SWV 369-380, The six and seven-part motets, nos. 13-29:

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music” (Sacred Choir Music). Here, the term “Chor” (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Alto voice solo, tenor voice solo, bass voice solo, SSATB choir, orchestra (Soli, Mixed choir, Orch)

SKU: BA.BA10706-01

Composed by George Frideric Handel. Edited by Amanda Babington. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 13. Complete edition, Score, anthology. HWV 283, HWV 265. Baerenreiter Verlag #BA10706_01. Published by Baerenreiter Verlag (BA.BA10706-01).

ISBN 9790006550227. 33 x 26 cm inches. Text Language: English. Preface: Amanda Babington.

The Dettinger Te Deum was written to celebrate England's victory over the French at the Battle of Dettingen.
It is Handel's last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.
The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.
This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition.

* First Urtext edition
* Includes a Foreword (Eng/Ger).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA10989

Laudon. Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Wolfgang Stockmeier. This edition: urtext edition. Stapled. Score. Baerenreiter Verlag #BA10989_00. Published by Baerenreiter Verlag (BA.BA10989).

ISBN 9790006575534. 31 x 24.3 cm inches. Key: C major.

Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776.

In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Orchestra)

SKU: BA.TP00619

Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 95. Baerenreiter Verlag #TP00619_00. Published by Baerenreiter Verlag (BA.TP00619).

ISBN 9790006203154. 22.5 x 16.5 cm inches. Key: E minor. Text Language: English, Czech, German. Preface: Smaczny, Jan.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding