| Music for a Noble Gathering - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion, Piccolo,
Snare Drum, Suspended
Cymbal, Timpani and more.
- Grade 1.5 SKU:
CF.FPS162 Composed by
William Harbinson. Fps.
Set of Score and Parts.
2+8+8+4+8+8+8+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+4+6+4+2+
10+24 pages. Duration
4:15. Carl Fischer Music
#FPS162. Published by
Carl Fischer Music
(CF.FPS162). ISBN
9781491161548. UPC:
680160920198. Music
for a Noble Gathering
captures the pomp and
dignity of a regal
celebration. The
composition opens with a
percussion flourish to a
fanfare. Perform this
passage at a stately
tempo with marked
separation. A legato,
lyrical theme appears (m.
17) that contrasts the
opening passage.
Emphasize the ritard and
crescendo in m. 24 in
preparation for the
return of the opening
theme (m. 25) that
completes the A section.
Although thematically
related to the fanfare,
the B section (m. 35)
provides contrast in
tempo, key, and style.
Strive for a connected
and sustained
presentation with careful
attention to the shaping
of the phrases. Proper
balance between the
melody and countermelody
at m. 45 is paramount.
The climax in m. 53
quickly subsides but
immediately rebuilds for
a lively percussion
feature. The restatement
of the A section (m. 61)
leads to a final climax
(m. 91), a brief coda (m.
93) and a dynamic
closure. William
Harbinson is Professor
Emeritus and former Dean
of the Hayes School of
Music at Appalachian
State University. He has
received nine J.W. Pepper
Editors' Choice Awards
that identify the very
best of the new music
available. His
compositions for band
appear on
contest/festival
literature lists of
several states and are
performed worldwide.
 . Music for a
Noble Gathering captures
the pomp and dignity of a
regal celebration. The
composition opens with a
percussion flourish to a
fanfare. Perform this
passage at a stately
tempo with marked
separation. A legato,
lyrical theme appears (m.
17) that contrasts the
opening passage.
Emphasize the ritard and
crescendo in m. 24 in
preparation for the
return of the opening
theme (m. 25) that
completes the A section.
Although thematically
related to the fanfare,
the B section (m. 35)
provides contrast in
tempo, key, and style.
Strive for aÂ
connected and sustained
presentation with careful
attention to the shaping
of the phrases. Proper
balance between the
melody and countermelody
at m. 45 is
paramount. The climax
in m. 53 quickly subsides
but immediately rebuilds
for a lively percussion
feature. The restatement
of the A section (m. 61)
leads to a final climax
(m. 91), a brief coda (m.
93) and a dynamic
closure.William Harbinson
is Professor Emeritus and
former Dean of the Hayes
School of Music at
Appalachian State
University. He has
received nine J.W. Pepper
Editors’ Choice
Awards that identify the
very best of the new
music available. His
compositions for band
appear on
contest/festival
literature lists of
several states and are
performed
worldwide. . $58.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Teaching with Heart - Course Pack - 4 hrs of videos GIA Publications
SKU: GI.G-10383 Tools for Addressing Societal Challenges through Music...(+)
SKU: GI.G-10383
Tools for Addressing
Societal Challenges
through Music.
Composed by Jason Max
Ferdinand. Music
Education. 106 pages. GIA
Publications #10383.
Published by GIA
Publications
(GI.G-10383). ISBN
9781622775378. Incl
udes course pack with
activities and four hours
of video interviews.
Includes access codes for
25 students. Purchase
includes digital access
to complete book and
videos for 25 students
plus a physical copy of
the book. Jason Max
Ferdinand's book Teaching
With Heart is the first
book to directly help us
address the societal
issues in our choral
rehearsals. Not
attempting to separate
the music from social
issues, this new tool in
the classroom uses
musical examples to
address uncomfortable
topics and hopefully
'open minds and hearts.'
Built to ask singers to
read, watch, listen and
then to respond and
discuss, this resource
has been developed with
the help of nine
outstanding contributors
and ten composers and
arrangers. I strongly
urge you to take a look
at this new resource for
your classroom.
--Jo-Michael Scheibe,
D.M.A. Professor,
Department of Choral and
Sacred Music Conductor,
University of Southern
California Thornton
Chamber Singers Teaching
With Heart is a timely
and relevant resource
that offers a
well-crafted,
research-based approach
to choral music
education. Students will
learn how diverse choral
repertoire can be used as
a tool to not only
advance musicianship, but
also as an access point
for critical thinking and
the enhancement of social
emotional learning
skills. --Rollo A.
Dilworth, D.Mus. Vice
Dean and Professor of
Choral Music Education
Center for the Performing
and Cinematic Arts,
Temple University Through
valuable repertoire
suggestions, listening
examples, video
interviews, quotes, and
teaching activities, this
resource provides
designed lessons helping
students apply,
synthesize, evaluate, and
comprehend music from an
artistic perspective and,
more importantly, a human
perspective. --Brandon
Boyd, Ph.D. Assistant
Professor Choral
Conducting, Choral Music
Education University of
Missouri 'How would you
suggest a Caucasian
teacher talk about social
justice issues with
students of color?' a
student from Georgia
Southern University asked
via ZOOM. Dr. Ferdinand
responded by quoting from
Teaching With Heart,
specifically sharing
inspiration from the
module titled 'Justice,
or Just Us?' Powerful
conversation ensued and
our future educators were
immediately on fire to
get ahold of these
teaching tools! We are so
grateful for Dr.
Ferdinand's generous
leadership and his
extremely well-timed
Choral Conductor's
Compendium to help guide
us through current times
and into the future.
--Shannon Jeffreys,
D.M.A. Director of Choral
Activities Georgia
Southern University Jason
Max Ferdinand is a Full
Professor, Chair of the
Music Department, and
Director of Choral
Activities at Oakwood
University, where he
conducts the Aeolians of
Oakwood University. He
maintains an active
schedule as a presenter,
adjudicator, and guest
conductor for high
schools, collegiate, and
church choirs throughout
North America, Asia,
Europe, and the
Caribbean. Learn more
about this new resource
in the short video
below:. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Teaching Beyond the Music GIA Publications
SKU: GI.G-10900 Tools for Addressing Societal Challenges Through the A...(+)
SKU: GI.G-10900
Tools for Addressing
Societal Challenges
Through the Arts.
Composed by Jason Max
Ferdinand. Music
Education. 80 pages. GIA
Publications #10900.
Published by GIA
Publications
(GI.G-10900). ISBN
9781622777372. Jaso
n Max Ferdinand's book
Teaching With Heart is
the first book to
directly help us address
the societal issues in
our choral rehearsals.
Not attempting to
separate the music from
social issues, this new
tool in the classroom
uses musical examples to
address uncomfortable
topics and hopefully
'open minds and
hearts.'Â Built to ask
singers to read, watch,
listen and then to
respond and discuss, this
resource has been
developed with the help
of nine outstanding
contributors and ten
composers and arrangers.
I strongly urge you to
take a look at this new
resource for your
classroom.
—Jo-Michael
Scheibe, D.M.A. Â Â
Professor, Department of
Choral and Sacred Music
  Conductor,
University of Southern
California Thornton
Chamber Singers Teaching
With Heart is a timely
and relevant resource
that offers a
well-crafted,
research-based approach
to choral music
education. Students will
learn how diverse choral
repertoire can be used as
a tool to not only
advance musicianship, but
also as an access point
for critical thinking and
the enhancement of social
emotional learning
skills. —Rollo A.
Dilworth, D.Mus. Â
 Vice Dean and
Professor of Choral Music
Education  Â
Center for the Performing
and Cinematic Arts,
Temple University Through
valuable repertoire
suggestions, listening
examples, video
interviews, quotes, and
teaching activities, this
resource provides
designed lessons helping
students apply,
synthesize, evaluate, and
comprehend music from an
artistic perspective and,
more importantly, a human
perspective.
—Brandon Boyd,
Ph.D. Â Â Assistant
Professor Choral
Conducting, Choral Music
Education  Â
University of Missouri
'How would you suggest a
Caucasian teacher talk
about social justice
issues with students of
color?' a student from
Georgia Southern
University asked via
ZOOM. Dr. Ferdinand
responded by quoting from
Teaching With Heart,
specifically sharing
inspiration from the
module titled 'Justice,
or Just Us?' Powerful
conversation ensued and
our future educators were
immediately on fire to
get ahold of these
teaching tools! We are so
grateful for Dr.
Ferdinand's generous
leadership and his
extremely well-timed
Choral Conductor's
Compendium to help guide
us through current times
and into the future.
—Shannon Jeffreys,
D.M.A. Â Â Director
of Choral Activities Â
 Georgia Southern
University Jason Max
Ferdinand serves as the
Director of Choral
Activities at the
University of Maryland,
College Park. He assumed
the role in Fall of 2022.
He maintains an active
schedule as a presenter,
adjudicator, and guest
conductor for high
schools, collegiate, and
church choirs throughout
North America, Asia,
Europe, and the
Caribbean. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Madrigal Pavane / Timburibá [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4287
Composed by Francisco
Braga. Arranged by
Luciano Lima. Score. Les
Productions d'OZ #DZ
4287. Published by Les
Productions d'OZ
(DZ.DZ-4287). ISBN
9782898522048. Ant
nio Francisco Braga
(1868-1945) belongs to
the generation of
Brazilian composers of
the first republican
period, aesthetically
tied to romanticism,
alongside Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914), and Barrozo
Neto (1881-1941). Born in
Rio de Janeiro, on April
15th, 1868, he began his
musical studies at the
Asilo dos Meninos
Desvalidos, in 1876. In
1883, he enrolled at the
Imperial Conservatório
de Música where he
studied harmony and
counterpoint with Carlos
de Mesquita – a former
student of César Franck,
Durand, and Massenet –
and clarinet with
Antônio Luís de Moura.
