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9976
Some Fasnacht Fanfares (Historical Signals and Melodies from the Basler Fasnacht)
Trumpet ensemble
Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1196323 Composed by T…
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Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1196323 Composed by Trad. Arranged by Des McNutty. Baroque,Holiday,March,Renaissance,Traditional. 40 pages. Des Press #795476. Published by Des Press (A0.1196323). (Historical Signals and Melodies from the Basler Fasnacht) s'Läggerli (by Arthur Dury Schmid) Trio from Die alten Schweizermärsche Nr. 11 (Trad) Réveille Française pour Fifres (Trad) Pfeifer Retraite (Trad. From the Swiss Guards in 18th-Century Paris) Der Arabi Nr. 1 (Trad) Arranged by Des McNutty The Basler Fasnacht, known locally in Basel Stadt (CH) as Die drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom. Some Fastnacht Fanfares contains historical melodies from the Cliques' repertoire arranged for Natural Trumpet Ensemble. The Signalkorps can have many players. The parts are in the low, principale register; ideal for newcomers and dilettantes. The ensemble parts require more skill and need only one player on each. s'Läggerli is used with kind permission from the Märtplatz-Clique Basel 1923. The similarity of the other melodies to trumpet calls may not be a total coincidence. Cavalry regiments, with their roots in armoured, mounted knights of even earlier times, were considered nobler; therefore they used royal trumpets and timpani for signalling and entertainment duties. So playing trumpet-style tunes on flutes adds a bit of class. Der Arabi Nr. 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A “standard†march is around 120 BPM. Vyyl Vergniege! (Enjoy!).
$14.99
13.48 €
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Trumpet ensemble
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Trad
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Some Fasnacht Fanfares
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Des Press
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SheetMusicPlus
Sig månen langsomt hæver (Fantasy)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.865115 Composed by Natalia Jesperse…
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Piano Solo - Level 3 - Digital Download SKU: A0.865115 Composed by Natalia Jespersen. Christian,Contemporary,Sacred,World. Score. 3 pages. Natalia Jespersen #524341. Published by Natalia Jespersen (A0.865115). Fantasy based on the Danish psalm 769 Sig månen langsomt hæver.
$4.50
4.05 €
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Piano solo
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Natalia Jespersen
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Sig månen langsomt hæver
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Natalia Jespersen
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SheetMusicPlus
Signs of the Times
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$39.99
35.96 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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BYU-I Wind Quintet
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Signs of the Times
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Ryan Terry
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SheetMusicPlus
Hoppipolla by Sigur Rós (string quartet)
String Quartet: 2 violins, viola, cello
String Quartet - Intermediate - Digital Download By Sigur Ros. Arranged by Alex Phill…
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String Quartet - Intermediate - Digital Download By Sigur Ros. Arranged by Alex Phillips-Yates. Score, Set of Parts. 14 pages. Published by Alex Phillips- Yates
Frequently featured in TV commercials and montages, Hoppipolla is one of those songs that is loved by many, including those who don't know what it is called and have never heard of Sigur Rós! Its hypnotic motifs, overlapping melodies, suspensions and gradual dynamic changes make this a real gem to hear and a delight to play.
$15.99
14.38 €
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String Quartet: 2 violins, viola, cello
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Sigur Ros
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Hoppipolla by Sigur Rós
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Alex Phillips- Yates
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
8.99 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
8.99 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Conductor's Designation
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1232122 Composed by Helmut Kogler…
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Concert Band - Level 3 - Digital Download SKU: A0.1232122 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Instructional,Standards. 91 pages. Pentharmonics #827801. Published by Pentharmonics (A0.1232122). Fanfare & Theme - Grade 2.5 - Duration 2:30 min.This piece was commissioned by one graduating class of the course in ensemble and wind band conducting at the Upper Austrian Music School. The piece is dedicated to the teacher who instructed the class all the 4 years until their graduation.One of the first exercises in the education of a designated conductor is the so called conducting chain, which is a seamless sequence of seven bars with individual lengths of 1 to 7 quarter notes in ascending order. The conducting chain represents one of the basic skills necessary for conducting an ensemble or wind band. For this reason exactly these conducting chain is incorporated in the middle part of the piece.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$34.99
31.46 €
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Concert band
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Helmut Kogler
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Theme - Grade 2
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Conductor's Designation
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Pentharmonics
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SheetMusicPlus
Signals
6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - Digit…
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6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - Digital Download SKU: S9.Q47177 For 6 voices (SMezCtTBarB). Composed by Joerg Widmann. This edition: Sheet music. Schott Chamber Choir. Downloadable. Duration 18 minutes. Schott Music - Digital #Q47177. Published by Schott Music - Digital (S9.Q47177). Vocalises.Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisches Material. Allerdings tritt das quasi theatrale Moment einer fast rituellen Zusammenkunft der sechs Vokalisten hinzu: Zunächst objektive Zeichen, Signale wie Amplituden-, Linienverläufe, Frequenzen, weißes Rauschen werden zu Alarm-, und Sirenensignalen, zu Morsezeichen, Störgeräuschen sowie existenziellen Schreien.
