Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127F Composed by Peter Sciaino. Sw...(+)
Band concert band - Grade
1
SKU: CF.BPS127F
Composed by Peter
Sciaino. Sws. Bps. Full
score. 12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127F. Published by
Carl Fischer Music
(CF.BPS127F).
ISBN
9781491156216. UPC:
680160914753. 9 x 12
inches.
Program
Notes Elephant is,
of course, inspired by
the incredible mammals of
the same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gate and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Recorder SKU: AP.12-0571522920 Book 2. Composed by Pam Wedgwood. C...(+)
Recorder
SKU:
AP.12-0571522920
Book 2. Composed
by Pam Wedgwood.
Classroom/Pre-School;
Method/Instruction; Other
Classroom; Recorder
Method. Faber Edition:
RecorderWorld.
Instructional. 10 books.
Faber Music
#12-0571522920. Published
by Faber Music
(AP.12-0571522920).
ISBN 9780571522927.
English.
A great
opportunity to order
multiple copies at a
significantly reduced
price!
RecorderW
orld is an exciting and
creative way to learn the
recorder! It is a
step-by-step teaching
method with over 40
pieces in this second
book, following on from
the notes learnt in Book
1.
Concert
pieces provide
opportunities for
performance straight away
and there is plenty of
opportunity for group
work with duets, rounds
and percussion boxes.
Explore the world of
improvisation and
composition though
imaginative starting
points. 'Fact files'
introduce new information
about beats, musical
markings and time
signatures while
'Clapping Games' instil a
strong sense of rhythm.
'Quick Quizzes' help
revise and reinforce new
concepts while lively
cartoons and colourful
stickers make it so much
fun! This book introduces
the notes low F sharp,
low D, B flat, low F, C
sharp, top E, top F, low
C, top F sharp and top
G.
(For Strings - Cello Book). By Larry Clark. Arranged by Doris Gazda Larry Clark....(+)
(For Strings - Cello
Book). By Larry Clark.
Arranged by Doris Gazda
Larry Clark. For 2 Cello,
Compatible with Bf50,
Bf51, Bf53. 32 pages.
Published by Carl Fischer
SKU: GI.G-10493 An Adventure with Arioso. Composed by Lillie Feier...(+)
SKU: GI.G-10493
An Adventure with
Arioso. Composed by
Lillie Feierabend. First
Steps in Music. Music
Education. 44 pages. GIA
Publications #10493.
Published by GIA
Publications
(GI.G-10493).
ISBN
9781622775637.
Incl
udes book, DVD, and
unique code to access DVD
online. Â The purpose
of Arioso, one of the
eight parts of John
Feierabend’s First
Steps in Music
curriculum, is to provide
children with the
opportunity to
spontaneously create
their own tunes. To do
this, the catalyst must
be inviting and
accessible. The opera
Hansel and Gretel
provides the perfect
opportunity while also
introducing students,
even very young ones, to
the wonderful world of
opera. In addition to
creating Arioso, children
will be able to sing some
of the more accessible
songs. This opera comes
to life when children are
invited to actively
participate, to become
each character and sing
their songs, and to
create Arioso to convey
their thoughts and
feelings. Lillie
Feierabend has presented
Hansel and Gretel for
over twenty years to the
delight of her entire
school community. Join
her as she guides the
first, second, and third
grade students of the
Indianapolis
Children’s Choir
as they sing songs from
the opera and create
Arioso for each
character. Also included
on this DVD: A voiceover
track with John and
Lillie Feierabend
discussing the songs and
Arioso opportunities in
each scene Complete
storyline with ideas for
implementation Parent
engagement as they
interact and create
Arioso with their
children Lillie
Feierabend is known for
her work with young
children and instilling a
love of music within
them. She has been a
general music teacher in
Connecticut for thirty
years and a director of
the Connecticut
Children’s Chorus
for seventeen. She is a
frequent clinician at
local, state, national,
and international
conferences, speaking on
many aspects of early
childhood music. Dr. John
Feierabend is considered
one of the leading
authorities on child
development in music and
movement. He is a
Professor Emeritus and
former Director of Music
Education at the
University of
Hartford’s The
Hartt School and is a
past President of the
Organization of American
Kodály Educators
(OAKE).
