| Dangerous Music : 2 Bus XT
- Dangerous Music 2 Bus XT; 16-channel analog summing unit; XLR and D-Sub connectors, 2 pa...(+) - Dangerous Music 2 Bus XT; 16-channel analog summing unit; XLR and D-Sub connectors, 2 parallel stereo outputs (main + monitor); 2 different circuits to color the signal: Transformer and Coherence, applicable to sum, channels 15/16 or hard bypass; Coherence has a blend control; 2 of 8 stereo pairs switchable to dual mono (1/2 & 9/10); Expansion input for with additional summers like 2-BUS(+), 2-BUS LT, D-BOX(+) or just another 2-Bus-XT; Frequency range: from 20 Hz to 50kHz linear ( |
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| Dangerous Music : 2 Bus+
(4 comments)
- XLR and D-Sub connectors- 2 parallel stereo outputs: Main Monitor- Switchable sum insert...(+) - XLR and D-Sub connectors- 2 parallel stereo outputs: Main Monitor- Switchable sum insert: send return as XLR- Rastered volume control- Three different analog colouring options: "Harmonics", "Paralimit" and "X-Former"- Easy to assign and add colouring options via elegant user interface- The 'Harmonics' processor generates harmonic distortions, which can be mixed with the original using the "STIMULATE" control- 'Paralimit' is an FET limiter (fixed), the controller of which is called "BLEND" for parallel mixing- Both processors can be applied to the stereo mix or to either the stereo input pair 13/14 or 15/16- 'X-Former' inserts two custom cinemag transducers in the stereo mix- The "SATURATE" control can be used to determine the degree of saturation- All three processors can work simultaneously- The order of distortion and limiter in the signal flow can be exchanged- Cascadable and compatible with 2-Bus LT- Exclusively audiophilic components in the signal path- Endless headroom- Crystal-clear sound and stereo image with outstanding 3-dimensionality- Frequency range: from 10 Hz to 50 kHz linear ( |
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| Dangerous Music : Liaison
(4 comments)
- 6 Stereo insert loops - assignable to 2 stereo buses- Flexible Potent Parallel processin...(+) - 6 Stereo insert loops - assignable to 2 stereo buses- Flexible Potent Parallel processing loop, route, switch, matrix, flip and audition without delay, quality loss or cracking- Restore any tracking, mixing, or mastering settings- Seamless integration with Dangerous Master- True hard-wire bypass relays- Frequency Response (Passive Section) +0 -0.1 dB from 10 Hz to 100 kHz- Frequency Response (Active Section) +0 -0.1 dB from 10 Hz to 100 kHz- Maximum Level> +28 dBu- Noise floor |
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| Dangerous Music : Convert AD+
(3 comments)
- Sample frequency switchable in 6 steps- For universal compatibility with other devices- ...(+) - Sample frequency switchable in 6 steps- For universal compatibility with other devices- Calibration level in 3 steps switchable for compatibility with other devices- Two selectable discrete stereo input paths- "Clip Guard" prevents the red LEDs on the target (such as the DAW) from coming on- Custom-made digital display with normal and peak hold mode for precise optical feedback- "Zoom View" For a more accurate, enlarged resolution, only the upper 10dB of the signal level is displayed- Word Clock with three modes: Internal, External and Master- X Shaper- EMPHASIS Shelving EQ / Compressor- USB port for Mac / PC- Frequency Response (@ 96kHz): 20Hz to 20kHz (+0 / -0.035dB)- IMD (SMPTE): IMD 60Hz / 7kHz +4 dBu in: |
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| Dangerous Music : BAX EQ
(5 comments)
- All potentiometers are screened for accurate and reproducible work- Wide Q shelving for ...(+) - All potentiometers are screened for accurate and reproducible work- Wide Q shelving for a natural and open sound character- 7 Positions High Pass and Low Pass Filter on Relays for Phase Equality- 8 Position high and low frequency selection- 5 dB Cut and Boost Controls in 1 / 2dB for accurate settings- Frequency range: +/- 0.1 dB from 10 Hz to 20 kHz, +/- 0.2 dB from 1 Hz to 80 kHz- Maximum level: > +28 dBu- Noise floor: |
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| Dangerous Music : Convert-2
(1 comments)
- Audiophile conversion- 5 Digital input formats: USB, AES, S/PDIF, ADAT, Optical S/PDIF (...(+) - Audiophile conversion- 5 Digital input formats: USB, AES, S/PDIF, ADAT, Optical S/PDIF (Toslink)- Sampling frequencies from 44.1 to 192 kHz with automatic detection- High definition stereo reference monitoring- Extremely low-jitter clock- USB input for direct DAW connection- USB uplink: Switched to USB, the otherwise unused USB input is fed from the AES-2 input- Compatible with Monitor ST/SR for remote controlled switching- Precise level display (peak meter) as used in the Dangerous Master- Loop through of digital input for external level display- Signal-to-noise ratio A-weighted (20 - 20k Hz): |
