By Jeremiah Clarke (1674-1707). For Brass Quintet. Brass Ensemble - Quintet; Masterworks. Eighth Note Publications. Baroque. Duration 00:07:10. Published by Eighth Note Publications

Composed by David Gillingham. Arranged by Dennis Wright. Score only. Duration 9:30. Published by C. Alan Publications (CN.06191).

SKU: HL.1105208

12″ 1600W Professional Powered Loudspeaker. Mackie. Live Sound. Hal Leonard #2051848-00. Published by Hal Leonard (HL.1105208).

UPC: 663961058666. 17.5x18.5x30.0 inches.

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Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Rain Stick, Snare Drum, Suspended Cymbal, Tom-tom, Trombone, Trumpet and more. - Grade 0.5

SKU: CF.PPS57

Composed by Kevin Hilbun. Pps. Set of Score and Parts. 8+2+8+2+2+5+2+2+8+4+3+3+2 +3+1+2+2+1+1+1+12 pages. Duration 1:06. Carl Fischer Music #PPS57. Published by Carl Fischer Music (CF.PPS57).

ISBN 9781491161432. UPC: 680160920020.

PROGR AM NOTES: While not necessarily a march, this tune should be played with a militaristic feeling. Indeed, as I was writing, the image of parade ground marching filled my mind. And so while it does give the idea of regimented movements and efficient scheduling, it's not about marching off to war and saying goodbye to loved ones. Rather, it simply conveys the idea of respect and a sense of decorum. PERFORMANCE NOTES: The intro, first section and re-intro should be played very lightly, while the middle section should elicit a heavier feeling. Be sure to bring out the timbral shifts as instruments drop in and out in the middle section. For the ending, I have no other words than big; give it all you've got. In measures 1-23 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick. In measures 13-20 of the Percussion 1 part (and measures 13-24 of the Advanced Percussion 1 part), the snare should play on the rim. Also, in measures 21-24, it is notated that the snare drum player should hit their sticks together at face level for effect.
PROGRAM NOTES:While not necessarily a march, this tune should be played with a militaristic feeling. Indeed, as I was writing, the image of parade ground marching filled my mind. And so while it does give the idea of regimented movements and efficient scheduling, it's not about marching off to war and saying goodbye to loved ones. Rather, it simply conveys the idea of respect and a sense of decorum.PERFORMANCE NOTES:The intro, first section and re-intro should be played very lightly, while the middle section should elicit a heavier feeling. Be sure to bring out the timbral shifts as instruments drop in and out in the middle section. For the ending, I have no other words than big; give it all you've got. In measures 1-23 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick. In measures 13-20 of the Percussion 1 part (and measures 13-24 of the Advanced Percussion 1 part), the snare should play on the rim. Also, in measures 21-24, it is notated that the snare drum player should hit their sticks together at face level for effect.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Rain Stick, Snare Drum, Suspended Cymbal, Tom-tom, Trombone, Trumpet and more. - Grade 0.5

SKU: CF.PPS57F

Composed by Kevin Hilbun. Pps. Full score. 12 pages. Duration 1:06. Carl Fischer Music #PPS57F. Published by Carl Fischer Music (CF.PPS57F).

ISBN 9781491161814. UPC: 680160920495.

PROGR AM NOTES: While not necessarily a march, this tune should be played with a militaristic feeling. Indeed, as I was writing, the image of parade ground marching filled my mind. And so while it does give the idea of regimented movements and efficient scheduling, it's not about marching off to war and saying goodbye to loved ones. Rather, it simply conveys the idea of respect and a sense of decorum. PERFORMANCE NOTES: The intro, first section and re-intro should be played very lightly, while the middle section should elicit a heavier feeling. Be sure to bring out the timbral shifts as instruments drop in and out in the middle section. For the ending, I have no other words than big; give it all you've got. In measures 1-23 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick. In measures 13-20 of the Percussion 1 part (and measures 13-24 of the Advanced Percussion 1 part), the snare should play on the rim. Also, in measures 21-24, it is notated that the snare drum player should hit their sticks together at face level for effect.
PROGRAM NOTES:While not necessarily a march, this tune should be played with a militaristic feeling. Indeed, as I was writing, the image of parade ground marching filled my mind. And so while it does give the idea of regimented movements and efficient scheduling, it's not about marching off to war and saying goodbye to loved ones. Rather, it simply conveys the idea of respect and a sense of decorum.PERFORMANCE NOTES:The intro, first section and re-intro should be played very lightly, while the middle section should elicit a heavier feeling. Be sure to bring out the timbral shifts as instruments drop in and out in the middle section. For the ending, I have no other words than big; give it all you've got. In measures 1-23 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick. In measures 13-20 of the Percussion 1 part (and measures 13-24 of the Advanced Percussion 1 part), the snare should play on the rim. Also, in measures 21-24, it is notated that the snare drum player should hit their sticks together at face level for effect.

