| Kaleidoscope: Theme From Coronation Street Chester
Flexible Ensemble SKU: HL.14031074 Composed by Eric Spear. Music Sales Am...(+)
Flexible Ensemble SKU:
HL.14031074 Composed
by Eric Spear. Music
Sales America.
TV-Film-Musical-Show.
Set. Composed 2005.
Chester Music #CH55884.
Published by Chester
Music (HL.14031074).
ISBN
9780711947559. (Spe
ar) (G) Edited by
Nicholas Hare.
Kaleidoscope will save
you time! Do you spend
hours arranging music for
odd assortments of
instruments? Kaleidoscope
is specially arranged to
suit almost any
instrumental combination
and these varied
ensembles are easy and
enjoyable too. So much
scope for virtually any
combination of
instruments! The series
is successful with
recorders, guitars,
percussion and keyboard
as well as with
orchestral groupings.
Whether there are five or
fifty players, every
Kaleidoscope title will
work! Just make sure that
melody and keyboard parts
are included - all other
parts are optional.
Kaleidoscope is superb
value for money - each
set contains a score plus
around 50 parts, each one
carefully written to suit
the needs of each
instrument. For example,
easy string parts are in
first position only
whilst easy clarinet
parts take care to avoid
the break. There are more
demanding parts too, for
experienced players. To
help you choose the right
pieces for your players
we have given the key of
each Kaleidoscope in
brackets. The complete
performance option! These
super-flexible
arrangements of
well-known titles are a
must for every school.
Why not choose a theme
for your concert and
perform a selection of
Kaleidoscope show titles
and film themes or have
an evening of classical
favourites. And don't
forget we have
Kaleidoscope bumper carol
packs and seasonal gems
for your Christmas
Concert too! $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tara's Theme Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043663-010 From Gone with the WInd...(+)
Concert Band/Harmonie -
Grade 3
SKU: BT.DHP-1043663-010
From Gone with the WInd.
Arranged by Lorenzo
Bocci. DHP Pop, Film and
Show. Festive and Solemn
Music. Set (Score and
Parts). Composed 2004. De
Haske Publications #DHP
1043663-010. Published by
De Haske Publications
(BT.DHP-1043663-010).
Max Steiner was born in
Vienna in 1888, and grew
up surrounded by music.
He was a student of the
Imperial Academy of
Music, having among his
teachers Gustav Mahler.
In 1936 he signed an
agreement with Warner.
Steiner, considered the
father of symphonic music
in Hollywood style. One
of his most famous and
popular masterworks is,
without any doubt, Gone
with the Wind (1939). The
movie was an immediate
success and won ten
Academy Awards. In spite
of the years passed, this
movie still moves young
audiences around the
world. Lorenzo Bocci has
chosen the song Tara?s
Theme from this movie and
turned the romantic music
into an arrangement for
concert band.
Vom Winde verweht ist
einer der Filme, der
heute noch Generationen
vor dem Fernseher
vereint. Oft gezeigt,
wird jeder doch immer
wieder mitgerissen von
der tragischen
Liebesgeschichte inmitten
der Kriegswirren. Einen
nicht unwichtigen Anteil
an der bewegenden
Atmosphäre des
Filmklassikers hat die
großartige Musik von Max
Steiner, der als Urvater
der sinfonischen
Filmmusik im
Hollywoodstil gilt und
neben Vom Winde verweht
noch zahlreiche weitere
erfolgreiche Filme
vertonte. Lorenzo Bocci
wählte aus der Musik
Tara's Theme und
bearbeitete die
romantische Musik zu
einem Arrangement für
Blasorchester.
Gefühlvoll und
mitreißend!
$98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Antonio Vivaldi: Kaleidoscope - Two Spring Themes (The Four Seasons) Chester
Flexible Ensemble SKU: HL.14035123 By Nicholas Hare. By Antonio Vivaldi. ...(+)
Flexible Ensemble SKU:
HL.14035123 By
Nicholas Hare. By Antonio
Vivaldi. Edited by
Nicholas Hare. Music
Sales America. Classical.
