Organ - intermediate-advanced SKU: HL.14010403 By Robin Langley. Edited b...(+)
Organ -
intermediate-advanced
SKU: HL.14010403
By Robin Langley. Edited
by Robin Langley. Music
Sales America. Classical.
Book [Softcover]. 68
pages. Music Sales
#NOV010196. Published by
Music Sales
(HL.14010403).
ISBN
9780711987623.
8.5x11.75x0.216
inches.
An
anthology from four
centuries in ten volumes.
Edited by Robin
Langley.
Arranged by Samuel Applebaum. Instrumental solo songbook (accompaniment sold sep...(+)
Arranged by Samuel
Applebaum. Instrumental
solo songbook
(accompaniment sold
separately) for solo
viola. With introductory
text and performance
notes. 32 pages.
Published by Alfred
Publishing.
By George J. Elvey; Henri F. Hemy; John B. Dykes; Ludwig Van Beethoven; Lyra Dav...(+)
By George J. Elvey; Henri
F. Hemy; John B. Dykes;
Ludwig Van Beethoven;
Lyra Davidica; Martin
Luther; Samuel Sebastian
Wesley. Arranged by Larry
Clark. For Trumpet.
E-Solos - a Series for
Solo Instruments With CD
Play Along and Piano
Accompaniment. Classical.
Score and Audio CD. 16
pages. Published by Carl
Fischer.
America the Beautiful Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
By Samuel A. Ward, lyrics by Katharine Lee Bates. Arranged by Jeffrey E. Turner....(+)
By Samuel A. Ward, lyrics
by Katharine Lee Bates.
Arranged by Jeffrey E.
Turner. Orchestra. String
Orchestra. Belwin
Intermediate String
Orchestra. 4th of July;
Patriotic; Summer. Grade
3. Conductor Score and
Parts. 74 pages.
Published by Belwin
Publishing
SATB Choir SKU: HL.14028172 Composed by Samuel Wesley. Music Sales Americ...(+)
SATB Choir
SKU:
HL.14028172
Composed
by Samuel Wesley. Music
Sales America. Sacred.
Choral Score. 16 pages.
Music Sales #NOV280059.
Published by Music Sales
(HL.14028172).
6.75x9.75x0.055
inches.
Praise the
Lord, O My Soul is a long
anthem for Chorus SATB
with solo lines.Composer
and Organist Samuel
Sebastian Wesley is the
grandson of Charles
Wesley, founder of
Methodism, and son of
composer Samuel Wesley.
He composed music almost
entirely for the Anglican
church and his works are
frequently performed
there.
Chamber Music Bassoon, Flute, Violoncello SKU: PR.114408750 Composed by S...(+)
Chamber Music Bassoon,
Flute, Violoncello
SKU: PR.114408750
Composed by Samuel Adler.
Set of Score and Parts.
With Standard notation.
Composed 1995.
40+14+15+15 pages.
Duration 20 minutes.
Theodore Presser Company
#114-40875. Published by
Theodore Presser Company
(PR.114408750).
UPC:
680160013289. 8.5 x 11
inches.
This work
was commissioned by the
Friends of the Phoenix
Public Library for the
dedication of the new
Music Room and made
possible in part through
the funds from the
Arizona Commission on the
Arts, and Meet the
Composer-Arizona. Diary
of a Journey was composed
between July and
September 1995 for the
group Arpeggio. During
the early summer of 1995,
my wife and I took a
vacation to Prague and
Budapest. It was the
first trip for both of us
to these former Iron
Curtain capitals. The
train ride through the
beautiful country-side,
the dilapidated small
villages and towns, the
magnificent architecture
and the feeling of
grandeur in the two major
cities left an indelible
impression on me. I
longed to write some kind
of an essay about it.
Diary of a Journey is the
result of some of these
thoughts, which were
sketched (musically) as
we visited each place.
There are four
'snapshots' or movements
which do not portray a
specific scene, but
rather try to capture the
impressions I gathered
from the people we
observed and met, and the
many awe-inspiring
experiences we had.
Throughout the journey, I
felt that people were
clinging to a tenacious
hope for a better future,
no matter how long it
will take to realize it.
In the first movement
each player portrays a
struggle against all
odds, and with great
energy and even wit tries
to overcome the
obstacles, ending on one
serene high note as a
resting point after all
the conflict. The second
'snapshot' tries to
capture the deep faith of
a newly regained
religiosity. It is
chant-like, and uses as
its basic melodic
material a famous Czech
hymn, penned by the great
religious reformer John
Huss. This movement is
played very freely,
without bar-lines and
with the hymn shining
through the fervent
chanting. The third
movement is a kind of
'demonic' scherzo. Fast
and furious, the three
instruments vie with one
another in a true
perpetual motion frenzy,
which is at times
relieved by short, more
pastoral melodic
fragments. A rather wild
ending should leave
everyone breathless.