$12.99
11.68 €
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Joerg Widmann
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Signals
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Schott Music - Digital
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SheetMusicPlus
Sight Of You
Guitar notes and tablatures
Guitar - Level 4 - Digital Download SKU: A0.995718 By Sigrid. By Askjell John Reige…
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Guitar - Level 4 - Digital Download SKU: A0.995718 By Sigrid. By Askjell John Reigen Solstrand, Askjell Solstrand, Raab Solstrand, and Sigrid Raabe. Arranged by Oliver Eivak, Hendrik Soon. Contemporary. Guitar Tab. 6 pages. Oliver Eivak #5008247. Published by Oliver Eivak (A0.995718).
$4.99
4.49 €
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Guitar notes and tablatures
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Sigrid
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Sight Of You
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Oliver Eivak
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SheetMusicPlus
Mount Signal March
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.723093 Composed by Joel Jacklich …
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Concert Band - Level 4 - Digital Download SKU: A0.723093 Composed by Joel Jacklich (ASCAP). Folk,Holiday,Patriotic. Score and parts. 67 pages. Joel Jacklich #2163155. Published by Joel Jacklich (A0.723093). Mount Signal is named for Mt. Signal in the Yuha Desert in Imperial County, California, on the border with Mexico. It is the sight I see looking to the southwest over my backyard garden. Te piece is constructed as a monothematic march with a fife and drum bridge f(AABA) followed by a monothematic trio with bridge (CCDC) containing an homage to Sousa in the the Trio.
$40.00
35.97 €
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Concert band
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Joel Jacklich
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Mount Signal March
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Joel Jacklich
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SheetMusicPlus
Among the Signs
Choral 3-part
Choral Choir (SAB) - Digital Download SKU: A0.1028186 Composed by Robinson McClella…
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Choral Choir (SAB) - Digital Download SKU: A0.1028186 Composed by Robinson McClellan. Contemporary,Holiday,Spiritual. Octavo. 8 pages. McClellan Music #3425079. Published by McClellan Music (A0.1028186). TEXT:Koran / Qur'an, Romans: 20, 24, 25 (words by Isaac Watts are in italics)And among the signs of God is creating you all from dust; and there you are, humankind, propagating widely.And among the signs of God is showing you lightning, occasion for fear and for hope; and God sends water down from the sky, enlivening the earth after it has died.Surely in that is a signThe sure provision of my God attend me all my days Oh may my house be Thine abode and all my work be praise There would I find a settled rest while others go and come No more a stranger or a guest but like a child at home[Watts] for an intelligent people.And among the signs of God is that sky and earth stand by divine decree. Then when God calls you with a call from earth, you will all come forth.Translated by Thomas Cleary Text used by permission of HarperCollins Publishers, Inc.
$2.49
2.24 €
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Choral 3-part
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Robinson McClellan
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Among the Signs
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McClellan Music
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SheetMusicPlus
One Sign
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841781 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841781 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3475231. Published by Andrew Mc Donald (Macka Records) (A0.841781). One Sign is a song about how people demand a sign from God to prove He is real. The reality is that people refuse to believe in Jesus even when He performs a miracle or sign. God wants us to live by faith not look for signs. There is enough evidence that God exists anyhow. Just look at the beauty of God's creation around.
