Composed by Ludwig van Beethoven (1770-1827), edited by Max Pauer. Opus 15. Piano duet score (2 copies necessary for performance) for two pianos four-hands. With duet notation. C Major. 75 pages. Published by C.F. Peters.

Opus 3, No. 2 and Opus 32, Nos. 1-13. Composed by Sergei Rachmaninoff (1873-1943). Masterworks; Piano Collection. Kalmus Edition. Form: Prelude. 20th Century; Masterwork; Romantic. Book. 64 pages. Kalmus Classic Edition #00-K03819. Published by Kalmus Classic Edition

By Sergei Prokofiev (1891-1953). Arranged by Douglas McLain. For piano and concert band. Baton Music Instrumental Series. Opus 10. Grade 5. Full score and parts. Duration 16:00. Published by Baton Music

By Vincent Persichetti. For piano. Opus 60. Published by Theodore Presser Company.

Piano Solo. By Various. Piano Collection. Size 9x12 inches. 128 pages. Published by G. Schirmer, Inc.

Revised Edition. Composed by Johannes Brahms (1833-1897). Edited by Camilla Cai. Henle Music Folios. Softcover. 44 pages. G. Henle #HN560. Published by G. Henle (HL.51480560).

Piano

SKU: BT.PWM0234

And 3 Nouvelles Etudes. Composed by Frederic Chopin. Book Only. 156 pages. Polskie Wydawnictwo Muzyczne #PWM0234. Published by Polskie Wydawnictwo Muzyczne (BT.PWM0234).

The most famous and popular edition of Chopin's works prepared by I. J. Paderewski, L. Bronarski and J. Turczynski. The edition has been based primarily on Chopin's autograph manuscripts, copies approved by him and first editions.

The principal aim of the Editorial Committee has been to establish a text which fully reveals Chopin's thoughts and corresponds to his intentions as closely as possible.

Contents:
Op.10 No.1 In C Major     
Op.10 No.10 In A Flat Major     
Op.10 No.11 In E Flat Major     
Op.10 No.12 In C Minor     Op.10 No.2 In A Minor     
Op.10 No.3 In E Major     Op.10 No.4 In C Sharp Minor     
Op.10 No.5 In G Flat Major    
Op.10 No.6 In E Flat Minor     
Op.10 No.7 In C Major    
Op.10 No.8 In F Major     
Op.10 No.9 In F Minor    
Op.25 No.1 In A Flat Major     
Op.25 No.10 In BMinor.

Composed by Frederic Chopin (1810-1849). Arranged by Daniel Scott. Music Sales America. Romantic Period. Collection (softcover). With fingerings (does not include words to the songs). 47 pages. Music Sales #AM71747. Published by Music Sales

By Anton Rubinstein (1829-1894), Henri Wieniawski (1835-1880), edited by Tyrone Greive. Set of performance parts for violin and piano. 10 pages. Published by International Music Co..

For Piano. By Muzio Clementi. For Violin. Classical. Solo part. Opus 36. 31 pages. Published by Carl Fischer.

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Score, Set of parts. Opus 1. Baerenreiter Verlag #BA10943_00. Published by Baerenreiter Verlag

By James Bastien. (Bastien Supplementary Books). Bastien Piano. Sonatina Collections. Music Book. Published by Neil A. Kjos Music Company.

Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5

SKU: BA.BA10303-01

Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01).

ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann.

The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.

I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.

You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...

No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.

On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:

Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.

As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.

It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.

When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.

In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Frederic Chopin (1810-1849). Edited by Alex Szilasi. This edition: Facsimile. Esther - Collection Romantique. Score. Published by Anne Fuzeau Productions - France (FZ.50523).

Saxophone and Piano

SKU: HL.14010146

Composed by Edward Elgar. Music Sales America. Exam Material. Book [Softcover]. 38 pages. Music Sales #NOV120742. Published by Music Sales (HL.14010146).

ISBN 9781844494873. 8.75x11.0x0.102 inches.

Seven pieces arranged for alto or tenor saxophone by Sidney Lawton with piano accompaniment. Includes 'Adagio' (The Cello Concerto, Opus. 85), 'Nimrod' (Enigma Variations, Opus. 36) and 'Chanson De Matin' (Opus. 15, No. 2).

Piano Solo. By Antonin Dvorak. Schott. Size 9x12 inches. 48 pages. Published by Schott.

Oboe, Piano - Grade 3

SKU: FL.FX071084

Composed by Felix Bartholdy Mendelssohn. Arranged by Eric Vireton. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071084. Published by FLEX Editions (FL.FX071084).

Violin, Piano - Grade 3

SKU: FL.FX071086

Composed by Felix Bartholdy Mendelssohn. Arranged by Eric Vireton. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071086. Published by FLEX Editions (FL.FX071086).

Cello, Piano - Grade 3

SKU: FL.FX071088

Composed by Felix Bartholdy Mendelssohn. Arranged by Eric Vireton. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071088. Published by FLEX Editions (FL.FX071088).

Flute, Piano - Grade 3

SKU: FL.FX071083

Composed by Felix Bartholdy Mendelssohn. Arranged by Eric Vireton. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071083. Published by FLEX Editions (FL.FX071083).

Composed by Clara Wieck- Schumann (1819-1896). Edited by Jacqueline Ross. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Parts (2). Opus 22. Baerenreiter Verlag #BA10947. Published by Baerenreiter Verlag

Composed by Charles Marie Widor (1844-1937). Masterworks; Solo; Solo Small Ensembles; Woodwind - Flute Solo. Kalmus Edition. Masterwork; Romantic. Part(s). 32 pages. Kalmus Classic Edition #00-K02177. Published by Kalmus Classic Edition

Horn solo with piano accompaniment - Grade 4

SKU: CL.084-3586-28

Arranged by Kilp. Book - Solo Collection. Composed 2007. C.L. Barnhouse #084-3586-28. Published by C.L. Barnhouse (CL.084-3586-28).

This collection of twelve beautiful, lyrical works from master composers of the late classical & romantic eras are have been magnificently transcribed for horn and piano by Brian Kilp. Includes works by Rachmaninov, Brahms, Tchaikovsky, and Mahler, these solos are marvelous recital and contest works for the serious horn player. Book includes F horn solo parts, piano accompaniment, and a full-performance CD performed by arranger Kilp. A perfect collection of solos for the hornist to SING with! For advanced players . CONTENTS: Romance, Opus 6, No. 1 - Sergei Rachmaninov Elergy, Opus 3, No. 1 - Sergei Rachmaninov Serenade, Opus 3, No. 5 - Sergei Rachmaninov Don't Sing In My Presence, Beauty - Sergei Rachmaninov Prelude, Opus 23, No. 10 - Sergei Rachmaninov Cello Sonata in G Minor, Mvt. 3 Andante - Sergei Rachmaninov Meine Liebe Ist Grun, Opus 63, No.5 - Johannes Brahms But The Lonely Heart, Opus 6, No. 6 - Pyotr Ilich Tchaikovsky Von Ewiger Liebe, Opus 43, No. 1 - Johannes Brahms De Zwei Blauen Augen - Gustav Mahler Wie Melodien Zieht Es Mir, Opus 105, No. 1 - Johannes Brahms An additional sound sample is available here: www.barnhouse.com/samples /mp3/084-3586-28X.mp3.

Composed by Alexander Glazunov (1865-1936). Opus 67. Piano reduction for piano solo. Composed 1900. 69 pages. Published by Belaieff Verlag.

By Arcangelo Corelli. For Violin. String - Two Violins and Piano. Masterwork. 80 pages. Published by Alfred Publishing.