Finally, in the fourth
'snapshot' the
instruments play a bit
more as a team, meaning
that is that there is
more melody with
accompaniment, and more
imitative music giving
the impression of a group
effort. The energy is
still at a high level but
long lyrical lines
abound, accompanied and
interrupted at times by
undulating fast notes
still depicting the
struggle against the
blight which any visitor
notices all around these
countries, yet also
showing the determination
of the people to conquer
adversity. --Samuel
Adler.
(With America, the Beautiful ). Composed by Samuel F. Smith, music and a...(+)
(With America, the
Beautiful ). Composed
by Samuel F. Smith, music
and additional words by
Ruth Morris Gray. Choral
Octavo. Alfred Choral
Designs. 4th of July;
Patriotic; Secular;
Summer. 12 pages.
Published by Alfred Music
(AP.45450).
(With America, the Beautiful ). Composed by Samuel F. Smith, music and a...(+)
(With America, the
Beautiful ). Composed
by Samuel F. Smith, music
and additional words by
Ruth Morris Gray. Choral
Octavo; SmartMusic.
Alfred Choral Designs.
4th of July; Patriotic;
Secular; Summer. 12
pages. Published by
Alfred Music (AP.45449).
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS1
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 8+8+5+2+5+5+2+8
pages. Carl Fischer Music
#YAS1. Published by Carl
Fischer Music (CF.YAS1).
ISBN 9780825840630.
UPC: 798408040635. 8.5 X
11 inches. Key: G
major.
Moonlight
Shadows is a passionate
and colorful piece for
strings that explores the
expressive power of the
string orchestra. Sean
O'Loughlin uses a lush
harmonic palette and
variety of texture
(including a short
pizzicato section), to
create an important and
soulful addition to the
repertoire for younger
string ensembles.
Duration:
2'30. Moonlight
Shadows is a work for
string orchestra that
reflects my great love
for the music of Samuel
Barber. His compositions
from the 1930s and 1940s
were characterized by
plush harmonies, flowing
melodies and engaging
suspensions. These
elements are what I
focused on in the
composition
of Moonlight
Shadows.The material
represents my mood and
feelings when I look at a
big, bright moon. The
shadows it casts create
an eerie feeling, while
at the same time
providing a deep, rich
tapestry for the earth at
night.The harmony
features many major
seventh-chords with
half-step suspensions.
These suspensions
function as common tones
to the next chord and
create the tension of the
piece. They also move, in
order to provide
resolution to the piece
which allows the listener
to rest. With this in
mind, these suspensions
should be brought out
during
performance.Moonlight
Shadows is an emotional
piece that allows the
young musician the
opportunity to play with
much expression.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Samuel Barber (1910-1981), arranged by Lawrence Rosen. For solo pian...(+)
Composed by Samuel Barber
(1910-1981), arranged by
Lawrence Rosen. For solo
piano. Format: piano solo
single. With standard
notation. 20th century. 6
pages. 9x12 inches.
Published by Hal Leonard.
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
Concert Band - Grade 2 SKU: AP.45796S A Fantasy Based on America the B...(+)
Concert Band - Grade 2
SKU: AP.45796S
A Fantasy Based on
America the
Beautiful. Composed
by Samuel Ward. Arranged
by Maurice Whitney and
scored by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Young Band.
Patriotic. Score. 20
pages. Duration 4:30.
Alfred Music #00-45796S.
Published by Alfred Music
(AP.45796S).
UPC:
038081524726. English.
Katherine Lee
Bates.
With rich
textures and warm
melodies, here is a new
setting of the cherished
classic arrangement, From
Sea to Shining Sea by
Douglas E. Wagner. Like
Maurice Whitney's more
advanced arrangement,
this fresh scoring stands
alone as a superb concert
band-only version for
young bands or advanced
bands with limited
rehearsal time, as well
as an easily adaptable
accompaniment for SATB
choir (00-WBCH93252).
Ideal programming for
graduations, spring
concerts, and patriotic
settings. (4:30).
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo
SKU:
PR.114418820
For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820).
ISBN
9781491113998. UPC:
680160667697.
Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018.
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Low Voice and Piano SKU: HL.49005024 Lieder mit Instrumentalbegleitung...(+)
Low Voice and Piano
SKU: HL.49005024
Lieder mit
Instrumentalbegleitung
fur die Schule.
Arranged by Cesar
Bresgen, Friedrich Zipp,
Paul Nitsche, and Werner
Fussan. Edition Schott.
Classical. Score for
Voice and/or Instruments.
60 pages. Schott Music
#HL50499823. Published by
Schott Music
(HL.49005024).
ISBN
9781495000713. UPC:
888680028183.
Selec
ted Art Songs by
prominent American
composers in the G.
