Concert Band - Grade 1 SKU: AP.38310S Op. 46, No. 1. Composed by A...(+)
Concert Band - Grade 1
SKU: AP.38310S
Op. 46, No. 1.
Composed by Antonin
Dvorak. Arranged by
Michael Story. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: Dance;
Transcription. Masterwork
Arrangement; Romantic.
Score. 20 pages. Belwin
Music #00-38310S.
Published by Belwin Music
(AP.38310S).
UPC:
038081439457.
English.
From the
Czech composer AntonÃn
Dvorák. Originally
composed in 1886 for
four-hand piano, this
beginning band
transcription/reduction
develops the charismatic
melody and offers
opportunity to explore
the varied timbres in
beginning band in a
sure-fire solid setting.
Providing a stunning
opportunity to introduce
or reinforce
three-quarter time, the
arrangement is a charming
choice for concert and
contest alike. This title
is available in MakeMusic
Cloud.
Concert Band (Score & Parts) SKU: HL.4008643 Score and Parts. Comp...(+)
Concert Band (Score &
Parts)
SKU:
HL.4008643
Score
and Parts. Composed
by Franco Cesarini.
Arranged by Franco
Cesarini. Editions Franco
Cesarini. Concert Band,
Tuning, Warm-Up.
Softcover. Hal Leonard
#EFC003-CBHA. Published
by Hal Leonard
(HL.4008643).
ISBN
9798350114997. UPC:
196288189664.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.
Eb Bass TC/BC - early intermediate SKU: BT.DHP-1043602-400 For Eb Bass...(+)
Eb Bass TC/BC - early
intermediate
SKU:
BT.DHP-1043602-400
For Eb Bass TC/BC.
Composed by Andre
Waignein. Patrick
Sheridan presents.
Educational Tool. Book
with CD. Composed 2004.
56 pages. De Haske
Publications #DHP
1043602-400. Published by
De Haske Publications
(BT.DHP-1043602-400).
ISBN 9789043119856.
International.
This
book is a wonderful
opportunity to explore
the sound of two tubas
playing in close harmony.
This chamber music will
give young players the
opportunity to work on
the â??earâ?? part of
their limits. Careful
study of the intervals
presented in this music
will enhance the ability
to provide consistent
pitch for large ensemble
work as well as helping
to develop an
understanding of the
different pitch
tendencies necessary to
make various intervals
â??ringâ?.
De
Fun Play Along
Duets vormen een
prima gelegenheid om de
klank te verkennen van
twee tubaâ??s die in
close harmony spelen.
Deze afwisselende
kamermuziek geeft jonge
muzikanten de
mogelijkheid om het
gehoor te trainen.
PatrickSheridan speelt de
partijen op de cd voor,
dat maakt het studeren
extra plezierig. Samen
met een andere tubaspeler
oefenen is natuurlijk nog
beter - bovendien is de
muziek heel geschikt voor
optredens.
Questi duetti da
camera sono il modo
migliore per esplorare
lâ??universo sonoro di
due tuba. Essi danno ai
giovani tubisti
lâ??occasione di
lavorare sul limite del
loro ascolto. Uno studio
approfondito degli
intervalli presentati in
questi pezzi vi dar modo
di raggiungere
unâ??altezza di tono
più stabile,
necessaria per un vostro
ruolo allâ??interno di
un grande ensemble, e per
meglio comprendere le
variazioni di tono
indispensabili per
suonare diversi
intervalli.
Concert band - Grade 3 SKU: CL.012-4402-75 Composed by Taneyev. Arranged ...(+)
Concert band - Grade 3
SKU:
CL.012-4402-75
Composed by Taneyev.
Arranged by Glover.
Concert Band. Gems of the
Concert Band Series.
Audio recording available
separately (item
CL.WFR384). Oversized,
spiral-bound score.
Composed 2015. Duration 4
minutes, 32 seconds. Opus
III Wind Orchestra
Publications
#012-4402-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4402-75).
