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You've selected:
Contrastes
Sheetmusic to print
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4926
Contrastes (Contrasts for flute and piano)
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.814581 Composed by Orlan Charles. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.814581 Composed by Orlan Charles. Concert,Contemporary,Instructional,Standards. Score and part. 22 pages. ORLAN CHARLES MARCHIORI PRADO #2926697. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814581). Contrastes (Contrasts for flute and piano). An energetic and rhythmic piece with many harmonic variations and virtuosity. The Mp3 contains the third part from Contrasts.I played the 3rd part of this scores in this video: https://www.youtube.com/watch?v=BXgiX3KeaaQ If you want to see other arrangements like this, look for my channel, Orlan Charles on Youtube, or follow my social networks below: Email: orlandagaita@gmail.com Instagram: @orlancharles Facebook: https://www.facebook.com/orlancharlespage/
$12.99
12 €
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Flute and Piano
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Orlan Charles
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Contrastes
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ORLAN CHARLES MARCHIORI PRADO
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SheetMusicPlus
Contrastes
Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera La…
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Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera Lagunas. Chamber,Contemporary,Multicultural,World. 37 pages. Emmanuel Cabrera Lagunas #795566. Published by Emmanuel Cabrera Lagunas (A0.1196426). Contrastes es una obra escrita para el cuarteto de guitarras hidalguense ¨Emiola¨, quienes fueron alumnos del autor en el año 2016. La pieza, construida en una forma sonata contiene puentes y secciones contrastantes buscando combinar elementos modales que recuerdan la música de la antigua Grecia, elementos de la música popular como el blues y rÃtmicas de la música folklórica mexicana. Al igual que en la mayorÃa de sus obras para guitarra, el compositor se apoya de diversos estilos musicales que lo han influenciado a lo largo de su vida para generar y mostrar su propia personalidad, haciendo hincapié de esta manera en la universalidad de la música sin importar la segregación que existe a causa de la división en estilos musicales.
$8.00
7.39 €
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Emmanuel Cabrera Lagunas
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Contrastes
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Emmanuel Cabrera Lagunas
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SheetMusicPlus
Abide with Me - two contrasting styles piano arr.
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.936843 Composed by William H. Monk,…
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Piano Solo - Level 3 - Digital Download SKU: A0.936843 Composed by William H. Monk, Henry Lyte. Arranged by Steve Lancaster. Christian,Praise & Worship,Religious,Sacred. Score. 2 pages. Miratio Music #6632353. Published by Miratio Music (A0.936843). An arrangement with two contrasting styles for intermediate solo piano of the hymn, Abide with Me. Can be used in church services, or for performances and recitals. Sheet music includes chord symbols.
$2.99
2.76 €
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Piano solo
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William H
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Abide with Me - two contrasting styles piano arr.
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Miratio Music
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SheetMusicPlus
Fairest Lord Jesus - two contrasting styles piano arr.
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.936846 Composed by Schlesische Volk…
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Piano Solo - Level 3 - Digital Download SKU: A0.936846 Composed by Schlesische Volkslieder. Arranged by Steve Lancaster. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. Miratio Music #6608137. Published by Miratio Music (A0.936846). An arrangement with two contrasting styles for intermediate solo piano of the hymn, Fairest Lord Jesus. Can be used in church services, or for performances and recitals. Sheet music includes chord symbols.
$2.99
2.76 €
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Piano solo
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Schlesische Volkslieder
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Fairest Lord Jesus - two contrasting styles piano arr.
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Miratio Music
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SheetMusicPlus
NO CONTRAST (SIN CONTRASTES)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1038291 Composed by Claudio Amadeo…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1038291 Composed by Claudio Amadeo Viggiano. Classical,Multicultural,World. Individual part. 5 pages. Claudio viggiano #643228. Published by claudio viggiano (A0.1038291). An original work for classic guitar. My email contact: clavi10@hotmail.com.