Brass qunitet - Grade 3

SKU: DS.SA3526

Composed by Anna B. Warner. Arranged by Tim Doran. Quintets for Brass Ensemble. Main key: Eb, Ab. Traditional. Score and parts. Composed 1983. Duration 2'00. Psalm 150 #SA3526. Published by Psalm 150 (DS.SA3526).

Key: Eb, ab.

This brass quintet is simple rhythmically in the beginning with generous employment of chromatic harmonies. The middle section states in a rather punctuated fashion the associated song, Jesus Loves The Little Children, Followed by a brief pause, it se.

Brass quintet (2tpt. Hn. Tbn. tba) - Intermediate-Advanced

SKU: FT.FM481

Composed by Roma Cafolla. Brass Quintet. Score and parts. Forton Music #FM481. Published by Forton Music (FT.FM481).

ISBN 9790570483808.

Bras s 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.

By Wolfgang Amadeus Mozart (1756-1791). Edited by H Kling / Trio Di Clarone. For Clarinet (in A) and Piano. Paperback. Edition Breitkopf. Piano reduction. 56 pages

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Vocal soli, choir, 2 flutes, 2 oboes, 2 horns, 2 trombones, 2 violins, viola, basso continuo

SKU: CA.5070400

Opera in three acts. Composed by Johann Adolf Hasse. Edited by Zenon Mojzysz. This edition: Complete edition, linen cover. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. German title: Cleofide. Opera, singspiel. Full score (complete edition / selected edition). Composed 1731. 432 pages. Duration 240 minutes. Carus Verlag #CV 50.704/00. Published by Carus Verlag (CA.5070400).

ISBN 9790007092283. Language: Italian. Text: Boccardi, Michelangelo / Metastasio, Pietro. Text: Michelangelo Boccartdi, Pietro Metastasio.

Hasse's Cleofide of 1731 can be regarded as the zenith of his creative output - not least of all because he integrated several of his greatest arias from earlier works into this opera. The theme from antiquity Alexander's conquests in India was perfectly suited to flatter August the Strong, a rather unsuccessful commander-in-chief, who at that moment was occupied with the reorganization of his armies. For performance at the Court of Dresden, Metastasio's original libretto was reworked by Michelangelo Boccardi. As a result, the title of the opera was changed from Alessandro nell' Indie to Cleofide and Faustina Bordoni, the prima donna and wife of Johann Adolf Hasse, became the protagonist of the story. Musically, the opera reflected the style of the time. Hasse's expressive and natural style was admired and appreciated by the public professional musicians alike. The vocal parts were tailor-made for the singers and in performing this work the outstanding soloists and the orchestra could shine. Hasse always tried to get the utmost from his musicians and in the case of Cleofide he achieved a 100% success. The Carus edition of Cleofide, which has been published as a part of the Hasse-Werkausgabe, is the very first printed edition of this work. It is based primarily on the original parts used for the first performance in 1731 and presents both an accurate musicological rendering of the sources as well as a practical performance edition.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Oboe 1, Oboe 2, Percussion, Timpani, Trombone, Trumpet, Tuba, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.41641613L

Composed by Diane Wittry. Large Score. With Standard notation. Duration 16 minutes. Theodore Presser Company #416-41613L. Published by Theodore Presser Company (PR.41641613L).

UPC: 680160642199. 11 x 17 inches.

On the island of Elba, off the coast of Italy, I composed this work as the sun was rising over the ocean in the mornings and gently sifting through the clouds against the lingering fog. As the piece developed, it took on a shape of its own and gradually became centered around diminished chords and the interval of a tri-tone (diminished 5th). I love these chords for their angst and for their sadness, but also for their flexibility. My piece is very textural in nature; and yes, it does have a melody of sorts, and yet, this melody comes and goes, and is never quite grasped until the end. Portions of it are repeated and spun out creating layers of sound without the heaviness of form. It is indeed a depiction of mist, where one minute you see things and the next they are gone. As you move through the piece, you find that the trumpet is also an antagonist, creeping in with a haunting cry; a reminder of things unsettled. Throughout the piece, we are quietly searching. We search for a tonal center for stability, and also for a melody that will make us feel fulfilled. Once found, we hold them for an instant, and then like the clouds and like life itself, they are gone. We are warmed by their presence and saddened by their loss. I hope that you will reflect upon your own memories of life's quiet moments as we enjoy the world premiere of this new work together. Mist is not a piece to be analyzed, but rather a piece to be experienced and absorbed. As you listen, release your mind, embrace your emotions, close your eyes, and allow the mist to creep in.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Oboe 1, Oboe 2, Percussion, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.416416130

Composed by Diane Wittry. Full score. With Standard notation. Duration 16 minutes. Theodore Presser Company #416-41613. Published by Theodore Presser Company (PR.416416130).