This solemn and
remarkable composition
from Sergius Taneiev,
transcribed by Andrew
Glover, is an exceptional
tour de force for concert
band. Stylistically
reflective of Russian
nationalism of the late
1800s, and exploring the
full sonorities of the
band, this work provides
both the opportunity for
delicate, lyrical
performance as well as a
robust climax. Intense at
times, while reflective
at others, Temple of the
Gods offers a unique
performance opportunity
for mature bands.
Exceptional!
About Gems of
the Concert
Band
A
series of transcriptions
and other works in
varying styles,
representative of the
programming of the Great
American Classic Concert
Band era of a century
ago, as exemplified by
John Phillip Sousa, Edwin
Franko Goldman, Karl L.
King, and Leonard B.
Smith
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Choral Score. Composed
1736/1751. HWV 75. 40
pages. Duration 85
minutes. Carus Verlag #CV
55.075/05. Published by
Carus Verlag
(CA.5507505).
ISBN
9790007171230. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score
available separately -
see item CA.5507500.
Noble Portrait Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.44975S Composed by Steve Hodges. Concert...(+)
Concert Band - Grade 1.5
SKU: AP.44975S
Composed by Steve Hodges.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Score. 8 pages.
Duration 2:45. Alfred
Music #00-44975S.
Published by Alfred Music
(AP.44975S).
UPC:
038081517629.
English.
A
memorable, plaintive
melody presented in a
variety of textures
highlights this moving
piece. Each section of
the band has the
opportunity to present
the expressive theme,
while a bold contrasting
section provides an
effective variation. The
expressive and dynamic
qualities of this piece
will provide a valuable
teaching opportunity for
the young band.
(2:45).
Grade 1 SKU: CL.RWS-2055-01 Arranged by Earp. Young Concert Band. Extra f...(+)
Grade 1
SKU:
CL.RWS-2055-01
Arranged by Earp. Young
Concert Band. Extra full
score. Composed 2020. RWS
Music Company
#RWS-2055-01. Published
by RWS Music Company
(CL.RWS-2055-01).
The Ukranian
Bell Carol has never been
so fun for the beginning
band AND your elementary
school musicians! Using
tuned percussion tubes
and plastic buckets,
Joseph Earp’s
clever arrangement
features your percussion
section AND provides an
opportunity to invite the
elementary students to
join the band at your
holiday concert. An
invaluable recruiting
tool as well as a fun and
entertaining performance
opportunity!
By Julie Lyonn Lieberman.
Orchestra. Score; String
Orchestra. Highland
String Alternatives.
Blues; Jazz; Light
Concert. Grade 3. 12
pages. Published by
Alfred Music Publishing
Grade 1 SKU: CL.023-4061-01 Composed by T. Phillips. Young Concert Band. ...(+)
Grade 1
SKU:
CL.023-4061-01
Composed by T. Phillips.
Young Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR374). Extra full
score. Composed 2011.
Duration 2 minutes, 3
seconds. C.L. Barnhouse
#023-4061-01. Published
by C.L. Barnhouse
(CL.023-4061-01).
In this fresh
twist on the old classic
Jingle Bells, your
beginning band students
are sure to have fun as
the Latin rhythms and
percussion instruments
combine with the
traditional melody. Todd
Phillips seamlessly
weaves familiar Latin
themes with Jingle Bells
to create a unique
holiday arrangement. This
arrangement will work
well with students who
have had two semesters of
band. This setting
provides an excellent
opportunity for students
to learn to play Latin
rhythms while the
percussion section learns
to play the traditional
Latin percussion
instruments. A welcome
change of pace for your
next winter concert;
Calypso Bells is the
perfect opportunity to
combine the warmth of the
Latin sound with the
coolness of Jingle
Bells..
Choral TB chorus with Piano and optional Solos SKU: CF.CM9709 Materna<...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9709
Materna. Composed
by Samuel Ward. Arranged
by Aaron Humble. 8 pages.
Duration 2:30. Carl
Fischer Music #CM9709.
Published by Carl Fischer
Music (CF.CM9709).
ISBN 9781491160046.
UPC: 680160918645. Key:
Bb major. English.