Set. Composed 2005.
Chester Music #CH59386.
Published by Chester
Music (HL.14035123).
ISBN 9780711926769.
9.0x12.0x0.328
inches. Kaleidoscop
e will save you time! Do
you spend hours arranging
music for odd assortments
of instruments?
Kaleidoscope is specially
arranged to suit almost
any instrumental
combination and these
varied ensembles are easy
and enjoyable too. So
much scope for virtually
any combination of
instruments! The series
is successful with
recorders, guitars,
percussion and keyboard
as well as with
orchestral groupings.
Whether there are five or
fifty players, every
Kaleidoscope title will
work! Just make sure that
melody and keyboard parts
are included - all other
parts are optional.
Kaleidoscope is superb
value for money - each
set contains a score plus
around 50 parts, each one
carefully written to suit
the needs of each
instrument. For example,
easy string parts are in
first position only
whilst easy clarinet
parts take care to avoid
the break. There are more
demanding parts too, for
experienced players. To
help you choose the right
pieces for your players
we have given the key of
each Kaleidoscope in
brackets. The complete
performance option! These
super-flexible
arrangements of
well-known titles are a
must for every school.
Why not choose a theme
for your concert and
perform a selection of
Kaleidoscope show titles
and film themes or have
an evening of classical
favourites? In G and D
minor. Edited by Nicholas
Hare. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Movie Main Theme Miracles Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135408-140 Composed by James...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135408-140
Composed by James Horner
and Lalo Schifrin.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection.
TV-Film-Musical-Show.
Score Only. Composed
2013. 28 pages. De Haske
Publications #DHP
1135408-140. Published by
De Haske Publications
(BT.DHP-1135408-140).
9x12 inches.
English-German-French-Dut
ch. The music
collected in Movie
Main Theme Miracles
are surely among the most
famous, popular and
successful melodies in
the history of film:
Peter Kleine Schaars has
arranged the themes from
Braveheart, Top Gun,
Star Trek and
Mission:
Impossible into a
fabulous medley for
concert band, that will
appeal not just to film
buffs but any audience.
Movie Main
Theme Miracles bevat
een verzameling
thema’s die
behoren tot de bekendste,
geliefdste en
succesvolste melodieën
uit de geschiedenis van
de filmmuziek. Peter
Kleine Schaars verwerkte
de hoofdthema’s
van de soundtracks van
Braveheart, Mission:
Impossible, Star Trek
en Top Gun tot een
briljante medley.
Movie Main Theme
Miracles: niet alleen
voor filmliefhebbers een
lust voor het oor!
Die in Movie
Main Theme Miracles
versammelten
Filmmusikthemen
gehören zu den
bekanntesten,
beliebtesten und
erfolgreichsten Melodien
der Filmgeschichte: Peter
Kleine Schaars
verarbeitete die
Hauptthemen der
Soundtracks von
Braveheart, Mission:
Impossible, Star Trek
sowie Top Gun zu
einem brillanten Medley
für Blasorchester,
das nicht nur die Herzen
von Cineasten höher
schlagen lässt.
Peter Kleine
Schaars a rassemblé
dans cet arrangement les
principaux thèmes de
musique de film dans
l’histoire du
cinéma. Movie Main
Theme Miracles est un
medley flamboyant
susceptible de figurer au
répertoire de tous les
orchestres
d’harmonie.
Charmez votre public avec
les célèbres
thèmes de
Braveheart, Mission:
Impossible, Star Trek
et Top Gun.
Come suggerisce
il titolo, le colonne
sonore sapientemente
raggruppate da Peter
Kleine Schaars in questa
raccolta sono tra le
più note e amate della
storia del cinema. Un
brillante medley che
propone le musiche di
Braveheart, Top Gun,
Star Trek e
Mission:
Impossible. Un brano
che entusiasmer non solo
i cinefili. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Movie Main Theme Miracles Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1185967-020 Arranged by Peter Kleine S...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1185967-020
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185967-020. Published by
De Haske Publications
(BT.DHP-1185967-020).