Braga's first
compositions date from
this period: Sonho de
Dante (1885), Dolce far
niente (1886), the first
Valse Romantique for
piano (1886), among
others. In 1887, he
premiered his first
symphonic work,
Fantasia-Abertura. In
1890, being one of the
finalists in a
competition to choose the
new Brazilian national
anthem, Braga was awarded
a scholarship to study in
Europe, where he took
classes with Jules
Massenet at the Paris
Conservatory. During this
period, he wrote some of
his most important
symphonic works, Paysage,
Cauchemar, Episódio
Sinfônico, and Marabá
(which was performed by
Richard Strauss and the
Vienna Philharmonic in
1920, in Brazil). His
opera Jupyra is
considered one of the
greatest Brazilian
compositions of that
genre. Back in Brazil,
he was appointed
professor of
counterpoint, fugue, and
composition at the
Instituto Nacional de
Música, in 1902. There,
some of the finest
Brazilian composers
studied with him, like
Glauco Velásquez and
Lorenzo
Fernândez. Braga
wrote operas, symphonic
works, songs, sacred
music, two Masses, music
for piano, different
chamber formations, band,
and choir. He is the
author of many patriotic
hymns, the most popular
of which is Hino à
Bandeira (with lyrics by
Olavo Bilac). He explored
Brazilian nationalist
elements in some of his
works, as in Variações
sobre um Tema Brasileiro
and in the Trio for
violin, cello and piano,
whose third movement is
based on a lundu (a
musical genre and dance
of Afro-Brazilian
origin). In addition
to being a composer,
Braga was one of the most
active conductors of his
time, having been ahead
of three orchestras in
Rio de Janeiro: Instituto
Nacional de Música,
Sociedade de Concertos
Sinfônicos, and Theatro
Municipal. Braga
conducted the Brazilian
premiere of major
symphonic works such as
La Mer (Debussy), Pacific
231 (Honegger) besides
other numerous Brazilian
compositions. In 1938,
he retired from Instituto
Nacional de Música. He
passed away on March
14th, 1945, in Rio de
Janeiro. Unfortunately
, Francisco Braga never
wrote for the guitar.
However, over a century
ago his music had already
been incorporated to its
repertoire. According to
information found in
newspapers of the time,
Spanish guitarist
Josefina Robledo included
transcriptions of pieces
by Braga in her programs
when she performed in
Brazil: Gavota e Minuete
(from the melodrama
Contratador de
Diamantes), in 1919, in
São Paulo, and the
waltz-caprice Corrupio,
in 1921, in Rio de
Janeiro. The piano
score of Madrigal Pavane
was dedicated to Alexina
Leitão and published by
Casa Vieira Machado, in
1901. According to the
composer’s catalogue,
there are two other
versions of this piece:
strings orchestra (1901)
and quartet (which is
still in manuscript).
Dedicated to Braga’s
childhood friend José de
Souza Rocha, Timburibá
(the name of a Brazilian
tree) is a tango for
piano from 1886,
published by Narciso &
Arthur
Napoleão.
Antôni
o Francisco Braga
(1868-1945) appartient à
la génération des
compositeurs brésiliens
de la première période
républicaine,
esthétiquement liés au
romantisme, aux côtés
de Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914) , et Barrozo
Neto (1881-1941). Né à
Rio de Janeiro, le 15
avril 1868, il commence
ses études musicales à
l'Asilo dos Meninos
Desvalidos, en 1876. En
1883, il s'inscrit au
Imperial Conservatório
de Música où il étudie
l'harmonie et le
contrepoint avec Carlos
de Mesquita – ancien
élève de César Franck,
Durand et Massenet – et
clarinette avec Antônio
Luís de Moura. De cette
période datent les
premières compositions
de Braga : « Sonho de
Dante » (1885), « Dolce
far niente » (1886), la
première « Valse
Romantique » pour piano
(1886), entre
autres. En 1887, il
crée sa première œuvre
symphonique, «
Fantasia-Abertura ». En
1890, étant l'un des
finalistes d'un concours
pour choisir le nouvel
hymne national
brésilien, Braga obtient
une bourse pour étudier
en Europe, où il suit
les cours de Jules
Massenet au Conservatoire
de Paris. Durant cette
période, il écrit
certaines de ses œuvres
symphoniques les plus
importantes, « Paysage
», « Cauchemar », «
Episódio Sinfônico »
et « Marabá »
(interprétée par
Richard Strauss et la
Philharmonie de Vienne en
1920, au Brésil). Son
opéra « Jupyra » est
considéré comme l'une
des plus grandes
compositions
brésiliennes de ce
genre. De retour au
Brésil, il fut nommé
professeur de
contrepoint, de fugue et
de composition à
l'Instituto Nacional de
Música, en 1902. Là,
certains des meilleurs
compositeurs brésiliens
étudièrent avec lui,
comme Glauco Velásquez
et Lorenzo
Fernândez. Braga a
écrit des opéras, des
œuvres symphoniques, des
chansons, de la musique
sacrée, deux messes, de
la musique pour piano,
différentes formations
de chambre, un orchestre
et une chorale. Il est
l'auteur de nombreux
hymnes patriotiques, dont
le plus populaire est «
Hino à Bandeira » (avec
des paroles d'Olavo
Bilac). Il a exploré des
éléments nationalistes
brésiliens dans
certaines de ses œuvres,
comme dans « Variações
sobre um Tema Brasileiro
» et dans le Trio pour
violon, violoncelle et
piano, dont le troisième
mouvement est basé sur
un « lundu » (un genre
musical et une danse
afro-américaine).
Origine
brésilienne). En plus
d'être compositeur,
Braga a été l'un des
chefs d'orchestre les
plus actifs de son
époque, ayant dirigé
trois orchestres à Rio
de Janeiro : « Instituto
Nacional de Música »,
« Sociedade de Concertos
Sinfônicos » et «
Theatro Municipal ».
Braga a dirigé la
première brésilienne
d'œuvres symphoniques
majeures telles que « La
Mer » (Debussy), «
Pacific 231 » (Honegger)
ainsi que de nombreuses
autres compositions
brésiliennes. En
1938, il prend sa
retraite de l'Instituto
Nacional de Música. Il
est décédé le 14 mars
1945 à Rio de
Janeiro. Malheureuseme
nt, Francisco Braga n’a
jamais écrit pour la
guitare. Cependant, il y
a plus d'un siècle, sa
musique était déjà
incorporée à son
répertoire. Selon des
informations trouvées
dans les journaux de
l'époque, la guitariste
espagnole Josefina
Robledo incluait des
transcriptions de pièces
de Braga dans ses
programmes lorsqu'elle se
produisait au Brésil :
« Gavota e Minuete »
(du mélodrame «
Contratador de Diamantes
»), en 1919, à São
Paulo, et la
valse-caprice « Corrupio
», en 1921, à Rio de
Janeiro. La partition
pour piano de « Madrigal
Pavane » a été
dédiée à Alexina
Leitão et publiée par
« Casa Vieira Machado
», en 1901. Selon le
catalogue du compositeur,
il existe deux autres
versions de cette pièce
: orchestre à cordes
(1901) et quatuor (qui
est encore manuscrit).
Dédié à José de Souza
Rocha, ami d'enfance de
Braga, « Timburibá »
(nom d'un arbre
brésilien) est un tango
pour piano de 1886,
publié par « Narciso &
Arthur Napoleão
». Envoyer des
commentaires Panneaux
latéraux HistoriqueEnregistrées. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Conversational Recorder Package GIA Publications
SKU: GI.G-9033 Teacher's Manual + Student Book. Composed by John M...(+)
SKU: GI.G-9033
Teacher's Manual +
Student Book.
Composed by John M.
Feierabend and Rachel
Grimsby. Conversational
Solfege. Music Education.
Book. 1 pages. GIA
Publications #9033.
Published by GIA
Publications (GI.G-9033).
ISBN
9781622775606. With
its commitment to
creating independent
musical thinkers through
the use of folk songs,
Conversational Recorder
is a visionary approach
to recorder that builds
music literacy and
independence. This highly
anticipated component of
John M.
Feierabend’s
Conversational Solfege is
a dynamic and engaging
method that seamlessly
coordinates with Levels 1
and 2 of the curriculum,
an innovative 12-step
“ear-before-eyeâ
approach to teaching
music literacy. Central
to Conversational
Recorder are two hundred
online audio tracks with
coordinating Guided
Practice Activities at
the beginning of each
unit. The online tracks
walk students step by
step through decoding
patterns and songs and
are perfectly suited for
at-home assignments and
virtual instruction. Each
of the thirteen units in
this resource presents a
new rhythm or melody
challenge that is
reinforced using a series
of short musical patterns
and songs. To ensure
aural mastery before
instrumental application,
students follow a
three-step procedure: (1)
sing first, (2) sing
while fingering on
recorder, and (3) play on
recorder. The
teacher’s manual
includes dozens of
recorder activities
(techniques) along with
an overview of the
method, instructions for
how to use the online
tracks, and tips for
teaching fingering,
tonguing, and breathing.