Grade 3 SKU: CL.012-3539-01 Composed by Frederic Chopin. Arranged by Huck...(+)
Grade 3
SKU:
CL.012-3539-01
Composed by Frederic
Chopin. Arranged by
Huckeby. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR341). Extra
full score. Composed
2006. Duration 3 minutes,
39 seconds. Opus III Wind
Orchestra Publications
#012-3539-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3539-01).
One of Frederic
Chopin's best known
works, Prelude, Op. 28,
No. 4, presents
emotion-packed
performance opportunities
for bands at all levels.
This new Ed Huckeby
transcription for band
provides an almost
literal translation of
Chopin's original work
with tremendous musical
challenges in both the
interpretive and dynamic
realms, providing the
ensemble an opportunity
to explore musical
possibilities which might
be less attainable in a
more technical piece. The
recognizable melodic and
harmonic structures will
make this piece a real
hit with concert
audiences and provides an
opportunity to teach the
musical styles of the
greatest 19th century
composer of piano music.
Great music!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
Aurora Eclipsed Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS117 Composed by Tyler Arcari. Begi...(+)
Band concert band - Grade
1
SKU: CF.BPS117
Composed by Tyler Arcari.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+2
+3+12+2 pages. Duration
1:34. Carl Fischer Music
#BPS117. Published by
Carl Fischer Music
(CF.BPS117).
ISBN
9781491152034. UPC:
680160909537.
Auror
a Eclipsed was
inspired by the solar
eclipse of
2017.  During a
solar eclipse, a
beautiful and fascinating
aurora sometimes forms
around the moon creating
an eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. An
aggressive composition
younger students will
enjoy playing over and
over again. I wrote
Aurora Eclipsed while
looking outside at
2017’s solar
eclipse. I find space and
celestial bodies so
fascinating. To think of
how small we are compared
to the scale of even just
the moon is
impressive.During a solar
eclipse, a beautiful and
fascinating aurora
sometimes forms around
the moon creating an
eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. About
the work:Unlike most of
my young-band pieces,
Aurora Eclipsed begins at
its peak tempo. The
rhythmic pattern in m. 2
is repeated throughout
the piece and is used
in the melody in order to
help facilitate the
teaching of eighth-note
patterns. The melodic
pattern changes slightly
at m. 25, while remaining
just as repetitious as
the previous pattern,
giving everyone ample
opportunity for exposure.
At m. 25 the directions
call for euphonium and
bassoon only. This is
merely a color choice and
can easily be used with
trombones to fill the
need or to help
strengthen your students'
playing. The use of
sfz is not used very
much in this level of
music, but I thought with
the addition of the
accents that it would be
a great opportunity to
teach this colorful
effect.
Composed by Traditional.
Arranged by Sean
O'Loughlin. Collate - FS
SWS. Christmas and
Holiday, First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
2+8+5+8+5+5+3+12 pages.
Carl Fischer Music
#FAS61. Published by Carl
Fischer Music (CF.FAS61).
ISBN 9780825873249.
UPC: 798408073244. 8.5 x
11 inches. Key: C
major.
The classic
Christmas carol is given
a delightful new
treatment from composer
Sean O'Loughlin.
Everything you need in a
holiday concert
selection, plus the
opportunity to teach a
lot of music in the
process. In this
arrangement, the composer
brings a non-traditional,
updated feel to a
traditional holiday
carol. Duration:
2:43. In this
arrangement of Christmas
is Coming, I employ some
nontraditional feels to a
normally traditional
holiday carol. It is a
brief theme and
variations that your
students will both enjoy
and be able to learn some
important musical
concepts.After a rather
straight forward
presentation of the
melody to start with, the
piece then begins the
variations at m. 16. A
canonic treatment follows
at m. 28 that also
provides a teaching
opportunity for
independent playing. The
celli and basses add an
off beat rhythmic
accompaniment too. A
pizzicato treatment
follows at m. 42 with
some additional rhythm
and counting challenges
to keep the performers on
their toes. We move the
key up to D major at m.
56 and add the melody of
Joy to the World
simultaneously. After
trading these two
melodies back and
forthbetween the upper
and lower strings, the
ensemble comes together
at m. 70. The first
violin part at m. 77
should be a dramatic
dynamic contrast and
sound like an echo. Then
bring the ensemble back
for a rousing end.
Orchestra Violine 2 SKU: CA.5507512 Ode. Version of the first performa...(+)
Orchestra Violine 2
SKU: CA.5507512
Ode. Version of the
first performance and
version of 1751.