The music
collected in Movie
Main Theme Miracles
are surely among the most
famous, popular and
successful melodies in
the history of film:
Peter Kleine Schaars has
arranged the themes from
Braveheart, Top
Gun, Star Trek
and Mission:
Impossible into a
fabulous medley for
concert band, that will
appeal not just to film
buffs but any audience.
Movie Main
Theme Miracles bevat
een verzameling
thema’s die
behoren tot de bekendste,
geliefdste en
succesvolste melodieën
uit de geschiedenis van
de filmmuziek. Peter
Kleine Schaars verwerkte
de hoofdthema’s
van de soundtracks van
Braveheart,
Mission:
Impossible, Star
Trek en Top
Gun tot een briljante
medley. Movie Main
Theme Miracles: niet
alleen voor
filmliefhebbers een lust
voor het oor!
Die
in Movie Main Theme
Miracles versammelten
Filmmusikthemen
gehören zu den
bekanntesten,
beliebtesten und
erfolgreichsten Melodien
der Filmgeschichte: Peter
Kleine Schaars
verarbeitete die
Hauptthemen der
Soundtracks von
Braveheart,
Mission:
Impossible, Star
Trek sowie Top
Gun zu einem
brillanten Medley fu r
Blasorchester, das nicht
nur die Herzen von
Cineasten höher
schlagen lässt.
Peter Kleine
Schaars a rassemblé
dans cet arrangement les
principaux thèmes de
musique de film dans
l’histoire du
cinéma. Movie Main
Theme Miracles est un
medley flamboyant
susceptible de figurer au
répertoire de tous les
orchestres
d’harmonie.
Charmez votre public avec
les célèbres
thèmes de
Braveheart,
Mission:
Impossible, Star
Trek et Top
Gun.
Come
suggerisce il titolo, le
colonne sonore
sapientemente raggruppate
da Peter Kleine Schaars
in questa raccolta sono
tra le più note e
amate della storia del
cinema. Un brillante
medley che propone le
musiche di
Braveheart, Top
Gun, Star Trek
e Mission:
Impossible. Un brano
che entusiasmer non solo
i cinefili. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Movie Main Theme Miracles Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1185967-120 Arranged by Peter Kleine S...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1185967-120
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection.
TV-Film-Musical-Show.
Score Only. Composed
2018. 29 pages. De Haske
Publications #DHP
1185967-120. Published by
De Haske Publications
(BT.DHP-1185967-120).
The music
collected in Movie
Main Theme Miracles
are surely among the most
famous, popular and
successful melodies in
the history of film:
Peter Kleine Schaars has
arranged the themes from
Braveheart, Top
Gun, Star Trek
and Mission:
Impossible into a
fabulous medley for
concert band, that will
appeal not just to film
buffs but any audience.
Movie Main
Theme Miracles bevat
een verzameling
thema’s die
behoren tot de bekendste,
geliefdste en
succesvolste melodieën
uit de geschiedenis van
de filmmuziek. Peter
Kleine Schaars verwerkte
de hoofdthema’s
van de soundtracks van
Braveheart,
Mission:
Impossible, Star
Trek en Top
Gun tot een briljante
medley. Movie Main
Theme Miracles: niet
alleen voor
filmliefhebbers een lust
voor het oor!
Die
in Movie Main Theme
Miracles versammelten
Filmmusikthemen
gehören zu den
bekanntesten,
beliebtesten und
erfolgreichsten Melodien
der Filmgeschichte: Peter
Kleine Schaars
verarbeitete die
Hauptthemen der
Soundtracks von
Braveheart,
Mission:
Impossible, Star
Trek sowie Top
Gun zu einem
brillanten Medley fu r
Blasorchester, das nicht
nur die Herzen von
Cineasten höher
schlagen lässt.
Peter Kleine
Schaars a rassemblé
dans cet arrangement les
principaux thèmes de
musique de film dans
l’histoire du
cinéma. Movie Main
Theme Miracles est un
medley flamboyant
susceptible de figurer au
répertoire de tous les
orchestres
d’harmonie.
