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Born This Way - Baritone B.C.
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Born This Way - Baritone B.C.
Sheetmusic to print
17 sheet music found
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1
Born This Way: (wp) 1st B-flat Trombone B.C.
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Concert band
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Instructional
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Lady Gaga
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Born This Way:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTN1BC (wp) 1st B-flat Trombone B.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Pau...
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Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTN1BC (wp) 1st B-flat Trombone B.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014875_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014875_WPTN1BC). UPC: 038081421940.Born This Way, from pop music sensation Lady Gaga, is the first single off her new album of the same name. The song debuted at #1 on Billboard in 2011. The groove is infectious and is sure to entertain your students and audience alike!
$3.00 ≈
¥21.74
Born This Way: (wp) B-flat Tuba B.C.
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Concert band
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Instructional
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Lady Gaga
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Born This Way:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTBBBC (wp) B-flat Tuba B.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair,...
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Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTBBBC (wp) B-flat Tuba B.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014875_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014875_WPTBBBC). UPC: 038081421940.Born This Way, from pop music sensation Lady Gaga, is the first single off her new album of the same name. The song debuted at #1 on Billboard in 2011. The groove is infectious and is sure to entertain your students and audience alike!
$3.00 ≈
¥21.74
Born This Way: (wp) E-flat Tuba B.C.
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Concert band
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Instructional
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Lady Gaga
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Born This Way:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTBEBC (wp) E-flat Tuba B.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair,...
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Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTBEBC (wp) E-flat Tuba B.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014875_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014875_WPTBEBC). UPC: 038081421940.Born This Way, from pop music sensation Lady Gaga, is the first single off her new album of the same name. The song debuted at #1 on Billboard in 2011. The groove is infectious and is sure to entertain your students and audience alike!
$3.00 ≈
¥21.74
Born This Way: (wp) B-flat Tuba T.C.
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Concert band
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Instructional
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Lady Gaga
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Born This Way:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTBBTC (wp) B-flat Tuba T.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair,...
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Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTBBTC (wp) B-flat Tuba T.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014875_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014875_WPTBBTC). UPC: 038081421940.Born This Way, from pop music sensation Lady Gaga, is the first single off her new album of the same name. The song debuted at #1 on Billboard in 2011. The groove is infectious and is sure to entertain your students and audience alike!
$3.00 ≈
¥21.74
Born This Way: (wp) 1st B-flat Trombone T.C.
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Concert band
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Instructional
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Lady Gaga
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Born This Way:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTN1TC (wp) 1st B-flat Trombone T.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Pau...
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Concert Band - Digital Download SKU: AX.00-PC-0014875_WPTN1TC (wp) 1st B-flat Trombone T.C.. By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014875_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014875_WPTN1TC). UPC: 038081421940.Born This Way, from pop music sensation Lady Gaga, is the first single off her new album of the same name. The song debuted at #1 on Billboard in 2011. The groove is infectious and is sure to entertain your students and audience alike!
$3.00 ≈
¥21.74
He Is Born (Choral Score)
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Robert A
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He Is Born
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB with optional congregation and (organ) or (brass quartet, percussion, and organ) or (organ and orchestra) (SATB choir) - Easy - Digital Download SKU: MQ...
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SATB with optional congregation and (organ) or (brass quartet, percussion, and organ) or (organ and orchestra) (SATB choir) - Easy - Digital Download SKU: MQ.50-1953-E Composed by Robert A. Hobby. Christmas, 21st Century. Downloadable choral score. 9 pages. MorningStar Music Publishers - Digital Sheet Music #50-1953-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1953-E). UPC: 688670519536. English.The traditional French carol IL EST NÉ is set here in a simple but beautiful way. The beauty of the melody shines throughout this exquisite arrangement. From the larger work Holy Light.Performance Options:Option 1: SATB Choir, Brass Quartet (Two Trumpets in B-flat, Two Trombones), Glockenspiel, Triangle, Tambourine, and Organ, with opt. CongregationOption 2: SATB Choir, Organ, and Orchestra (Flute, Oboe, Clarinet, Bassoon, Two Trumpets in B-flat, Two Trumpets in C, Two Trombones, Organ, Two Violins, Viola, Cello, Double Bass, Percussion [Glockenspiel, Triangle, Tambourine]), with opt. CongregationOption 3: SATB Choir and Organ.
