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For 2 Clarinets - Performance Score. Composed by Fran�§ois Devienne....(+)
For 2 Clarinets -
Performance Score.
Composed by
Fran�§ois Devienne.
Edited by Rudolf Mauz.
Woodwind Ensemble.
Softcover. 24 pages.
Schott Music #KLB94.
Published by Schott Music
(HL.49044526).
Arranged by Daniel Kelley. For Clarinet and Cello (or Bassoon). Duets. Music for...(+)
Arranged by Daniel
Kelley. For Clarinet and
Cello (or Bassoon).
Duets. Music for Two.
Wedding, Classical.
Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Composed by
Derek Bourgeois. Band
Music. Score and parts.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.R10214).
Adapted from
the slow movement of
Bourgeois' own Sonata for
Brass Quintet, Northern
Lament is a powerful work
with a fiery climax in
the middle and thematic
material derived from a
simple & memorable
melody.
This piece
originated in the slow
movement of Sonata for
Brass Quintet, which I
wrote in 1965 whilst
still a pupil of Herbert
Howells at the Royal
College of Music, London.
It had been commissioned
by the Halle Brass
Quintet, although they
never performed the work.
In 1997, Timothy Reynish
suggested that I should
arrange the work for wind
orchestra. I decided to
expand the movement into
something more than
double its original
length, adding a fiery
climax to its central
section. The whole
movement derives from the
simple melody stated at
the beginning. Because of
Timothy Reynish's
association with the
Royal Northern College of
Music in Manchester,
England and because the
original sonata was never
played by the
northern-based Halle
Brass Quintet who invited
me to write it, I decided
to call the new piece
Northern Lament..
Composed by
Derek Bourgeois. Band
Music. Score only.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.S11214).
Adapted from
the slow movement of
Bourgeois' own Sonata for
Brass Quintet, Northern
Lament is a powerful work
with a fiery climax in
the middle and thematic
material derived from a
simple & memorable
melody.
This piece
originated in the slow
movement of Sonata for
Brass Quintet, which I
wrote in 1965 whilst
still a pupil of Herbert
Howells at the Royal
College of Music, London.
It had been commissioned
by the Halle Brass
Quintet, although they
never performed the work.
In 1997, Timothy Reynish
suggested that I should
arrange the work for wind
orchestra. I decided to
expand the movement into
something more than
double its original
length, adding a fiery
climax to its central
section. The whole
movement derives from the
simple melody stated at
the beginning. Because of
Timothy Reynish's
association with the
Royal Northern College of
Music in Manchester,
England and because the
original sonata was never
played by the
northern-based Halle
Brass Quintet who invited
me to write it, I decided
to call the new piece
Northern Lament..
By Camille Saint-Saens (1835-1921). Edited by Renaud Escriva. Bb Clarinet Solo a...(+)
By Camille Saint-Saens
(1835-1921). Edited by
Renaud Escriva. Bb
Clarinet Solo and Piano
Accompaniment. For Bb
Clarinet solo and Piano.
The Must-Haves for
Clarinet. Classical,
Educational. Grade 5.
Score and set of parts. 8
pages (score); 3 pages
(parts). Published by
FLEX Editions
Composed by Gustav Schreck. Arranged by Dalton Ringey. For bass clarinet and pia...(+)
Composed by Gustav
Schreck. Arranged by
Dalton Ringey. For bass
clarinet and piano.
Classical; 20th century.
Solo part and piano
reduction. 27 pages
(score); 7 pages (part).
Published by Alea
Publishing
Arranged by Daniel Kelley. Duets. Music for Two. Wedding, Classical. Level: Inte...(+)
Arranged by Daniel
Kelley. Duets. Music for
Two. Wedding, Classical.
Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
By Ludwig van Beethoven (1770-1827). Arranged by Ralph Sauer. For Trombone Duet....(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Ralph Sauer. For Trombone
Duet. Classical.
Moderately advanced. Two
parts only. Published by
Cherry Classics
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
2 Preludes and Fugues Hautbois, Clarinette, Basson (trio) [Conducteur et Parties séparées] Rosewood Publications
By J.S.Bach-Mozart. Winds. For clarinet (oboe), 2nd clarinet and bass clarinet (...(+)
By J.S.Bach-Mozart.
Winds. For clarinet
(oboe), 2nd clarinet and
bass clarinet (bassoon).
Enjoyable to play..
Classical. Score and
parts. Published by
Rosewood Publications
Trio-Sonata in A minor Flûte, Clarinette et Basson [Conducteur et Parties séparées] Trillenium Music Company
By Telemann, G.F. Trans. Don Stewart. For Transcribed for Flute, Clarinet & Bass...(+)
By Telemann, G.F. Trans.
Don Stewart. For
Transcribed for Flute,
Clarinet & Bassoon. This
edition: Score & Parts.
Duration 15:00. Published
by Trillenium Music
Company.
Mixed Wind Ensemble
Double Reed Book (double
reeds) - Intermediate
SKU: FT.FM070
Composed by Arcangelo
Corelli. Arranged by
Robert Rainford. Score
and parts. Forton Music
#FM070. Published by
Forton Music (FT.FM070).
ISBN
9790708085690.