Charmez votre public avec
les célèbres
thèmes de
Braveheart,
Mission:
Impossible, Star
Trek et Top
Gun.
Come
suggerisce il titolo, le
colonne sonore
sapientemente raggruppate
da Peter Kleine Schaars
in questa raccolta sono
tra le più note e
amate della storia del
cinema. Un brillante
medley che propone le
musiche di
Braveheart, Top
Gun, Star Trek
e Mission:
Impossible. Un brano
che entusiasmer non solo
i cinefili. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Movie Main Theme Miracles Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135408-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135408-010
Composed by James Horner
and Lalo Schifrin.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135408-010. Published by
De Haske Publications
(BT.DHP-1135408-010).
9x12 inches.
English-German-French-Dut
ch. The music
collected in Movie
Main Theme Miracles
are surely among the most
famous, popular and
successful melodies in
the history of film:
Peter Kleine Schaars has
arranged the themes from
Braveheart, Top Gun,
Star Trek and
Mission:
Impossible into a
fabulous medley for
concert band, that will
appeal not just to film
buffs but any audience.
Movie Main
Theme Miracles bevat
een verzameling
thema’s die
behoren tot de bekendste,
geliefdste en
succesvolste melodieën
uit de geschiedenis van
de filmmuziek. Peter
Kleine Schaars verwerkte
de hoofdthema’s
van de soundtracks van
Braveheart, Mission:
Impossible, Star Trek
en Top Gun tot een
briljante medley.
Movie Main Theme
Miracles: niet alleen
voor filmliefhebbers een
lust voor het oor!
Die in Movie
Main Theme Miracles
versammelten
Filmmusikthemen
gehören zu den
bekanntesten,
beliebtesten und
erfolgreichsten Melodien
der Filmgeschichte: Peter
Kleine Schaars
verarbeitete die
Hauptthemen der
Soundtracks von
Braveheart, Mission:
Impossible, Star Trek
sowie Top Gun zu
einem brillanten Medley
für Blasorchester,
das nicht nur die Herzen
von Cineasten höher
schlagen lässt.
Peter Kleine
Schaars a rassemblé
dans cet arrangement les
principaux thèmes de
musique de film dans
l’histoire du
cinéma. Movie Main
Theme Miracles est un
medley flamboyant
susceptible de figurer au
répertoire de tous les
orchestres
d’harmonie.
Charmez votre public avec
les célèbres
thèmes de
Braveheart, Mission:
Impossible, Star Trek
et Top Gun.
Come suggerisce
il titolo, le colonne
sonore sapientemente
raggruppate da Peter
Kleine Schaars in questa
raccolta sono tra le
più note e amate della
storia del cinema. Un
brillante medley che
propone le musiche di
Braveheart, Top Gun,
Star Trek e
Mission:
Impossible. Un brano
che entusiasmer non solo
i cinefili. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mozart: Le Grand Rpertoire Pour Le Piano Facile Piano seul Editions Musicales Francaises
Piano Solo (Piano) SKU: HL.14021532 Music Sales America. Classical. 44 pa...(+)
Piano Solo (Piano)
SKU: HL.14021532
Music Sales America.
Classical. 44 pages.
Editions Musicales
Francaises #EMF100035.
Published by Editions
Musicales Francaises
(HL.14021532).
9.0x12.0x0.172
inches. A
collection of simplified
versions of Mozart's
original compositions
arranged for solo piano.
The succession of pieces
do not correspond to an
increasing technical
level but offers the
discovery of the author's
musical repertoire. The
accompanying CD (CD audio
and CD-rom) allows the
pianist to listen to each
composition and hear the
interpretation suggested.
Suitable for pianists
grades 3-5 standard.
(CD-rom is compatible for
PC and Mac). $17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Music From The Movies Big Screen Piano seul Music Sales
| | |
| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143L
Composed by Stacy Garrop.
