For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich Lackowski. For Drum Set. Percussion - Drum Set Method or Collection. Instructional Book and Examples CD. 244 pages. Published by Alfred Publishing.

Chamber Music Flute, Piccolo, alto Flute

SKU: PR.164002480

Composed by Dan Welcher. Set of performance scores. With Standard notation. 23 pages. Duration 14 minutes. Theodore Presser Company #164-00248. Published by Theodore Presser Company (PR.164002480).

UPC: 680160038237.

This work is my second for a solo woodwind and a solo percussionist, following Firewing: The Flame and the Moth for oboe and percussion by nine years. The earlier piece followed a specific story line, and pitted the oboe against the percussionist as both adversary and lover. In Spirit Realms, my aim was not only to juxtapose the very different sounds of flute (plus alto flute and piccolo) against a large array of percussion, but also to attempt three different meditative spaces, each named for a different type of spiritual practice. The musical means of expression is very different for each of the three movements (as is the instrumentation), although they share a common scale-source: the looped pentatonic scale I have been developing over the last several years.   The first movement is called Prayer Tunnel, and is named for the Eskimo practice of solo meditation within a tunnel of ice blocks. This is said to be a means of overcoming demons within, and in my musical rendering it takes the form of an unaccompanied alto flute solo. The flute begins rather angrily, full of tension, but in the course of the solo passage manages to slowly unwind. The percussionist then plays the exact same music the alto flute had played....on seven tuned cymbals. Toward the end, the alto flute re-enters, its original meditation having fused with its mirror.   Kiva represents the circular, subterranean pit in which the Anasazi practiced their religion, a form of which still can be found in the Hopi tribes of the American southwest. These are not spaces for solo meditation, but rather a group meeting place in which only the sanctified are permitted. After an introductory invocation (dove call), the music begins. At first, it is flowing, in a repetitive double-five meter. It then traces several sections, with metric shifts forcing the pulse to race faster and faster, until it halves itself in the coda and returns to the exact pulse of the beginning. The flutist here uses the C flute, and the percussionist plays on both pitched (marimba) and unpitched instruments (various drums and struck sources).   Zendo is the meditation room used by Zen Buddhists. My music begins with another invocation (wind chimes, temple cup gongs, and temple blocks), then moves on to a slow subject stated by the flute. The subject is taken up by the vibraphone, and after several modulations and tempo changes, the flutist takes up the piccolo. The music continues higher and higher, and faster and faster (Zen meditation is NOT all about becoming lost!) until it breaks free at the very end. The percussionist is put through his paces in this movement, having to reach a staggering number of instruments in a short time.   Spirit Realms was commissioned by, and is dedicated to, the Armstrong Duo. -- Dan Welcher.

Flute, Percussion

SKU: PR.16400248S

Composed by Dan Welcher. With Standard notation. Duration 14 minutes. Theodore Presser Company #164-00248S. Published by Theodore Presser Company (PR.16400248S).

UPC: 680160038244.

This work is my second for a solo woodwind and a solo percussionist, following Firewing: The Flame and the Moth for oboe and percussion by nine years. The earlier piece followed a specific story line, and pitted the oboe against the percussionist as both adversary and lover. In Spirit Realms, my aim was not only to juxtapose the very different sounds of flute (plus alto flute and piccolo) against a large array of percussion, but also to attempt three different meditative spaces, each named for a different type of spiritual practice. The musical means of expression is very different for each of the three movements (as is the instrumentation), although they share a common scale-source: the looped pentatonic scale I have been developing over the last several years.   The first movement is called Prayer Tunnel, and is named for the Eskimo practice of solo meditation within a tunnel of ice blocks. This is said to be a means of overcoming demons within, and in my musical rendering it takes the form of an unaccompanied alto flute solo. The flute begins rather angrily, full of tension, but in the course of the solo passage manages to slowly unwind. The percussionist then plays the exact same music the alto flute had played....on seven tuned cymbals. Toward the end, the alto flute re-enters, its original meditation having fused with its mirror.   Kiva represents the circular, subterranean pit in which the Anasazi practiced their religion, a form of which still can be found in the Hopi tribes of the American southwest. These are not spaces for solo meditation, but rather a group meeting place in which only the sanctified are permitted. After an introductory invocation (dove call), the music begins. At first, it is flowing, in a repetitive double-five meter. It then traces several sections, with metric shifts forcing the pulse to race faster and faster, until it halves itself in the coda and returns to the exact pulse of the beginning. The flutist here uses the C flute, and the percussionist plays on both pitched (marimba) and unpitched instruments (various drums and struck sources).   Zendo is the meditation room used by Zen Buddhists. My music begins with another invocation (wind chimes, temple cup gongs, and temple blocks), then moves on to a slow subject stated by the flute. The subject is taken up by the vibraphone, and after several modulations and tempo changes, the flutist takes up the piccolo. The music continues higher and higher, and faster and faster (Zen meditation is NOT all about becoming lost!) until it breaks free at the very end. The percussionist is put through his paces in this movement, having to reach a staggering number of instruments in a short time.   Spirit Realms was commissioned by, and is dedicated to, the Armstrong Duo. -- Dan Welcher.

