Danceries by Kenneth Hesketh. Concert Band. For Wind Band. Part(s); Score; Wind Band. Faber Edition: Faber Wind Band Series. 20th Century; Masterwork. Published by Faber Music

Composed by Kenneth Hesketh. 5 or More; Brass Band; Performance Music Ensemble; Solo Small Ensembles. Faber Edition: Faber Brass Band Series. Form: Dance. 20th Century; Masterwork. Part(s); Score. Faber Music #12-0571565123. Published by Faber Music

The biblical easter story retold with seven new songs and a whole tone instrumental piece. Suitable for Key Stages 2 and 3, for performance in schools and churches. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form

(A How-To Musical Guide to the Most Daring, Dangerous, Exciting Time ... Like ... Ever!). By John Jacobson and Mac Huff. Performance Kit with CD. Expressive Art (Choral)

By Ralph Hultgren. Concert Band. Brolga Music Symphonic Repertoire. Grade 5. Score and set of parts. Duration 11:10. Published by Brolga Music Publishing Company

(For Voice and Piano). By George Rochberg. For High Voice, Piano. Soft Cover. Standard notation. Composed 1991. 23 pages. Duration 20:00

Collection for solo piano(all C instruments), . 159 pages. Published by Santorella Publications.

The Ultimate Reference Guide. By David Keif. Musicians Institute Press (Instruction taken from the curriculum of MI). With notes and tablature. Size 9x12 inches. 88 pages. Published by Musicians Institute.

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Steven H. Brook. Orchestra. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 4. 124 pages. Published by Bel

Guitar, keyboard

SKU: GI.G-7400

This edition: Pew edition. Hymnal. Oramos cantando series. Sacred. Book. GIA Publications #7400. Published by GIA Publications (GI.G-7400).

ISBN 9781579999698.

Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style� �€ repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebrac ión” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.

Clarinet Quartet

SKU: IS.CQ6292EM

Composed by Franz Schubert. Arranged by Hideaki Iwai. Woodwinds - Clarinet. Kansai Clarinet Society. Metropolis Music Publishers #CQ6292EM. Published by Metropolis Music Publishers (IS.CQ6292EM).

ISBN 9790365062928.

The Ave Maria, Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Opus 52, a setting of seven songs from Walter Scott's popular epic poem 'The Lady of the Lake', loosely translated into German. It has become one of Schubert's most popular works, arranged for a wide variety of ensembles. This arrangement is for 2 Bb clarinets, alto clarinet or bassethorn and bass clarinet.

Mezzo Soprano and Ensemble - Grade 4

SKU: HL.14034109

Composed by Asbjorn Schaathun. Music Sales America. Classical. Score. Music Sales #KP01033. Published by Music Sales (HL.14034109).

ISBN 9788759891599. International (more than one language).

Asbjorn Schaathun TRIPLIS+ (1996-98)For mezzo-soprano, percussion, electric organ, alto flute, coranglais, clarinet, violin, viola , cello, double-bass and piano.Triplis+ consists of seven songs based on computer-manipulated text fragments from Wilhelm Muller's 'Die schone Mullerin'. The seven songs should be played without interruption:I) Warum nicht?II)Nicht so...III)AngstIV) Wohin?V) HeimatVI) StilleVII)RuhigThe score of TRIPLIS+ has a long history. The whole project began as a piece for piano and mezzo, DUALIS (1987), to which I added percussion instruments to the vocal and piano parts, which was deeply unsatisfying. (I also suggested certain ways of making different versions of the piece, a so-called 'open score', but this was even worse...) From the ruins of this piece I carved out a new DUALIS (1991), using the same material, but with no percussion instruments added and in the form of a traditional 'frozen' score.In 1993 I was asked to include a separate percussion part for a trio-version of my first undertakings of DUALIS. In close collaboration with the Cikada Trio I created a new version, TRIPLIS (1993) which then in turn was taken as a point of departure for an extended version of the piece called TRIPLIS+ (1996-99). In this 'version integrale', I - due to the requirements of the commission - added an ensemble of 8 instruments, sometimes elaborating material from the mezzo-line, sometimes contradicting or commenting upon it. The piano has a special role in both TRIPLIS+ and TRIPLIS; functioning as a kind of 'libro', the piano textures, which have the feel of an accompanying part, are played ad lib throughout the work. In this way the pianist can change the actual dramatical flow of the piece.The first performance of TRIPLIS+ took place in the Bjergsted Music Centre in Stavanger, Norway in April 1999, with the commissioner, Stavanger Contemporary Music Ensemble under direction of the composer.The score is dedicated to B.Asbjorn Schaathun.

A Beginner's Guide for Group or Private Instruction. Modern Band. Method, Teacher Resource. Softcover. 256 pages. Published by Little Kids Rock

(Rock 'n' Roll). Arranged by Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Rock 'n Roll. 4. Softcover

A Beginner's Guide for Group or Private Instruction. Modern Band. Method. Softcover Media Online. With guitar tablature. 56 pages. Published by Hal Leonard

Organ - Grade 4

SKU: HL.14019451

The Planets. Composed by Bent Lorentzen. Music Sales America. Classical. Book [Softcover]. 12 pages. Edition Wilhelm Hansen #WH30405. Published by Edition Wilhelm Hansen (HL.14019451).