$2.65 ≈
¥19.21
While Shepherds watched - in various melodies - version in B flat SATB
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Choral SATB
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INTERMEDIATE
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various traditional
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David Warin Solomons
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While Shepherds watched - in v
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576491 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576491 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27251. Published by David Warin Solomons (A0.576491). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
$2.99 ≈
¥21.67
Polish Christmas Carols Collection - 28 Songs [LEAD SHEET]
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C Instruments
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Christmas
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Polish Christmas Carol and Pol
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Darek
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Polish Christmas Carols Collec
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Darek
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SheetMusicPlus
C Instrument - Digital Download SKU: A0.1360638 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christmas Song...
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C Instrument - Digital Download SKU: A0.1360638 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christmas Songs. Arranged by Darek. Christian,Christmas,Multicultural,Religious,Traditional,World. Lead Sheet / Fake Book. 38 pages. Darek #945138. Published by Darek (A0.1360638). Polish Christmas Carols Sheet Music Collection - 28 Songs [LEAD SHEET]A Collection of 28 Sheet Music for Polish Christmas Carols for Various Instruments. Each note has its own video tutorial on the Music Lessons by Darek YouTube channel (Click to open the YouTube channel). This Collection of Sheet Music for various instruments such as Piano, Grand Piano, Keyboard, Flute, Violin, Saxophone, Glockenspiel or even accordion or Bells! Sheet Music in the form of Melody with Chords is perfect for those who want to accompany singing or create their own arrangements.A Collection of 28 Polish Christmas Carols Sheet Music contains the most important and most popular Polish Carols and Polish Christmas Songs. Do you want to better feel the atmosphere of the upcoming holidays? Nothing is better for this than singing Christmas carols together at the piano. Enchant your family and friends by accompanying them in singing the most popular Christmas carols and songs. The songs in the collection have been collected in such a way as to collect in one product the melodies closest to your hearts.This Collection of Sheet Music also includes some tips on, among others: rhythmic values and rests, rules for numbering fingers for playing, divisions of rhythmic values, names of sounds on the piano/keyboard, ways to remember the names of sounds, and types of chords that will make it easier for beginners to learn how to play the piano and keyboard and for more advanced musicians, they will remind and consolidate the basics of knowledge.Included: Lyrics and Chords.Song list:1.    Ach, ubogi w żłobie2.    Anioł Pasterzom mówił3.    Bóg się rodzi (eng. The God is Born)4.    Bracia, patrzcie jeno5.    Cicha noc (eng. Silent Night)6.    Do szopy hej pasterze7.    Dzisiaj w Betlejem8.    Gdy się Chrystus rodzi9.    Gdy śliczna Panna10.  Gore gwiazda Jezusowi11.  Hej, w dzień narodzenia12.  Jam jest dudka13.  Jezus malusieńki14.  Jingle bells15.  Lulajże Jezuniu16.  Mędrcy świata17.  Mizerna Cicha18.  Oj Maluśki, Maluśki19.  Pójdźmy wszyscy do stajenki20.  Przybieżeli do Betlejem21.  Skrzypi wóz22.  Triumfy Króla Niebieskiego23.  W dzień Bożego Narodzenia24.  W żłobie leży (eng. Infant holy, Infant lowly)25.  We wish you a merry Christmas26.  Wesołą nowinę27.  Wśród nocnej ciszy28.  Z narodzenia PanaLead Sheet Arrangement | Piano | Keyboard | Guitar | Flute | Violin | Saxophone | Glockenspiel | Grand Piano | Melody with Chords | Polish Christmas Song | Polish Carols | Religious Songs | Polish Church Music | Polish Pastorals Songs | Digital Sheet Music | Sheet Music Christmas Collection | Sheet Music Carols Collection | Various Church Polish Songs| Various Christmas Polish Songs | Polskie Piosenki Świąteczne | Polskie Kolędy | Polskie pastorałki | Zbiór Nut Kolędy.
$10.00 ≈
¥72.48
Stargazing
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C Instruments
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INTERMEDIATE
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Myles Smith
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Barry McCormick
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Stargazing
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B. McCormick
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1459181 By Myles Smith. By Jesse Finkelstein, Myles Smith, and Peter Fenn. Arranged by Barry McCormick....