The appendices also
contain sample lesson
plans, resources for
assessment, fingering
charts, and information
for teaching recorder to
students with
disabilities.
Conversational Recorder
is an ideal program for
incorporating recorder
instruction into the
elementary music
classroom. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
Rachel Grimsby is an
Assistant Professor of
Music Education at
Illinois State University
and has over fifteen
years of experience
teaching elementary
general music. She is a
co-author of First Steps
in Music with Orff
Schulwerk and Feierabend
Fundamentals, and her
research interests
include professional
development for
in-service teachers and
paraprofessionals as well
as teaching music to
students with
disabilities. $62.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Conversational Recorder Teacher's Manual GIA Publications
SKU: GI.G-9033T Composed by John M. Feierabend and Rachel Grimsby. Conver...(+)
SKU: GI.G-9033T
Composed by John M.
Feierabend and Rachel
Grimsby. Conversational
Solfege. Music Education.
208 pages. GIA
Publications #9033T.
Published by GIA
Publications
(GI.G-9033T). ISBN
9781622773954. With
its commitment to
creating independent
musical thinkers through
the use of folk songs,
Conversational Recorder
is a visionary approach
to recorder that builds
music literacy and
independence. This highly
anticipated component of
John M.
Feierabend’s
Conversational Solfege is
a dynamic and engaging
method that seamlessly
coordinates with Levels 1
and 2 of the curriculum,
an innovative 12-step
“ear-before-eyeâ
approach to teaching
music literacy. Central
to Conversational
Recorder are two hundred
online audio tracks with
coordinating Guided
Practice Activities at
the beginning of each
unit. The online tracks
walk students step by
step through decoding
patterns and songs and
are perfectly suited for
at-home assignments and
virtual instruction. Each
of the thirteen units in
this resource presents a
new rhythm or melody
challenge that is
reinforced using a series
of short musical patterns
and songs. To ensure
aural mastery before
instrumental application,
students follow a
three-step procedure: (1)
sing first, (2) sing
while fingering on
recorder, and (3) play on
recorder. The
teacher’s manual
includes dozens of
recorder activities
(techniques) along with
an overview of the
method, instructions for
how to use the online
tracks, and tips for
teaching fingering,
tonguing, and breathing.
The appendices also
contain sample lesson
plans, resources for
assessment, fingering
charts, and information
for teaching recorder to
students with
disabilities.
Conversational Recorder
is an ideal program for
incorporating recorder
instruction into the
elementary music
classroom. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
Rachel Grimsby is an
Assistant Professor of
Music Education at
Illinois State University
and has over fifteen
years of experience
teaching elementary
general music. She is a
co-author of First Steps
in Music with Orff
Schulwerk and Feierabend
Fundamentals, and her
research interests
include professional
development for
in-service teachers and
paraprofessionals as well
as teaching music to
students with
disabilities. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Conversational Recorder Student Book GIA Publications
SKU: GI.G-9033S Composed by John M. Feierabend and Rachel Grimsby. Conver...(+)
SKU: GI.G-9033S
Composed by John M.
Feierabend and Rachel
Grimsby. Conversational
Solfege. Music Education.
Book. 136 pages. GIA
Publications #9033S.
Published by GIA
Publications
(GI.G-9033S). ISBN
9781622773947. With
its commitment to
creating independent
musical thinkers through
the use of folk songs,
Conversational Recorder
is a visionary approach
to recorder that builds
music literacy and
independence. This highly
anticipated component of
John M.
Feierabend’s
Conversational Solfege is
a dynamic and engaging
method that seamlessly
coordinates with Levels 1
and 2 of the curriculum,
an innovative 12-step
“ear-before-eyeâ
approach to teaching
music literacy. Central
to Conversational
Recorder are two hundred
online audio tracks with
coordinating Guided
Practice Activities at
the beginning of each
unit. The online tracks
walk students step by
step through decoding
patterns and songs and
are perfectly suited for
at-home assignments and
virtual instruction. Each
of the thirteen units in
this resource presents a
new rhythm or melody
challenge that is
reinforced using a series
of short musical patterns
and songs. To ensure
aural mastery before
instrumental application,
students follow a
three-step procedure: (1)
sing first, (2) sing
while fingering on
recorder, and (3) play on
recorder. The
teacher’s manual
includes dozens of
recorder activities
(techniques) along with
an overview of the
method, instructions for
how to use the online
tracks, and tips for
teaching fingering,
tonguing, and breathing.
The appendices also
contain sample lesson
plans, resources for
assessment, fingering
charts, and information
for teaching recorder to
students with
disabilities.
Conversational Recorder
is an ideal program for
incorporating recorder
instruction into the
elementary music
classroom. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
Rachel Grimsby is an
Assistant Professor of
Music Education at
Illinois State University
and has over fifteen
years of experience
teaching elementary
general music. She is a
co-author of First Steps
in Music with Orff
Schulwerk and Feierabend
Fundamentals, and her
research interests
include professional
development for
in-service teachers and
paraprofessionals as well
as teaching music to
students with
disabilities. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Lessons, Book 1 - Portuguese Edition Piano seul [Partition + Accès audio] Hal Leonard
Hal Leonard Student Piano Library. Educational Piano Library. Instruction...(+)
Hal Leonard Student
Piano Library.
Educational Piano
Library. Instruction.
Softcover Audio Online.
64 pages. Published by
Hal Leonard (HL.120213).
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Breeze in the Forest Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 3.5 SKU: BT.DHP-1195859-010 ...(+)
Concert Band/Harmonie and
Flute Solo - Grade 3.5
SKU:
BT.DHP-1195859-010
For Solo Flute and
Concert Band.
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2019. De Haske
Publications #DHP
1195859-010. Published by
De Haske Publications
(BT.DHP-1195859-010).
English-German-French-
Dutch. Breeze in
the Forest was
commissioned for the
concert to celebrate the
60th birthday of
Professor Haruyuki
Nakatsukasa of Osaka
Kyoiku University.
“Kanreki†is
a special term used to
celebrate reaching the
age of 60 in Japan. The
composer was inspired by
some of Professor
Nakatsukasa’s
admirable characteristics
upon composing this work:
he speaks softly and at
the same level as his
students; he is
fashionable, stylish and
refined. The band
accompaniment is at a
moderate level of
difficulty, allowing the
solo flautist to choose
this work for many an
occasion.
Dit werk
werd geschreven ter
gelegenheid van het
‘Kanreki-concertâ
™ voor de zestigste
verjaardag van professor
Haruyuki Nakatsukasa van
de Osaka Kyoiku
University. Kanreki is
een speciale term die in
Japan wordt gebruikt
wanneer iemand de
leeftijd van zestig heeft
bereikt. De componist
haalde zijn inspiratie
uit een aantal mooie
eigenschappen van
Nakatsukasa: hij spreekt
zacht en weet zijn
studenten in hun eigen
taal te benaderen; hij is
eigentijds, stijlvol en
verfijnd. De
harmonieorkestbegeleiding
is van een gemiddelde
moeilijkheidsgraad, zodat
de solofluitist dit werk
voor diverse gelegenheden
op het programma kan
zetten.
Breeze in
the Forest“ wurde
für ein Konzert
anlässlich des 60.
Geburtstags von Prof.
Haruyuki Nakatsukasa von
der Osaka Kyoiku
University in Auftrag
gegeben. Kanreki“
ist ein spezieller
Begriff, mit dem in Japan
das Erreichen des 60.
Lebensjahres gefeiert
wird. Der Komponist
ließ sich bei der
Komposition dieses Werks
von einigen der
bewundernswerten
Eigenschaften von Prof.
Nakatsukasa inspirieren:
Er spricht leise und auf
Augenhöhe mit seinen
Schülern; er ist
modisch, stilvoll und
gebildet. Die
Orchesterbegleitung hat
einen mittelschweren
Schwierigkeitsgrad,
sodass Soloflötisten
dieses Werk bei vielen
Gelegenheiten
aufführen
können.
Bree
ze in the Forest est
une commande destinée
au concert « kanreki
» célébrant le
60e anniversaire du
professeur Haruyuki
Nakatsukasa, enseignant
l’université
nationale d’Osaka.
Au Japon, le terme «
kanreki » qualifie le
60e anniversaire
d’une personne. Le
compositeur s’est
inspiré des
caractéristiques du
professeur Nakatsukasa :
« Il parle doucement
et se met au même
niveau que ses
élèves ; il a de la
classe, il est raffiné
et vêtu avec go t.
Pour l’orchestre,
l’accompagnement
est de difficulté
moyenne, ce qui permet au
soliste
d’interpréter
cette Å“uvre en de
nombreuses occasions. $184.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Breeze in the Forest Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 3.5 SKU: BT.DHP-1195859-140 ...(+)
Concert Band/Harmonie and
Flute Solo - Grade 3.5
SKU:
BT.DHP-1195859-140
For Solo Flute and
Concert Band.
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2019. 27
pages. De Haske
Publications #DHP
1195859-140. Published by
De Haske Publications
(BT.DHP-1195859-140).
English-German-French-
Dutch. Breeze in
the Forest was
commissioned for the
concert to celebrate the
60th birthday of
Professor Haruyuki
Nakatsukasa of Osaka
Kyoiku University.
“Kanreki†is
a special term used to
celebrate reaching the
age of 60 in Japan. The
composer was inspired by
some of Professor
Nakatsukasa’s
admirable characteristics
upon composing this work:
he speaks softly and at
the same level as his
students; he is
fashionable, stylish and
refined. The band
accompaniment is at a
moderate level of
difficulty, allowing the
solo flautist to choose
this work for many an
occasion.