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| Dangerous Music Dm18 Liaison 6 Channel Insert Switcher & Parallel Processor
Leverage All Your Gear, All The Time. Contemporary studios must be flexible and agile, wi...(+) Leverage All Your Gear, All The Time. Contemporary studios must be flexible and agile, with the ability to adapt to any workflow effortlessly. Tracking, mixing and mastering services oftentimes must be performed under one roof, utilizing every piece of outboard gear available. The Dangerous Liaison realizes this dream by providing unprecedented access to your outboard equipment. Connect up to six of your favorite units to the Liaison (more if you daisy chain, leverage a patchbay or add a Dangerous Master). 6 Stereo Insert Loops, Assignable to 2 Stereo Busses Flexible and Potent Parallel Processing Loop Route, Switch, Matrix, Flip and Audition Instantly The human ear has a remarkably short memory. Echoic memory studies have revealed up to 4 seconds of retention. Unfortunately these are based on vocal cues (random word sequences) vs. audio auditions. The latter have resulted in only up to 1000 milliseconds. That means no time for a patchbay or clumsy manual jack swaps. The Liaison provides true, instantaneous comparisons with no disconcerting pops and thuds. Instantly audition any device or combination, change the order, dial in some parallel processing and then store these customized signal paths as presets to use again, on demand, anytime. Recall Any Tracking, Mixing, or Mastering Configuration Seamlessly Integrates with Dangerous Master Zero Audio Sacrifice True hard-wire bypass relays remove the gear entirely from the signal path; this includes outboard that lacks an integrated bypass or true hard-wire bypass. Mastering grade components switch instantly and silently, providing true A/B comparisons without coloration or latency. Pre and post-processing monitor outputs make it simple to audition between the original source and the treated product. Skip the path of least resistance. Instead of patching in the the usual, audition new combinations of outboard, and discover the next tier of creativity. |
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| Dangerous Music Dm06 Master Mastering Console Including An M/s Matrix
Continuing the Legacy of World-Renowned Custom Mastering Consoles For years the top maste...(+) Continuing the Legacy of World-Renowned Custom Mastering Consoles For years the top mastering engineers at the hottest mastering facilities have been using custom-designed tools that were not available to the public. Until now. The Dangerous Master was designed for Mastering Engineers, by Mastering Engineers, with years of testing and fine-tuning in the real world: virtually identical to the custom $20K consoles previously available only to the elite. The Master provides insert loops, sum and difference processing, level offset, and stereo image width control to unify high-quality outboard equalizers and compressors into a professional mastering rig. Designed by mastering engineers Pristine audio quality Integrated sum and difference processing Mastering engineers are well known for having the most nuanced and detailed hearing on the planet, so what is it about the Master that they love so much Translation. Mastering is the last step in the record making process- the final opportunity for the music s success or failure. These fine finishing details will ultimately allow the track to translate across multiple sources like an iPod, Car Stereo, Home Hi Fi, Club Systems or not. If the engineer cannot hear everything, neither will the end listener. The sound of the Dangerous Master is transparent, yet musical. While achieving ruler flat specifications on paper is possible, the result is often cold and sterile. The marriage of specs and musicality is the ultimate goal- but due to the complexity, remains frustratingly elusive. Fortunately, Chris Muth, the equipment designer for many of the world s top mastering facilities has this gift and the experience. No other audio company shares this pedigree: real world testing and fine-tuning amidst some of the world s greatest studios and ears. Hand built with premium components Stepped controls throughout Transparent and silent operation Seamless connection with the Dangerous Monitor and Liaison As the control room centerpiece, the Master ties together