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You've selected:
I Was Wrong
CHORAL - VOCAL - CHOIR
Sheetmusic to print
19 sheet music found
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1
I'm Not Afraid of Growing Old
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896325 Composed by Doug Howe…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896325 Composed by Doug Howell. Christian,Pop. Score. 4 pages. Creative Measures #6062459. Published by Creative Measures (A0.896325). Words & music by Doug Howell • © 2020 Creative Measures • All rights reserved • Even when I was quite young, I had a thing about growing old, a sort of lurking fear, but not because of all the things that could go wrong with me physically. It was growing old _alone_ that scared me most... For backstory, lyrics, mp3 and sheet music, see creativemeasures.com/music/songs/im-not-afraid-of-growing-old/
$1.99
1.83 €
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Piano, Voice
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Doug Howell
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I'm Not Afraid of Growing Old
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Creative Measures
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SheetMusicPlus
I Heard It Through The Grapevine
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005696 By Michael McDonald…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1005696 By Michael McDonald. By Barrett Strong and Norman Whitfield. Arranged by Dan Signor. A Cappella. Octavo. 7 pages. Sig #6037499. Published by Sig (A0.1005696). Did you know that this song was originally recorded by Gladys Knight & the Pips? Sure, you might remember great renditions by Marvin Gaye or CCR, but it sure does make a powerful women done wrong song! Just imagine the emotional nuances that are possible looking at it through her eyes? .
$2.99
2.76 €
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Choral 3-part
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Michael McDonald
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the Pips?
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I Heard It Through The Grapevine
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Sig
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SheetMusicPlus
It Was I (TBB w/ Full Orchestra)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.978291 Composed by Jim Ail…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.978291 Composed by Jim Ailor. Christian,Easter,Sacred. Octavo. 16 pages. ResurrectionSong #6323659. Published by ResurrectionSong (A0.978291). TBB Voicing. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$2.25
2.07 €
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Choral TTBB
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Jim Ailor
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It Was I
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ResurrectionSong
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SheetMusicPlus
It Was I (SSA w/ Full Orchestra)
Choral 3-part
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.978289 Composed by Jim Ailo…
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.978289 Composed by Jim Ailor. Christian,Easter,Sacred. Octavo. 16 pages. ResurrectionSong #6323657. Published by ResurrectionSong (A0.978289). SSA Voicing. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$2.25
2.07 €
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Choral 3-part
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Jim Ailor
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It Was I
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ResurrectionSong
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SheetMusicPlus
It Was I (SAB w/ Full Orchestra)
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.978288 Composed by Jim Ai…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.978288 Composed by Jim Ailor. Christian,Easter,Sacred,Spiritual. Octavo. 16 pages. ResurrectionSong #6323653. Published by ResurrectionSong (A0.978288). SAB Voicing. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$2.25
2.07 €
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Choral SATB
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Jim Ailor
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It Was I
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ResurrectionSong
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SheetMusicPlus
It Was I (Unison w/ Full Orchestra)
Choral Unison
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.978290 Composed by Jim A…
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.978290 Composed by Jim Ailor. Christian,Easter,Sacred. Octavo. 16 pages. ResurrectionSong #6323663. Published by ResurrectionSong (A0.978290). Unison Voicing. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$2.25
2.07 €
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Choral Unison
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Jim Ailor
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It Was I
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ResurrectionSong
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SheetMusicPlus
Six Welsh Folk Songs for Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Publications #3913261. Published by Colin Kirkpatrick Publications (A0.522222). These folk song arrangements are written in the Welsh language. The vocal range is from Middle C to F on the top line of the staff. They are suitable for mezzo soprano and could also be sung by tenor voice an octave lower. They are among some of the most popular folk songs of Wales and sure to be well received at a vocal recital. They would also make excellent encore pieces. For copyright reasons, English translations are not provided, although some are to be found on various web pages. 1. Y Ddau Farch (The Two Mares) The song tells the story of two horses. The older one tells the younger, “In my day I was as good a horse as youâ€. But when I became too old to work, I was sent away to the mountains. She vows never to return to her cruel owners. This is an example of a macaronic song in which the lyrics use more than one language. 2. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby) In this pentatonic lullaby, a mother tells her child that their ship is moving away, the captain is on board, the eastern wind is blowing and the seagull is on its nest. 3. Canu Cwnsela (Wassail Song) The singers ask permission to come in and sing for their dinner. But they seem to have chosen the wrong house because the reply is: “I have no dinner or money to spend, to give you a welcome tonight.†The melody is in the Dorian Mode. 4. Robin Ddiog (Lazy Robin) The song, also in the Aeolian mode is about a robin whose little house is always tidy. “Open the door a little bit, so that I can see the sea and the waves†he asks. When the door is opened, the breeze sweeps away all the leaves from the floor. 5. Migildi Magildi “When the smithy’s door is open, we can see the blacksmith working.†The song describes the sights and sounds of the blacksmith’s workshop.You can hear all the songs in the audio demo, though they are played by an oboe rather than sung.