Katharine Bates.
Katharine L.
Bates.
As long as I
can remember, I've been
drawn to this beautiful
poetry written by
Katharine Lee Bates. The
text is incredibly
evocative, and it
describes a country that
is beautifully diverse in
population and landscape.
For this particular
setting, I've chosen to
use some of the original
text that is not often
sung: Till selfish gain
no longer stain, The
banner of the free! It's
a gentle reminder that we
are at our best when we
put our neighbors first.
One challenge that this
piece presents is the
overwhelming use of
quarter notes in the
melody. I encourage you
to speak the text and
find and stress those
important and evocative
words more than those
that are not. So often
the key to the right
musical phrasing is in
the text, right before
our eyes. This piece
works well accompanied or
a cappella, to provide
the most opportunity for
performing in concerts,
assemblies, and civic or
sacred settings when
there is not a piano
available. Thank you for
selecting this piece.
Savor the text, and lift
your voices to celebrate
our nation as we all
strive to make tomorrow
better than today. As
long as I can remember,
I’ve been drawn to
this beautiful poetry
written by Katharine Lee
Bates. The text is
incredibly evocative, and
it describes a country
that is beautifully
diverse in population and
landscape. For this
particular setting,
I’ve chosen to use
some of the original text
that is not often sung:
“Till selfish gain
no longer stain, The
banner of the
free!â€Â
It’s a gentle
reminder that we are at
our best when we put our
neighbors first.One
challenge that this piece
presents is the
overwhelming use of
quarter notes in the
melody. I encourage you
to speak the text and
find and stress those
important and evocative
words more than those
that are not. So often
the key to the right
musical phrasing is in
the text, right before
our eyes.This piece works
well accompanied or a
cappella, to provide the
most opportunity for
performing in concerts,
assemblies, and civic or
sacred settings when
there is not a piano
available. Thank you for
selecting this piece.
Savor the text, and lift
your voices to celebrate
our nation as we all
strive to make tomorrow
better than today.
Fanfare Band - Grade 2 SKU: BT.CMP-0430-00-020 Composed by Carmine Pastor...(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0430-00-020
Composed by Carmine
Pastore. Spotlight on
Entertainment. Original
Light Music. Set (Score &
Parts). Composed 2000.
Curnow Music #CMP
0430-00-020. Published by
Curnow Music
(BT.CMP-0430-00-020).
Fun for all!!
The chorale style opening
soon turns into a
rousing,
funky-jazzy-gospel
riff-style roof-raiser
that will have your
audience tapping along.
It's nice for the concert
band to get the
opportunity to play
something jazzy once in a
while, and you know the
audience will love it as
much as the band
does.Plenty of
opportunity to study
jazz-style phrasing in
the concert band,
interesting Percussion
parts, a catchy tune and
good linear motion for
all move GETTIN' GOSPEL
to the top of the list.
The only danger here is
that the band might like
it a little TOO much, and
want to play it every
day.
Noble Portrait Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.44975 Composed by Steve Hodges. Concert ...(+)
Concert Band - Grade 1.5
SKU: AP.44975
Composed by Steve Hodges.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Score and
Part(s). 120 pages.
Duration 2:45. Alfred
Music #00-44975.
Published by Alfred Music
(AP.44975).
UPC:
038081517612.
English.
A
memorable, plaintive
melody presented in a
variety of textures
highlights this moving
piece. Each section of
the band has the
opportunity to present
the expressive theme,
while a bold contrasting
section provides an
effective variation. The
expressive and dynamic
qualities of this piece
will provide a valuable
teaching opportunity for
the young band.
(2:45).
Let's Play Tuba [Partition + CD] - Intermédiaire De Haske Publications
Eb Bass TC/BC - intermediate SKU: BT.DHP-1043590-400 With Patrick Sher...(+)
Eb Bass TC/BC -
intermediate
SKU:
BT.DHP-1043590-400
With Patrick
Sheridan. Composed by
Dizzy Stratford. Patrick
Sheridan presents.
Educational Tool. Book
with CD. Composed 2004.