Composed by George
Frideric Handel. Edited
by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Violin 2.
Innovative practice aids,
Sacred vocal music,
Oratorios. Individual
part. Composed 1736/1751.
HWV 75. 32 pages.
Duration 85 minutes.
Carus Verlag #CV
55.075/12. Published by
Carus Verlag
(CA.5507512).
ISBN
9790007226817. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
10 Original pieces in
various styles.
Composed by Jos Van Den
Dungen. Educational Tool.
Book with CD. Composed
2004. 52 pages. De Haske
Publications #DHP
1043605-400. Published by
De Haske Publications
(BT.DHP-1043605-400).
ISBN 9789043119887.
International.
Ten
fantastic pieces in
varying styles with
play-along
instrumentation to match.
You will have the
opportunity to make music
with a gypsy troupe, a
jazz combo, an Irish
dance band and even a
tango ensemble. This is a
fun play-along book that
offers the tuba player
every opportunity to
develop sound, technique
and a varied musical
language.
Jos van
den Dungen komt in dit
boek met tien
fantastische stukken in
diverse stijlen met
bijpassende
play-along-instrumentatie
: zo kan de jonge
muzikant spelen met een
zigeunergroep, een
jazzcombo, een Iers
dansorkest en zelfs
eentango-ensemble. Dit
leuke meespeelboek biedt
de tubaspeler de kans om
klank, techniek en een
gevarieerd muzikaal
idioom te ontwikkelen. Op
de cd staan zowel
voorbeeldtracks
(ingespeeld door de
onvolprezen Patrick
Sheridan) als
bgeleidingstracks.
Jos van den Dungen
komponierte zehn
fantastische Stücke in
verschiedenen Stilen samt
passender
Instrumentierung zum
Mitspielen. Dies ist die
Gelegenheit, mit einer
Zigeunermusikgruppe,
einer Jazz-Combo, einer
irischen Tanzformation
und sogar mit einem
Tango-Ensemble zu
musizieren! In diesem
lustigen Play-Along-Buch
bekommen Tubisten die
Chance, Klang, Technik
und einen vielfältigen
musikalischen Ausdruck zu
entwickeln. Auf der live
eingespielten CD
erklingen die Stücke
je zwei Mal: zum Hören
und zum Mitspielen.
Reizvoll und
lehrreich!
Jos van
den Dungen propone 10
superbi pezzi in vari
stili con accompagnamento
su CD. Unâ??eccellente
occasione per suonare con
un ensemble gitano, un
combo jazz, un gruppo di
musica irlandese e allo
stesso tempo un ensemble
di tango! Musical
Souvenirs permette a
tutti i tubisti di
sviluppare la sonorit ,
la tecnica e di allargare
piacevolmente i propri
orizzonti musicali.
By John Wasson. For young concert band. Rising Band Series. Grade 1.5. Score and...(+)
By John Wasson. For young
concert band. Rising Band
Series. Grade 1.5. Score
and set of parts.
Duration 2 minutes, 23
seconds. Published by
C.L. Barnhouse
Band concert band - Grade 1.5 SKU: CF.FPS153F March. Composed by J...(+)
Band concert band - Grade
1.5
SKU:
CF.FPS153F
March. Composed by
Joseph Compello. First
Plus Band (FPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #FPS153F.
Published by Carl Fischer
Music (CF.FPS153F).
ISBN 9781491152812.
UPC:
680160910311.
Symbo
l of Freedom is
a straightforwardÂ
march
for young bands.Â
It is intended to give
young players an
opportunity to learn the
American march style and
form with notes and
rhythms that are well
within their early
technical level. This
piece is a perfect for
a warm-up march for
contests or
festivals. Symbol of
Freedom is a
straightforward march for
young bands. It is
intended to give young
players an opportunity to
learn the American march
style and form with notes
and rhythms that are well
within their early
technical level. It
should be played at a
tempo determined by the
director and with
articulation and dynamics
appropriate for a
traditional march.
Young concert band - Grade 2 SKU: CL.011-4111-01 Composed by Phillips. Yo...(+)
Young concert band -
Grade 2
SKU:
CL.011-4111-01
Composed by Phillips.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR377). Extra full
score. Composed 2012.
Duration 2 minutes, 22
seconds. C.L. Barnhouse
#011-4111-01. Published
by C.L. Barnhouse
(CL.011-4111-01).