equalizers, compressors, limiters, de-essers, provides level control accurate to .01 dB, matrix processing and stereo image control. The integrated Input Monitor Offset eliminates the level bias of the pre-effected and post-process, thus allowing the engineer to completely focus on the final product. The SandM matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that SandM allows them to save previously unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or untouched. The Dangerous Master, combined with the Dangerous Monitor and outboard processing gear, consummate the definitive mastering studio: unsurpassed ergonomics and unrivaled sound. Proven every day in the field, by the greatest engineers of our time. |
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| Dangerous Music Dm21 Compressor Mastering Audiophile Vca Compressor
Simple: Hit your choice of buttons and twist the threshold for radio-ready results Smart D...(+) Simple: Hit your choice of buttons and twist the threshold for radio-ready results Smart Dyn Dual Slope Detection: Automatically limits peaks while stealthily compressing the average. Auto Attack/Release: Replace guess with yes for rapid-fire results. Transparent: Performs like an automated fader: No more drawing vocal rides. True Stereo Dual Detector: Traditional linking shares one detector, often resulting in a narrower stereo image. immaculate VCA: Virtually no distortion, even with 20dB of gain reduction. Powerful: Internal sidechain circuitry houses the audiophile soul of the compressor: Bass Cut: Tightens the track without sacrificing the low end. Sibilance Boost: Shave sibilance and shrill histrionics with zero post-compression hangover. |
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| Converter Dangerous Music Dm25 Convert Ad+ Digital Analog Ad A/d Converter Stereo Aes Spdif Adat Tos...
Dangerous has been building award-winning, standard-setting converters since 2002 when the...(+) Dangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor s onboard digital-to-analog converter (DAC) swiftly became the industry reference. We ve been asked over the years to build a stand alone DAC, and they re finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. Loaded with innovative and useful features accessed from an intuitive front panel, the CONVERT-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use. The CONVERT-2 goes beyond transparency you won't just hear everything, you ll hear it beautifully. Main Features - Dedicated Volume Control With Hard-Bypass - Instant Input Calibration - Automatic Sample Rate Detection - On The Fly Input Switching - USB Uplink - Custom Metering - Use The CONVERT As Your Master Clock - Monitor ST Connectivity Specifications Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers. - Signal to Noise Ratio A-weighted, 20Hz to 20KHz: 114dBu @ 1kHz - Replacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V *JetPLL: JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd. |
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| Dangerous Music Dm24 2-bus+ 2 Bus + Plus 16 Channel Analog Summing Amp Processing
Dangerous Music, who revolutionized digital mixing with the original 2-BUS analog-summing ...(+) Dangerous Music, who revolutionized digital mixing with the original 2-BUS analog-summing mixer, has redefined summing again with the ground-up redesign of the Dangerous 2-BUS . The unveiling ceremonies will be conducted at Sweetwater s GearFest in Fort Wayne, Indiana with engineer/producer Fab Dupont officiating. Dangerous Music pioneered the dedicated rack-mounted analog summing device for the back-end of any digital audio workstation in the late 1990s, and the Dangerous 2-Bus proceeded to take its place as the industry standard solution for the analog/digital mixing workflow. The new 2-BUS is a 2-space rack-unit, 16-channel analog-summing mixer, with both XLR and D-sub inputs. New innovative features include 3 separate custom audio processors to add tone and color to mixes. The Harmonics processor is a tuned harmonic distortion generator executed in parallel-processing mode with a blend control, Paralimit is a FET limiter on stun, also in parallel mode. Both of these processors can be applied across the stereo mix, or on a pair of stems. X-Former inserts a pair of custom transformers on the stereo mix and has a control for core saturation. All three tone controls can be active at once, and the order of signal flow through distortion and limiting can be flipped. |
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| Dangerous Music Dm08 D-box+ Dbox Sommateur Analogique 8 Canaux, Contrleur De Monitoring & Dac + Remo...