32 pages. De Haske
Publications #DHP
1043590-400. Published by
De Haske Publications
(BT.DHP-1043590-400).
ISBN 9789043119573.
9x12 inches.
English-German-French-Dut
ch.
This volume
addresses all tuba
players who would like to
play the beautiful
melodic parts they hear
so often while playing in
a band. In this
play-along book you will
have the opportunity to
play 11 different
melodies in various
styles - mostly styles
found in pop music! This
book provides the
opportunity for the tuba
to be heard as a cool
instrument, while
enriching the tuba
player’s musical
environment with melody,
rhythmic interest and
relatable styles. You are
about to be a part of a
rock’n’
roll band, a ska band and
even a reggae
group!
Letâ€
™s Play Tuba is
bedoeld voor alle
tubaspelers die graag de
melodieuze partijen
willen spelen die ze zo
vaak horen bij het spelen
in een orkest. Dit boek
biedt de mogelijkheid om
elf melodieën in
eigentijdse stijlen te
spelen.Hiermee is de tuba
te horen als een gaaf
instrument, dat boeiende
melodieën en ritmes
uit de
rock-’n-roll, ska
en zelfs reggae geweldig
laat klinken. Op de cd -
met voorbeeld- en
meespeeltracks - speelt
Patrick Sheridan de
stukkenvoor.
Le
t’s Play Tuba
richtet sich an alle
Tubaspieler, die gerne
auch einmal die
schönen Melodiestimmen
spielen würden, die
sie in ihrem Orchester
oder Ensemble so oft
hören. Dizzy Stratford
schrieb für dieses
Buch elf Melodien in
meist populären
Stilen. Die Demo- und
Mitspiel-Tracks, vom
Meister auf der Tuba
Patrick Sheridan
eingespielt, regen zu
eigenen Interpretationen
an. Mit Let’s
Play Tuba
präsentiert sich die
Tuba einmal als
cooles“
Instrument!
Con
questi brani in stile
variegato,
Let’s Play
Tuba permetter a
tutti i suonatori di tuba
e basso di essere
considerati dei veri
solisti.
Solo with Percussion Ensemble Solo with Percussion Ensemble (solo piano, percuss...(+)
Solo with Percussion
Ensemble Solo with
Percussion Ensemble (solo
piano, percussion 1
(hi-hat, small bongo,
snare drum, bass drum)
percussion 2 (marimba,
medium log drum,
triangle, brake drum)
percussion 3 (vibraphone,
high tom 2, woodblocks)
percussion 4 (ride cymbal
2, toms, bass drum)) -
medium difficult
SKU:
CN.02301
Piano
Feature. Composed by
Robert Constable. Score
only. Duration 11:50.
Published by C. Alan
Publications (CN.02301).
This intense
piece for solo piano and
percussion quartet is a
tour-de-force that
doesn't give you a chance
to breathe. The piano
part incorporates
polyrhythms between the
hands throughout the
piece, while the
percussionists play
ostinati in the
background. Great
opportunity to bring in a
phenomenal pianist as a
guest artist with your
percussion ensemble.
This intense
piece for solo piano and
percussion quartet is a
tour-de-force that
doesn't give you a chance
to breathe. The piano
part incorporates
polyrhythms between the
hands throughout the
piece, while the
percussionists play
ostinati in the
background. Great
opportunity to bring in a
phenomenal pianist as a
guest artist with your
percussion ensemble. You
can hear a recording of
Crackhead on the
University of South
Florida's CD 'Premieres
Vol. I' (also available
from C. Alan).
Composed by
Matt Turner. Collate - FS
SWS. First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
16+16+4+10+10+10+4+3+12
pages. Carl Fischer Music
#FAS59. Published by Carl
Fischer Music (CF.FAS59).
ISBN 9780825873201.
UPC: 798408073206. 8.5 x
11 inches. Key: C
major.
