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Sheetmusic to print
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Theme from 'Diverse Bizarrie Sopra La Vecchia Sarabanda O Pur Ciaccona' (Nicola Matteis)
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.947682
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.947682 Composed by Nicola Matteis. Arranged by Blue Yates. Baroque,Standards. Score and parts. 1 pages. Blue Yates #4301031. Published by Blue Yates (A0.947682). Useful for students and teachers, this new arrangement works well as an ensemble piece for performance and study. Blue Yates arranges music for the independent Rekoba Editions imprint based in the UK. Please visit www.rekobaeditions.com for more details.
$2.00
1.79 €
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2 Guitars (duet)
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Nicola Matteis
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Theme from 'Diverse Bizarrie Sopra La Vecchia Sarabanda O Pur Ciaccona'
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Blue Yates
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SheetMusicPlus
'Lachrimae' Book Two (8-14) - guitar quintet
Guitar Ensemble - Level 4 - Digital Download SKU: A0.1470122 Composed by John Dowla…
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Guitar Ensemble - Level 4 - Digital Download SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pages. Clive Lane #1047870. Published by Clive Lane (A0.1470122). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book Two - three pavans and four galliards:1. Pavan: “Semper Dowland, semper Dolens”2. Sir Henry Umpton’s Funeral3. Mr John Langton’s Pavan4. The King of Denmark’s Galliard5. The Earl of Essex Galliard6. Sir John Souch, his Galliard7. Mr Henry Noell, his Galliard(See Book One and Book Three for the remaining 14 pieces)Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).
$6.99
6.26 €
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John Dowland
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'Lachrimae' Book Two
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Clive Lane
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SheetMusicPlus
'Lachrimae' Book Three (15-21) - guitar quintet
Guitar Ensemble
Guitar Ensemble - Level 4 - Digital Download SKU: A0.1470166 By Clive Lane. By John…
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Guitar Ensemble - Level 4 - Digital Download SKU: A0.1470166 By Clive Lane. By John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 35 pages. Clive Lane #1047877. Published by Clive Lane (A0.1470166). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces.This is Book Three - five galliards and two almans:1. Mr Giles Hoby, his Galliard2. Mr Nicholas Gryffith, his Galliard3. Mr Thomas Collier, his Galliard4. Captain Piper, his Galliard5. Mr Bucton, his Galliard6. Mistress Nichol’s Alman7. Mr George Whitehead, his Alman Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).
$6.99
6.26 €
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Guitar Ensemble
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Clive Lane
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'Lachrimae' Book Three
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Clive Lane
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SheetMusicPlus
Dialethia
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1028190 Composed by Jeremy Hart. 2…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1028190 Composed by Jeremy Hart. 20th Century,Contemporary. Individual part. 8 pages. Jeremy Graham Hart #6590411. Published by Jeremy Graham Hart (A0.1028190). Dialethia is, at its core, an internal dialogue on style, musical language and authenticity. Through its many, abrupt and questioning diversions it portrays a process of self-interrogation which can become quite confrontational at times. Despite this the music always returns to the simple diatonic melody that forms the principle character of this work, regardless of the metamorphoses of its harmonization. This is of course with the exception of the closing passages, in which the work retains a melodic construction of limited intervallic usage taken from the previous diversion. Though, whether this retention represents an answer or a lingering question is not made clear.
$4.99
4.47 €
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Guitar
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Jeremy Hart
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Dialethia
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Jeremy Graham Hart
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.33 €
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Guitar
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
O Come, Let Us Adore Him
Melody line, (Lyrics) and Chords
By Wade's Cantun Diversi. This edition: Interactive Download. Advent, Christian, Christmas…
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By Wade's Cantun Diversi. This edition: Interactive Download. Advent, Christian, Christmas, Sacred. FKBK. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.368368). - FKBK - Advent,Christian,Christmas,Sacred - Hal Leonard - Digital Sheet Music
$3.99
3.57 €
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Melody line, (Lyrics) and Chords
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Wade's Cantun Diversi
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O Come, Let Us Adore Him
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Valse Pica Pica for Guitar Quartet
Guitar - Level 3 - Digital Download SKU: A0.1431408 Composed by Unattributed. Arran…
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Guitar - Level 3 - Digital Download SKU: A0.1431408 Composed by Unattributed. Arranged by Alfonzo Alvarado. Classical,Folk. 8 pages. Alfonzo #1011878. Published by Alfonzo (A0.1431408). Venezuelan Valse Pica Pica for Guitar Quartet.This arrangement of my authorship has been used to train guitarists and has been presented on various occasions by different guitar orchestras and ensembles in the country.Valse Venezolano Pica Pica Para Cuarteto de Guitarras. Este arreglo de mi autoría se ha utilizado para formar guitarristas y ser presentado en diversas ocasiones por diferentes orquestas de guitarras y ensambles en el país.