$4.99
4.49 €
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Piano, Voice
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Andrew Mc Donald
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One Sign
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Andrew Mc Donald
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SheetMusicPlus
Pieta Signore (For High Voice and Strings)
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.805…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.805153 Composed by A.Stradella. Arranged by Han-Ki Kim. Baroque,Classical,Instructional,Praise & Worship,Renaissance. Score and parts. 23 pages. Han-Ki Kim #412197. Published by Han-Ki Kim (A0.805153). This music has a mournful mood to pray for forgiveness of sins with a sincere heart. Pieta means have mercy in Italian. Arranged for soprano and string ensemble. Shown Bowing sign of String parts will be very convenient for the player.
$6.90
6.2 €
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A
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Pieta Signore
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Han-Ki Kim
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SheetMusicPlus
Mountain Sigh
Easy Piano
Instrumental Solo,Piano - Level 1 - Interactive Download SKU: A0.1364767 Composed b…
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Instrumental Solo,Piano - Level 1 - Interactive Download SKU: A0.1364767 Composed by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical. Individual part. 1 pages. Duration 28. Tyler James Cook #1pkjIps7bLAweiXK28JsUQ. Published by Tyler James Cook (A0.1364767). Key: C major.Mountain Sigh is a brief, Impressionistic meditation on the beauty and grandeur of the Appalachian Mountains. It depicts a misty mountain sighing to live in the early morning. Hear it on YouTube: https://youtu.be/MEQHOrwUWb4?si=B7RvCXM5TfYICCGb.
$2.99
2.69 €
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Easy Piano
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Tyler James Cook
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Mountain Sigh
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Tyler James Cook
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SheetMusicPlus
Sign Of The Times
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1172168 By Harry Styles. By Alex Sa…
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Piano Solo - Level 2 - Digital Download SKU: A0.1172168 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Manuel Jurado. Pop. Score. 5 pages. Manuel Jurado #772435. Published by Manuel Jurado (A0.1172168). Arrangments of Signs of the TimesIn F Major.
$4.99
4.49 €
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Piano solo
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Harry Styles
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Sign Of The Times
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Manuel Jurado
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SheetMusicPlus
Flutes Can Sightread - A collection of short sight-reading samples for the Flute
Flute
Flute Solo - Digital Download SKU: A0.740782 Composed by Ellen Macpherson. Instruct…
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Flute Solo - Digital Download SKU: A0.740782 Composed by Ellen Macpherson. Instructional. Individual part. 3 pages. Ellen Macpherson #6114917. Published by Ellen Macpherson (A0.740782). Flutes Can Sightread - A collection of short sight-reading samples for the Flute.
$1.99
1.79 €
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Flute
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Ellen Macpherson
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Flutes Can Sightread - A collection of short sight-reading samples for the Flute
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Ellen Macpherson
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SheetMusicPlus
The Sight Is Glorious
Handbells
Handbell - Level 3 - Digital Download SKU: A0.862113 Composed by William Owen. Arra…
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Handbell - Level 3 - Digital Download SKU: A0.862113 Composed by William Owen. Arranged by Lauran Delancy. Christian,Sacred. Score. 3 pages. Headless Mallets #6283161. Published by Headless Mallets (A0.862113). The Sight is Glorious is an 8-Bell handbell arrangement of the Welsh hymn tune BRYN CALFARIA utilizing bells F#5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Ascension, this tune is often associated with the hymns Look Ye Saints, the Sight is Glorious and Lord, Enthroned in Heavenly Splendor. This arrangement is joyful with melodic ornamentation developing as the piece progresses. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title The Sight is Glorious (Alternate Key). All notes are rung and no tables are needed. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM041.
$7.00
6.29 €
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Handbells
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William Owen
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The Sight Is Glorious
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Headless Mallets
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SheetMusicPlus
The Sight Is Glorious (Alternate Key)
Handbells
Handbell - Level 3 - Digital Download SKU: A0.862116 Composed by William Owen. Arra…
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Handbell - Level 3 - Digital Download SKU: A0.862116 Composed by William Owen. Arranged by Lauran Delancy. Christian,Sacred. Score. 3 pages. Headless Mallets #6283179. Published by Headless Mallets (A0.862116). The Sight is Glorious (Alternate Key) is an 8-Bell handbell arrangement of the Welsh hymn tune BRYN CALFARIA utilizing bells E5-F6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Ascension, this tune is often associated with the hymns Look Ye Saints, the Sight is Glorious and Lord, Enthroned in Heavenly Splendor. This arrangement is joyful with melodic ornamentation developing as the piece progresses. This arrangement allows a quartet to ring with mostly standard position assignments (spaces in the left hand and lines in the right hand). An alternate key version is available under the title The Sight is Glorious that uses bells F#5-G6. All notes are rung and no tables are needed. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing HM042.