Dit werk
werd geschreven ter
gelegenheid van het
‘Kanreki-concertâ
™ voor de zestigste
verjaardag van professor
Haruyuki Nakatsukasa van
de Osaka Kyoiku
University. Kanreki is
een speciale term die in
Japan wordt gebruikt
wanneer iemand de
leeftijd van zestig heeft
bereikt. De componist
haalde zijn inspiratie
uit een aantal mooie
eigenschappen van
Nakatsukasa: hij spreekt
zacht en weet zijn
studenten in hun eigen
taal te benaderen; hij is
eigentijds, stijlvol en
verfijnd. De
harmonieorkestbegeleiding
is van een gemiddelde
moeilijkheidsgraad, zodat
de solofluitist dit werk
voor diverse gelegenheden
op het programma kan
zetten.
Breeze in
the Forest“ wurde
für ein Konzert
anlässlich des 60.
Geburtstags von Prof.
Haruyuki Nakatsukasa von
der Osaka Kyoiku
University in Auftrag
gegeben. Kanreki“
ist ein spezieller
Begriff, mit dem in Japan
das Erreichen des 60.
Lebensjahres gefeiert
wird. Der Komponist
ließ sich bei der
Komposition dieses Werks
von einigen der
bewundernswerten
Eigenschaften von Prof.
Nakatsukasa inspirieren:
Er spricht leise und auf
Augenhöhe mit seinen
Schülern; er ist
modisch, stilvoll und
gebildet. Die
Orchesterbegleitung hat
einen mittelschweren
Schwierigkeitsgrad,
sodass Soloflötisten
dieses Werk bei vielen
Gelegenheiten
aufführen
können.
Bree
ze in the Forest est
une commande destinée
au concert « kanreki
» célébrant le
60e anniversaire du
professeur Haruyuki
Nakatsukasa, enseignant
l’université
nationale d’Osaka.
Au Japon, le terme «
kanreki » qualifie le
60e anniversaire
d’une personne. Le
compositeur s’est
inspiré des
caractéristiques du
professeur Nakatsukasa :
« Il parle doucement
et se met au même
niveau que ses
élèves ; il a de la
classe, il est raffiné
et vêtu avec go t.
Pour l’orchestre,
l’accompagnement
est de difficulté
moyenne, ce qui permet au
soliste
d’interpréter
cette Å“uvre en de
nombreuses occasions. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Methods & Treatises Jean-Philippe Rameau - 3 Volumes - France 1600-1800 [Conducteur] Anne Fuzeau Productions
SKU: FZ.8324 Serie I - France 1600-1800 - Complete theoretical works i...(+)
SKU: FZ.8324
Serie I - France
1600-1800 - Complete
theoretical works in 3
volumes.. Edited by
Bertrand Porot, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.8324). ISBN
9790230683241. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in three books.
Traite de l'harmonie -
Nouveau systeme de
musique. Remarques sur
les differents genres de
musique. Observations sur
la methode
d'accompagnement. Plan
abrege d'une nouvelle
methode d'accompagnement.
Dissertation sur les
differentes methodes
d'accompagnement.
Discours sur l'harmonie -
Demonstration du principe
de l'harmonie. Verites
egalement ignorees et
interessantes. Origines
des sciences - Code de
musique pratique
Generation harmonique.
Observations sur notre
instinct pour la musique
etc. . . Articles from
the Encyclopaedia and
their cristicism by
Rameau. Argument with
Monteclair -
Correspondence. Articles
published in newspapers -
Prefaces to musical
works. Table of contents:
Volume 1: Rameau
Jean-Philippe: Traite de
l'harmonie - 1722. Rameau
Jean-Philippe: Pieces de
clavecin avec une methode
pour la mecanique - 1724.
Rameau Jean-Philippe:
Nouveau systeme de
musique - 1726. Rameau
Jean-Philippe: Lettre de
M. Rameau a Houdar de la
Motte - 1727. Rameau
Jean-Philippe: Remarques
sur les differents genres
de musique - 1728.
[Monteclair Michel
Pignolet de ?]:
Conference sur la musique
- 1729. Rameau
Jean-Philippe: Examen de
la conference sur la
musique - 1729. Rameau
Jean-Philippe:
Observations sur la
methode d'accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une methode
nouvelle d'accompagnement
- 1730. [Monteclair
Michel Pignolet de ?]:
Reponse su second
musicien au premier -
1730. Rameau
Jean-Philippe: Replique
du premier musicien a la
reponse du second - 1730.
[Monteclair Michel
Pignolet de ?]:Reponse du
second musicien au
premier musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes methodes
d'accompagnement - 1732.
Rameau Jean-Philippe: Les
Indes galantes, ballet
reduit a quatre concerts
- 1735. Castel R. P.
Louis-Bertrand: Suite et
seconde partie des
nouvelles experiences -
1735. Castel R. P.
Louis-Bertrand: Suite et
troisieme partie des
nouvelles experiences -
1735. Rameau
Jean-Philippe: Lettre de
M. Rameau au R. P. Castel
- 1736. Rameau
Jean-Philippe: Pieces de
clavecin avec une table
pour les agrements -
1736. Rameau
Jean-Philippe: Discours
sur l'harmonie - 1737.
Volume 2: Rameau
Jean-Philippe: Generation
harmonique - 1737. Rameau
Jean-Philippe: Generation
harmonique, ou traite de
musique theorique - 1737.
Anonyme: Le Pour ou le
Contre - Tome XIII -
1737. Rameau
Jean-Philippe: Lettre a
Hans Sloane - 1737.
Anonyme: Le Pour ou le
Contre - Tome XIV - 1738.
Rameau Jean-Philippe:
Lettre a Jean-Pierre
Christin - 1741. Rameau
Jean-Philippe: Pieces de
clavecin en concert -
1741. Rameau
Jean-Philippe: Deux
lettres a Johann II
Bernoulli - 1750. Rameau
Jean-Philippe: Lettre a
Gabriel Cramer - 1750.
Rameau Jean-Philippe:
Demonstration du principe
de l'harmonie - 1750.
Rousseau Jean-Jacques:
Encyclopedie - Articles
Accompagnement, Accord,
Cadence - 1751. Rameau
Jean-Philippe: Nouvelles
reflexions de M. Rameau -
1752. Rameau
Jean-Philippe: Lettre a
Johann II Bernoulli
(copie ancienne) - 1752.
Rameau Jean-Philippe:
Lettre de M. Rameau a
l'auteur du mercure -
1752. Euler Leonhard:
Lettre a Rameau - 1752.
Rameau Jean-Philippe:
Reflexions de M. Rameau
sur la maniere de former
la voix - 1752. Rameau
Jean-Philippe: Extrait
d'une reponse de M.
Rameau a M. Euler - 1752.
Rousseau Jean-Jacques:
Encyclopedie - articles
Choeur, Chromatique -
1753. Rameau
Jean-Philippe: Extrait
d'une reponse de M.
Rameau - 1753. Rameau
Jean-Philippe:
Observations sur notre
instinct pour la musique
- 1754. Rousseau
Jean-Jacques:
Encyclopedie - article
Dissonance - 1754. Rameau
Jean-Philippe: Erreurs
sur la musique - 1755.
Volume 3: Rousseau
Jean-Jacques:
Encyclopedie - Article
Enharmonique - 1755.
Alembert Jean Le Rond d'
et Diderot Denis:
Encyclopedie -
Avertissement du volume
VI - 1756. Rameau
Jean-Philippe: Suite des
erreurs sur la musique
dans l'Encyclopedie -
1756. Rameau
Jean-Philippe: Prospectus
ou l'on propose - 1757.
Alembert Jean Le Rond d':
Encyclopedie : articles
Fondamental - Gamme -
1757. Rameau
Jean-Philippe: Reponse de
M. Rameau a MM. les
editeurs - 1757. Rameau
Jean-Philippe: Lettre de
M. d'Alembert - 1758.
Rameau Jean-Philippe: 2
lettres a J. B. Beccari
1759. Rameau
Jean-Philippe: 2 lettres
au Padre Martini - 1759.
Rameau Jean-Philippe:
Lettre au Padre Martini -
1759. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Alembert Jean Le Rond d':
Lettre de Monsieur
d'Alembert a Monsieur
Rameau - 1761. Rameau
Jean-Philippe: Reponse de
Monsieur Rameau a la
lettre de M. d'Alembert -
1761. Rameau
Jean-Philippe: Origine
des Modes & du
Temperament par M. Rameau
- 1761. Rameau
Jean-Philippe: Suite de
la reponse de M. Rameau a
la Lettre de M.
d'Alembert - 1761. Rameau
Jean-Philippe: Origine
des sciences - 1762.
Alembert Jean Le Rond d':
Reponse de M. d'Alembert
a une lettre imprimee de
M. Rameau - 1762. Rameau
Jean-Philippe: Lettre de
M*** a M. D**** sur un
Ouvrage Seconde lettre
deM*** a M*** ou extrait
d'une controverse - 1762.
Rameau Jean-Philippe:
Observations de M. Rameau
sur son ouvrage - 1762.
Rameau Jean-Philippe:
Lettre de M. Rameau aux
Philosophes - 1762.