$9.95
9.17 €
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Piano, Voice
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Traditional
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Six Welsh Folk Songs for Voice and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Four Elizabethan Songs About Love (2016-2018)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Octavo. 58 pages. Colin Eatock Music #793552. Published by Colin Eatock Music (A0.1194118). Four movements; a cappella SATB choir or quartet; ca. 9 min.The composer writes: I almost titled this work “Four Elizabethan Love Songs.†However, while such a title might be appropriate for a group of songs about the joys of loving relationships, the texts I have chosen do not all fit that mould. Of the four, only Christopher Marlowe’s seductive “The Passionate Shepherd to His Love†and Shakespeare’s wise and insightful Sonnet 116 address requited love. On the other hand, John Donne’s “The Message†is a “hate-songâ€, an angry poem about love gone wrong, bursting with bitter recriminations. And Elizabeth I’s “When I Was Fair and Young,†is wistful and full of regret: the Queen realizes that her own youthful pride has obstructed her opportunities for happiness. Together, these poems offer four dramatically contrasting views about love.
$4.99
4.6 €
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Choral SATB
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Colin Eatock
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Four Elizabethan Songs About Love
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Colin Eatock Music
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SheetMusicPlus
THERE IS A SPIRIT for SATB Choir a Capella, Poem by James Nayler (2021 Revision)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939724 Composed by Richard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939724 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 12 pages. Richard St. Clair #3002395. Published by Richard St. Clair (A0.939724). This choral setting of Quaker James Nayler's (17th c.) dying statement (c. 1660) is a profoundly spiritual outpouring. Duration: 5 minutes. Lyrics: There Is a SpiritThere is a spirit which I feel that delights to do no evil, nor to revenge any wrong, but delights to endure all things, in hope to enjoy its own in the end. Its hope is to outlive all wrath and contention, and to weary out all exaltation and cruelty, or whatever is of a nature contrary to itself. It sees to the end of all temptations. As it bears no evil in itself, so it conceives none in thoughts to any other. If it be betrayed it bears it for its ground and spring is the mercies and forgiveness of God. Its crown is meekness, its life is everlasting love unfeigned; it takes its kingdom with entreaty and not with contention, and keeps it with lowliness of mind. In God alone it can rejoice though none else regard it or can own its life. It's conceived in sorrow, and brought forth without any to pity it, nor doth it murmur at grief and oppression. When I was weak thou staydest me with thy hand that in thy hand, that in thy time thou mightst present me to the world in thy strength in which I stand, and cannot be moved. Praise the Lord, O my soul.
$4.50
4.15 €
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Choral SATB
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Richard St
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THERE IS A SPIRIT for SATB Choir a Capella, Poem by James Nayler
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Richard St. Clair
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SheetMusicPlus
Through a Child's Eyes - an original hymn for SATB voices
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
$1.99
1.83 €
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Choral SATB
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Kevin G
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Through a Child's Eyes - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
I Was Wrong
Piano, Vocal and Guitar
By Social Distortion. For piano, voice, and guitar (chords only). Pop; Punk; Rock. 8 pages…
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By Social Distortion. For piano, voice, and guitar (chords only). Pop; Punk; Rock. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Vocal and Guitar
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Social Distortion
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Punk
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I Was Wrong
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Even In The Quietest Moments
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1490292…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Rock,Spiritual. 17 pages. Kirstie Smith #1067132. Published by Kirstie Smith (A0.1490292). A wholly unique choral arrangement of Supertramp's 'Even In the Quietest Moments', from the album of the same name.A beautiful song lovingly crafted for SATB divisi and piano, featuring advanced vocal techniques and improvisational elements with an uplifting Gospel style coda. Composer Roger Hodgson stated on his Facebook page [24 March 2020] Even in the Quietest Moments was written during a very powerful time of Spiritual searching and discovery for me. I used to spend time alone in nature, camping, and one night while playing my guitar and looking up at the stars, the song came to me; it just flowed out of me. It’s a love song to God but it could also be to a woman. I’ve left it ambiguous so that people can take it how they wish. Basically, it’s just about a guy who’s searching. I’m a seeker. I think I’ll always be a seeker. The change of wording from 'Come on, let the sun' to 'The morning sun' is deliberate, based on singing wrong words to the album track as a child!