Reflections of
Asia captures the feel of
the Orient with its
pentatonic themes. The
oriental flavor is
reflected in the
percussion writing and
use of common percussion
toys. The main theme is
presented in all voices
of the band so everyone
gets an opportunity to
play this charming
melody. This composition
offers many teachable
moments with its variety
of articulations and
dynamics. Reflections of
Asia is an excellent
opportunity to expand the
cultural horizons of any
young band; a truly
impressive work.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 1.5
SKU:
CF.FPS156
Composed by
Joseph Compello. Folio.
Fps. Set of Score and
Parts.
8+2+4+4+2+5+2+2+4+4+4+6+2
+3+2+1+2+3+16 pages.
Duration 2 minutes, 50
seconds. Carl Fischer
Music #FPS156. Published
by Carl Fischer Music
(CF.FPS156).
ISBN
9781491156360. UPC:
680160914906. 9 x 12
inches.
Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for Ghost Chasers is
to have a spooky tune (m.
9, Trumpets) chasing
around in simple
counterpoint between two
sections. (See m. 19).
Students will find the
independent part playing
both challenging and fun.
In the contrasting
section at m. 30, young
students will gain
experience in changing
their articulation from
marcato to legato.
Obeying the cues for low
brass in this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted. Overall,
the main challenge for
this piece is balance.
For the chaser idea to be
effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the spooky theme is added
to the chasing theme. If
Clarinets can play
third-line written D, use
it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesThe idea for Ghost
Chasers is to have a
spooky tune (m. 9,
Trumpets) chasing around
in simple counterpoint
between two sections.
(See m. 19). Students
will find the independent
part playing both
challenging and fun.In
the contrasting section
at m. 30, young students
will gain experience in
changing their
articulation from marcato
to legato. Obeying the
cues for low brass in
this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted.Overall, the
main challenge for this
piece is balance. For the
“chaser†idea
to be effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the “spookyâ€
theme is added to the
“chasingâ€
theme.If Clarinets can
play third-line written
D, use it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D.
Composed by
Travis Weller. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
2+8+8+4+8+16+16+4+4+4+4+4
+4+8+8+8+4+2+6+6+6+2+2+8+
2+2+3+6+6+24 pages.
Duration 3 minutes, 1
seconds. Carl Fischer
Music #CPS200. Published
by Carl Fischer Music
(CF.CPS200).
ISBN
9781491152355. UPC:
680160909858.
Altho
ugh some stories in Greek
mythology reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicating joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and the
performer. Program
NotesAmong the many
stories in Greek
mythology, Apollo holds a
unique place as a complex
Olympian god known for
truth, prophecy, healing,
poetry, plague,
knowledge, light and
music. Although some
stories reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicated joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band, ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and
performer. From the
dynamic opening fanfare
to the soaring motifs and
rhythms that follow,
Apollo Arise provides a
wonderful opportunity for
the ensemble to reach for
new musical heights in
their performance! Â
 Rehearsal Notes and
SuggestionsThe opening
twenty-four measures of
the work are important
for the rest of the work
to unfold successfully.
Encourage the ensemble to
play with a unified
articulation style,
maintain a proper
balance, and establish a
consistent tempo through
this section as several
recurring rhythms must be
performed consistently.
Measure 38 features a
trumpet solo, so be sure
that the rest of the
ensemble balances their
line to support the solo
instrument. In the
section that begins at m.
67, there is an optional
solo opportunity for
trumpet and trombone.
Both of these sections
provide nice contrast
against the full ensemble
sections that are present
in the work. The section
at m. 81 includes a
call-and-response section
between woodwind, brass
and percussion groups. Be
sure that as groups
enter, the tempo remains
consistent and that the
winds articulation style
is unified and
complimentary to the
percussion. As the
opening fanfare returns
at m. 101, remind the
ensemble to play with
consistent style, balance
and tempo as they did in
the opening. As the
ensemble begins the part
of the journey with
Apollo at m. 110, the
music contains unique
layers that must work
together to be effective
and set up the material
that begins at m. 127.
Encourage the group to
play so they can hear all
other lines, and allow
their energy to grow into
a focused musical
celebration by the final
note. Thank you in
advance for your support
of this music, and I wish
you and your ensemble
well as Apollo Arise
welcomes the audience to
your concert hall.
