| Wachet Auf (from Cantata 140) Ensemble de Trompettes Eighth Note Publications
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For 6 Trumpets....(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
David Marlatt. For 6
Trumpets. Brass - Large
Cornet (Trumpet)
Ensemble; Masterworks.
Baroque. Duration
00:03:35
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In circumcisione Domini Orgue [Conducteur] Carus Verlag
SSB choir and organ SKU: CA.2101903 Composed by Marc-Antoine Charpentier....(+)
SSB choir and organ
SKU: CA.2101903
Composed by Marc-Antoine
Charpentier. Edited by
Inge Forst. Arranged by
Paul Horn. French Sacred
Music. German title: In
circumcisione Domini.
Cantatas, Christmas. Full
score. H 316. Duration 5
minutes. Carus Verlag #CV
21.019/03. Published by
Carus Verlag
(CA.2101903). ISBN
9790007161446. Language:
Latin. Marc-Antoine
Charpentier not only
originated the Eurovision
Melody, rather he also
made an important
contribution to French
sacred music from the
baroque with his
oratorios, motets and
cantatas. The four
cantatas for the season
of Christmas (CV
21.019-21.022) are now
published in first
editions. The Latin texts
of these works for
Christmas, the New Year,
Epiphany, and the
Purification are based on
the accounts of the
Gospels, which are
paraphrased in the form
of poetic texts. As in
Charpentier's extensive
Histoires sacrees, the
musical structure is
oratorical, with a part
for the evangelist and
texts spoken directly by
biblical personages and
groups of people (angels,
Herodes, shepherds, wise
men). In each work the
vocal scoring includes
two sopranos and a bass
(those passages where a
number of voices sing
together can be performed
either by soloists or by
a choir). With this
uniform scoring it would
be meaningful to perform
these works as a cycle,
in the manner of a small
Christmas oratorio. Score
available separately -
see item CA.2101900. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In festo purificationis [Conducteur] Carus Verlag
SSB choir, 2 violin, basso continuo SKU: CA.2102003 Composed by Marc-Anto...(+)
SSB choir, 2 violin,
basso continuo SKU:
CA.2102003 Composed
by Marc-Antoine
Charpentier. Edited by
Inge Forst. Arranged by
Paul Horn. French Sacred
Music. German title: In
festo purificationis.
Cantatas, New year,
Christmas. Full score. H
318. Duration 5 minutes.
Carus Verlag #CV
21.020/03. Published by
Carus Verlag
(CA.2102003). ISBN
9790007161453. Language:
Latin. Marc-Antoine
Charpentier not only
originated the Eurovision
Melody, rather he also
made an important
contribution to French
sacred music from the
baroque with his
oratorios, motets and
cantatas. The four
cantatas for the season
of Christmas (CV
21.019-21.022) are now
published in first
editions. The Latin texts
of these works for
Christmas, the New Year,
Epiphany, and the
Purification are based on
the accounts of the
Gospels, which are
paraphrased in the form
of poetic texts. As in
Charpentier's extensive
Histoires sacrees, the
musical structure is
oratorical, with a part
for the evangelist and
texts spoken directly by
biblical personages and
groups of people (angels,
Herodes, shepherds, wise
men). In each work the
vocal scoring includes
two sopranos and a bass
(those passages where a
number of voices sing
together can be performed
either by soloists or by
a choir). With this
uniform scoring it would
be meaningful to perform
these works as a cycle,
in the manner of a small
Christmas oratorio. Score
available separately -
see item CA.2102000. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music of the Spheres Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6 SKU:
BT.AMP-028-140
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2005. 68
pages. Anglo Music Press
#AMP 028-140. Published
by Anglo Music Press
(BT.AMP-028-140).
English-German-French-
Dutch. The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Dieses
Werk handelt vom Weltall
und unserem Platz im
Universum, auf dem
Weltbild von Pythagoras
basierend. Am einfachsten
lässt sich diese
außergewöhnliche
Komposition wohl als
Filmmusik ähnliches
Stück beschreiben ?
