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On The Hunt
French horn
Sheetmusic to print
4 sheet music found
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1
Hunter's Chorus - Solo F Horn
#
French horn
#
INTERMEDIATE
#
Carl Maria von Weber
#
Millen Pena
#
Hunter's Chorus - Solo F Horn
#
Millen Pena
#
SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.1147238 Composed by Carl Maria von Weber. Arranged by Millen Pena. 19th Century,Opera,Romantic Peri...
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French Horn Solo - Level 3 - Digital Download SKU: A0.1147238 Composed by Carl Maria von Weber. Arranged by Millen Pena. 19th Century,Opera,Romantic Period. Individual part. 2 pages. Millen Pena #747428. Published by Millen Pena (A0.1147238). An exciting solo for people who play the horn, great for personal practice, solo recitals or even as a solo piece in a concert! Carl Maria Friedrich Ernst von Weber was born on the 18th or 19th of November 1786 and passed on the 5th of June 1826, he was a German composer, conductor, virtuoso pianist, guitarist, and critic. He was one the very first few significant composers of the Romantic era.
$2.49 ≈
2.29€
Horn Sonata No. 1 (Complete)
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French horn
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ADVANCED
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00 ≈
16.54€
Horn Sonata - No. 1 - 3rd Movement - Allegro
#
French horn
#
ADVANCED
#
Lyons Music Services
#
Horn Sonata - No. 1 - 3rd Move
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Musi...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00 ≈
8.27€
IDIOM for solo French Horn
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French horn
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ADVANCED
#
Contemporary
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Elizabeth Raum
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IDIOM for solo French Horn
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Cherry Classics Music
#
SheetMusicPlus
Composed by Elizabeth Raum (1945-). 21st Century, 20th Century, Modern. Solo Part. 8 pages. Published by Cherry Classics Music...
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Composed by Elizabeth Raum (1945-). 21st Century, 20th Century, Modern. Solo Part. 8 pages. Published by Cherry Classics Music
IDIOM was written at the request of Philip Myers who was a friend and colleague of the composer when they both performed with the Atlantic Symphony Orchestra in Halifax, Nova Scotia. The name, IDIOM comes from the style of writing which reflects the typical use of the French horn in Romantic composition. There are the hunting calls, the hand-stopped stings, the long melodic lines, and the waltz...all taken from the customary uses of the instrument and developed into the original work for solo horn.
An abridged version of IDIOM (included in this file) can be performed as is or further shortened by cutting from one asterisk to any other that comes later in the work.
The beautifully performed sample track is played by Howard Wall, Hornist with the New York Philharmonic, taken from his solo recording Horn Monologues for sale on Amazon and elsewhere.
$20.00 ≈
18.38€
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