Arranged by Rob Romeyn. For concert band. Young Band. Sound Foundations Series. ...(+)
Arranged by Rob Romeyn.
For concert band. Young
Band. Sound Foundations
Series. Grade 1. Extra
full score. Duration 2
minutes, 42 seconds.
Published by C.L.
Barnhouse
Composed
by Lauren Bernofsky. Sws.
Carl Fischer Concert
String Orchestra Series.
Full score. 16 pages.
Duration 3:30. Carl
Fischer Music #CAS123F.
Published by Carl Fischer
Music (CF.CAS123F).
ISBN 9781491154762.
UPC: 680160913312. 9 x 12
inches. Key: D
minor.
It was at a
flute convention, of all
places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn't believe
how easy, and effective,
it was! She figured, if a
random bunch of adult
flute players can do
this, it should be a
piece of cake for
students. Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set. The beatbox vocal
lines are optional - they
are reinforcements for
the beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49. Don't
tell the students any
rules about what notes to
play or not play - simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!. It was
at a flute convention, of
all places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn’t
believe how easy, and
effective, it was! She
figured, if a random
bunch of adult flute
players can do this, it
should be a piece of cake
for students.Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set.The beatbox vocal
lines are optional
– they are
reinforcements for the
beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49.
Don’t tell the
students any rules about
what notes to play or not
play – simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1785 Composed by Jack Wild...(+)
Concert Band Concert Band
- Grade 0.5
SKU:
FJ.B1785
Composed by
Jack Wilds. Concert Band.
FJH Starter Series.
Inspired by Dvorak's
Slavonic Dance No. 1,
this fiery piece provides
an engaging opportunity
to explore this Eastern
European dance form. The
dramatic shifts in style,
accents and dynamics pair
with an exciting
accelerando and grand
pause before coming to.
Masterwork Arrangement.
Score and Part(s).
Duration 1:20. The FJH
Music Company Inc
#98-B1785. Published by
The FJH Music Company Inc
(FJ.B1785).
UPC:
241444405086.
English.
Inspired
by Dvorák's Slavonic
Dance No. 1, this fiery
piece provides an
engaging opportunity to
explore this Eastern
European dance form. The
dramatic shifts in style,
accents and dynamics pair
with an exciting
accelerando and grand
pause before coming to a
thrilling close.
Unbelievable writing
using just six notes!
About FJH
Starter
Series
Int
roduction to Beginning
Band - Ideal for the
first several months of
instruction. These pieces
are a comfortable length
for students (about a
half page of music) and
are playable with as few
as five instruments. All
instruments are limited
to a 6-note diatonic
range. Several
supplemental exercises
are included to help
teach different elements
of each piece. Grade
.5
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Wildflowers Flûte, Clarinette, Piano (trio) Theodore Presser Co.
(A Trio for Piccolo (or Flute), Clarinet, and Piano). By Eric Ewazen. Piano trio...(+)
(A Trio for Piccolo (or
Flute), Clarinet, and
Piano). By Eric Ewazen.
Piano trio. For Piccolo
(or Flute), Clarinet in
Bb, Piano. Contemporary.
Score and part(s).
Standard notation. 40 12
pages. Duration 22
minutes. Published by
Theodore Presser Company
For
Piccolo and Band.
Composed by Daniel Dorff.
This edition: Band.
Premiere: Walfrid Kujala
piccolo, Mitchell Fennell
conducting the California
State University -
Fullerton wind ensemble,
at 2010 NFA convention.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 8-Oct.
60+12+12+4+4+4+16+16+16+4
+3+3+3+8+8+8+4+6+6+6+3+3+
3+3+6+6+6+6+3+27+3+8
pages. Duration 6:30.
Theodore Presser Company
#115-40204. Published by
Theodore Presser Company
(PR.115402040).
UPC:
680160591220. 9.5 x 13
inches. Key: G
major.
Already a
popular recital work for
piccolo and piano, and
winner of the 2009
International Piccolo
Symposium biennial
composition competition,
Flash! is now available
for solo piccolo with
band accompaniment -
fresh from the NFA
premiere, featuring
piccolo legend Walfrid
Kujala. The East Coast
premiere is scheduled for
11/18/10, featuring
Boston Symphony
piccoloist Linda Toote
with the Boston
University wind
ensemble. By 2008,
Sonatine de Giverny was
being performed so
frequently that I decided
to write another piccolo
piece as soon as an
opportunity arose. Since
Giverny is a study in
French style, I knew the
new piece must be in my
own authentic American
voice. That summer,
Giverny was performed six
times at the NFA
convention as a mandatory
competition piece, and I
returned from the August
2008 convention all
charged up to write
something different for
piccolo. In September,
Kate Prestia-Schaub wrote
to tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete. Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010. More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention. By
2008, Sonatine de
Giverny was being
performed so frequently
that I decided to write
another piccolo piece as
soon as an opportunity
arose.