$3.00
2.77 €
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Guitar
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Claudio Amadeo Viggiano
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NO CONTRAST
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claudio viggiano
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SheetMusicPlus
Contrastes
Piano solo
Piano - intermediate - Digital Download Composed by Jacques Leduc. This edition: Shee…
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Piano - intermediate - Digital Download Composed by Jacques Leduc. This edition: Sheet music. Downloadable. Schott Music - Digital #Q54908. Published by Schott Music - Digital
$11.99
11.08 €
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Piano solo
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Jacques Leduc
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Contrastes
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Schott Music - Digital
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SheetMusicPlus
The Hobbit
Piano Trio: piano, violin, cello
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1365315 Composed by Jules Bass and Maury Laws. Arranged by Matheus Felix. Film/TV,Wedding. 5 pages. Matheus Felix #949634. Published by Matheus Felix (A0.1365315). Arranjo de Concerning Hobbits para Violino, Violoncelo e Piano Cifra:Neste encantador arranjo de Concerning Hobbits, a música transporta os ouvintes para a serena e pitoresca Terra-média. A melodia nostálgica, inicialmente apresentada pelo violino, evoca a simplicidade e a paz da vida hobbit, imbuindo a interpretação com uma aura de tranquilidade e camaradagem. O violoncelo, com suas linhas melódicas profundas e ressonantes, enriquece a sonoridade, acrescentando uma camada de emoção e solenidade à composição. O piano cifra, com seus acordes delicados, cria um cenário harmonioso que recria a atmosfera pastoral e mágica da Vila dos Hobbits. A interação entre os instrumentos reflete a camaradagem caracterÃstica dos hobbits, proporcionando uma experiência auditiva rica e envolvente. As nuances dinâmicas e as variações na intensidade destacam os contrastes entre as diferentes seções da música, levando os ouvintes por uma jornada sonora que evoca a tranquilidade do Condado. Este arranjo de Concerning Hobbits celebra a riqueza emocional da composição original de Howard Shore, mantendo a essência da trilha sonora de O Senhor dos Anéis. Os músicos, com sua destreza e sensibilidade, dão vida a esta interpretação, capturando a magia e a nostalgia que permeiam a jornada dos hobbits.
$9.99
9.23 €
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Piano Trio: piano, violin, cello
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Jules Bass and Maury Laws
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The Hobbit
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Matheus Felix
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SheetMusicPlus
Contrast/Chromatic (for Harmonium)
Organ
Organ - Level 3 - Digital Download SKU: A0.1081993 Composed by Michael Calabris. Cl…
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Organ - Level 3 - Digital Download SKU: A0.1081993 Composed by Michael Calabris. Classical,Contemporary. Score. 4 pages. Michael Calabris #686126. Published by Michael Calabris (A0.1081993).
$3.75
3.46 €
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Organ
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Michael Calabris
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Contrast/Chromatic
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Michael Calabris
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SheetMusicPlus
Contrast (Piano Solo)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1015417 Composed by Ron Mallory. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.1015417 Composed by Ron Mallory. Concert,Contemporary. Score. 4 pages. Paraboloid Press #6669305. Published by Paraboloid Press (A0.1015417). This haunting, expressive original composition by Ron Mallory is reflective of the more somber moments in life, which help us to better appreciate the joyful times. Suitable for intermediate through advanced pianists.This piece is also available for 2-octave handbell choir (PAHB015). For more information about Paraboloid Press, visit http://www.paraboloidpress.com.
$4.99
4.61 €
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Piano solo
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Ron Mallory
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Contrast
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Paraboloid Press
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SheetMusicPlus
Two Contrasting Pachelbel Fugues
Tuba ensemble - 5 Parts - Digital Download SKU: CX.TEP10668 Composed by Johann Pach…
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Tuba ensemble - 5 Parts - Digital Download SKU: CX.TEP10668 Composed by Johann Pachelbel. Arranged by Frank Ferriano. Score and parts. 17 pages. Published by Tuba-Euphonium Press (CX.TEP10668).
$18.00
16.63 €
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Johann Pachelbel
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Two Contrasting Pachelbel Fugues
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Tuba-Euphonium Press
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SheetMusicPlus
Three Contrasting Duets - For Any Two Wind Instruments
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.778167 Composed by John McAllis…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.778167 Composed by John McAllister. Classical,Contemporary,Instructional. Score and parts. 22 pages. John McAllister #5986479. Published by John McAllister (A0.778167). These duets are able to mix and match between different wind instruments. They will work best for woodwinds and would fall into a Medium-Easy category. They can also be played by brass, but will be a little more difficult. This purchase will give you all the parts: C Treble Clef High and Low, Bb, Eb, F, Bass Clef, and Bass Clef with an optional low Part B for tuba players (or bassoons!).