Alembert Jean Le Rond d':
Reponse a une lettre
imprimee de M. Rameau -
1762. Rameau
Jean-Philippe: Verites
interessantes - manuscrit
autographe incomplet -
1763/1764. Rameau
Jean-Philippe: Verites
egalement ignorees et
interessantes tirees du
sein de la nature -
manuscrit avec
corrections de
autographes de Rameau -
1763/1764. Rameau
Jean-Philippe: A. M. de
la Place, auteur du
Mercure sur M. Rameau
(publication posthume
d'une lettre de Rameau) -
1765. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: - Academie
des Sciences, Belles
Lettres et Arts of Lyon
(France). - Conservatory
Library of Dijon
(France). - Inguimbertine
Library of Carpentras
(France). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - British
Library of London
(England). - Civico Museo
Bibliografico Musicale of
Bologna (Italy). -
Mariemont Museum of
Morlanwelz (Belgium). -
Nederlands Musiek
Instituut of The Hague
(Netherlands). -
offentliche Bibliothek
der Universitat of Basel
(Switzerland). -
osterreischiche
National-Bibliothek of
Vienna (Austria). -
Stiftelsen Muzikkulturens
Framjande of Stokckholm
(Suede). - Zurich Library
(Switzerland). - In
Private Collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the Jean-Philippe
Rameau. $300.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Advancing Music Education through Assessment: Honoring Culture, Diversity, and Practice GIA Publications
SKU: GI.G-10242 Selected Papers from the Seventh International Symposi...(+)
SKU: GI.G-10242
Selected Papers from
the Seventh International
Symposium on Assessment
in Music Education.
Composed by Marshall
Haning and Timothy S.
Brophy. Music Education.
534 pages. GIA
Publications #10242.
Published by GIA
Publications
(GI.G-10242). ISBN
9781622774463. Cont
ributors: Michael L.
Alexander, Myriam I.
Athanas, Leonardo Borne,
Frederick Burrack,
Isabelle Adna Lopes da
Hora, Paul F. Doerksen,
Sergio Figueiredo,
Christina Haaf, Barry
Hartz, Johannes
Hasselhorn, Jason A.
Hawkins, Michele L.
Henry, Jasmine Hines,
Kelly Hollingsworth,
Gabriel Imthurn, Amanda
Kastner, Anita Kumar,
Andreas C. Lehmann,
Andreas Lehmann-Wermser,
Florian Lill, Melissa A.
Lloyd, Brandon C.
McDaniel, Adam P. Miller,
David W. Montgomery,
Dorothy J. Musselwhite,
Patty K. Nelson, Glenn E.
Nierman, Douglas C.
Orzolek, Kelly A. Parkes,
Phillip Payne, Seth
Pendergast, Leigh M.
Powell, Jared R.
Rawlings, Patricia E.
Riley, Joanne Rutkowski,
Elizabeth S. Schultz,
Sydney C. Seed, Megan M.
Sheridan, Dayvison Sousa
Silva, David A.
Stringham, Justine
Swainson, Jack Walton,
Dennis Ping-Cheng Wang,
Jeffrey Ward, Brian C.
Wesolowski The Seventh
International Symposium
on Assessment in Music
Education was hosted by
the University of
Florida. The symposium
brought together 112
participants from 12
nations across six
continents and 24 U.S.
states to learn of each
other’s work,
establish collaborations
and professional
networks, and shape new
directions for research
in this important area of
music education at the
University of Florida in
Gainesville from March
19–22, 2019. The
two keynote addresses and
31 papers published in
this volume document
music assessment practice
and the measurement and
evaluation of music
learning across the world
in local, state, and
national contexts at all
levels. The attendees
also attended special
work sessions to begin
developing a set of
assessment literacy
standards for music
teachers based on the
International Principles
for Assessment in Music
Education (developed and
introduced by the
co-chairs at ISAME6 in
2017), and their
discussions are
summarized in this
collection. As music
educators across the
world come to terms with
increased expectations
for accountability of
learning in music, the
scholars and
practitioners who have
contributed to this
volume provide insight to
guide their work. About
the Editors: Timothy S.
Brophy is Professor of
Music Education and
Director of Institutional
Assessment at the
University of Florida in
Gainesville. Marshall
Haning is Assistant
Professor of Music
Education at the
University of Florida in
Gainesville. $47.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Context Matters GIA Publications
SKU: GI.G-9684 Selected Papers from the Sixth International Symposium ...(+)
SKU: GI.G-9684
Selected Papers from
the Sixth International
Symposium on Assessment
in Music Education.
Composed by Martin
Fautley and Timothy S.
Brophy. Assessment. Music
Education. 550 pages. GIA
Publications #9684.
Published by GIA
Publications (GI.G-9684).
ISBN
9781622773350. Cont
ributions by:Â Michael
L. Alexander •
William I. Bauer •
Rhoda Bernard •
Nikki Booth •
Leonardo Borne •
Frederick Burrack •
Richard M. Cangro •
Kyle Chandler •
Samantha Clements •
Obadias de Oliveira Cunha
• Sally E. Daunt
• Kirsty J. Devaney
• Paul Doerksen
• Martin Fautley
• Keith Griffioen
• Alice Hammel
• Marshall Haning
• Demaris Hansen
• Michele L. Henry
• John Holmes
• Daniel C. Johnson
• Joo Hyun Kang
• Gail Kuppan
• Andreas
Lehmann-Wermser •
Sharon Lierse •
Jason Longtin •
Jeffrey Marlatt •
Melissa C. McCabe •
Karabo Lucy Mogane
• Helena
Muciño-Guerra •
Dorothy J. Musselwhite
• Flávia
Motoyama Narita •
Emma Nenadic •
Glenn E. Nierman •
Helena de Souza Nunes
• Kelly A. Parkes
• Phillip D. Payne
• Laura Navarro
Ramón • Patricia
Riley • Shelley
Sanderson • Megan
M. Sheridan •
Stephanie L. Standerfer
• David A.
Stringham • Dennis
Ping-Cheng Wang •
Jeffrey Ward •
Brian C. Wesolowski
• Benjamin Weyel
The Sixth International
Symposium on Assessment
in Music Education was
hosted by the University
of Florida and Birmingham
City University. The
symposium brought
together 110 participants
from 23 nations and six
continents to learn of
each other’s work,
establish collaborations
and professional
networks, and shape new
directions for research
in this important area of
music education in
Birmingham, England, from
April 18-21, 2017.Â
The two keynote addresses
and 35 papers published
in this volume document
music assessment practice
and the measurement and
evaluation of music
learning across the world
in local, state, and
national contexts at all
levels. The attendees
also attended special
work sessions to discuss
the International
Principles for Assessment
in Music Education
(developed and introduced
by the co-chairs at this
symposium), and their
discussions are
summarized in this
collection. As music
educators across the
world come to terms with
increased expectations
for accountability of
learning in music, the
scholars and
practitioners who have
contributed to this
volume provide insight to
guide their work. Timothy
S. Brophy is Professor of
Music Education and
Director of Institutional
Assessment at the
University of Florida in
Gainesville, Florida.
Martin Fautley is
Professor of Education
and Director of Research
in Education at
Birmingham City
University in Birmingham,
England. $47.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Methods & Treatises Jean-Philippe Rameau - Volume 3 - France 1600-1800 [Conducteur] Anne Fuzeau Productions
SKU: FZ.5886 Serie I - France 1600-1800 - Complete theoretical works i...(+)
SKU: FZ.5886
Serie I - France
1600-1800 - Complete
theoretical works in 3
volumes.. Edited by
Bertrand Porot, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5886). ISBN
9790230658867. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in three books.
Traite de l'harmonie -
Nouveau systeme de
musique. Remarques sur
les differents genres de
musique. Observations sur
la methode
d'accompagnement. Plan
abrege d'une nouvelle
methode d'accompagnement.
Dissertation sur les
differentes methodes
d'accompagnement.
Discours sur l'harmonie -
Demonstration du principe
de l'harmonie. Verites
egalement ignorees et
interessantes. Origines
des sciences - Code de
musique pratique
Generation harmonique.
Observations sur notre
instinct pour la musique
etc. . . Articles from
the Encyclopaedia and
their cristicism by
Rameau. Argument with
Monteclair -
Correspondence. Articles
published in newspapers -
Prefaces to musical
works. Table of contents:
Rousseau Jean-Jacques:
Encyclopedie - Article
Enharmonique - 1755.
Alembert Jean Le Rond d'
et Diderot Denis:
Encyclopedie -
Avertissement du volume
VI - 1756. Rameau
Jean-Philippe: Suite des
erreurs sur la musique
dans l'Encyclopedie -
1756. Rameau
Jean-Philippe: Prospectus
ou l'on propose - 1757.
Alembert Jean Le Rond d':
Encyclopedie : articles
Fondamental - Gamme -
1757. Rameau
Jean-Philippe: Reponse de
M. Rameau a MM. les
editeurs - 1757. Rameau
Jean-Philippe: Lettre de
M. d'Alembert - 1758.
Rameau Jean-Philippe: 2
lettres a J. B. Beccari
1759. Rameau
Jean-Philippe: 2 lettres
au Padre Martini - 1759.
Rameau Jean-Philippe:
Lettre au Padre Martini -
1759. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Alembert Jean Le Rond d':
Lettre de Monsieur
d'Alembert a Monsieur
Rameau - 1761. Rameau
Jean-Philippe: Reponse de
Monsieur Rameau a la
lettre de M. d'Alembert -
1761. Rameau
Jean-Philippe: Origine
des Modes & du
Temperament par M. Rameau
- 1761. Rameau
Jean-Philippe: Suite de
la reponse de M. Rameau a
la Lettre de M.
d'Alembert - 1761. Rameau
Jean-Philippe: Origine
des sciences - 1762.