UPC: 680160642182. 9 x 12 inches.

On the island of Elba, off the coast of Italy, I composed this work as the sun was rising over the ocean in the mornings and gently sifting through the clouds against the lingering fog. As the piece developed, it took on a shape of its own and gradually became centered around diminished chords and the interval of a tri-tone (diminished 5th). I love these chords for their angst and for their sadness, but also for their flexibility. My piece is very textural in nature; and yes, it does have a melody of sorts, and yet, this melody comes and goes, and is never quite grasped until the end. Portions of it are repeated and spun out creating layers of sound without the heaviness of form. It is indeed a depiction of mist, where one minute you see things and the next they are gone. As you move through the piece, you find that the trumpet is also an antagonist, creeping in with a haunting cry; a reminder of things unsettled. Throughout the piece, we are quietly searching. We search for a tonal center for stability, and also for a melody that will make us feel fulfilled. Once found, we hold them for an instant, and then like the clouds and like life itself, they are gone. We are warmed by their presence and saddened by their loss. I hope that you will reflect upon your own memories of life's quiet moments as we enjoy the world premiere of this new work together. Mist is not a piece to be analyzed, but rather a piece to be experienced and absorbed. As you listen, release your mind, embrace your emotions, close your eyes, and allow the mist to creep in.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Shaker, Snare Drum, Tom-tom, Trombone, Trumpet, Tuba, alto Saxophone and more. - Grade 1

SKU: CF.BPS148

Composed by Kevin Hilbun. Set of Score and Parts. Carl Fischer Music #BPS148. Published by Carl Fischer Music (CF.BPS148).

ISBN 9781491163443. UPC: 680160922239.

Dance of the Crows was composed with the image of Renaissance-style dances in mind. In addition, some Danse Macabre concept started to form in my mind. I could see this melody as a part of some larger narrative in which a character attends a dance, and everything is beautiful and in sync. But when the character starts to look closer, things aren't what they seem. The dancers are actually animalistic hybrids, and the decorations are mockeries of life rather than celebrations of life. The food is inedible, and the shadows seem to have eyes. And that's why, though the melody is simple and largely on the beat, it elicits an uncomfortable and offbeat feeling.Performance Notes:The melody should have a calm almost restrained feeling until m. 17 when things should take a slightly more aggressive turn. Be sure to bring out the dynamics during the percussion break at m. 29 and the outro at m. 41. Feel free to use as many shaker-like instruments as desired in the Percussion 2 part. Use the largest possible tom-tom for the Percussion 3 part. Be sure to have the bass drum player mute all staccato notes with the hand.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Shaker, Snare Drum, Tom-tom, Trombone, Trumpet, Tuba, alto Saxophone and more.

SKU: CF.BPS148F

Composed by Kevin Hilbun. Full score. 12 pages. Carl Fischer Music #BPS148F. Published by Carl Fischer Music (CF.BPS148F).

ISBN 9781491163849. UPC: 680160922635.

Dance of the Crows was composed with the image of Renaissance-style dances in mind. In addition, some Danse Macabre concept started to form in my mind. I could see this melody as a part of some larger narrative in which a character attends a dance, and everything is beautiful and in sync. But when the character starts to look closer, things aren't what they seem. The dancers are actually animalistic hybrids, and the decorations are mockeries of life rather than celebrations of life. The food is inedible, and the shadows seem to have eyes. And that's why, though the melody is simple and largely on the beat, it elicits an uncomfortable and offbeat feeling.Performance Notes:The melody should have a calm almost restrained feeling until m. 17 when things should take a slightly more aggressive turn. Be sure to bring out the dynamics during the percussion break at m. 29 and the outro at m. 41. Feel free to use as many shaker-like instruments as desired in the Percussion 2 part. Use the largest possible tom-tom for the Percussion 3 part. Be sure to have the bass drum player mute all staccato notes with the hand.

By William Walton (1902-1983). Brass Ensemble. For 7 C Trumpets or B-flat Trumpets, Percussion. Ceremonial fanfare. Light Concert. Medium. Score and parts. Standard Notation. Duration 0:40. Published by Winwood Music

Score and Parts Bassoon; Clarinet; Flute; Horn; Oboe; Winds (Score & Parts) - difficult

SKU: HL.49017966

Wind Quintet Score and Parts. Composed by Herbert Willi. This edition: Saddle stitching. Sheet music. Woodwind Ensemble. Classical, Contemporary. Softcover. Composed 2008. 64 pages. Duration 13'. Schott Music #ED20543. Published by Schott Music (HL.49017966).