$11.99
11.08 €
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Brass ensemble
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John McAllister
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Three Contrasting Duets - For Any Two Wind Instruments
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John McAllister
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SheetMusicPlus
Three Contrasting Duets - For Any Two Wind Instruments (Bb Transposition)
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778171 Composed by John McAl…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778171 Composed by John McAllister. Contemporary,Instructional,Standards. 4 pages. John McAllister #5988111. Published by John McAllister (A0.778171). These duets will work best for woodwinds, however brass can play them as well. Just note that they may be a bit more difficult for the brass in certain areas. There is an accompaniment/play-along that is available for free on Youtube and download for a small fee on Sheet Music Plus. These are written for all transpositions, so you can purchase those ones individually to play with friends! There is also a version to purchase all of the parts at once (mainly for music educators) For more music and practice resources, visit my website: www.johnmcallistermusic.com
$1.99
1.84 €
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John McAllister
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Three Contrasting Duets - For Any Two Wind Instruments
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John McAllister
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SheetMusicPlus
Three Contrasting Duets - For Any Two Wind Instruments (C Transposition - Treble Clef)
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778170 Composed by John McAl…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778170 Composed by John McAllister. Classical,Contemporary,Instructional,Standards. 7 pages. John McAllister #5987671. Published by John McAllister (A0.778170). These duets will work best for woodwinds, however brass can play them as well. Just note that they may be a bit more difficult for the brass in certain areas. There is an accompaniment/play-along that is available for free onYoutube and download for a small fee on Sheet Music Plus. These are written for all transpositions, so you can purchase those ones individually to play with friends! There is also a version to purchase all of the parts at once (mainly for music educators) For more music and practice resources, visit my website: www.johnmcallistermusic.com
$1.99
1.84 €
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John McAllister
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Three Contrasting Duets - For Any Two Wind Instruments
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John McAllister
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SheetMusicPlus
Three Contrasting Duets - For Any Two Wind Instruments (Bass Clef)
Instrumental Duet Euphonium,Instrumental Duet,Trombone,Tuba - Digital Download SKU: A0.…
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Instrumental Duet Euphonium,Instrumental Duet,Trombone,Tuba - Digital Download SKU: A0.778169 Composed by John McAllister. Classical,Contemporary,Instructional,Standards. Score and parts. 7 pages. John McAllister #5987665. Published by John McAllister (A0.778169). These duets will work best for woodwinds, however brass can play them as well. Just note that they may be a bit more difficult for the brass in certain areas. There is an accompaniment/play-along that is available for free on Youtube and download for a small fee on Sheet Music Plus. These are written for all transpositions, so you can purchase those ones individually to play with friends! There is also a version to purchase all of the parts at once (mainly for music educators) For more music and practice resources, visit my website: www.johnmcallistermusic.com
$1.99
1.84 €
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John McAllister
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Three Contrasting Duets - For Any Two Wind Instruments
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John McAllister
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SheetMusicPlus
Contrasting Moods
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.989340 Composed by Thomas Naszalyi.…
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Easy Piano - Level 2 - Digital Download SKU: A0.989340 Composed by Thomas Naszalyi. 20th Century,Contemporary. Score. 7 pages. Thomas Naszalyi #2846609. Published by Thomas Naszalyi (A0.989340).
$2.99
2.76 €
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Easy Piano
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Thomas Naszalyi
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Contrasting Moods
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Thomas Naszalyi
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SheetMusicPlus
Two Contrasting Pachelbel Fugues
Tuba ensemble - 5 Parts SKU: TE.TEP10668 Composed by Johann Pachelbel. Arranged by …
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Tuba ensemble - 5 Parts SKU: TE.TEP10668 Composed by Johann Pachelbel. Arranged by Frank Ferriano. Large ensemble music. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10668).
$18.00
16.63 €
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Johann Pachelbel
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Two Contrasting Pachelbel Fugues
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Tuba-Euphonium Press
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.23 €
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Orchestra
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Memorial Day March and Merry Go Round
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.1466214 Composed by Peggy Carter. C…
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Piano Solo - Level 1 - Digital Download SKU: A0.1466214 Composed by Peggy Carter. Children,Contemporary,Instructional,March,Patriotic. Score. 8 pages. Peggy Carter #1044824. Published by Peggy Carter (A0.1466214). Memorial Day March- Primer Level (or early Level 1) piano students. The right Hand is in the D (minor) 5-finger position, Left Hand is in the Middle C position. A Warm-up exercise reinforces the right-hand D position and the left-hand Middle C position—there's also, a “Push-Up” exercise to strengthen the 4th finger of each hand.This patriotic march uses half notes, quarter notes, 8th notes, and quarter rests and it includes dynamic contrast as the melody emerges, shared between both hands. The arrangement includes ascending and descending steps and skips with contrasting legato and staccato techniques in an altogether exciting marcato style. Original lyrics can be used to help with memorization. This march would be a great addition to the end-of-year piano recital or even a piano competition.Merry Go Round is also Primer or Early Level 1. In Middle-C hand position the gentle Waltz Time (3/4) brilliantly compliments the March and offers dynamic contrast and staccato technique. Students will enjoy the parallel motion contrasted to contrary motion with moving 8th notes in one hand against dotted half notes in the other hand. This arrangement invites a focus on musical expression that won't go unnoticed in a recital or contest setting.