The Dangerous D-BOX is a ground-up dramatic redesign of the award-winning controller and ...(+) The Dangerous D-BOX is a ground-up dramatic redesign of the award-winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analog mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music s bold and clear sound, while newly added features like Bluetooth connectivity and an app for remote control of all major functions unleash a cutting edge feature set that puts the D-BOX far ahead of the competition. As with all Dangerous Music products, the D-BOX is proudly made to exacting audiophile standards in the USA. TOTAL CONTROL Like a large console s center section, the D-BOX provides elaborate routing and switching of your studio s inputs and outputs, both analog and digital. At the push of a button, you can select from five input sources: analog stereo, the onboard analog summing mixer, USB, AES/SPDIF and brand new for the D-BOX a wireless Bluetooth stream from any Bluetooth-enabled device. Outputs include three stereo speaker ports, and these can be programmed to be mono and/or to include a subwoofer. Further, you can use output 3 as source for an independent sub with individual level and mute control. VERSATILE MONITORING OF MULTIPLE SOURCES Any studio situation, but especially tracking sessions, call for independent monitor routing for artist and engineer. With the D-BOX you have two totally independent monitoring sections: Control Room and Headphones. With the simple push of a button, you can assign any of the five input sources to either of these monitoring paths, making what would otherwise be elaborate patches into instant choices. Want to check on your monitors what your artist is hearing in their headphones Seamless source switching is simple. REMOTE CONTROL VIA BLUETOOTH AND THE D-BOX APP Using the new D-BOX Bluetooth app, on any current phone, tablet, or computer, you are no longer bound to your chair when you need control your studio. All major functions of the D-BOX show up in the highly intuitive and rock solid program, providing limitless new solutions to age-old studio problems. Want to listen to an artist s instrument in the live room while switching monitoring sources in their headphones No problem. Want to give a couch-bound producer control over the talkback mic through their phone Simple. Want to listen to your mixes from the hallway while still swapping monitors or switching a sub in and out You got it. If you can dream it up, the D-BOX app will deliver. THREE MASTERING GRADE DIGITAL-TO-ANALOG STEREO CONVERTERS Our D-A converters have been at the heart of award winning tracking, mixing, and mastering studios for decades. Advanced clock stabilization, top-of-class chip sets, and our uncompromising analog signal path add up to a D-A that s as powerful as it is nuanced. Clarity and musicality of your digital sources are no longer trade-offs, but will come together for the best possible monitoring available in any price category and the D-BOX is loaded with three: USB, AES/SPDIF and Bluetooth. TWO POTENT HEADPHONE AMPS A great session requires a great headphone mix, and a great headphone mix requires a great headphone amp. With the D-BOX you get two of them. These potent amps are so clean, powerful, and accurate that many engineers use them exclusively for fine-grained quality control listening right before delivering a record to market. With the easy yet elaborate routing capabilities of the D-BOX , you ll be able to send any source to either headphone amp from either the front panel or remotely from within the D-BOX app. TALKBACK FROM ANYWHERE DAWs are incredible tools, but they don t offer all the tools you need to make your studio sessions run like clockwork. The onboard talkback mic of the D-BOX offers a simple, time-honored solution to one of a studio s most basic needs. Now that you can control that talkback mic from anywhere via the D-BOX app, you ll find yourself waving your arms far less and communicating more effectively with your collaborators. ROCK SOLID USB CONNECTIVITY FOR WINDOWS AND MAC USB audio connectivity has come a long way over the past decade, and Dangerous has been at the forefront of its development the entire time. With the D-BOX you not only get an ultra-fast, low-latency USB port, you also get the latest driverless connectivity on macOS and flawless driver support on current Windows computers. Say goodbye to fussing around with software just to get up and running, and say hello to plug-and-play connectivity. AN UPGRADED EIGHT-CHANNEL SUMMING MIXER Anyone who has heard what a Dangerous summing mixer can do to improve the sonic impact, panning, depth, and width of a mix knows that there s no substitute for analog summing when its done right. We ve heard stellar results from traditional routing of subgroups to separate analog channels all the way to routing multiple effects returns to their own analog paths for unrivaled dimensionality. Mixing is an art form, and our analog summing mixer will help you create masterpieces. FEATURES Newly upgraded 8-channel analog summing mixer delivers enormous soundstage and superior sonic impact Five analog and digital inputs at your fingertips (analog stereo, analog sum, USB, AES/SPDIF, Bluetooth) Bluetooth wireless audio streaming Free D-BOX app offers remote control of all major functions (volume, dim, talkback, I/O select, and more) Dedicated app runs on current macOS, Windows, IOS and Android devices and computers Driverless USB connectivity for macOS; simple USB driver installation for Windows On-board talkback mic with push-button activation (on front panel or remotely from app) Dual best-in-class headphone amplifiers with independent source selection and level control (front panel or app) Three independent speaker outputs (selected from front panel or from app) Programmable speaker selector allows for dedicated mono and/or sub inclusion on all outputs |
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| Converter Dangerous Music Dm23 Convert-8 Digital Analog Da D/a Converter Multichannel 8 Channels Aes...