Schirmer and AMP catalog,
including songs by Samuel
Barber, John Duke, Lee
Hoiby, Charles Ives, John
Jacob Niles, William
Schuman, and
others.
Selected art
songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Includes
worksfrom Ernst Bacon:
It's all I have to
bring * Samuel
Barber: The
Crucifixion; The Daisies;
Hey nonny no!; The Monk
and His Cat; Mother, I
cannot mind my wheel; A
Slumber Song of the
Madonna; Sure on this
shiningnight * Paul
Bowles: Cabin;
Heavenly Grass; Sugar in
the Cane * Theodore
Chanler: The Lamb *
Ernest Charles: When I
Have Sung My Songs *
John Duke: Loveliest
of Trees; Richard
Hageman: Do not go,
mylove * Lee Hoiby:
Where the Music Comes
From * Carles Ives:
In the mornin';
Serenity * Herbert
Kingsley: The Green
Dog * Charles
Naginski: The
Pasture * John Jacob
Niles: Black is
thecolor of my true
love's hair; Go 'way from
my window; The Lass from
the Low Countree *
Gladys Rich: American
Lullaby * William
Roy: This Little
Rose * John Sacco:
Brother Will, Brother
John *William
Schuman: Holiday
Song; Orpheus with his
lute.
Selected Art
Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others.
Edited by Christoph Emmanuel Langheim. For violin and viola duet. This edition...(+)
Edited by Christoph
Emmanuel
Langheim. For violin and
viola duet. This edition:
saddle stitiching. Hors
Serie. Score and parts.
28
28 pages. Published by Ut
Orpheus
Summer Is Gone Chorale SATB SATB A Cappella Gentry Publications
SATB a cappella Choral (SATB a cappella) SKU: HL.1197761 Out from the ...(+)
SATB a cappella Choral
(SATB a cappella)
SKU:
HL.1197761
Out
from the Shadows: A
Contemporary Choral
Series. Composed by
Samuel Coleridge-Taylor.
Edited by James E. Green
and Marques L. A.
Garrett. Gentry
Publications. Concert.
Octavo. 8 pages. Duration
180 seconds. Gentry
Publications #JG2655.
Published by Gentry
Publications
(HL.1197761).
UPC:
196288134930.
6.75x10.5x0.019
inches.
The Out
from the Shadows Choral
Series brings you
“Summer Is
Gone,†a new
setting of British poet
Christina Rosetti's 1862
poem “Bitter for
Sweet.†The
composer, Samuel
Coleridge Taylor,
displays superb control
of text painting and
dynamics, creating vocal
lines as natural as
speech. In perfect
harmony with Rosetti's
text, falling chromatic
figures tossed back and
forth among voice parts
create an inescapable
sense of decay and
sorrow. Taylor's harmonic
rhythm conveys the latent
impression of time
stretching and
constricting. A truly
masterful work, this
piece makes for a great
festival or competition
performance. A fun
challenge for an
accomplished chamber or
larger choir, and a
memorable addition to any
concert. Samuel
Coleridge-Taylor
(1875-1912) was an
English-born composer and
conductor who hailed from
an English and African
musical family. After
discovering his inherent
musical ability,
Coleridge-Taylor's family
arranged for him to study
at the Royal College of
Music under composition
professor Charles
Villiers Stanford. After
completing his degree,
Coleridge-Taylor was
appointed a professor at
the Crystal Palace School
of Music and became the
conductor of the Croydon
Conservatoire Orchestra.
With his compositions,
Samuel Coleridge-Taylor
sought to draw from
traditional African music
and integrate it into the
classical tradition, in a
similar fashion to Brahms
and Dvorak with Hungarian
and Bohemian music. He
was a prolific composer
and a well-respected
conductor in England and
America, even touring in
America and being
received at the White
House by President
Theodore Roosevelt. His
most celebrated work was
his cantata Hiawatha's
Wedding Feast. On his
death, close friend and
poet Alfred Noyes said,
“Too young to die:
his great simplicity, his
happy courage in an alien
world, his gentleness,
made all that knew him
love him.â€.
(Organ Solo) Composed by Samuel Barber (1910-1981), arranged by William Strickla...(+)
(Organ Solo) Composed by
Samuel Barber
(1910-1981), arranged by
William Strickland. For
organ. Format: organ solo
single. With organ
registration (pipe organ,
hammond). 20th century. 7
pages. 9x12 inches.
Published by Schirmer.
String Festival Solos, Volume 1 (Violin Solo). Edited by Sel., transcr., and ed....(+)
String Festival Solos,
Volume 1 (Violin Solo).
Edited by Sel., transcr.,
and ed. Samuel Applebaum.
For Violin Solo. String
Series. Grade 1; Grade
1.5; Grade 2. Book. 16
pages. Published by
Alfred Music Publishing