$6.00
5.54 €
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Piano solo
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Peggy Carter
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Memorial Day March and Merry Go Round
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Peggy Carter
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SheetMusicPlus
Hills and Valleys / Up and Down
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.1465689 Composed by Peggy Carter. 2…
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Piano Solo - Level 1 - Digital Download SKU: A0.1465689 Composed by Peggy Carter. 21st Century,Children,Contemporary,Contest,Festival,Instructional. Score. 5 pages. Peggy Carter #1044300. Published by Peggy Carter (A0.1465689). Hills and Valleys: C position This Level 1 piano solo offers legato, and staccato techniques with expressive elements using dynamic contrast and tempo changes. The piece stays on the “home keys” except for the F#. Players will anticipate the F# accidental, parallel motion and will discover the use of half notes, quarter notes, and 8th notes with one dotted quarter note. They will enjoy the contrasting rhythms in each hand. 2. Up and Down: G position Also Level 1, this piano solo offers legato and staccato techniques and uses Dynamic contrast with scale patterns and arpeggios. Explores half notes, quarter notes, and 8th notes in each hand. Encourages creative expression. Stays on “Home keys” except for one right hand crossover with 2nd finger.Both pieces include a Warm Up to refresh the player's techniques needed in each piece. Good choices for Guild Auditions, recitals, or competitions. Teachers and students will have fun with these two lively pieces that explore scale and arpeggio patterns.
$6.00
5.54 €
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Piano solo
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Peggy Carter
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Hills and Valleys / Up and Down
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Peggy Carter
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SheetMusicPlus
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.23 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #1 in B-flat Major
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Joaba LLC
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SheetMusicPlus
He Will Lead Me Home
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
1.84 €
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Piano, Voice
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Jingle Bells
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939983 Arranged by Césa…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939983 Arranged by César Zumel. Christmas,Gospel,Spiritual. Octavo. 3 pages. César Zumel #3106529. Published by César Zumel (A0.939983). 2017 Choral Contest Entry. First time I worked this song with a choir I missed a reflexive introduction, just to contrast the happy popular song. This is what I made in this arrange, just a contrast. Some fermata to brake in our stressed lifes, and to think about Christmas meaning, about spirituality. First part is an introduction based on bass work. Second part divided in small pieces by fermata, and third part is the happiness, the rhythm, the joy.For conducting purposes, a contrasted work between given melody and inner movement can be developped.
$3.00
2.77 €
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Choral SATB
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Jingle Bells
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César Zumel
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SheetMusicPlus
Invention #1 for Flute and Piano
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1299446 Composed by Felix Rivera. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.
$14.99
13.85 €
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Flute and Piano
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Felix Rivera
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Invention #1 for Flute and Piano
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Felix Rivera
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SheetMusicPlus
Minuet and Trio in C Major
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1368460 Composed by J. Pleyel. Arra…
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Piano Solo - Level 3 - Digital Download SKU: A0.1368460 Composed by J. Pleyel. Arranged by Jose Valladares. 19th Century. Score. 1 pages. Circlesquare Music #952806. Published by Circlesquare Music (A0.1368460). Johann Baptist (Ignaz) Pleyel was an Austrian-born French composer, music publisher, and piano manufacturer who lived during the Classical era. Born in 1757, Pleyel was a student of the illustrious Joseph Haydn and became a prolific composer in his own right. Pleyel's compositions were widely popular during his lifetime, known for their melodic appeal and classical elegance.The Minuet and Trio in C Major by J. Pleyel is a composition that embodies the grace and charm typical of the Classical era. Here are some aspects you might expect from this composition:Form and Structure: The minuet and trio form was a common and beloved structure during the Classical period. It typically consists of two contrasting sections: the minuet (A) and the trio (B), followed by a repeat of the minuet (A). The minuet section is usually in a moderate triple meter with a stately character, while the trio provides contrast in texture, key, or dynamics.C Major Key: Being in C Major, the piece is likely to have a bright and cheerful character. The key of C Major is often associated with purity and simplicity, making it a popular choice for compositions meant to convey elegance and grace.Melodic Charm: Pleyel was renowned for his ability to craft melodies that were both memorable and elegant. The minuet section of the piece would typically feature a tuneful and graceful melody, while the trio might offer a contrasting theme or a variation in melodic contour.Dance Influence: The minuet was originally a dance form, and this influence is reflected in the rhythmic structure and phrasing of the music. Pleyel's Minuet and Trio in C Major would likely encapsulate the poised and refined dance movements through its rhythmic precision and flowing lines.
$10.99
10.15 €
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Piano solo
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J
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Minuet and Trio in C Major
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Circlesquare Music
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SheetMusicPlus
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