Doub
le Reed Ensemble (part 1
oboe or bassoon, part 2
oboe or bassoon, part 3
oboe, cor or bassoon) -
part of the Combined Wind
Trio series. Corelli's
first three Trio Sonatas
make a great first step
into ensemble music and
the music of the baroque.
Each sonata consists of
four movements of varying
lengths and difficulty,
with equal interest in
all parts. Oboe 1 goes up
briefly to top F, but a
lower ossia is given. If
played as a bassoon trio,
the top two bassoon parts
spend most of the time in
the tenor clef and are
not for the faint
hearted, but grade 8
players will be well
rewarded. Parts may be
mixed with the companion
arrangements for flute,
clarinet and sax
ensembles.
Composed by
Derek Bourgeois. Band
Music. Score and parts.
Duration 10:00. Published
by G & M Brand Music
Publishers (CN.R10190).
In 1969 I was
teaching music at
Cranleigh School in
Surrey. I was asked to
write a work for the
orchestra and produced a
four-movement piece
entitled Concerto for
School Orchestra. I have
now reworked the music
for wind band and
re-titled it Perchance to
Dream. the piece has a
slow introduction
followed by a loose
sonata form movement in
which the introductory
material is
reintroduced.
Composed by
Derek Bourgeois. Band
Music. Score only.
Duration 10:00. Published
by G & M Brand Music
Publishers (CN.S11190).
In 1969 I was
teaching music at
Cranleigh School in
Surrey. I was asked to
write a work for the
orchestra and produced a
four-movement piece
entitled Concerto for
School Orchestra. I have
now reworked the music
for wind band and
re-titled it Perchance to
Dream. the piece has a
slow introduction
followed by a loose
sonata form movement in
which the introductory
material is
reintroduced.
Sonata Opus 167 - Mvt 2 Clarinette [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Bb Clarinet, Piano - Grade 5 SKU: FL.FX071434-2 Composed by Camille Saint...(+)
Bb Clarinet, Piano -
Grade 5
SKU:
FL.FX071434-2
Composed by Camille
Saint-Saens. Edited by
Renaud Escriva. The
Must-Haves for Clarinet.
Classical, Educational.
Score and Set of Parts.
FLEX Editions
#FX071434-2. Published by
FLEX Editions
(FL.FX071434-2).
A must-have for
Clarinet. This Sonata in
4 movements comes from a
group of 3 Sonatas for
wind instruments (oboe,
clarinet and bassoon)
composed in May and june
1921. They are the last
in the catalogue of
Saint-Saens' works. In
this second movement of
the sonata, the
articulations should be
carefully pronounced to
remain clear and
intelligible in spite of
the tempo. Use a light
homogeneous staccato
across the whole range
and don't force the sound
when the dynamics are
loud; you will achieve
like that an ample sound
which is well balanced
with the
piano.
This series
proposes the very best of
classical pieces for
clarinet, revised by
great teachers and
concertists, at reduced
price.
Composed by Derek
Bourgeois. Band Music.
Score and parts. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.R10193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
Composed by Derek
Bourgeois. Band Music.
Score only. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.S11193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
Bb Clarinet, Piano - Grade 3 SKU: FL.FX071434-3 Composed by Camille Saint...(+)
Bb Clarinet, Piano -
Grade 3
SKU:
FL.FX071434-3
Composed by Camille
Saint-Saens. Edited by
Renaud Escriva. The
Must-Haves for Clarinet.
Classical, Educational.
Score and Set of Parts.
FLEX Editions
#FX071434-3. Published by
FLEX Editions
(FL.FX071434-3).
A must-have for
Clarinet. This Sonata in
4 movements comes from a
group of 3 Sonatas for
wind instruments (oboe,
clarinet and bassoon)
composed in May and june
1921. They are the last
in the catalogue of
Saint-Saens' works. In
this third movement, you
should contrast the
registers as if they are
separate instruments
responding to each other.
Your bass quasi funebre
should be ample and
sonorous, though without
acidity, whilst for your
treble you should look
for a very gentle flute
sound, distant and
without
vibrato.
This
series proposes the very
best of classical pieces
for clarinet, revised by
great teachers and
concertists, at reduced
price.
Sonata Opus 167 - Mvt 4 Clarinette [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Bb Clarinet, Piano - Grade 5 SKU: FL.FX071434-4 Composed by Camille Saint...(+)
Bb Clarinet, Piano -
Grade 5
SKU:
FL.FX071434-4
Composed by Camille
Saint-Saens. Edited by
Renaud Escriva. The
Must-Haves for Clarinet.
Classical, Educational.
Score and Set of Parts.
FLEX Editions
#FX071434-4. Published by
FLEX Editions
(FL.FX071434-4).
A must-have for
Clarinet. This Sonata in
4 movements comes from a
group of 3 Sonatas for
wind instruments (oboe,
clarinet and bassoon)
composed in May and june
1921. They are the last
in the catalogue of
Saint-Saens' works. There
is a mysterious anguish
which floats throughout
this brillant fourth
movement. The agitation
and feverishness of your
playing should reflect
this latent anguish. At
the conclusion, which
refers to the first
movement, avoid accenting
the quaver in the
Barcarolle rhythm which
risks making the phrasing
too heavy.
This
series proposes the very
best of classical pieces
for clarinet, revised by
great teachers and
concertists, at reduced
price.