Spiral. Large Score. 68
pages. Duration 20
minutes. Theodore Presser
Company #116-42143L.
Published by Theodore
Presser Company
(PR.11642143L). UPC:
680160693320. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $71.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Berko's Journey [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143S
Composed by Stacy Garrop.
Sws. Score. 68 pages.
Duration 20 minutes.
Theodore Presser Company
#116-42143S. Published by
Theodore Presser Company
(PR.11642143S). UPC:
680160693313. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $40.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Extreme Make-Over Orchestre d'harmonie [Conducteur] Amstel Music
Metamorphoses on a Theme by Tchaikovsky for Brass Band. By Johan De Meij. (Scor...(+)
Metamorphoses on a Theme
by Tchaikovsky for Brass
Band. By Johan De Meij.
(Score). Amstel Concert
Bands. 90 pages.
Published by Amstel
Music.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music From The Movies: Film Noir Piano seul Music Sales
| | |
| Kaleidoscope: Pomp And Circumstance Chester
Flexible Ensemble SKU: HL.14017593 By Nicholas Hare. By Edward Elgar. Edi...(+)
Flexible Ensemble SKU:
HL.14017593 By
Nicholas Hare. By Edward
Elgar. Edited by Nicholas
Hare. Music Sales
America. Romantic. Set.
Composed 2005. Chester
Music #CH55727R.
Published by Chester
Music (HL.14017593).
ISBN 9780711935570.
9.0x12.0x0.363
inches. Kaleidoscop
e will save you time! Do
you spend hours arranging
music for odd assortments
of instruments?
Kaleidoscope is specially
arranged to suit almost
any instrumental
combination and these
varied ensembles are easy
and enjoyable too. So
much scope for virtually
any combination of
instruments! The series
is successful with
recorders, guitars,
percussion and keyboard
as well as with
orchestral groupings.
Whether there are five or
fifty players, every
Kaleidoscope title will
work! Just make sure that
melody and keyboard parts
are included - all other
parts are optional.
Kaleidoscope is superb
value for money - each
set contains a score plus
around 50 parts, each one
carefully written to suit
the needs of each
instrument. For example,
easy string parts are in
first position only
whilst easy clarinet
parts take care to avoid
the break. There are more
demanding parts too, for
experienced players. To
help you choose the right
pieces for your players
we have given the key of
each Kaleidoscope in
brackets. The complete
performance option! These
super-flexible
arrangements of
well-known titles are a
must for every school.
Why not choose a theme
for your concert and
perform a selection of
Kaleidoscope show titles
and film themes or have
an evening of classical
favourites? In C. Edited
by Nicholas Hare. $43.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nocturne for piano Piano seul [Conducteur] - Intermédiaire Brixton Publications
Solo piano - Grade 4 SKU: B7.B152 Composed by Marc Douyon. Edited by Howa...(+)
Solo piano - Grade 4
SKU: B7.B152
Composed by Marc Douyon.
Edited by Howard J. Buss.
NOCTURNE FOR PIANO is
based on the Haitian folk
song, Ouangolo. The main
theme quotes this folk
melody, which is then
developed with various
compositional techniques.
Original secondary themes
and motives by the
composer are an integral
part of the colo. 21st
Century. Score. Duration
6'26. Brixton
Publications #B152.
Published by Brixton
Publications (B7.B152).
8.5x11
inches. NOCTURNE
FOR PIANO by Marc Douyon
is based on the Haitian
folk song, Ouangolo. The
main theme quotes this
folk melody, which is
then developed with
various compositional
techniques. Original
secondary themes and
motives by the composer
are an integral part of
the colorful musical
tapestry as well. The
work begins with an
accompaniment that has
the feel of someone
gently rocking a chair
and enjoying the
relaxation it brings to
the body. Among various
themes heard in
succession, the first is
developed through
variations and tempo
changes. Shortly
thereafter follow, new
melodic fragments and
accompaniment styles, a
change of key, a
recitative, all which
bring a new sense of
motion. Near the end, the
last theme of the first
section returns. The work
closes with a coda which
suggests that the person
in the rocking chair has
fallen asleep. $8.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Extreme Make-Over Orchestre d'harmonie [Conducteur et Parties séparées] Amstel Music
Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (...(+)
Metamorphoses on a Theme
by Tchaikovsky for Wind
Orchestra. By Johan De
Meij. (Score and Parts).