Musik zu einem
Science-Fiction-Film
eines Ripley Scott oder
Steven Spielberg oder
auch Musik, wie sie ein
John Williams oder Danny
Elfman schreiben
würde: absolut
stimmungsvoll, brillant
instrumentiert mit
Klangfarben, Strukturen,
Effekten und Timbres,
gemischt mit
fließenden
musikalischen Linien, die
die Substanz des Themas
auf den Punkt treffen.
Dieses atemberaubende
neue Stück hebt Ihr
Blasorchester auf ein
höheres Niveau, sowohl
im technischen als
auchmusikalischen Sinn.
La fresque
Music of the
Spheres (“La
musique des
sphèresâ€)
souligne la fascination
qu’éprouve le
compositeur pour les
origines de
l’univers.
L’orchestration
est proche de la musique
de film. Le climat
musical est ample, sonore
et contrasté.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione? $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Serenade No. 11 in E-flat Major, K. 375 Eulenburg
Bassoon; Clarinet; French Horn; Oboe (STUDY SCORE) SKU: HL.49009811 Compo...(+)
Bassoon; Clarinet; French
Horn; Oboe (STUDY SCORE)
SKU: HL.49009811
Composed by Wolfgang
Amadeus Mozart. Edited by
Harry Newstone. Arranged
by Harry Newstone. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1781. 76 pages.
Eulenburg Edition
#ETP308. Published by
Eulenburg Edition
(HL.49009811). ISBN
9783795766368. UPC:
841886013667.
5.25x7.5x0.276
inches. In November
1781 Mozart, in a letter
to his father, mentioned
the composition of this
Serenade: 'I wrote this
music for St Theresa's
Day [15 October] •
for Frau von Hickl's
sister, or rather the
sister-in-law of Herr von
Hickl, court painter. But
the chief reason why I
composed it was in order
to let Herr von Strack,
who goes there every day,
hear something of my
composition; so I wrote
it rather carefully.' I.
Allegro maestoso •
II. Menuetto I •
III. Adagio • IV.
Menuetto II • V.
Allegro. $17.99 - Voir plus => Acheter | | |
| Requiem (Arman-Fassung) Carus Verlag
Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2...(+)
Violoncello/double bass
part (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165214
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165214.
Published by Carus Verlag
(CA.5165214). ISBN
9790007313876. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
2nd violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165212
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165212.
Published by Carus Verlag
(CA.5165212). ISBN
9790007313852. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
1st violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
1st violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165211
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165211.
Published by Carus Verlag
(CA.5165211). ISBN
9790007313845. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165209
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165209.
Published by Carus Verlag
(CA.5165209). ISBN
9790007313838. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartââ¬â¢s
Requiem.
ââ¬ÅAnother
one?ââ¬Â you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional
Süßmayr
version. Yet such is the
enormous power of
Mozartââ¬â¢s
score that the challenge
and appeal of completing
it remain undiminished.
After two decades of
intensive study, Howard
Armanââ¬â¢s
additions to
Mozartââ¬â¢s
great original show the
requisite care and
respect while
incorporating many new
insights.
ArmanÃ
â¬â¢s approach
is particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartââ¬â¢s
brilliant composing
style: The masterly
compositional technique,
the search for innovative
solutions to every
problem, and even the
terse treatment of the
text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentââ¬â
s unique sound is given
an opportunity to shine.
Armanââ¬â¢s
Lacrimosa achieves a
lively Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather ââ¬â
in the spirit of Mozart
ââ¬â on
creating a sense of drama
and illuminating the
theme in all its possible
facets.