Since Giverny is a
study in French style, I
knew the new piece must
be in my own authentic
American voice. That
summer, Giverny was
performed six times at
the NFA convention as a
mandatory competition
piece, and I returned
from the August 2008
convention all charged up
to write something
different for piccolo.In
September, Kate
Prestia-Schaub wrote to
tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete.Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010.More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115020-140 Composed by Marco...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115020-140
Composed by Marco Putz.
Compact Band Series.
Concert Piece. Score
Only. Composed 2011. 32
pages. De Haske
Publications #DHP
1115020-140. Published by
De Haske Publications
(BT.DHP-1115020-140).
12 X 9 inches.
English-German-French-Dut
ch.
A Little
Irish Suite is an
original work composed
specifically for the
Compact Band Series. This
series offers smaller
ensembles the opportunity
to perform original,
high-quality works. A
Little Irish Suite
consists of three
movements, all based on
Irish folk tunes. Clear
structure and crisp
harmonies complemented by
plain, comprehensible
melodies, are
characteristic of this
piece. It offers
conductors the
opportunity to work on
tone, balance, phrasing
as well as on technique
with their ensemble. As
with all works in the
Compact Band Series, A
Little Irish Suite
features optional parts
for instruments that are
played less frequently.
Conductors can pickand
choose the parts needed
to best fit the music and
the musicians available,
to determine the best
possible instrumentation
for their own ensemble.
The duration of six
minutes and the large
variety and contrast of
material played in A
Little Irish Suite
also make it an ideal
selection for
competitions or
festivals.
A
Little Irish Suite is
een oorspronkelijk werk
dat speciaal voor de
Compact Band Series is
geschreven. Deze serie
geeft kleine ensembles de
mogelijkheid originele
composities van hoge
kwaliteit uit te voeren.
De delen vandeze
sfeervolle Ierse suite
zijn alle drie gebaseerd
op volksmelodieën uit
Ierland. Het werk wordt
gekenmerkt door een
heldere structuur en
verfrissende
harmonieën, aangevuld
door eenvoudige,
aanstekelijke
melodieën. Het biedt
dirigentende kans te
werken aan toon, balans,
frasering en
ensembletechniek. Net als
alle werken in de Compact
Band Series bevat A
Little Irish Suite
optionele partijen voor
instrumenten die minder
vaak worden bespeeld. De
dirigentkan de partijen
uitzoeken die het best
bij de muziek en de
beschikbare bezetting
passen, en zo de best
mogelijke instrumentatie
voor het eigen ensemble
bepalen. De duur van zes
minuten en het
afwisselende karakter van
het speelmateriaalmaken
A Little Irish
Suite ook ideaal voor
concoursen of
festivals.
A
Little Irish Suite
wurde speziell für die
Compact Band Series
komponiert. Diese Reihe
bietet auch weniger gut
besetzten Blasorchestern
die Möglichkeit,
ausgewählte
Originalliteratur zu
spielen. A Little
Irish Suite besteht
aus drei Sätzen, die
alle von irischen
Volksliedern abgeleitet
sind. Klare Formen und
Harmonien sowie einfache,
gut verständliche
Melodien bestimmen das
Stück. Es bietet sich
für jeden Dirigenten
die Gelegenheit, am
Klang, der Balance, der
Phrasierung, aber auch an
der Technik seines
Ensembles zu arbeiten.Wie
bei allen Werken der
Compact Band Series gibt
es für alle seltener
besetzten Instrumente
Optionen in anderen
Stimmen. Der Dirigent
kannentscheiden, wer was
an welcher Stelle spielt
und so die für sein
Orchester bestmögliche
Instrumentierung selbst
festlegen.A Little
Irish Suite ist mit
seiner Länge von sechs
Minuten und dank seines
groÃ?en
Abwechslungsreichtums
auch als
Wettbewerbstück sehr
gut geeignet.