Alembert Jean Le Rond d':
Reponse de M. d'Alembert
a une lettre imprimee de
M. Rameau - 1762. Rameau
Jean-Philippe: Lettre de
M*** a M. D**** sur un
Ouvrage Seconde lettre
deM*** a M*** ou extrait
d'une controverse - 1762.
Rameau Jean-Philippe:
Observations de M. Rameau
sur son ouvrage - 1762.
Rameau Jean-Philippe:
Lettre de M. Rameau aux
Philosophes - 1762.
Alembert Jean Le Rond d':
Reponse a une lettre
imprimee de M. Rameau -
1762. Rameau
Jean-Philippe: Verites
interessantes - manuscrit
autographe incomplet -
1763/1764. Rameau
Jean-Philippe: Verites
egalement ignorees et
interessantes tirees du
sein de la nature -
manuscrit avec
corrections de
autographes de Rameau -
1763/1764. Rameau
Jean-Philippe: A. M. de
la Place, auteur du
Mercure sur M. Rameau
(publication posthume
d'une lettre de Rameau) -
1765. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Nederlands
Musiek Instituut de La
Hague (Netherlands). -
Municipal Library of Lyon
(France). - Municipal
Library of Grenoble
(France). - British
Library of London
(England). - National
Library of Paris
(France). - Civico Museo
Bibliografico Musicale of
Bologna (Italy). -
osterreischiche
National-Bibliothek of
Vienna (Austria). -
Municipal Library of
Bordeaux (France). -
Stiftelsen Muzikkulturens
Framjande of Stokckholm
(Suede). - In Private
Collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the Jean-Philippe
Rameau. $129.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Methods & Treatises Continuo Bass - 6 Volumes - France 1600-1800 [Conducteur] Anne Fuzeau Productions
Continuo SKU: FZ.6222 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo SKU:
FZ.6222 Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6222). ISBN
9790230662222. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in six books.
Volume 1: Anonyme -
BARTOLOTTI A. M. - BOYVIN
J. - BUTERNE J-B. - CARRE
A. Sieur de La Grange -
CHARPENTIER M-A. -
CHAUMONT L. - D'ANGLEBERT
J-H. - DE LA BARRE M. -
DELAIR D. - FLEURY N. -
MARAIS M. - NIVERS G. G.
- PERRINE - SAINT-LAMBERT
M. de. Volume 2: CAMPION
F. - CAMPION T. - CHERON
A. - CLERAMBAULT N. -
COUPERIN F. - DANDRIEU
J-F. - DELAIR D. -
LECLAIR J. -M. - RAMEAU
J. -P. Volume 3: Anonyme
- CAMPION F. - DORNEL A.
- FORQUERAY A. - GERVAIS
L. - GOUDAT - GUILLEMAIN
L. -G. - MONNIER Le Cadet
- MONTECLAIR M. P. de -
PINGRE A-G. - RAMEAU J.
-P. - SERRE DE RIEUX J. -
TELEMANN G. P. - TRAVENOL
L. A. Volume 4: ALEMBERT
J. Le Rond d' -
BLAINVILLE C. H. de -
CORRETTE M. - DUBUGRARRE
- GEMINIANI F S. -
LAPORTE C. de. Volume 5:
BETHISY J-L. de - BIFERI
F. (fils) - CLEMENT C-F.
- DUBREUIL J-J. - GARNIER
H. - GIANOTTI P. -
GOUGELET Madame - LABBET
A. J. - LE BOEUF - RAMEAU
J. -P. - ROUSSIER P-J. -
SIMON S. - TAPRAY J.
Volume 6: Anonyme -
BEMETZRIEDER A. -
CORRETTE M. - FROESTLER
B. - GOURNAY B. C. -
LANGLE H-F-M. - RODOLPHE
J-J. - ROUSSIER P-J.
Table of contents: Volume
1: Fleury Nicolas:
Methode pour apprendre
facilement - 1660.
Bartolotti Angelo
Michele: Table pour
apprendre facilement -
1669. Carre Antoine:
Livre de Guitarre
Contenant Plusieurs
pieces - 1671. Perrine:
Livre de Musique pour le
Lut - 1680. Anonyme:
Petites Reigles
Generalles qui peuvent
servir de methode - 1680.
Nivers Guillaume Gabriel:
Motets a voix seule -
1689. D'Anglebert Jean
Henry: Pieces de clavecin
- 1689. Marais Marin:
Basse-continues des
pieces a une et a deux
Violes - 1689. Anonyme:
(traite abrege
d'accompagnement) - c.
1690. Anonyme: Regles
pour l'Accompagnement -
1690. Delair Denis:
Traite d'accompagnement
pour le theorbe - 1690.
Charpentier Marc Antoine:
Abrege des regles de
l'accompagnement - c.
1692. Chaumont Lambert:
Pieces D'orgue sur les 8
tons - 1695. Buterne
Jean-Baptiste: Petites
Reigles pour
l'accompagnement - 1700.
Boyvin Jacques: Second
livre d'orgue - 1700.
Anonyme: Traite
d'accompagnement du
Clavecin - c. 1700. De La
Barre Michel: Premier
livre de pieces pour la
flute - 1702.
Saint-Lambert Michel de:
Nouveau Traite de
l'accompagnement - 1707.
Volume 2: Couperin
Francois: Regles pour
l'accompagnement - s. d.
Campion Thomas: Traite
d'accompagnement et de
composition - 1716.
Clerambault Nicolas:
Regles d'accompagnement -
1716. Clerambault
Nicolas: Principes
d'accompagnement - 1716.
Dandrieu Jean Francois:
Principes de
l'accompagnement - 1719.
Rameau Jean-Philippe:
Traite de l'harmonie -
1722. Delair Denis:
Nouveau traite
d'accompagnement - 1724.
Leclair Jean-Marie:
Premier livre de sonates
- 1723. Rameau
Jean-Philippe: Nouveau
systeme de musique
theorique - 1726. Cheron
Andre: Sonates en trio -
1727. Campion Francois:
Lettre du sieur Campion a
un philosophe - 1729.
Campion Thomas: Addition
au traite
d'accompagnement - 1730.
Volume 3: Pingre
Alexandre Gui: Traite de
l'harmonie - s. d. Rameau
Jean-Philippe:
Observations sur la
Methode d'Accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une Methode
nouvelle - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier - 1729. Rameau
Jean-Philippe: Replique
du premier Musicien a la
reponse du second - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier Musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
Musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes metodes -
1732. Gervais Laurent:
Methode pour
l'accompagnement - 1733.
Campion Francois: Second
recueil d'airs - 1734.
Serre de Rieux Jean: Les
dons des Enfans de Latone
- 1734. Telemann Georg
Philipp: Nouveaux
Quatuors en six Suites -
1738. Goudat: Principes
de Laccompagnement -
1738. Travenol Louis
Antoine: Premier livre de
Sonates a violon seul -
1739. Guillemain Louis
Gabriel: Six sonates en
quatuors - 1743. Monnier
le Cadet: L'art de
Toucher le Clavecin dans
son propre caractere - c.
1745. Dornel Antoine: le
Tour du Clavier - 1745.
Forqueray Antoine: Pieces
de Viole avec la Basse
Continue - 1747. Anonyme:
(Methode
d'accompagnement) - s. d.
Volume 4: Alembert Jean
Le Rond d': Elemens de
musique - 1752.
Blainville Charles Henri
de: Essay sur un
troisieme mode - 1751.
Corrette Michel: Le
maitre de Clavecin -
1753. Laporte Claude de:
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio: L'art de bien
accompagner - 1754.
Dubugrarre: Methode plus
courte et plus facile -
1754. Volume 5: Tapray
Jean: Abrege de
l'accompagnement - 1755.
Labbet Antoine Joseph et
Leris Antoine de:
Sentiment d'un
Harmoniphile - 1756.
Clement Charles Francois:
Essai sur
l'accompagnement - 1758.
Gianotti Pietro: Le guide
du compositeur - 1759.
Rameau Jean-Philippe:
Code de musique pratique
- 1760. Bethisy
Jean-Laurent de:
Exposition de la theorie
et de la pratique - 1764.
Roussier Pierre-Joseph:
Traite des accords et de
leur succession - 1764.
Le Boeuf: Traite
d'harmonie et regles
d'accompagnement - 1766.
Garnier Honore: Nouvelle
methode pour
l'accompagnement - 1767.
Dubreuil Jean-Jacques:
Manuel harmonique - 1767.
Biferi Francesco Fils:
Traite de musique abrege,
divise en trois parties -
1770. Simon Simon:
Theorie pratique
d'accompagnement - s. d.
Gougelet Madame: Methode
ou abrege des regles -
1771. Volume 6: Roussier
Pierre-Joseph: L'harmonie
pratique - 1775. Corrette
Michel: Prototipes
contenant des lecons
d'accompagnement - 1775.
Anonyme: Abrege des
regles de composition -
1777. Bemetzrieder
Antoine: Nouvelles lecons
de clavecin ou
instructions generales -
1782. Rodolphe
Jean-Joseph: Theorie
d'accompagnement - c.
1785. Gournay B. C. :
Lettre a M. l'abbe
Roussier - 1785. Langle
Honore-Francois-Marie:
Traite de la basse sous
le chant - 1797.
Froestler B. : Traite
d'harmonie et de
modulation - 1800.
Anonyme: Principes de
l'accompagnement - s. d.