Your
students will have a
great time with
Shuffleupagus, a fun
blues shuffle meant to be
played in a loose swing
style. A solo section
gives students an
opportunity to break free
and improvise. Performers
can swing hard on this
piece! Duration:
2:56. Shuffleupagus is
a blues shuffle. A
shuffle has a triplet
swing feel, and the
eighth notes are swung. A
solo section gives
students an opportunity
to improvise using a G
blues scale (G, B≤,
C, C≥, D, F) or G
minor pentatonic scale
(G, B≤, C, D, F).
Staccato notes should be
very short. Performers
should swing hard on this
piece!
Wildflowers Flûte, Clarinette, Piano (trio) Theodore Presser Co.
(A Trio for Piccolo (or Flute), Clarinet, and Piano). By Eric Ewazen. Piano trio...(+)
(A Trio for Piccolo (or
Flute), Clarinet, and
Piano). By Eric Ewazen.
Piano trio. For Piccolo
(or Flute), Clarinet in
Bb, Piano. Contemporary.
Score and part(s).
Standard notation. 40 12
pages. Duration 22
minutes. Published by
Theodore Presser Company
All Through the Night Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Arranged by Rob Romeyn. For concert band. Young Band. Sound Foundations Series. ...(+)
Arranged by Rob Romeyn.
For concert band. Young
Band. Sound Foundations
Series. Grade 1. Score
and set of parts.
Duration 2 minutes, 42
seconds. Published by
C.L. Barnhouse
By Franz Xavier Gruber. Arranged by Ralph Ford. By Franz Xavier Gruber / arr. Ra...(+)
By Franz Xavier Gruber.
Arranged by Ralph Ford.
By Franz Xavier Gruber /
arr. Ralph Ford. For
String Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 2 (Red)
(grade 2 Red). Conductor
Score and Parts.
Published by Alfred
Publishing.
Slavonic Dance No. 8 Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
By Antonin Dvorak. Arranged by L.C. Harnsberger. Music by Antonin Dvorak / arr. ...(+)
By Antonin Dvorak.
Arranged by L.C.
Harnsberger. Music by
Antonin Dvorak / arr.
L.C. Harnsberger. For
Concert Band. Concert
Band. Young Symphonic.
Conductor Score and
Parts. Published by
Alfred Publishing.
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 1.5
SKU:
CF.FPS156F
Composed
by Joseph Compello. Sws.
Fps. Full score. 16
pages. Duration 2
minutes, 50 seconds. Carl
Fischer Music #FPS156F.
Published by Carl Fischer
Music (CF.FPS156F).
ISBN 9781491156377.
UPC: 680160914913. 9 x 12
inches.
Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for Ghost Chasers is
to have a spooky tune (m.
9, Trumpets) chasing
around in simple
counterpoint between two
sections. (See m. 19).
Students will find the
independent part playing
both challenging and fun.
In the contrasting
section at m. 30, young
students will gain
experience in changing
their articulation from
marcato to legato.
Obeying the cues for low
brass in this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted. Overall,
the main challenge for
this piece is balance.
For the chaser idea to be
effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the spooky theme is added
to the chasing theme. If
Clarinets can play
third-line written D, use
it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesThe idea for Ghost
Chasers is to have a
spooky tune (m. 9,
Trumpets) chasing around
in simple counterpoint
between two sections.
(See m. 19). Students
will find the independent
part playing both
challenging and fun.In
the contrasting section
at m. 30, young students
will gain experience in
changing their
articulation from marcato
to legato. Obeying the
cues for low brass in
this section is
recommended, but
depending on the
instrumentation of the
band, directors may
disregard the cues if
necessary. Directors may
also wish to take the
opportunity to teach a
lesson about major and
minor keys and discuss
why the tune at m. 9
sounds spooky and the
theme at m. 30 sound
lighthearted.Overall, the
main challenge for this
piece is balance. For the
“chaser†idea
to be effective the
half-measure lag between
the two sections playing
the same tune must be
easily heard. Even more
attention to balance must
be paid at m. 45, where
the “spookyâ€
theme is added to the
“chasingâ€
theme.If Clarinets can
play third-line written
D, use it instead of the
alternate cued note. If
three Timpani are not
available, omit the note
D.