A Little Irish
Suite è un brano
originale composto
appositamente per la
nuova collana Compact
Band Series, con
brani che offrono a
formazioni ridotte la
possibilit di eseguire
brani originali di alta
qualit . I tre movimenti
di questa suite si
ispirano ad arie
irlandesi e si
contraddistinguono per
strutture e armonie
chiare, come anche per
melodie accessibili. A
Little Irish Suite
permette al maestro di
perfezionare il fraseggio
e numerosi aspetti
tecnici. La durata di sei
minuti e unâ??ampia
gamma di contrasti sonori
fanno di A Little
Irish Suite un brano
ideale per concorsi e
festival.
Composed by
Dong-In Choi. Set of
Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+4+4+4+6+6+4+6+4+8+2+4+1+
2+1+20 pages. Duration 5
minutes. Carl Fischer
Music #CPS265. Published
by Carl Fischer Music
(CF.CPS265).
ISBN
9781491161289. UPC:
680160919871.
Remem
brance was written in
November 2018. In
remembrance of what it
took for us to be here...
was the only original
program note. The piece
can mean different things
to different people;
however, it brings unity
to all under the theme of
remembrance. We fight for
many things: love,
patriotism, freedom,
ideology,
possession...all of which
have cost tremendous
sacrifice. It was the
battles, the blood and
sweat, and the sacrifice
of those that came before
us that created the world
as we know it.
Remembrance is a tender,
melancholic reflection
that silently gives
thanks to every step and
every sacrifice that was
made to bring us what we
have today. Yes, what we
have may not be
perfect--nor is it
anywhere near
complete--but with each
generation's
responsibility to carry
the torch and never
forget, hopefully we can
make everything worth it.
Performance Notes This
tender piece is an
excellent opportunity to
explore nuanced phrasing.
While many sections may
play similar parts, often
the phrasing and dynamics
are marked differently
across the band. Each of
these discrepancies
should be brought out and
add to the perpetual
motion of the piece.
Encourage confident, yet
subtle entrances and
furthermore, think about
the ends of notes as
important as the
beginning. Really bring
out the hairpins in
sections such as m. 29,
m. 67, and m. 81 as
expressive devices.
Despite the piece's major
key, through the various
levels of dissonance and
tension, both the
ensemble and the audience
should feel the
sacrifices and tragedy
that this piece
celebrates. The tempo
should not be much slower
than the marked tempos
and with the careful
observation of the
various tempo changes,
there should be a
constant momentum pushing
throughout the piece, all
the way past the end that
leaves the audience in
thought with an
uplifting, pensive, and
gentle clarinet
chord. Remembrance was
written in November 2018.
“In remembrance of
what it took for us to be
here...†was the
only original program
note. The piece can mean
different things to
different people;
however, it brings unity
to all under the theme of
remembrance.We fight for
many things: love,
patriotism, freedom,
ideology,
possession...all of which
have cost tremendous
sacrifice. It was the
battles, the blood and
sweat, and the sacrifice
of those that came before
us that created the world
as we know it.
Remembrance is a tender,
melancholic reflection
that silently gives
thanks to every step and
every sacrifice that was
made to bring us what we
have today. Yes, what we
have may not be
perfect—nor is it
anywhere near
complete—but with
each generation’s
responsibility to carry
the torch and never
forget, hopefully we can
make everything worth
it.Performance NotesThis
tender piece is an
excellent opportunity to
explore nuanced phrasing.
While many sections may
play similar parts, often
the phrasing and dynamics
are marked differently
across the band. Each of
these discrepancies
should be brought out and
add to the perpetual
motion of the piece.
Encourage confident, yet
subtle entrances and
furthermore, think about
the ends of notes as
important as the
beginning. Really bring
out the hairpins in
sections such as m. 29,
m. 67, and m. 81 as
expressive devices.
Despite the
piece’s major key,
through the various
levels of dissonance and
tension, both the
ensemble and the audience
should feel the
sacrifices and tragedy
that this piece
celebrates.The tempo
should not be much slower
than the marked tempos
and with the careful
observation of the
various tempo changes,
there should be a
constant momentum pushing
throughout the piece, all
the way past the end that
leaves the audience in
thought with an
uplifting, pensive, and
gentle clarinet
chord.
Simply Alleluia Chorale 2 parties 2 parties [Octavo] Alfred Publishing
By William Boyce. Arranged by Donald Moore. For Opt. Flute. (2-Part). Choral Oc...(+)
By William Boyce.