Mozartââ¬â¢s
fragment ends with the
Hostias, and so does
Armanââ¬â¢s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to
Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanââ
¬â¢s version has
already proven its
practical value. The
premiere with the
Bavarian Radio Choir was
enthusiastically received
by audiences and press
alike ââ¬â
and celebrated as
offering a scholarly,
entirely fresh
perspective on
Mozartââ¬â¢s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Viola (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Viola (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165213
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165213.
Published by Carus Verlag
(CA.5165213). ISBN
9790007313869. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another one?” you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score that the
challenge and appeal of
completing it remain
undiminished. After two
decades of intensive
study, Howard Arman’s
additions to Mozart’s
great original show the
requisite care and
respect while
incorporating many new
insights.
Arman’
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s unique
sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the spirit
of Mozart – on creating
a sense of drama and
illuminating the theme in
all its possible facets.
Mozart’s fragment ends
with the Hostias, and so
does Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr, the
man who was closest to
Mozart at the time of his
death and whose efforts
to fill the blank
manuscripts still garner
our respect
today.
Arman’s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Organ (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Organ (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165249
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165249.
Published by Carus Verlag
(CA.5165249). Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Groovy Vamp Ensemble de Trompettes Eighth Note Publications
By David Marlatt. For 6 Trumpets. Brass - Large Cornet (Trumpet) Ensemble. Conte...(+)
By David Marlatt. For 6
Trumpets. Brass - Large
Cornet (Trumpet)
Ensemble. Contemporary.
Duration 00:02:30
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song for Terra - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., ...(+)
Band Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Horn, Mallet Percussion,
Oboe, Percussion 2,
Suspended Cymbal,
Timpani, Triangle,
Trombone, Trumpet 1,
Trumpet 2, Tuba, alto
Saxophone and more. -
Grade 2.5 SKU:
CF.YPS266 Composed by
Yukiko Nishimura. Set of
Score and Parts. Carl
Fischer Music #YPS266.
Published by Carl Fischer
Music (CF.YPS266).
ISBN 9781491163665.
UPC:
680160922451. This
composition is a peace
song, and its message is
very simple. I wanted to
create something for this
planet where we could
live in a peaceful
mind.Our terra should be
beautiful with mindful
people and thoughts. Play
withyour kind feelings to
reach the ears of the
listeners.Keep the tone
of each phrase legato.
Some of these phrases are
rather long. If the
players need to take a
breath, the melodies
should still be stable
with espressivo
playing. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song for Terra [Conducteur] Carl Fischer
Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., ...(+)
Band Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Horn, Mallet Percussion,
Oboe, Percussion 2,
Suspended Cymbal,
Timpani, Triangle,
Trombone, Trumpet 1,
Trumpet 2, Tuba, alto
Saxophone and more.
SKU: CF.YPS266F
Composed by Yukiko
Nishimura. Full score. 12
pages. Carl Fischer Music
#YPS266F. Published by
Carl Fischer Music
(CF.YPS266F). ISBN
9781491164068. UPC:
680160922857. This
composition is a peace
song, and its message is
very simple. I wanted to
create something for this
planet where we could
live in a peaceful
mind.Our terra should be
beautiful with mindful
people and thoughts. Play
withyour kind feelings to
reach the ears of the
listeners.Keep the tone
of each phrase legato.
Some of these phrases are
rather long. If the
players need to take a
breath, the melodies
should still be stable
with espressivo
playing. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Capriccio for wind ensemble [Conducteur et Parties séparées] Fennica Gehrman
Chamber orchestra SKU: FG.55011-647-4 Composed by Harri Wessman. Score & ...(+)
Chamber orchestra SKU:
FG.55011-647-4
Composed by Harri
Wessman. Score & parts.
Fennica Gehrman
#55011-647-4. Published
by Fennica Gehrman
(FG.55011-647-4). ISBN
9790550116474. Harr
i Wessman's Capriccio for
wind ensemble (1989) puts
the idea of caprice into
practice in various ways.