10 Original pieces in
various styles.
Composed by Jos Van Den
Dungen. Educational Tool.
Book with CD. Composed
2004. 52 pages. De Haske
Publications #DHP
1043606-400. Published by
De Haske Publications
(BT.DHP-1043606-400).
ISBN 9789043119894.
International.
Ten
fantastic pieces in
varying styles with
play-along
instrumentation to match.
You will have the
opportunity to make music
with a gypsy troupe, a
jazz combo, an Irish
dance band and even a
tango ensemble. This is a
fun play-along book that
offers the tuba player
every opportunity to
develop sound, technique
and a varied musical
language.
Jos van
den Dungen komt in dit
boek met tien
fantastische stukken in
diverse stijlen met
bijpassende
play-along-instrumentatie
: zo kan de jonge
muzikant spelen met een
zigeunergroep, een
jazzcombo, een Iers
dansorkest en zelfs
eentango-ensemble. Dit
leuke meespeelboek biedt
de tubaspeler de kans om
klank, techniek en een
gevarieerd muzikaal
idioom te ontwikkelen. Op
de cd staan zowel
voorbeeldtracks
(ingespeeld door de
onvolprezen Patrick
Sheridan) als
bgeleidingstracks.
Jos van den Dungen
komponierte zehn
fantastische Stücke in
verschiedenen Stilen samt
passender
Instrumentierung zum
Mitspielen. Dies ist die
Gelegenheit, mit einer
Zigeunermusikgruppe,
einer Jazz-Combo, einer
irischen Tanzformation
und sogar mit einem
Tango-Ensemble zu
musizieren! In diesem
lustigen Play-Along-Buch
bekommen Tubisten die
Chance, Klang, Technik
und einen vielfältigen
musikalischen Ausdruck zu
entwickeln. Auf der live
eingespielten CD
erklingen die Stücke
je zwei Mal: zum Hören
und zum Mitspielen.
Reizvoll und
lehrreich!
Jos van
den Dungen propone 10
superbi pezzi in vari
stili con accompagnamento
su CD. Unâ??eccellente
occasione per suonare con
un ensemble gitano, un
combo jazz, un gruppo di
musica irlandese e allo
stesso tempo un ensemble
di tango! Musical
Souvenirs permette a
tutti i tubisti di
sviluppare la sonorit ,
la tecnica e di allargare
piacevolmente i propri
orizzonti musicali.
For 3
Organs and 3 Trumpets,
Score and Parts.
Composed by Rodion
Shchedrin. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Softcover.
Composed 2010. 156 pages.
Duration 16'. Schott
Music #ED20921. Published
by Schott Music
(HL.49018997).
ISBN
9790001173018.
The
International Organ Week
in Nuremberg which
commissioned this work
gave the composer the
opportunity to compose
for three organs: a very
rare opportunity!
Together with three
trumpets, this
one-movement piece makes
full use of the tonal
possibilities of the
inner space of a church.
It is especially the
'tutti' chords passed by
one organ to the other
that have an impressive
effect.As son of a
composer and music
teacher, Rodion Shchedrin
received a thorough
education and training in
Moscow. His previous
oeuvre is convincing due
to its dazzling colour,
unmistakable sound and
variety accomplished in
all genres.
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Full score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS207F.
Published by Carl Fischer
Music (CF.YPS207F).
ISBN 9781491152959.
UPC:
680160910458.
Facto
ry Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer .
Pre 1 SKU: CL.RWS-2218-01 Composed by Robert W. Smith. Young Concert Band...(+)
Pre 1
SKU:
CL.RWS-2218-01
Composed by Robert W.
Smith. Young Concert
Band. Extra full score.
Composed 2022. RWS Music
Company #RWS-2218-01.
Published by RWS Music
Company (CL.RWS-2218-01).
Scaling a
mountain requires
courage, strength and
fortitude. Scaling our
musical mountains as our
young bands develop their
skills requires the same
commitment to strength,
perseverance and
excellence. This
masterful composition
reinforces fundamental
technique through musical
scales in an exciting
statement for the
beginning concert band.