Anonyme: Regles
d'accompagnement - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: -
Conservatory Library of
Geneva (Switzerland). -
Conservatory Library of
Dijon (France). - Royal
Conservatory of Liege
(Belgique). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - Royal
Library of Brussels
(Belgium). -
Sainte-Genevieve Library
of Paris (France). -
British Library of London
(England). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
Yale University, Music
Library of New Haven
(USA). -
Zentralbibliothek of
Zurich (Switzerland).
Anne Fuzeau Classique
propose the complete
theoretic documentation,
methods, classical music
scores on the
continuo. $459.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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Randol Bass Music
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English. This
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SATB choir with piano or full orchestra or wind ensemble SKU: EC.RBM-115A ...(+)
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EC.RBM-115A Composed
by Randol Alan Bass. 21st
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Randol Bass Music
#RBM-115A. Published by
Randol Bass Music
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French. This
work was originally
scored for mixed chorus
and symphonic wind
ensemble, in 2005, for
the opening of a new
concert hall in Corpus
Christi, Texas. The
commissioning
institution, Texas A & M
University at Corpus
Christi, asked one of
their professors – Dr.
Robb Jackson – to write
a poem for the occasion
and the result formed the
basis used by the
composer to create this
new work. Since the
academic institution in
question is situated on
the Texas coast the
writer chose to fill his
poem with sea imagery and
musical metaphors related
to shore-side living.
This portrayed well the
sense of an ocean-side
artistic retreat –
appropriate to the
dedication of a new
concert hall in a coastal
community.
$4.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 45 Basic Exercices - Level 1 (trombone) Trombone Leduc, Alphonse
Trombone SKU: HL.48184426 Composed by Galiegue M. Jerome. Leduc. Classica...(+)
Trombone SKU:
HL.48184426 Composed
by Galiegue M. Jerome.
Leduc. Classical.
Softcover. 34 pages.
Alphonse Leduc #AL27426.
Published by Alphonse
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UPC: 888680847661.
9x12
inches. “45
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| Twenty-eight Miniatures, Preliminary Exercises - Vol. Leduc, Alphonse
Percussion (Percussion Parts) SKU: HL.48183153 Composed by Jorand M. Fran...(+)
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| Methods & Treatises Jean-Philippe Rameau - Volume 2 - France 1600-1800 [Conducteur] Anne Fuzeau Productions
SKU: FZ.5885 Serie I - France 1600-1800 - Complete theoretical works i...(+)
SKU: FZ.5885
Serie I - France
1600-1800 - Complete
theoretical works in 3
volumes.. Edited by
Bertrand Porot, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5885). ISBN
9790230658850. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in three books.
Traite de l'harmonie -
Nouveau systeme de
musique. Remarques sur
les differents genres de
musique. Observations sur
la methode
d'accompagnement. Plan
abrege d'une nouvelle
methode d'accompagnement.
Dissertation sur les
differentes methodes
d'accompagnement.
Discours sur l'harmonie -
Demonstration du principe
de l'harmonie. Verites
egalement ignorees et
interessantes. Origines
des sciences - Code de
musique pratique
Generation harmonique.
Observations sur notre
instinct pour la musique
etc. . . Articles from
the Encyclopaedia and
their cristicism by
Rameau. Argument with
Monteclair -
Correspondence. Articles
published in newspapers -
Prefaces to musical
works. Table of contents:
Rameau Jean-Philippe:
Generation harmonique -
1737. Rameau
Jean-Philippe: Generation
harmonique, ou traite de
musique theorique - 1737.
Anonyme: Le Pour ou le
Contre - Tome XIII -
1737. Rameau
Jean-Philippe: Lettre a
Hans Sloane - 1737.
Anonyme: Le Pour ou le
Contre - Tome XIV - 1738.
Rameau Jean-Philippe:
Lettre a Jean-Pierre
Christin - 1741. Rameau
Jean-Philippe: Pieces de
clavecin en concert -
1741. Rameau
Jean-Philippe: Deux
lettres a Johann II
Bernoulli - 1750. Rameau
Jean-Philippe: Lettre a
Gabriel Cramer - 1750.
Rameau Jean-Philippe:
Demonstration du principe
de l'harmonie - 1750.
Rousseau Jean-Jacques:
Encyclopedie - Articles
Accompagnement, Accord,
Cadence - 1751. Rameau
Jean-Philippe: Nouvelles
reflexions de M. Rameau -
1752. Rameau
Jean-Philippe: Lettre a
Johann II Bernoulli
(copie ancienne) - 1752.
Rameau Jean-Philippe:
Lettre de M. Rameau a
l'auteur du mercure -
1752. Euler Leonhard:
Lettre a Rameau - 1752.
Rameau Jean-Philippe:
Reflexions de M. Rameau
sur la maniere de former
la voix - 1752. Rameau
Jean-Philippe: Extrait
d'une reponse de M.
Rameau a M. Euler - 1752.
Rousseau Jean-Jacques:
Encyclopedie - articles
Choeur, Chromatique -
1753. Rameau
Jean-Philippe: Extrait
d'une reponse de M.
Rameau - 1753. Rameau
Jean-Philippe:
Observations sur notre
instinct pour la musique
- 1754. Rousseau
Jean-Jacques:
Encyclopedie - article
Dissonance - 1754. Rameau
Jean-Philippe: Erreurs
sur la musique - 1755.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Mariemont
Museum of Morlanwelz
(Belgium). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - British
Library of London
(England). - Academie des
Sciences, Belles Lettres
et Arts of Lyon (France).
- Inguimbertine Library
of Carpentras (France). -
offentliche Bibliothek
der Universitat of Basel
(Switzerland). -
Municipal Library of
Bordeaux (France). - In
Private Collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the Jean-Philippe
Rameau. $126.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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1800-1860). Edited by
Arlette Biget, Michel
Giboureau. For Flute.
This edition: Facsimile.
Methodes and Traites.
Score. 2264 pages.
Published by Anne Fuzeau
Productions - France
$627.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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DVD!This classic
30-minute public
television documentary
provides parents and
educates with information
about how children
develop musically from
birth through the early
elementary years.
Features the work of John
M. Feierabend and the
Connecticut Center for
Early Childhood Education
in Music and
Movement.Also available
on VHS.John M. Feierabend
has spent decades
compiling songs and
rhymes from the memories
of the American people in
the hopes that these
treasures will be
preserved for future
generations. He is
Professor and Chair of
the Music Education
Department at The Hartt
School of the University
of Hartford. $24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Methods & Treatises - Flute - Volume 2 - France 1800-1860 Flûte traversière [Conducteur] Anne Fuzeau Productions
Flute SKU: FZ.5952 Serie II - France 1800-1860. Edited by Arlette ...(+)
Flute SKU: FZ.5952
Serie II - France
1800-1860. Edited by
Arlette Biget, Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5952). ISBN
9790230659529. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in seven books.
Benoit Tranquille
BERBIGUIER - E. M. M.
MIROIR - Antoine REICHA -
Johann Georg WUNDERLICH.
Table of contents:
Wunderlich Johann Georg:
Principes elementaires -
c. 1812. Reicha Antoine:
Cours de composition -
1816. Miroir E. M. M: La
clef de l'orchestre -
1818. Berbiguier Benoit
Tranquille: Nouvelle
methode pour la flute -
c. 1818. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute. $134.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| First Steps in Music for Kindergarten and First Grade: In Action GIA Publications
SKU: GI.G-1052 With Commentary by Lindsay Jackson, Andrew Himelick, an...(+)
SKU: GI.G-1052
With Commentary by
Lindsay Jackson, Andrew
Himelick, and John M.
Feierabend. Composed
by Andrew Himelick, John
M. Feierabend, and
Lindsay Jackson. First
Steps in Music. Music
Education. GIA
Publications #1052.
Published by GIA
Publications (GI.G-1052).
UPC:
785147005254. The
First Steps in Music
curriculum becomes real
in this DVD featuring
FAME-certified master
teachers Lindsay Jackson
teaching a kindergarten
class and Andrew Himelick
teaching a first grade
class. Shot in real-time
in their own classrooms,
both Jackson and Himelick
sequence a wide variety
of activities, teaching
techniques, and
strategies from John M.
Feierabend’s
curriculum. As with the
other DVDs in the
“In Actionâ€
series, each class
includes an optional
commentary track where
Dr. Feierabend and the
teachers describe in
detail the decisions and
approaches they take with
their students. This DVD
is a wonderful
introduction to the First
Steps in Music
curriculum, demonstrates
how a male teacher can
model singing with young
students, and includes at
its heart the goal of
helping every student
become tuneful, beatful,
and artful. Lindsay
Jackson has been an
elementary music teacher
and choral conductor for
13 years and currently
teaches in Bryn Mawr, PA.
She sings soprano and
enjoys accompanying her
students on guitar,
dulcimer, autoharp, and
ukulele. Andrew Himelick
has been an elementary
music teacher for more
than 25 years with Carmel
Clay Schools in Carmel,
IN. He has also been a
director with the
Indianapolis
Children’s Choir
for 20 years. He sings
baritone and enjoys
playing the piano,
guitar, banjo, autoharp,
and recorder. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people, in hopes that
these treasures will be
preserved for future
generations. John
Feierabend is Professor
Emeritus and former
Director of the Music
Education Division of The
Hartt School of the
University of
Hartford. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Had a Little Rooster GIA Publications
SKU: GI.G-9665 Composed by John M. Feierabend. First Steps in Music. Musi...(+)
SKU: GI.G-9665
Composed by John M.