Arranged by Donald Moore.
For Opt. Flute.
(2-Part). Choral Octavo.
Choral Designs.
Masterwork. Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor.
Factory
Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer .
Band concert band - Grade 1.5 SKU: CF.FPS153 March. Composed by Jo...(+)
Band concert band - Grade
1.5
SKU: CF.FPS153
March. Composed by
Joseph Compello. First
Plus Band (FPS). Set of
Score and Parts. With
Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+1+1+2+1+16+2 pages.
Duration 1 minute, 54
seconds. Carl Fischer
Music #FPS153. Published
by Carl Fischer Music
(CF.FPS153).
ISBN
9781491152133. UPC:
680160909636.
Symbo
l of Freedom is
a straightforwardÂ
march
for young bands.Â
It is intended to give
young players an
opportunity to learn the
American march style and
form with notes and
rhythms that are well
within their early
technical level. This
piece is a perfect for
a warm-up march for
contests or
festivals. Symbol of
Freedom is a
straightforward march for
young bands. It is
intended to give young
players an opportunity to
learn the American march
style and form with notes
and rhythms that are well
within their early
technical level. It
should be played at a
tempo determined by the
director and with
articulation and dynamics
appropriate for a
traditional march.
Concert Band - Grade 2 SKU: AP.42165S Composed by Roland Barrett. Concert...(+)
Concert Band - Grade 2
SKU: AP.42165S
Composed by Roland
Barrett. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture. Folk;
Multicultural. Score. 24
pages. Duration 2:30.
Belwin Music #00-42165S.
Published by Belwin Music
(AP.42165S).
UPC:
038081481180.
English.
Located in
the county of Kerry in
southwest Ireland, this
charismatic overture
musically celebrates the
rich history of Celtic
music, dance, and
folklore. Employing a
variety of textures and
timbres, every member of
your band has an
opportunity with the
traditional-sounding
Irish melodies while
presenting generous
opportunity for
instruction with meters
and balance. A sure
winner! (2:30) This title
available in MakeMusic
Cloud.
Composed
by Chris Campbell. Full
score. 16 pages. Carl
Fischer Music #CPS271F.
Published by Carl Fischer
Music (CF.CPS271F).
ISBN 9781491164105.
UPC:
680160922895.
Music
is what feelings sound
like is perhaps my
favorite maxim about
music. And I occasionally
like to take a
title—often a
single word—and
attempt to portray the
purest expression of the
feelings evoked by that
word that I can.Heartfelt
is probably my most
successful attempt in
this area. The quintuplet
rhythms in this piece
lend themselves
surprisingly well to the
emotional intent.
Following the lead set by
the trumpet soloist in
the timing of these
rhythms; the flutes and
clarinets soon echo the
sentiment. By the end of
the piece, the entire
wind ensemble has the
opportunity to lock in
the rhythm together (in
rehearsals, m. 50 might
be a good place to start
this process).My
recommendation is to just
try to feel it, as
opposed to attempting to
rush four eighth notes or
drag six sextuplet notes.
And if there are some
tears on some faces in
the audience by the end
of the piece, the
ensemble has definitely
done its job!Chris
Campbell. Music is
what feelings sound like
is perhaps my favorite
maxim about music. And I
occasionally like to take
a title—often a
single word—and
attempt to portray the
purest expression of the
feelings evoked by that
word that I can.Heartfelt
is probably my most
successful attempt in
this area. The quintuplet
rhythms in this piece
lend themselves
surprisingly well to the
emotional intent.
Following the lead set by
the trumpet soloist in
the timing of these
rhythms; the flutes and
clarinets soon echo the
sentiment. By the end of
the piece, the entire
wind ensemble has the
opportunity to lock in
the rhythm together (in
rehearsals, m. 50 might
be a good place to start
this process).My
recommendation is to just
try to feel it, as
opposed to attempting to
rush four eighth notes or
drag six sextuplet notes.
And if there are some
tears on some faces in
the audience by the end
of the piece, the
ensemble has definitely
done its job!Chris
Campbell.
By T. Phillips. Concert band. Young Band. Sound Foundations Series. Audio record...(+)
By T. Phillips. Concert
band. Young Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR374). Grade 1.
Score and set of parts.
Composed 2011. Duration 2
minutes, 3 seconds.
Published by C.L.
Barnhouse