Composed by Trevor Manor. For Unison/two-part choir with piano and optional 2 or 3 octaves handbells. Sacred Anthem. Easter. Octavo. Published by Chorister's Guild

Book. Published by Music Sales. The matching folio to the October 2003 album release. Thirty-three songs arranged for piano, vocal, and guitar, including: Wednesday Morning 3 A.M., Bleecker Street, The Sound Of Silence, I Am A Rock, Scarborough Fair/Canticle, Homeward Bound, The 59th Street Bridge Song (Feelin' Groovy), A Hazy Shade Of Winter, Mrs. Robinson (From the Motion Picture The Graduate), Bookends Theme, America, El Condor Pasa (If I Could), Bridge Over Troubled Water, Cecilia, The Boxer, My Little Town, and more.

By Nancy Faber, Randall Faber. For Piano. Accelerated Piano Adventures. Level: Primer/Level 1. Book. Published by The FJH Music Company, Inc.

Original Solos for the Classical Guitarist. Composed by Lawrence W Long. Saddle-stitched. Solos. Book and online audio. 24 pages. Mel Bay Publications, Inc #98453M. Published by Mel Bay Publications, Inc

Arranged by Anna Laura Page. Sacred anthem. General, Lent. Octavo. Published by Chorister's Guild (LO.CGA1481).

Performed by Hank Williams Jr.. For guitar and voice. Format: guitar tablature songbook. With leadsheet notation (chords and melody), lyrics, chord names, guitar chord diagrams and strum and pick patterns. Country and honky tonk. Series: Strum It (guitar). 64 pages. 9x12 inches. Published by Hal Leonard.

Oboe, Viola, Violin, Violoncello

SKU: PR.16400244S

Composed by Lawrence Moss. Full score (study). With Standard notation. Duration 14 minutes, 30 seconds. Theodore Presser Company #164-00244S. Published by Theodore Presser Company (PR.16400244S).

UPC: 680160038190.

Chamber Music Bassoon, Clarinet, Flute, Horn, Oboe

SKU: PR.114422120

Composed by Samuel Adler. Set of Score and Parts. 24+4+4+4+4+4 pages. Duration 6 minutes. Theodore Presser Company #114-42212. Published by Theodore Presser Company (PR.114422120).

UPC: 680160681877.

Chamber Music Bassoon, Clarinet, Flute, Horn, Oboe

SKU: PR.11442212S

Composed by Samuel Adler. Full score. 24 pages. Duration 6 minutes. Theodore Presser Company #114-42212S. Published by Theodore Presser Company (PR.11442212S).

UPC: 680160681884.

Oboe, Viola, Violin, Violoncello

SKU: PR.164002440

Composed by Lawrence Moss. Score and parts. With Standard notation. Composed 1997. Duration 14 minutes, 30 seconds. Theodore Presser Company #164-00244. Published by Theodore Presser Company (PR.164002440).

UPC: 680160038176.

For Flute and Piano. By Gary Schocker. For Flute Solo, Piano. Solo part with piano reduction. 20 pages. Duration 14:00. Published by Theodore Presser Company.

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

By Stroope. For SSAATTBB choir, a cappella. Choral octavo. Published by Alliance Music Publications. (AMP 0530)

By Billy Hill. Arranged by Jay Althouse. For Choir. (SATB). Choral Octavo. Pop. Level: Level 4 (grade L4). Choral Octavo. 8 pages. Published by Alfred Publishing.

By Billy Hill. Arranged by Jay Althouse. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Movie; Pop. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Billy Hill. Arranged by Jay Althouse. For Choir. (2-Part). Choral Octavo. Pop. Level: Level 2 (grade L2). Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Daniel Ficarri. Pentecost, Organ Dedication. E.C. Schirmer Publishing #8987. Published by E.C. Schirmer Publishing

For Baritone Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

For Alto Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

For Tenor Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

For Soprano Saxophone. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

Chamber Music Harpsichord

SKU: PR.110418390

Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390).

ISBN 9781491134603. UPC: 680160685158.

Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand” texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication.
THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale.

SSAATTBB choir

SKU: C4.9790902260480

Composed by Brooke Shelley. Classical. Score. Crescendo Music Publications #9790902260480. Published by Crescendo Music Publications (C4.9790902260480).

ISBN 9790902260480. 8.27 x 11.7 inches.

Heavenly Father was commissioned by Sydney Chamber Choir for a concert in 2022 which featured Heinrich Schütz’s Musikalische Exequien. Melodic lines from Schütz’s work are used throughout Heavenly Father: the first soprano melody in the opening chorus at ‘Herr Gott Vater in Himmel’ is featured at the beginning and repeated throughout, as are the melodies, for example, at ‘Also hat Gott die Welt geliebt’, and at ‘seinem verklärten Leibe’, among other places.

In a conversation about what this commission would be, it was agreed that the sense of the work would be about the circle of life expressed in Musikalische Exequien rather than about death itself. It is because of this ‘sense’ that the end of Heavenly Father is reversed, illustrating a musical circle: the lower voices sing the ‘Herr Gott Vater in Himmel’ phrase backwards, and the upper voices sing the melodies backwards that were sung by the lower voices at the beginning.

SKU: GI.G-10148

Music and Imagination. Composed by Don Saliers. Sacred. Book. 282 pages. GIA Publications #10148. Published by GIA Publications (GI.G-10148).

ISBN 9781622774906. English. Text Source: Essays from THE AMERICAN ORGANIST Magazine

â€� �More than any other human activity, music has the power to reveal who we are and how and what we love in this world.”  â� �“ Don Saliers (from the Introduction)   Originally written as a series of columns for The American Organist magazine,  Themes and Variations is a collection of reflections for music-lovers as well as music-makers.    With each essay, theologian and musician Don Saliers embraces the connection between musical passages and life passages, exploring “the powerful way in which music explores a double journey into the depths of humanity and the mystery of the divine.”    These seventy-plus reflections, filled with personal stories and thoughtful insights, make an excellent basis for conversations about music in churches, classrooms, or among friends.    .

SKU: HL.49015430

Zwischen Wilhlem Furtwangler und Walter Abendroth. Composed by Wilhelm Furtwangler. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 117 pages. Schott Music #ED8140. Published by Schott Music (HL.49015430).

ISBN 9783795702700. 5.0x7.75x0.477 inches. German.

These conversations about music took place between Wilhelm Furtwangler and Walter Abendroth in 1937. They always deal with a certain topic, such as with the question of different possibilities of interpretation, with the interaction between artist and audience, with the relationship between orchestra and conductor, with classical and modern, tonal and atonal music. Wilhelm Furtwangler voices his opinion in a lively and spirited manner, always being aware of his artistic mission and never losing his sense of clarity and logic in the music. Walter Abendroth writes: 'The extent to which conscious intellectual work for its part is rooted in the immediate experience of the work of art and is induced only from there to feel this and follow that will certainly be of particular appeal to the readers of these conversations.'.

Pedagogy, Methods, and Materials for Tomorrow's Outstanding Music Teachers. Pavane Choral. Choral Resources, Teacher Resource. Softcover Media Online. 420 pages. Pavane Publishing #P5029. Published by Pavane Publishing