$7.00
6.27 €
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Unattributed
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Valse Pica Pica for Guitar Quartet
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Alfonzo
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.54 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
3 Blue monologues
Guitar - Advanced - Digital Download SKU: ZY.DO-1527 Composed by Dusan Bogdanovic. …
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Guitar - Advanced - Digital Download SKU: ZY.DO-1527 Composed by Dusan Bogdanovic. Score. 9 pages. Les Editions Doberman-Yppan (digital) #DO 1527. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1527). 3 Blue Monologues a été composé pour João Luiz Rezende Lopes. La pièce s'inspire du blues mais s'inspire de diverses influences stylistiques, notamment des techniques contrapuntiques, une tonalité étendue et des harmonies riches en effets coloristiques et en nuances. Une image de E. Munch contribue au côté « un peu bleu » de la musique.3 Blue Monologues was composed for João Luiz Rezende Lopes. The piece takes blues as its inspiration but goes on to various stylistic influences including contrapuntal techniques, extended tonality and harmonies rich in coloristic effects and shadings. An image by E. Munch contributes to the kind of blue feeling of the music.
$5.95
5.33 €
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Dusan Bogdanovic
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3 Blue monologues
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Les Editions Doberman-Yppan
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SheetMusicPlus
Contrastes
Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera La…
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Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera Lagunas. Chamber,Contemporary,Multicultural,World. 37 pages. Emmanuel Cabrera Lagunas #795566. Published by Emmanuel Cabrera Lagunas (A0.1196426). Contrastes es una obra escrita para el cuarteto de guitarras hidalguense ¨Emiola¨, quienes fueron alumnos del autor en el año 2016. La pieza, construida en una forma sonata contiene puentes y secciones contrastantes buscando combinar elementos modales que recuerdan la música de la antigua Grecia, elementos de la música popular como el blues y rÃtmicas de la música folklórica mexicana. Al igual que en la mayorÃa de sus obras para guitarra, el compositor se apoya de diversos estilos musicales que lo han influenciado a lo largo de su vida para generar y mostrar su propia personalidad, haciendo hincapié de esta manera en la universalidad de la música sin importar la segregación que existe a causa de la división en estilos musicales.
$8.00
7.17 €
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Emmanuel Cabrera Lagunas
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Contrastes
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Emmanuel Cabrera Lagunas
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SheetMusicPlus
Adeste Fideles (O Come, All Ye Faithful) - Solo Guitar
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1096613 Composed by John Francis W…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1096613 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Individual part. 1 pages. Melo Music #700588. Published by Melo Music (A0.1096613). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play solo guitar. Easy level. Key: G Major.
$2.50
2.24 €
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Guitar
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John Francis Wade and John Reading
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Adeste Fideles
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Melo Music
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SheetMusicPlus
GREENSLEEVES
Guitar
Solo Guitar - Digital Download SKU: A0.924728 Composed by Anonymous. Arranged by St…
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Solo Guitar - Digital Download SKU: A0.924728 Composed by Anonymous. Arranged by Stênio Caixeta. Christian,Christmas,Renaissance,Traditional,Wedding. Individual part. 8 pages. Stênio Caixeta #3918865. Published by Stênio Caixeta (A0.924728). Arranjo desta linda melodia folk inglesa, arranjo com um acompanhamento mais animado e muito interessante na 2ª parte da música. Pode ser jogado em igrejas, escolas e mais uma diversidade de eventos. Entre em contato pelo e-mail: stenio_sc@hotmail.com
$4.99
4.47 €
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Guitar
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Anonymous
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GREENSLEEVES
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Stênio Caixeta
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SheetMusicPlus
Adeste Fideles (O Come, All Ye Faithful) - guitar tab
Guitar notes and tablatures
Guitar - Level 1 - Digital Download SKU: A0.1097060 Composed by John Francis Wade a…
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Guitar - Level 1 - Digital Download SKU: A0.1097060 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Guitar Tab. 1 pages. Melo Music #701025. Published by Melo Music (A0.1097060). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play guitar version, with tablature. Easy level. Key: G Major.