The inspiration for the
title comes from the
definition of 'capriccio'
given by Michael
Praetorius (1571-1621):
If one attempts to treat
a fugue according to his
own pleasure and desire,
and does not persist long
in this, but rather turns
soon to another fugue as
it come to mind or occurs
to him. The
ten-minute-long work in
three movements is scored
for the same instruments
as Mozart's Serenades for
winds: 2 oboes, 2
clarinets, 2 bassoons,
contrabassoon and 2
French horns. The outer
movements are extremely
folk-musicianly and must
be played in a way that
makes them brashly
temperamental. They are
separated by an
Andantino, as a cor
anglais and oboe dream
unfolded on the velvety
carpet of the other
instruments. It was
commissioned and
premiered by the wind
players of Helsinki
Philharmonic Orchestra in
April 1989. $51.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Wind Dances - Avancé Schott
Score and Parts flute (also Piccolo), oboe, clarinet in Bb, horn, bassoon and pi...(+)
Score and Parts flute
(also Piccolo), oboe,
clarinet in Bb, horn,
bassoon and piano -
advanced SKU:
HL.49045997 For
Woodwind Quintet and
Piano Score and
Parts. Composed by
Pierre Jalbert. Sheet
music. Edition Schott.
Softcover. Composed 2018.
92 pages. Duration 21'.
Schott Music #ED30173.
Published by Schott Music
(HL.49045997). ISBN
9781540033918. UPC:
888680787004.
9.5x12.0x0.681
inches. Wind Dances
is in seven short
contrasting movements,
each containing
dance-like rhythms, both
slow and fast. Having two
sons who both play the
clarinet, I've heard many
a woodwind quintet, so
I've been wanting to
write for the medium for
quite a while. In this
instance, I also added my
own instrument, the
piano.The work opens with
a fast movement
containing driving
rhythms in the winds,
which are then answered
by the piano. The second
movement features
colorful effects in the
winds and piano (slap
tongue, air sounds, muted
tones) leading to a long
extended lyrical line,
gradually orchestrated to
involve all the winds.
The third movement is a
dynamic scherzo, with a
separate middle section
similar to a traditional
Trio section. The slowly
unfolding fourth movement
is the longest of the
piece and anchors the
middle of the work. The
fifth movement is a kind
of echo of the third
movement, though this
time the dynamic scherzo
is high and light, rather
than low and dark. The
sixth movement is related
to the second movement,
and is basically a solo
cadenza for the clarinet,
with a few
accompanimental gestures
in the piano. The seventh
and final movement
reprises material from
the first movement, this
time with new and driving
dance-like gestures
added.- Pierre
Jalbert. $190.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cadenzas Trompette, Orchestre [Partie seule] - Intermédiaire/avancé Schott
To the Concerto for Trumpet and Orchestra Eflat (Solo Part). By Krzysztof Pender...(+)
To the Concerto for
Trumpet and Orchestra
Eflat (Solo Part). By
Krzysztof Penderecki,
Franz Joseph Haydn.
Schott. Size 9.25x12
inches. 12 pages.
Published by Schott.
$17.99 - Voir plus => Acheter | | |
| Encore - String Quartet Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
String quartet - difficult SKU: HL.49015613 There's a taxi waiting for...(+)
String quartet -
difficult SKU:
HL.49015613
There's a taxi waiting
for Chekhov, but he'd
rather go on foot..
Composed by Peter Eotvos.
This edition: Saddle
stitching. Sheet music.
Score and parts. Composed
2005. 10 pages. Duration
2'. Schott Music #ED9930.
Published by Schott Music
(HL.49015613). ISBN
9790001140638. UPC:
888680095420.