Amstel Concert Bands.
Published by Amstel
Music.
(1)$192.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rhapsody on a Theme of Paganini, Op. 43 [Conducteur] LudwigMasters Publications
2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Solo Pno: Str: FULL AND STUDY SCORES...(+)
2+Picc.2+EH.2.2: 4.2.3.1:
Timp.Perc(3): Hp: Solo
Pno: Str: FULL AND STUDY
SCORES ONLY SKU:
AP.36-A700701
Composed by Sergei
Rachmaninoff. Chamber
Orchestra; Performance
Music Ensemble; Solo.
Kalmus Orchestra Library.
Form: Concerto. Romantic.
Score. LudwigMasters
Publications #36-A700701.
Published by
LudwigMasters
Publications
(AP.36-A700701). UPC:
746241222916.
English. Written by
Sergei Rachmaninoff
(1873-1943) in 1934, this
set of variations for
piano solo and orchestra
on Niccolò Paganini's
Caprice No. 24 for solo
violin is much like a
concerto, though it
consists of a single
movement with an
introduction of the theme
and twenty-four
variations. The most
well-known of the
variations is the lyrical
18th, and it has been
used in numerous movies
over the years. In
addition to Paganini's
theme as the thematic
foundation, the Dies irae
theme found in the
requiem mass and which
features so prominently
in Berlioz' Symphonie
Fantastique is also
featured at times. The
work premiered with
immediate success on
November 7th, 1934 by the
Philadelphia Orchestra
under Leopold Stokowski,
with Rachmaninoff himself
as soloist.
2+Picc.2+EH.2.2: 4.2.3.1:
Timp.Perc(3): Hp: Solo
Pno: Str. A full score
and study score are
available from the
publisher, but the set of
parts is not.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $85.00 - Voir plus => Acheter | | |
| Introduction and Variations on a Theme by Mozart Op. 104 Clarinette Breitkopf & Härtel
Clarinet and piano (original scoring: clar,orch) SKU: BR.MR-2259 Piano...(+)
Clarinet and piano
(original scoring:
clar,orch) SKU:
BR.MR-2259 Piano
reduction. Composed
by Andreas Spaeth. Edited
by John P. Newhill. Solo
instruments; stapled.
Musica Rara. In spite of
his more than 200 works,
Andreas Spath remains a
minor figure in Romantic
music. But this is of
little concern to today's
clarinetists, who can now
enjoy his idiomatic
Variations on a Theme by
Mozart op. 104.
Variations; Solo
concerto; Romantic. Piano
reduction. 24 pages.
Breitkopf and Haertel #MR
2259. Published by
Breitkopf and Haertel
(BR.MR-2259). ISBN
9790004488058. 9 x 12
inches. In spite of
his more than 200 works,
Andreas Spath remains a
minor figure in Romantic
music. But this is of
little concern to
today’s
clarinetists, who can now
enjoy his idiomatic
"Variations on a
Theme by Mozart" op.
104. Just as Beethoven
before him and many other
composers of his own time
and later, Spath chooses
the duet "Bei
Mannern, welche Liebe
fuhlen," a popular
theme from the then still
very successful Magic
Flute, and leads it
knowledgeably through all
of the clarinet’s
registers. The new
edition is based on the
first print, published
during Spath’s
lifetime. $22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Theme from Jurassic Park Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0940530-030 Composed by John Williams. A...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0940530-030
Composed by John
Williams. Arranged by
Roland Kernen. Film
Spectaculars. Festive and
Solemn Music. Set (Score
& Parts). Composed 1994.
De Haske Publications
#DHP 0940530-030.
Published by De Haske
Publications
(BT.DHP-0940530-030).