$3.50
3.14 €
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Guitar notes and tablatures
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John Francis Wade and John Reading
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Adeste Fideles
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Melo Music
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SheetMusicPlus
Lullaby for Mirabai
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954942
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954942 Composed by Jim Bosse. Concert,Contemporary,World. Score and parts. 9 pages. Jim Bosse #4574551. Published by Jim Bosse (A0.954942). This is the fifth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar duo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Lullaby for Mirabai was written in a Scottish style, highlighting her genetic heritage. Performance time is 3 minutes and 30 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Jim Bosse
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Toy for Timothy
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.954946 Composed by Jim Bosse. Conc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim Bosse (A0.954946). This is the third movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required, to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Toy for Timothy was written in a Native American style, highlighting this aspect of Timothy's genetic heritage. Performance time is 3 minutes and 42 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Guitar
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Jim Bosse
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Soren's Jig
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954943
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954943 Composed by Jim Bosse. Concert,Contemporary,World. Score and parts. 12 pages. Jim Bosse #4574555. Published by Jim Bosse (A0.954943). This is the final movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar duo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Soren's Jig was written in a Scottish style, highlighting his genetic heritage. As the finale for this suite, each other gandkid's theme is revisited. Performance time is 4 minutes and 09 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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2 Guitars (duet)
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Jim Bosse
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Soren's Jig
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Jim Bosse
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SheetMusicPlus
Lullaby for Mirabai
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.954948 Composed by Jim Bosse. Conc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim Bosse (A0.954948). This is the fifth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Lullaby for Mirabai was written in a Scottish style, highlighting her genetic heritage. Performance time is 3 minutes and 30 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Guitar
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Jim Bosse
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Air for Chiara
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.954947 Composed by Jim Bosse. Conc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim Bosse (A0.954947). This is the fourth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Air for Chiara was written in a Scottish style, highlighting her genetic heritage. Performance time is 2 minutes and 36 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Guitar
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Jim Bosse
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
Riely's Dance
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. Afri…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Guitar
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Analysia's Margarita
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954940
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954940 Composed by Jim Bosse. Concert,Contemporary,World. Score and parts. 11 pages. Jim Bosse #4574541. Published by Jim Bosse (A0.954940). This is the second movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar duo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Analysia's Margarita was inspired by a street merchant chant that I heard in the Andes. I used this melody to give this piece a Peruvean flavor. Performance time is 3 minutes and 34 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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2 Guitars (duet)
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Jim Bosse
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Analysia's Margarita
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Jim Bosse
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SheetMusicPlus
Riely's Dance
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954938
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954938 Composed by Jim Bosse. African,Concert,Contemporary. Score and parts. 15 pages. Jim Bosse #4574537. Published by Jim Bosse (A0.954938). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar duo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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2 Guitars (duet)
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Soren's Jig
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.954961 Composed by Jim Bosse. Concert,Contemporary,World. Score and parts. 21 pages. Jim Bosse #4576139. Published by Jim Bosse (A0.954961). This is the final movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). I decided to write lyrics for each movement, creating this version for voice (male and/or female) and classical guitar. This download contains score and all parts. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Soren's Jig was written in Scottish style, highlighting his genetic heritage. As the finale of the suite, each grandkid is revisited in round form. Performance time is 4 minutes and 21 seconds. Demand level is mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar
$2.99
2.68 €
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Jim Bosse
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Soren's Jig
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Jim Bosse
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SheetMusicPlus
Suite Grandkids guitar and flute version
Guitar Duet Flute,Guitar - Digital Download SKU: A0.1070341 Composed by Jim Bosse. …
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Guitar Duet Flute,Guitar - Digital Download SKU: A0.1070341 Composed by Jim Bosse. Concert,Contemporary. Full Performance. Duration 388. Jim Bosse #4413911. Published by Jim Bosse (A0.1070341). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This recording is of two movements from the guitar and flute version: Lullaby for Mirabai and Air for Chiara. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. This recording has the composer performing on guitar and Becky Weidman-Winter on flute. Jim's web site is www.facebook.com/jimbosseguitar .
$2.99
2.68 €
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Jim Bosse
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Suite Grandkids guitar and flute version
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Jim Bosse
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SheetMusicPlus
Air for Chiara
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954941
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954941 Composed by Jim Bosse. Concert,Contemporary,World. Score and parts. 8 pages. Jim Bosse #4574549. Published by Jim Bosse (A0.954941). This is the fourth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar duo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Air for Chiara was written in a Scottish style, highlighting her genetic heritage. Performance time is 2 minutes and 36 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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2 Guitars (duet)
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Jim Bosse
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
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