Feierabend. First Steps
in Music. Music
Education. 32 pages. GIA
Publications #9665.
Published by GIA
Publications (GI.G-9665).
ISBN
9781622773596. As
part of John M.
Feierabend's continuing
effort to preserve our
rich heritage of
children's folk songs,
GIA Publications, Inc. is
pleased to expand its
series of picture books
based on these timeless
songs and stories. Had a
Little Rooster is the
latest lavishly
illustrated children's
songtale based on the
great American folk music
heritage, and collected
by John M. Feierabend.
This delightful
traditional folk song
tells the story of a
Rooster and all his
friends on the farm who
love to sing. Had a
Little Rooster is a
cumulative song that has
been shared and sung for
more than 100 years, with
each verse introducing a
new character and a new
sound that must be added
to the previous verse,
making each verse longer
and longer. Cumulative
songs are fun to sing, as
they require singers to
use more and more breath,
and challenge them to
remember an
ever-increasing cast of
characters and sounds.
The songs are truly
brought to life by the
vibrant illustrations of
Jamie-Lynn Morrow. FREE
MP3 Download - Full
Performance MP3 download
instructions: Windows
users right click on the
link. Mac users hold down
the Control key as you
click the link. Then
select either Save Link
As... or Save Target
As... and choose the
location you would like
to save the file on your
computer. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people, in hopes that
these treasures will be
preserved for future
generations. John
Feierabend is Professor
Emeritus and former
Director of the Music
Education Division of The
Hartt School of the
University of
Hartford. $17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music Play 2, Part A GIA Publications
SKU: GI.G-J381 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J381
Composed by Alison
Reynolds, Cynthia
Taggart, and Wendy H.
Valerio. Jump Right In.
Music Education. Book.
264 pages. GIA
Publications #J381.
Published by GIA
Publications (GI.G-J381).
ISBN
9781622774913. Thro
ugh engaging children
using Music Play 2,
adults may build
relationships with
newborn and young
children, additional
family members, and other
adults as they joyfully
make music together,
affirm and nurture
newborn and young
children’s innate
capacities for expressive
musicking and movement,
and honor and extend
young children’s
expressed musical
curiosities, ideas, and
audeas (musical thoughts
and ideas), helping them
realize that their
musical identities are
worth sharing,
developing, and
preserving. Music Play 2
materials function in
companion with Music Play
(GIA, 1998) and Edwin
Gordon’s Music
Learning Theory for
Newborn and Young
Children (GIA, 2013) To
see contents specific to
Parts A and B, click
here. Download Music Play
2 Extended Indexes (free)
 Music Play 2 is a
welcomed contribution for
all who are concerned
with appropriately
guiding children’s
musical
understandings—par
ents, teachers, and
caregivers. The book is
extremely well organized
with an excellent balance
of theory and practice.
The theoretical
underpinnings of Music
Play 2 are presented in a
“user
friendly†manner,
the lessons are easy to
follow and adapt for
individual
children’s needs
and level of development,
the numerous songs and
chants represent a wide
variety of tonalities and
meters, and an extensive
section on inclusion and
inclusive practices has
been added. Music Play 2
will be the resource I
use for my early
childhood music classes!
—Joanne Rutkowski,
Ph.D., Professor
Emeritus, Music Education
  The
Pennsylvania State
University This book had
me interested from the
table of contents onward.
The lessons are detailed
and ready to use in the
classroom. I love that
there are tonal and
rhythmic patterns to go
with each song or chant.
This is truly a resource
that will delight
children and teachers as
it is easy to use,
appropriate for young
children, and
pedagogically sound. When
I finished, I was ready
to jump back into
teaching early childhood
music. Fantastic!
—Alice M. Hammel,
Ph.D. Â Â James
Madison University Music
Play 2 is devoted to the
wonder of young
children’s musical
development. The authors
have adeptly woven theory
and practice, offering a
treasure trove of fresh,
accessible lesson plans
developed by leading
researchers and
practitioners in the
field of early childhood
music. An excellent,
indispensable resource
with original and
high-quality music
content, Music Play 2 is
essential for all
providers of music for
young children, and sure
to be used time and time
again. —Suzanne L.
Burton, Ph.D., Professor
of Music Education Â
 University of
Delaware. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Q & A for MLT GIA Publications
SKU: GI.G-10496 General Music Perspectives on Music Learning Theory(+)
SKU: GI.G-10496
General Music
Perspectives on Music
Learning Theory.
Composed by Heather
Shouldice, Jennifer
Bailey, and Jill Reese.
Music Learning Theory
(MLT). Music Education.
214 pages. GIA
Publications #10496.
Published by GIA
Publications
(GI.G-10496). ISBN
9781622776061. Imag
ine a conversation among
leaders who are
passionate about their
general music teaching,
who have found incredible
power in Music Learning
Theory (MLT), who
exchange ideas about how
to be successful in the
classroom, and who are
eager to share what
they’ve learned
with one another. This is
the magic of Q & A for
MLT. Drawing from their
expertise, experience,
and unique perspectives,
authors Jill Reese,
Heather Shouldice, and
Jennifer
Bailey—along with
a series of guest
contributors—provi
de practical suggestions
for managing the
challenges and choices in
a Music Learning
Theory-based classroom,
sometimes agreeing and
other times highlighting
differing perspectives
that encourage the reader
to consider what best
fits their understanding
and context. The book
addresses key topics,
including: An overview of
Music Learning Theory
Suggestions for classroom
activities Developing the
teacher's own musical
skills and content
knowledge Blending MLT
with the Kodaly and Orff
approaches Measuring
music aptitude and
assessing student growth
Long-term and short-term
planning Adapting MLT for
diverse populations
(students with
disabilities, visual
impairments, and English
Language Learners) How to
use MLT in various
contexts (the preshool
classroom, urban
settings, elementary
choir, and middle school
general music) Through a
conversational blend of
research, scholarship,
stories from the
classroom, and humor,
this book gives educators
a reliable source for
finding answers to
real-life questions and
suggestions for
navigating the specifics
of successfully applying
MLT in the classroom.
Jill Reese is Associate
Professor of Music
Education at the State
University of New York at
Fredonia. Dr. Reese is
also the author of
Navigating Music Learning
Theory: A Guide for
General Music Teachers.
Heather N. Shouldice is
Associate Professor of
Music Education at
Eastern Michigan
University. Dr. Shouldice
is also the author of
Weaving It All Together:
A Practical Guide to
Applying Gordon’s
Music Learning Theory in
the Elementary General
Music Program and the
host of a podcast about
Music Learning Theory
called “Everyday
Musicality.â€
Jennifer M. Bailey is an
elementary vocal music
teacher in Farmington
Public Schools with over
25 years of experience
using Music Learning
Theory in the
classroom. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music Play 2, Part B GIA Publications
SKU: GI.G-J382 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J382
Composed by Alison
Reynolds, Cynthia
Taggart, and Wendy H.
Valerio. Jump Right In.
Music Education. Book.
230 pages. GIA
Publications #J382.
Published by GIA
Publications (GI.G-J382).
ISBN
9781622774920. Thro
ugh engaging children
using Music Play 2,
adults may build
relationships with
newborn and young
children, additional
family members, and other
adults as they joyfully
make music together,
affirm and nurture
newborn and young
children’s innate
capacities for expressive
musicking and movement,
and honor and extend
young children’s
expressed musical
curiosities, ideas, and
audeas (musical thoughts
and ideas), helping them
realize that their
musical identities are
worth sharing,
developing, and
preserving. Music Play 2
materials function in
companion with Music Play
(GIA, 1998) and Edwin
Gordon’s Music
Learning Theory for
Newborn and Young
Children (GIA, 2013) To
see contents specific to
Parts A and B, click
here. Download Music Play
2 Extended Indexes (free)
 Music Play 2 is a
welcomed contribution for
all who are concerned
with appropriately
guiding children’s
musical
understandings—par
ents, teachers, and
caregivers. The book is
extremely well organized
with an excellent balance
of theory and practice.
The theoretical
underpinnings of Music
Play 2 are presented in a
“user
friendly†manner,
the lessons are easy to
follow and adapt for
individual
children’s needs
and level of development,
the numerous songs and
chants represent a wide
variety of tonalities and
meters, and an extensive
section on inclusion and
inclusive practices has
been added. Music Play 2
will be the resource I
use for my early
childhood music classes!
—Joanne Rutkowski,
Ph.D., Professor
Emeritus, Music Education
  The
Pennsylvania State
University This book had
me interested from the
table of contents onward.
The lessons are detailed
and ready to use in the
classroom. I love that
there are tonal and
rhythmic patterns to go
with each song or chant.
This is truly a resource
that will delight
children and teachers as
it is easy to use,
appropriate for young
children, and
pedagogically sound. When
I finished, I was ready
to jump back into
teaching early childhood
music. Fantastic!
—Alice M. Hammel,
Ph.D. Â Â James
Madison University Music
Play 2 is devoted to the
wonder of young
children’s musical
development. The authors
have adeptly woven theory
and practice, offering a
treasure trove of fresh,
accessible lesson plans
developed by leading
researchers and
practitioners in the
field of early childhood
music. An excellent,
indispensable resource
with original and
high-quality music
content, Music Play 2 is
essential for all
providers of music for
young children, and sure
to be used time and time
again. —Suzanne L.
Burton, Ph.D., Professor
of Music Education Â
 University of
Delaware. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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