This passionate
and uplifting theme comes
from one of Steven
Spielberg’s most
successful films Jurassic
Park. As with many of
Spielberg’s films
the music has been
supplied by John Williams
and plays an extremely
important role in
creating the
film’s atmosphere.
The melody and
orchestration makes this
theme ideal for the sound
of the brass band and
this arrangement will not
disapoint.
Diese
leidenschaftliche,
erhabene Musik stammt aus
Jurassic Park,
einem der erfolgreichsten
Filme von Steven
Spielberg. Wie so oft,
hatte auch hier die Musik
von John Williams einen
wesentlichen Anteil an
der Atmosphäre des
Films. Melodie und
Orchestrierung passen
hervorragend zum Klang
der Brass Band und so
werden Sie mit dieser
Bearbeitung garantiert
Erfolg haben. $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hawaii Five-O Theme Quatuor de Flûtes : 4 flûtes - Intermédiaire De Haske Publications
Composed by Jimmie Davis. Arranged by Mike Sheppard. De Haske Flute Series. Po...(+)
Composed by Jimmie Davis.
Arranged by Mike
Sheppard. De
Haske Flute Series. Pop
and
Rock. Set (Score and
Parts).
Composed 2020. De Haske
Publications #DHP
1206217-
070. Published by De
Haske
Publications
$25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Another 90 Days to Sight Reading Success [CD] Alliance Music Publications
(A Singer's Resource for Competitive Sight-Singing). By Stan McGill and H. Morri...(+)
(A Singer's Resource for
Competitive
Sight-Singing). By Stan
McGill and H. Morriss
Stevens, Jr.. For Voice.
Choral, Sight-Reading,
Instructional. Exercise
Book and Rehearsal CD
$16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rapsodie sur un theme de Paganini op. 43 Piano et Orchestre Breitkopf & Härtel
Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4)...(+)
Piano/harpsichord and
orchestra (picc.2.2.cor
ang.2.2 - 4.2.3.1 - timp
- perc(4) - hp - str)
SKU: BR.PB-15160
Urtext. Composed
by Sergej Rachmaninow.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Variations; Solo
concerto; Late-romantic;
Early modern. Sheet
Music. Duration 22'.
Breitkopf and Haertel #PB
15160. Published by
Breitkopf and Haertel
(BR.PB-15160). ISBN
9790004215654. 10 x 12.5
inches. Paganini's
Capricci served as
inspiration for many
composers. In addition to
Brahms, Schumann and
Liszt, Rachmaninoff was
also inspired by the
idea. His Rhapsody on a
Theme by Paganini has
since become one of his
best known and most
popular works and was an
immediate success. In
1934, between two intense
concert seasons,
Rachmaninoff took
advantage of the peace
and quiet at his villa on
Lake Lucerne to compose
the Variations.
Paganini's virtuosity and
joy of playing are
juxtaposed with the
Gregorian sequence Dies
irae. A symbol of the
evil spirit to which
Paganini sold his soul?
At least that is how
Rachmaninoff wrote it in
a letter to the
choreographer Fokine. For
the demanding piano part,
the composer and
celebrated pianist
himself had to start
practicing very early:
The composition is very
difficult, and I should
really start practicing
now, but I get lazier
with my finger exercises
year after year.The
editor, Norbert Gertsch,
presents with this
edition for the first
time an Urtext edition of
the work that Joachim
Kaiser described as
Rachmaninoff's most
spiritual, witty, elegant
work for piano.. $160.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Academic Festival Overture, Op.80 Tragic Overture, Op.81 Variations on a Theme by Haydn, Op.56a Orchestre [Partition + CD] Eulenburg
Eulenburg Audio Score Study Score/CD. Composed by Johannes Brahms (1833-1897). E...(+)
Eulenburg Audio Score
Study Score/CD. Composed
by Johannes Brahms
(1833-1897). Edited by
Richard Clarke. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Eulenburg Audio
Score. Classical. Study
score CD, Softcover
with CD. Op. 56a. 180
pages. Duration 10'.