9.0x12.0x0.05
inches. Right at
the beginning, this funny
encore piece has the
string quartet imitate
the squawking horn of a
car from 1901. The
following polyrhythmic
and somewhat slow chorale
may suggest that Chekhov
actually did not make his
decision easy for
himself'Encore' is
dedicated to Peter
Eotvos' Hungarian fellow
composer and master of
aphorism, Gyorgy Kurtag,
on the occasion of his
80th birthday. $15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Les Paladins RCT 51 Orchestre Barenreiter
Orchestra (Flutes (2) (Picc), Oboes (2), 2Musettes, Bassoons (2), Horns (2), Str...(+)
Orchestra (Flutes (2)
(Picc), Oboes (2),
2Musettes, Bassoons (2),
Horns (2), Strings, Basso
continuo) SKU:
BA.BA08893
Comédie-ballet in
three Acts. Composed
by Jean-Philippe Rameau.
Edited by Thomas Soury.
This edition: urtext
edition. Paperback.
Symphonies. Score,
anthology. RCT 51.
Baerenreiter Verlag
#BA08893_00. Published by
Baerenreiter Verlag
(BA.BA08893). ISBN
9790006567560. 33 x 24.3
cm inches. Text: Duplat
de Monticourt,
Pierre-Jacques. Thi
s edition unites all the
purely instrumental parts
of Rameau’s
comdie-ballet “Les
Paladins†for
performance as a suite in
the concert
hall.
In view of
the wealth of the
work’s musical
treasures and the
stylistic innovations
– similar to the
“Boradesâ€
– the rather
frosty reception of the
premiere series in the
spring of 1760 seems
completely
incomprehensible to us
today. It led to this
stage work not being
performed again until
well into the 20th
century. The story that
the comdie-ballet tells
is based on a fable by La
Fontaine, “Le Petit
chien qui secoue de
l’argent et des
pierreries†(i.e.
“The little dog who
shakes silver and
stonesâ€). In
medieval Veneto, the
guardian Anselme
undermines the love
affairs of his ward
Argies. Scenes of tragic
expression are contrasted
with folk-comic ones; and
last but not least, the
sexually ambiguous fairy
Manto may have caused
difficulties for the bold
work at the Paris
Opra.
This
critical edition is based
on the corresponding
volume issued in the
series “Opera omnia
Rameau†(BA
8870-01). Since
“Les
Paladins†remained
unpublished during
Rameau’s lifetime
and was also not included
in the “Œuvres
complètesâ€, this
is the first edition of
the work. It satisfies
both scholarly demand and
the practical needs of
musicians.
The
orchestral parts are
available on
hire.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$109.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Introduzione e Siciliana Subito Music
Orchestra [2222; 2200; timp; stgs] SKU: SU.26010030 For Orchestra [222...(+)
Orchestra [2222; 2200;
timp; stgs] SKU:
SU.26010030 For
Orchestra [2222; 2200;
timp; stgs]. Composed
by Michele Caniato.
Orchestra. Study Score.
Subito Music Corporation
#26010030. Published by
Subito Music Corporation
(SU.26010030).
For classical
orchestra with woodwinds,
horns, and trumpets in
pairs. In two movements.
The Introduction sets up
the second movement by
exploring the
characteristic dotted
rhythms and the intervals
found in the Siciliana
theme. The timpani have a
prominent part in the
Introduction, and
woodwinds and brass have
solo passages throughout.
The Siciliana theme is
static, and changes tone
color rather than
developing, while a
narrative evolves in the
accompaniment. While the
introduction is energetic
and almost boisterous at
times, the Siciliana is
envisioned as being heard
through a glass dome,
soft and remote
throughout. Orchestra
[2222; 2200; timp; stgs]
Duration: 7’
Composed: 2017 Published
by: Michele Caniato Music
Performance materials
available on rental
only:. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La Virgen de la Macarena Ensemble de Trompettes Eighth Note Publications
By Traditional. Arranged by David Marlatt. For 6 Trumpets. Brass - Large Cornet ...(+)
By Traditional. Arranged
by David Marlatt. For 6
Trumpets. Brass - Large
Cornet (Trumpet)
Ensemble. Latin. Duration
00:03:20
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 31 31 61 91 |