$3.25
3 €
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Choral SATB
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Supertramp
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it just flowed out of me
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Even In The Quietest Moments
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Kirstie Smith
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SheetMusicPlus
Holding On For Christmas
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.887976 Composed by Graham Y…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.887976 Composed by Graham Yates. Children,Christmas,Contemporary,Standards. Octavo. 8 pages. Graham Yates #6027209. Published by Graham Yates (A0.887976). For 2 soloists, children's choir (or treble choir, or mixed choir), and piano accompaniment. Approx. 3:42.I first began writing a Christmas carol about the Covid-19 pandemic in March of 2020 when it seemed unfathomable that the global social distancing measures could last until Christmas. First drafts, therefore, were upbeat and whimsical. The song was completed in May 2020, however, and not only did it seem likely that lockdowns could extend not only to Christmas, but beyond – until a treatment or a vaccine could be found. Though obviously written with this contemporary situation in mind, Holding on for Christmas avoids direct references to remain a universal message of hope despite hopeless circumstances. Through its imagery of a Nativity story told wrong, of an individual facing unexplained solitude, and of enduring a winter in order to experience brighter days ahead, the song can apply to many cryptic or overt scenarios.
$2.99
2.76 €
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Choral 3-part
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Graham Yates
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Holding On For Christmas
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Graham Yates
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SheetMusicPlus
Jesus Christ the Apple Tree — SATB voices
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
2.76 €
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Choral SATB
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Todd Marchand
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Jesus Christ the Apple Tree — SATB voices
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Con Spirito Music
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SheetMusicPlus
I Was Right And You Were Wrong
Piano, Vocal and Guitar
By Deacon Blue. For piano, voice, and guitar (chords only). Pop; Rock. 4 pages. Published …
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By Deacon Blue. For piano, voice, and guitar (chords only). Pop; Rock. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Vocal and Guitar
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Deacon Blue
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Rock
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I Was Right And You Were Wrong
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Beatles - Yesterday
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By The Beatles. Ar…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Yesterday" by The Beatles on piano!<br> <br> It's a beautiful piano ballad arrangement with an intermediate difficulty level.<br> <br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics and chords.<br> <br> Written by Paul McCartney (and officially credited to Lennon–McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.<br> <br> The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.<br> <br> In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.<br> <br> It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.<br> <br> Time for you to play it, too!<br> <br> Here are the full lyrics to "Yesterday" by the Beatles:<br> <br> Yesterday<br> All my troubles seemed so far away<br> Now it looks as though they're here to stay<br> Oh, I believe in yesterday<br> <br> Suddenly<br> I'm not half the man I used to be<br> There's a shadow hanging over me<br> Oh, yesterday came suddenly<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday
$4.99
4.6 €
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Piano, Voice
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The Beatles
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The Beatles - Yesterday
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Mario Stallbaumer
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SheetMusicPlus
Billie Eilish - Wish You Were Gay
Piano, Voice
Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by …
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Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Wish You Were Gay" by Billie Eilish on piano!<br> <br> With this piano sheet music, you can play "Wish You Were Gay" from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?" (released in March 2019).<br> <br> It's an accurate piano transcription of the whole piece, it's not too hard to play, and it sounds fantastic!<br> The whole melody is included in the piano part of this arrangement, so it makes for a great instrumental solo piece. But of course, you can also use this sheet music to accompany a singer, or sing along yourself!<br> <br> These piano sheets come with a seperate system for the singer, including the song's full lyrics.<br> <br> "wish you were gay" was released in March 2019 as the fourth single from Billie Eilish's debut album "When We All Fall Asleep, Where Do We Go?".<br> <br> Her inspiration for the song came from being unhappily in love at the age of 14, and wishing there would be a good reason for the boy not to love her...<br> <br> "Wish You Were Gay" is a great song for piano - with these piano sheets, you can play it, too!<br> <br> Here are the full lyrics to "Wish You Were Gay" by Billie Eilish:<br> <br> "Baby, I don't feel so good<br> Six words you never understood<br> I'll never let you go<br> Five words you'll never say (aw)<br> I laugh alone like nothing's wrong<br> Four days has never felt so long<br> If three's a crowd and two was us<br> One slipped away<br> I just wanna make you feel okay<br> But all you do is look the other way, mm<br> I can't tell you how much I wish I didn't wanna stay<br> I just kinda wish you were gay<br> Is there a reason we're not through?<br> Is there a 12 step just for you?<br> Our conversation's all in blue<br> 11 'Heys' (Hey, hey, hey, hey)<br> Ten fingers tearing out my hair<br> Nine times you never made it there<br> I ate alone at 7, you were six minutes away (yay)<br> How am I supposed to make you feel okay<br> When all you do is walk the other way?<br> I can't tell you how much I wish I didn't wanna stay<br> I just kinda wish you were gay<br> To spare my pride<br> To give your lack of interest an explanation<br> Don't say I'm not your type<br> Just say that I'm not your preferred sexual orientation<br> I'm so selfish<br> But you make me feel helpless, yeah<br> And I can't stand another day<br> Stand another day<br> I just wanna make you feel okay<br> But all you do is look the other way<br> I can't tell you how much I wish I didn't wanna stay<br> I just kinda wish you were gay<br> I just kinda wish you were gay<br> I just kinda wish you were gay"
$4.99
4.6 €
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Piano, Voice
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Billie Eilish
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Billie Eilish - Wish You Were Gay
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Mario Stallbaumer
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SheetMusicPlus
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