Eulenburg Edition #EAS
151. Published by
Eulenburg Edition
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Variations on a Rococo Theme Op. 33 Violoncelle, Piano Breitkopf & Härtel
Cello and piano (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.CB-215 Or...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.0.0.0 -
str) SKU:
BR.CB-215 Original
Version. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Thomas Kohlhase. Solo
instruments; Softcover.
Variations; Solo
concerto; Romantic. Piano
reduction. 48 pages.
Duration 18'. Breitkopf
and Haertel #CB 215.
Published by Breitkopf
and Haertel (BR.CB-215).
ISBN 9790001157223. 9
x 12 inches. The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Rapsodie sur un theme de Paganini op. 43 Breitkopf & Härtel
Piano (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4) - hp - str) SKU: BR.EB...(+)
Piano (picc.2.2.cor
ang.2.2 - 4.2.3.1 - timp
- perc(4) - hp - str)
SKU: BR.EB-11506
Urtext. Composed
by Sergej Rachmaninow.
Edited by Norbert
Gertsch. Solo
instruments. Edition
Breitkopf. Variations;
Solo concerto;
Late-romantic; Early
modern. Piano/Vocal
Score. Duration 22'.
Breitkopf and Haertel #EB
11506. Published by
Breitkopf and Haertel
(BR.EB-11506). ISBN
9790201815060. 0 x 0
inches. Paganini's
Capricci served as
inspiration for many
composers. In addition to
Brahms, Schumann and
Liszt, Rachmaninoff was
also inspired by the
idea. His Rhapsody on a
Theme by Paganini has
since become one of his
best known and most
popular works and was an
immediate success. In
1934, between two intense
concert seasons,
Rachmaninoff took
advantage of the peace
and quiet at his villa on
Lake Lucerne to compose
the Variations.
Paganini's virtuosity and
joy of playing are
juxtaposed with the
Gregorian sequence Dies
irae. A symbol of the
evil spirit to which
Paganini sold his soul?
At least that is how
Rachmaninoff wrote it in
a letter to the
choreographer Fokine. For
the demanding piano part,
the composer and
celebrated pianist
himself had to start
practicing very early:
The composition is very
difficult, and I should
really start practicing
now, but I get lazier
with my finger exercises
year after year.The
editor, Norbert Gertsch,
presents with this
edition for the first
time an Urtext edition of
the work that Joachim
Kaiser described as
Rachmaninoff's most
spiritual, witty, elegant
work for piano.. $35.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Variations on a Rococo Theme Op. 33 Breitkopf & Härtel
Violin 2 (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.EOS-1900-16 Orig...(+)
Violin 2 (solo: vc -
2.2.2.2 - 2.0.0.0 - str)
SKU:
BR.EOS-1900-16
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
Duration 18'. Breitkopf
and Haertel #EOS 1900-16.
Published by Breitkopf
and Haertel
(BR.EOS-1900-16). ISBN
9790004789384. 9 x 12
inches. The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Variations on a Rococo Theme Op. 33 Breitkopf & Härtel
Viola (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.EOS-1900-19 Origina...(+)
Viola (solo: vc - 2.2.2.2
- 2.0.0.0 - str) SKU:
BR.EOS-1900-19
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
Duration 18'. Breitkopf
and Haertel #EOS 1900-19.
Published by Breitkopf
and Haertel
(BR.EOS-1900-19). ISBN
9790004789391. 9 x 12
inches. The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Variations on a Rococo Theme Op. 33 Breitkopf & Härtel
Woodwinds (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.EOS-1900-30 Ori...(+)
Woodwinds (solo: vc -
2.2.2.2 - 2.0.0.0 - str)
SKU:
BR.EOS-1900-30
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
Folder. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Set
of parts. 52 pages.
Duration 18'. Breitkopf
and Haertel #EOS 1900-30.
Published by Breitkopf
and Haertel
(BR.EOS-1900-30). ISBN
9790004789421. 9 x 12
inches. The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s. $73.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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