Powerful percussion
interacting with soaring
melodic lines create an
engaging and
pedagogically rich
opportunity for all. The
band also has the
opportunity to experience
and perform mixed meters
as they journey to the
musical summit. A
powerful choice for
educationally rich
programming!
Orchestra Violine 1 SKU: CA.5507511 Ode. Version of the first performa...(+)
Orchestra Violine 1
SKU: CA.5507511
Ode. Version of the
first performance and
version of 1751.
Composed by George
Frideric Handel. Edited
by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Violin 1.
Innovative practice aids,
Sacred vocal music,
Oratorios. Individual
part. Composed 1736/1751.
HWV 75. 32 pages.
Duration 85 minutes.
Carus Verlag #CV
55.075/11. Published by
Carus Verlag
(CA.5507511).
ISBN
9790007226800. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
Young concert band - Grade 1 SKU: CL.024-4078-01 Composed by Wasson. Youn...(+)
Young concert band -
Grade 1
SKU:
CL.024-4078-01
Composed by Wasson. Young
Concert Band. Rising Band
Series for Developing
Bands! Audio recording
available separately
(item CL.WFR377). Extra
full score. Composed
2012. Duration 2 minutes,
23 seconds. C.L.
Barnhouse #024-4078-01.
Published by C.L.
Barnhouse
(CL.024-4078-01).
A Christmas
Rose is a setting of Lo,
How A Rose E'er Blooming,
a German Christmas hymn
by Michael Praetorius,
originally written in
1599. This dramatic
setting gives young
musicians an opportunity
to play lyrically and
with expressive dynamics.
As various families of
instruments in the band
are featured, every
player has an opportunity
for rich and lyrical
playing. This work will
provide an intimate
musical portrait in your
holiday concert.
Grade 1 SKU: AP.98-RWS221100 (The Legend Of John Henry). Composed ...(+)
Grade 1
SKU:
AP.98-RWS221100
(The Legend Of John
Henry). Composed by
Earp. Young Concert Band.
Score and set of parts.
Composed 2022. RWS Music
Company #RWS-2211-00.
Published by RWS Music
Company
(AP.98-RWS221100).
Man Against
Machine, inspired by the
folk tale of John Henry,
offers an opportunity for
your students to practice
musical storytelling.
This legendary story is
an opportunity for SEL
(social emotional
learning) in your
classroom as you discuss
grit and work ethic with
your students. The
educational possibilities
are endless with this
well written and crafted
composition for the young
band!
Anthem For Peace Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4472-00 Composed by Huckeby. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4472-00
Composed by Huckeby.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR389). Score and set
of parts. Composed 2016.
Duration 3 minutes, 34
seconds. Opus III Wind
Orchestra Publications
#012-4472-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4472-00).
This beautiful
ballad is a wonderful
example of Ed
Huckeby’s lyrical
writing style. The
masterful orchestration
serves to enhance the
flowing melodic lines and
colorfully unique
harmonies. A sensitive
alto saxophone solo in
the middle section
provides a great
opportunity to highlight
your soloist or sax
section. Anthem For Peace
also provides an
opportunity to make a
subtle cultural and
social declaration for
peace at your next
festival or concert
performance.
Gorgeous!
Fretted. Instruction.
Softcover with CD. 80
pages. Published by
Centerstream Publications
(HL.128131).
ISBN
9781574243024. UPC:
888680010607.
9.0x12.0x0.284
inches.
While many
extant photos of string
band artists show members
holding a mandolin, it
often can barely be heard
in most period recordings
because the most
important instrument to
capture was usually the
fiddle or voice. This
collection provides you
with the opportunity to
learn over 70
old-time-music period
songs recorded mostly by
Ernest Stoneman, or the
duo Grayson &
Whitter, during the 1920s
and early 1930s. Many of
these songs were also
covered by other string
bands regardless of
whether they had the
opportunity or not to be
commercially recorded. CD
tracks of some of the
songs in this collection
as recorded by a number
of different string band
artists are provided so
that performances can be
compared.