$7.00
6.29 €
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Handbells
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William Owen
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The Sight Is Glorious
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Headless Mallets
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SheetMusicPlus
Do-Ti-Re & Do-Sol Sighting Singing Solfege Practice Worksheets
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978030 Composed by J.C. Ba…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978030 Composed by J.C. Baker, Fermata Nowhere. Instructional. Octavo. 4 pages. J. Gallagher #5034217. Published by J. Gallagher (A0.978030). 20 original sight-singing examples in treble and bass clef.Over 150 measures worth of practice!**Perfect for students preparing for Festival, County, and State competitions where sight reading is a requirement!Focusing on:1. Diatonic scale practice2. Do-Ti-Re, Do-Ti, Do-Sol, Do-Sol-Ti Skips3. Major Keys C D Eb F G A Bb5. 2/4 3/4 & 4/4 Time Signatures6. Whole, Half, Quarter, & Eighth NotesThese can be used as warm ups, practice sheets, sight reading, and for any other choral & vocal use you may have in or out of the classroom.
$3.99
3.59 €
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Choral SATB
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J
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Do-Ti-Re & Do-Sol Sighting Singing Solfege Practice Worksheets
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J. Gallagher
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SheetMusicPlus
Do-Mi-Sol & Do-Sol Sighting Singing Solfege Practice Worksheets
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978028 Composed by J.C. Ba…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978028 Composed by J.C. Baker, Fermata Nowhere. Instructional. Octavo. 4 pages. J. Gallagher #5034147. Published by J. Gallagher (A0.978028). 20 original sight-singing examples in treble and bass clef.Over 150 measures worth of practice!**Perfect for students preparing for Festival, County, and State competitions where sight reading is a requirement!Focusing on:1. Diatonic scale practice2. Do-Mi-Sol Skips3. Do-Sol & Sol Do Skips4. Keys C D Eb F G Bb5. 2/4 3/4 & 4/4 Time Signatures6. Half, Quarter, & Eighth NotesThese can be used as warm ups, practice sheets, sight reading, and for any other choral & vocal use you may have in or out of the classroom.
$3.99
3.59 €
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Choral SATB
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J
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Do-Mi-Sol & Do-Sol Sighting Singing Solfege Practice Worksheets
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J. Gallagher
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.99 €
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Choral SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.99 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
8.99 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
8.99 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Six Guitar Duets for the development of Sight Reading Intermediate Level
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.954714 Composed by Dennis Greensmi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Greensmith #4361477. Published by Dennis Greensmith (A0.954714). Six Spanish and Latin American duets written for finger style guitar for sight reading development at Intermediate level (Trinity College London Grade 3 to 5). I have arranged and written a number of popular Spanish and Latin American songs specifically to help the development of Sight Reading at Intermediate Level - this means you should be able to read and play finger style guitar from Early intermediate levee (Grade 3 Trinity College) or above. In the range Grade 3 to 5 the keys used in sight reading exams are C major/A minor, G Major /E minor (one sharp) and F Major/D Minor (one flat) and this book contains songs using these keys. This verison of the book contains no marking on the music at all except the key and time signature in order to develop sight reading and note recognition skills. Both parts of the duet are written at the same level so you can interchange which part you wish to play. This book will also be made available on the SMP with full supporting information for those players who wish to play the songs as normal notation reading.The audio tracks to listen to the songs can be found at https://www.greensmith.info/duet-and-ensemble-materials/six-duets-for-sight-reading/and further information about other fingers style duets I have written and arranged can be found at https://www.guitarfingers.co.uk
$16.00
14.39 €
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Guitar
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Dennis Greensmith
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Six Guitar Duets for the development of Sight Reading Intermediate Level
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Dennis Greensmith
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SheetMusicPlus
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