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C Instrument - Level 3 - Digital Download SKU: A0.1459181 By Myles Smith. By Jesse Finkelstein, Myles Smith, and Peter Fenn. Arranged by Barry McCormick. Folk,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 4 pages. B. McCormick #1038153. Published by B. McCormick (A0.1459181). Introducing Stargazing Lead Sheet Mood: Warm, fun, and happy About the Song and Songwriter: “Stargazing” is a breakout hit by English singer-songwriter Myles Smith. The song, released in May 2024, is known for its warm, fun, and happy mood. Myles Smith, born in Luton, England, is celebrated for his unique blend of folk, Americana, and pop influences. Arrangement Details: This product includes a lead sheet and a guitar chord sheet, each spanning two pages, for a total of four pages. The lead sheet provides the melody with lyrics below and chord symbols above. The guitar chord sheet includes lyrics with chords, chord diagrams for reference at the top of the first page, and alternative shapes for some chords for different options to play. Difficulty Level: The guitar part is suitable for beginner to easy intermediate level players, with the main challenge being maintaining the strumming pattern consistently. The vocal part is suitable for intermediate to upper intermediate level singers, with a wide vocal range of B4 - G#5. Unique Selling Points: This arrangement stands out for several reasons: The strumming pattern is provided at the start of the verse. Small noteheads are used to differentiate between the backing vocal parts and main vocal parts, and also in the verses for parts of the melody that differ between verses. The guitar chord sheet shows the strum pattern in a pictorial way using arrows rather than notation, catering to a variety of music reading levels. Target Audience: This arrangement is ideal for educators and individuals learning music.Potential Uses: This arrangement of “Stargazing” could be used in a variety of settings, such as: Music education: It’s a great piece for teaching students about chord progressions, strumming patterns, and vocal techniques. Performances: It’s suitable for school concerts, open mic nights, or casual performances among friends and family. Self-study: It’s a wonderful piece for individuals looking to expand their repertoire and improve their guitar and vocal skills. Playing from lead sheets is an essential skill for musicians. It gives students a deeper understanding of music, improves memory and reduces performance anxiety, and is a simple way to add creativity and fun. This arrangement of “Stargazing” offers all these benefits and more.
$3.99 ≈
¥28.92
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 ...
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00 ≈
¥181.20
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
¥122.86
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
¥93.86
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
¥79.37
You Can't Do Wrong and Get By
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Brass Quartet
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INTERMEDIATE
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J
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You Can't Do Wrong and Get By
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1234369 By ... By Lethal A. Ellis. Arranged by J. Randolph Hall. This edition: Intera...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1234369 By ... By Lethal A. Ellis. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Country,Folk,Pop,Praise & Worship,Standards. 9 pages. Duration 57. J. Randolph Hall #YmYEsYI60uuuLO2azWcdm. Published by J. Randolph Hall (A0.1234369). Key: Ab major.Ellis was a hymnist and World War 1 veteran born in Mississippi. This Gospel song is a warning against continually wronging others and thinking one can get away with it forever. Section A and C are the verse. Sections B and D are the chorus. A modualtion to a new key occurs between B and C with the help of a French augmented sixth chord. A descant by yours truly is then added.
$4.00 ≈
¥28.99
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
¥28.63
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
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Christmas
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Various, Traditional
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Samantha J Bramley - stringspi
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French Christmas Carol Medley
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Samantha Bramley
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspiratio...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99 ≈
¥166.63
'Sonata' based on music by Ludvig Schytte for Clarinet Sextet.
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Clarinet Ensemble
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ADVANCED
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Ludvig Schytte
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Stephen Davies
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'Sonata' based on music by Lud
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.891971 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards....
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.891971 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 56 pages. Stephen Davies #6294323. Published by Stephen Davies (A0.891971). Clarinet Sextet, very loosely based on SONATA by LUDVIG SCHYTTE. In this arrangement I have taken the liberty of fusing Victorian harmonies with a much more jazz based chordal approach, this behemoth of 306 bars has only one semi-quaver hidden away! Ludvig Schytte (28 April 1848 in Aarhus – 10 November 1909 in Berlin) was a Danish composer, pianist, and teacher. Born in Aarhus, Denmark, Schytte studied with Niels Gade and Edmund Neupert, and Liszt. In 1884, he travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. Originally trained as a pharmacist, Schytte composed a Piano Concerto in C-sharp minor, Op. 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). His shorter works are still used today as educational studies for piano students. Incidentally I am reliably informed that his name is pronounced in Danish as Lullfig Shooter, just in case of any confusion!!!
$21.99 ≈
¥159.39
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