ISBN 9790001157490. 9.0x12.0x0.21 inches.

In these miniatures the composer revised already existing works for the Kusatsu International Music Festival 2008 in Japan where he has got a massive legion of fans. The first movement is played by bassoon and piano only, with the piano part being so easy that it should be played by one of the other wind players. The pieces are ascetic rather than romantic and sumptuous. Brief musical actions, tonal repetitions and short flitting snatches of melody are predominant. These two miniatures leave the wind players who are familiar with all kinds of playing techniques room for artistic interpretation.

Clarinet

SKU: HL.50600566

Clarinet Solo. Composed by Osmo Tapio Räihälä. Woodwind Solo. Classical. Softcover. 10 pages. Sikorski #SIK8811. Published by Sikorski (HL.50600566).

8.25x11.75x0.07 inches.

The Finnish composer Osmo Tapio Räihälä reports that he experienced a phase whilst working on his Horn Concerto in 2011 during which he had the feeling of “having landed in a deadend”. To find a remedy, he decided to develop a kind of “finger exercise” for composers, comparable to the “warming-up process of an instrumental soloist before performing”. Räihälä remembers furthermore: “Instead of writing for orchestra, I started a short solo piece for clarinet. Little did I know that I had opened a Pandora's box! I wrote 'Soliloque 1: Étoffé' in two days. Perhaps this frenzy caused the music to become restless, with quick turns – in short, a rather virtuosic etude. The clarinet seeks paths, at first without success, but obviously finding one in the end. And what about the Pandora's Box? I had given the title the number one, and during the next two years I wrote five more Soliloques, solos of six to seven minutes, for various instruments, as well as one for soprano a cappella. The title Étoffé means 'rich', or 'well rounded', but also 'fabric' or even a 'patch' - and I felt that I had patched something in my work that was broken; indeed, working on the concerto now gave me a fresh start.”.

Score and Parts Concert Band; Symphonic Band (Score & Parts)

SKU: HL.50606653

For Symphonic Band Score and Parts. Composed by Laszlo Dubrovay. EMB. Classical, Festival. Softcover. 328 pages. Duration 680 seconds. Editio Musica Budapest #Z15176SET. Published by Editio Musica Budapest (HL.50606653).

ISBN 9781705199909. UPC: 196288154235.

This work of festive atmosphere was written in 2000 for symphonic band, then the composer arranged it for symphony orchestra. In this piece, László Dubrovay (*1943) parts with his special, hallmark concert band effects; rather, lively vibrations enriched with colliding seconds and distant overtones are brought to the foreground. The special sound is coloured by ornamental trills, appearingeven in batches, and vibrating collisions in the high registers. The performance is rendered even more unique by the outer trumpets on both sides of the space. The trumpets and the flugelhorns can be divided into ten parts altogether, thus, the piece can be played by one ensemble or several bands together, as it is usual at the conclusion of large-scale festivals. This composition may be a great choice for festive concerts, since it is a solemn, innovative, and - by virtue of the free arrangement of the performing space- special work at the same time.

Chamber Music & Piano Accompaniment 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano - Grade 3

SKU: FL.FX073942

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX073942. Published by FLEX Editions (FL.FX073942).

This piece illustrates some rather peaceful facets of this famous musketeer ... - Pascal PROUST ;

A piece to be played from 5 years of practice. ; Instruments: 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano; Difficuly Level: Grade 3.

Composed by Claude Debussy (1862-1918). Arranged by Keith Terrett. For 2 clarinets, alto clarinet, 3 bass clarinets. Classical; 20th century. Score and parts. 47 pages (score); parts vary. Published by Alea Publishing

Orchestra (3 flutes (piccolo), 2 oboes, 2 clarinets, 2 bassoons; 4horn, 3 trumpets, 3trombone(bass), tuba; timpani, 4 percussion, piano; strings)

SKU: SU.90810130

For Orchestra. Composed by Nancy Galbraith. Orchestra. Study Score. Composed 2003. Duration 7'. Subito Music Corporation #90810130. Published by Subito Music Corporation (SU.90810130).

Instrumentation : 3fl(picc), 2ob, 2cl, 2bn; 4hn, 3tpt, 3tbn(bs), tba; timp, 4perc, pno; strings Duration: 7' Full Score & Parts: available on rental Composed: 2003 Published by: Subito Music Publishing Composer's Note: Maintaining a persistent beat throughout, Fantasy for Orchestra begins with a dramatic and highly energetic theme stated immediately in the violins. The range of expression is wide, moving from dance-like rhythms -- making use of irregular meters -- to rather dreamy textures. Throughout much of the work, even in the softer, more fantasy-like middle section, the use of percussion -- gongs, cowbells, and various drums -- is prevalent.
--N.G.