ISBN 9788759809266. English.

Written in 1995 as one part of Lorentzen's 'Suite of Seven Pieces for organ', Mercurius is a symbol of merchants, trade and thiefs, traditionally depicted with wings on his heels, forever restless, scurrying about. The music is divided into sequences of four, resulting in a sense of weightlessness and hurried urgency. The first complete performance of 'The Planets' took place in 1996 and was given by Jens E. Christensen.

Guitar Tab Method. Instruction, Method. Softcover Audio Online. With guitar tablature. 80 pages. Published by Hal Leonard

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*) - grade 5

SKU: CN.R10004

Composed by John Ireland. Band Music. Score and parts. Duration 10:30. Published by G & M Brand Music Publishers (CN.R10004).

A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.

Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

By Usher Abell. For Fiddle and Violin. Technique. Jazz. Level: Intermediate. Book/CD Set. Size 8.5x10.75. 152 pages. Published by Mel Bay Publications, Inc.

Concert Band - Grade 2.5

SKU: AP.43104

Composed by Roland Barrett. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Form: Overture. Programmatic. Score and Part(s). 278 pages. Duration 4:30. Belwin Music #00-43104. Published by Belwin Music (AP.43104).

UPC: 038081504513. English.

In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30).

SKU: SU.91409192

Composed by Christopher Fulkerson. CD (Audio). Subito Music Corporation #91409192. Published by Subito Music Corporation (SU.91409192).

Modernism Forever Volume One - Fulkerson, Carter, Davies Disc 1 1. The Childermass (Live) Christopher Fulkerson & The Composers Chamber Players - 14:16 2. E Io Etterno Duro (And Eternal I Endure) [Live] (Dante) for solo male sextet Christopher Fulkerson & Chanticleer - 6:48 3. Double Blizzard First Michelangelo Fantasy for violin and bass Christopher Fulkerson - 7:27 4. Clothes Another's Hand (Live) 2nd Michelangelo Fantasy for string trio Christopher Fulkerson & Friends of CF - 9:04 5. With Its Billowing Hair (Live) 4th Michelangelo Fantasy for violin and string John Casten, Christopher Fulkerson & Friends - 13:03 6. Scritti Di Leonardo (Live) for tenor, SATB soli, & five players Christopher Fulkerson, Patrick Neve, Ariel & The SFCMP - 18:23 7. Concerto for Harpsichord (Live) and seven instruments Christopher Fulkerson, Jonathan Shiff, Eric Hansen & the Intercampus Cultural Exchange - 9:04 Disc 2 1. Astraea in the Field of Stars for guitar and string quartet Christopher Fulkerson - 9:01 2. Echoes of Hart Crane (Live) for vocal ensemble SSAATTBB Christopher Fulkerson & Ariel - 3:03 3. The Sweep of Their Lyre Echoes of Our Bards I for instrument sextet Christopher Fulkerson - 7:25 4. The Rush of Their Verse Echoes of Our Bards II for eleven instruments Christopher Fulkerson 5. Mere Magic Music (Live) Part One of the Magic Cycle for eight antiphonal voices Christopher Fulkerson & The Virtuose - 6:42 6. Pour Jean-Louis for solo harp Christopher Fulkerson - 0:31 7. Tomb of Taillevant for alto flute and guitar Christopher Fulkerson - 1:41 8. Syringa (Live) by Elliott Carter for mezzo, baritone, guitar & ensemble Christopher Fulkerson & The Composers Chamber Players - 19:36 9. Westerlings (Live) by Peter Maxwell Davies Christopher Fulkerson & Ariel.

Piano

SKU: A3.9781786013088

Essential repertoire for piano. Composed by ABRSM. ABRSM Publications. ABRSM Exam Pieces. Book. 48 pages. ABRSM (Associated Board of the Royal Schools of Music) #9781786013088. Published by ABRSM (Associated Board of the Royal Schools of Music) (A3.9781786013088).

ISBN 9781786013088. 9 x 12 inches.

Core Classics is a collection of seven books of music from the piano canon, selected and graded by leading educationalists. Each volume contains a rich selection of engaging pieces to form the backbone of any pianist's repertoire. With pieces from Farrenc, Glier, Tchaikovsky, and many more, this book includes an abundance of much-loved music.

By Gail Smith. For Piano. Theory and harmony. Complete. All Styles. Level: Intermediate. Book. Size 8.75x11.75. 228 pages. Published by Mel Bay Publications, Inc.

Composed by Claudio Casciolini. Arranged by Timothy Flynn. A beautiful, yet easy addition to your choir's Eucharistic repertoire, this motet by the former Maestro di cappella at the church of San Lorenzo in Damaso (Rome) features comfortable vocal ranges and primarily homophonic textures with some imitative count. Communion, General. Published by CanticaNOVA Publications (C5.7085).