Composed by Daniel Baldwin. Score and Parts. Imagine Music Publishing #IMF188. Published by Imagine Music Publishing

Composed by Daniel Baldwin. Score and Parts. Imagine Music Publishing #IMF186. Published by Imagine Music Publishing

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

SKU: HL.299371

By Metallica. Book. Heavy Metal, Rock Reference. Softcover. 152 pages. Published by Cherry Lane Music (HL.299371).

ISBN 9781540060259. UPC: 888680956189. 6.0x9.0x0.332 inches.

Metallica's success can be directly attributed to their passionate, no-compromise attitude, which comes through loud and clear in the words they sing. Now fans can have the complete lyrics to all of their favorite songs with this updated 3rd edition featuring 106 songs.

Composed by Mark Hayes. For SATB choir, piano. Sacred Anthem, Advent, Christmas, Christ the King. Octavo. Lorenz Publishing Company #10/4755L. Published by Lorenz Publishing Company

Composed by Tim Knight (1959-). For unison voices with descant, organ. Easy anthem for Confirmation or Pentecost. Pentecost, Confirmation, Ordination. Octavo. Published by CanticaNOVA Publications

Performed by Yanni. Finger Style Guitar (For acoustic guitar). With notes and tablature. Size 9x12 inches. 80 pages. Published by Hal Leonard.

SATB, with Piano or Organ. By Paul Siskind. (SATB). Choral. Size 6.7x10.5 inches. 4 pages. Published by G. Schirmer, Inc.

Composed by Rogelio Reguera. Carisch - Music Sales. Book Only. 58 pages. Carisch Edition #CARMK12582. Published by Carisch Edition

Composed by Rogelio Reguera. Carisch - Music Sales. Book Only. 50 pages. Carisch Edition #CARMK12581. Published by Carisch Edition

Etude de Style. Composed by Claude Worms. Carisch - Music Sales. Classical. Book with CD. 80 pages. Play Music France #CARMF2289. Published by Play Music France

Composed by Rogelio Reguera. Carisch - Music Sales. Book Only. 48 pages. Carisch Edition #CARMK12854. Published by Carisch Edition

(9 Late Intermediate Pieces in a Variety of Styles). By Robert D. Vandall. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Piano Extravaganza. Late Intermediate. 32 pages. Published by Alfred Music

Composed by Metodo Leiva. Carisch Music Lab Spagna. Book with CD. 124 pages. Carisch Edition #CARML3340. Published by Carisch Edition

Concert Band - Grade 1.5

SKU: AP.29441

Composed by John O'Reilly. Concert Band; Performance Music Ensemble; Single Titles. Accent on Achievement. Score and Part(s). 124 pages. Alfred Music #00-29441. Published by Alfred Music (AP.29441).

UPC: 038081324241. English.

October 28, 2007 began as a typically beautiful Southern California day. But as the composer sat at his piano writing this composition, he became aware of a major firestorm raging within a few miles of his house. Dense smoke filled the air and a steady stream of helicopters flew into the local reservoir to fill up with water to battle the flames. John O'Reilly has crafted a remarkable piece that captures the drama of this event. (3:25)

Correlated with Accent on Achievement, Book 2, page 23.

Estudio de Estilo. Composed by Jose Fuente. Carisch - Music Sales. Folk Music. Book with CD. 100 pages. Carisch Edition #CARML3470. Published by Carisch Edition

Estudio de Estilo. Composed by Jose Fuente. Carisch - Music Sales. Folk Music. Book with CD. 85 pages. Play Music Spain #CARML3360. Published by Play Music Spain

This edition: Authentic Guitar TAB. Guitar Personality. Book. 312 pages. Published by Alfred Publishing.