Whether you re tracking, mixing or mastering, the CONVERT-8 will deliver powerful low-end,...(+) Whether you re tracking, mixing or mastering, the CONVERT-8 will deliver powerful low-end, articulate mids and transcendent highs to every channel in your analog rig. Patched into one of our award-winning analog summing units like the 2-BUS or the D-BOX or to your favorite analog console the CONVERT-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver. Compatible with all of today s digital signals (including the ubiquitous ADAT format) the CONVERT-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don t need more analog inputs, the CONVERT-8 brings today s very best digital-to-analog conversion within reach of any studio. Main Features - Instant Input Calibration - Automatic Sample Rate Detection - On The Fly Input Switching - Essential 8-Channel Metering - Monitor ST Remote Connectivity Specifications Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers. - Signal to Noise Ratio A-weighted, 20Hz to 20KHz: 114dBu @ 1kHz - Replacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V *JetPLL: JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd. |
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| Dangerous Music Dm17 Bax Eq Baxendall Shelving Eq
The World Class Hi-Fidelity Tone Control Equalizer. Borrowing seeds of inspiration from P...(+) The World Class Hi-Fidelity Tone Control Equalizer. Borrowing seeds of inspiration from Peter Baxandall s legendary 1950 s tone control that has graced hundreds of millions of hi-fi systems, the Dangerous design team has sculpted a unique sonic signature for the 21st century that gives you a whole new tool for tracking, mixing, and mastering. Musical Phase Coherent Silky Unique First utilize the high and low pass filters: Cut 12 Hz to eradicate infrasonic content that devours headroom and achieve more dynamic range. Remove 70 kHz to take the brick wall filter burden off the converters and feel more air. Then craft broad, open curves and gentle sloping dips for effortlessly musical tracks. Stepped Controls Throughout for Accuracy and Repeatability Broad Q Shelving for a Natural, Open Character 7-position High Pass and Low Pass Filters on Relays for Phase Coherency 8-position High and Low Frequency Select 5dB Cut and Boost Controls in 1/2dB Step for Precise Control Track, Mix, and Master, Never Overwhelms the Source Material The minimized phase delay design provides broad tonal control that will not alter the intrinsic sonic character of the source: instrument, recording path, stereo buss or final mix. For example, in tracking applications, add shimmer to a vocal without disturbing the character of the artist, microphone and preamp. On the stereo buss, tighten up the low end while accentuating the air. For mastering, craft sheen and punch without sacrificing phase accuracy. Please welcome the BAX EQ to your tools for success - no radical sonic signature to overshadow the music... just your music: neater, richer, sweeter. |
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| Converter Dangerous Music Dm22 Convert-2 Digital Analog Da D/a Converter Stereo Aes Spdif Adat Tosli...
Dangerous has been building award-winning, standard-setting converters since 2002 when the...(+) Dangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor s onboard digital-to-analog converter (DAC) swiftly became the industry reference. We ve been asked over the years to build a stand alone DAC, and they re finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. Loaded with innovative and useful features accessed from an intuitive front panel, the CONVERT-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use. The CONVERT-2 goes beyond transparency you won't just hear everything, you ll hear it beautifully. Main Features - Dedicated Volume Control With Hard-Bypass - Instant Input Calibration - Automatic Sample Rate Detection - On The Fly Input Switching - USB Uplink - Custom Metering - Use The CONVERT As Your Master Clock - Monitor ST Connectivity Specifications Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers. - Signal to Noise Ratio A-weighted, 20Hz to 20KHz: 114dBu @ 1kHz - Replacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V *JetPLL: JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd. |
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