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Speak Softly, Love (Love Theme)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1391348 By Andy Williams. By Larry…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1391348 By Andy Williams. By Larry Kusik and Nino Rota. Arranged by Richard Charlton. Film/TV. Individual part. 1 pages. Richard Charlton #974885. Published by Richard Charlton (A0.1391348).
4.57 €
$4.99
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Guitar
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Andy Williams
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Speak Softly, Love
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Richard Charlton
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SheetMusicPlus
Loud And Soft
Piano solo
Piano - Interactive Download SKU: HX.302825 Composed by Morton Gould. Arranged by R…
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Piano - Interactive Download SKU: HX.302825 Composed by Morton Gould. Arranged by Richard Walters. This edition: Interactive Download. Classical. 2 pages. Published by Hal Leonard - Digital (HX.302825).
4.57 €
$4.99
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Piano solo
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Morton Gould
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Loud And Soft
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Hal Leonard - Digital
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SheetMusicPlus
Thou Soft Flowing Avon
High voice
Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1490103 Edited by Richard…
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Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1490103 Edited by Richard Walters and Steven Stolen. This edition: scorch. Baroque,Classical,Renaissance. Score. 3 pages. Hal Leonard - Digital #14718. Published by Hal Leonard - Digital (HX.1490103).
4.57 €
$4.99
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High voice
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Thou Soft Flowing Avon
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Hal Leonard - Digital
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SheetMusicPlus
For Children, Volume 1: 3. Former Friends, 4. Soft Tears
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302164 Composed by…
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302164 Composed by Béla Bartók (1881–1945). Arranged by Richard Giszczak. Children,Classical,Folk,Multicultural,World. Individual part. 3 pages. Singing Winds Music Company #891766. Published by Singing Winds Music Company (A0.1302164). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is a transcription of piano music by Béla Bartók adapted to the range and tonalities of a carillon. The shorter pieces are grouped together. The pieces in Volume 1 are based on Hungarian Folk Songs.
1.83 €
$2.00
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Béla Bartók
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For Children, Volume 1: 3. Former Friends, 4. Soft Tears
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Singing Winds Music Company
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SheetMusicPlus
Now And Then
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1429221 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Ray Thompson. 21st Century,Chamber,Pop. 11 pages. RayThompsonMusic #1009977. Published by RayThompsonMusic (A0.1429221). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history.Now and Then is a psychedelic soft rock balladthat John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following Free as a Bird and Real Love, both based on two other Lennon demos of the same names.Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.Arranged here for wind quintet, the oboe takes most of the melody
18.28 €
$19.95
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Beatles
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Now And Then
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RayThompsonMusic
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SheetMusicPlus
Now And Then
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1430484 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Ray Thompson. 21st Century,Chamber,Pop. 9 pages. RayThompsonMusic #1011090. Published by RayThompsonMusic (A0.1430484). Arranged wind quartetNow and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history.Now and Then is a psychedelic soft rock balladthat John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished.After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following Free as a Bird and Real Love, both based on two other Lennon demos of the same names.Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.Arranged here for wind quartet, the oboe takes most of the melodyThe video is my wind quintet arrangement.
13.73 €
$14.99
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Flute, Oboe, Clarinet, Bassoon
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The Beatles
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Now And Then
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RayThompsonMusic
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SheetMusicPlus
Now And Then
Brass Quartet
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1430726
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1430726 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Ray Thompson. 21st Century,Pop. 10 pages. RayThompsonMusic #1011224. Published by RayThompsonMusic (A0.1430726). Arranged brass quartetAlt horn in F for tromboneNow and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history.Now and Then is a psychedelic soft rock balladthat John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished.After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following Free as a Bird and Real Love, both based on two other Lennon demos of the same names.Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.Arranged here for brass quartet, the trumpet takes most of the melody.
13.73 €
$14.99
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Brass Quartet
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The Beatles
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Now And Then
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RayThompsonMusic
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SheetMusicPlus
Now And Then
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1430950 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Ray Thompson. 21st Century,Pop. 10 pages. RayThompsonMusic #1011457. Published by RayThompsonMusic (A0.1430950). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history.Now and Then is a psychedelic soft rock balladthat John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished.After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following Free as a Bird and Real Love, both based on two other Lennon demos of the same names.Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.Arranged here for sax quartet, the sopano sax takes most of the melody.
13.73 €
$14.99
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Saxophone Quartet: 4 saxophones
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The Beatles
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Now And Then
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RayThompsonMusic
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SheetMusicPlus
Thou Art so Near and Yet so Far
Piano, Voice
Piano and voice - Digital Download SKU: LV.22677 Composed by A. Reichardt. Courtshi…
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Piano and voice - Digital Download SKU: LV.22677 Composed by A. Reichardt. Courtship, Love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22677). The Southern Album. A Collection of Choice Pieces for the Piano. Thou Art so Near and Yet so Far. [German and English]. Germania. A. Reichardt. Published [n.d.] by Louis Tripp, No. 109 Fourth St. in Louisville, Ky. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love. First line reads I know an eye, so softly bright, that glistens like a star of night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
5.49 €
$5.99
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Piano, Voice
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A
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Thou Art so Near and Yet so Far
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
REMINISCENCE for Violin and Piano (2020) - SCORE & PART
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.9…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.939861 Composed by Richard St. Clair. 20th Century. Score and parts. 21 pages. Richard St. Clair #6026661. Published by Richard St. Clair (A0.939861). This neo-Romantic single-movement duet is completely tonal, passing through connected contrasting moods, an excellent piece for concert and/or recital and/or any other performing venues. Duration about 6:45. Score and Part included. The audio clip was generated by Finale music software.
17.4 €
$18.99
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Richard St
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REMINISCENCE for Violin and Piano
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Richard St. Clair
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SheetMusicPlus
Killing Me Softly With His Song
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1391352 By Fugees. By Charles Fox …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1391352 By Fugees. By Charles Fox and Norman Gimbel. Arranged by Richard Charlton. Singer/Songwriter. Individual part. 1 pages. Richard Charlton #974889. Published by Richard Charlton (A0.1391352).
4.57 €
$4.99
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Guitar
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Fugees
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Killing Me Softly With His Song
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Richard Charlton
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
21.98 €
$23.99
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
2 by 2
Jazz Ensemble
Jazz Ensemble - Grade 2 - Digital Download SKU: B0.PDF-BAND-10 Composed by David La…
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Jazz Ensemble - Grade 2 - Digital Download SKU: B0.PDF-BAND-10 Composed by David Larsen. 2 by 2 is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 59 pages. PDF Band Music #PDF-BAND-10. Published by PDF Band Music (B0.PDF-BAND-10). 8.5 x 11 inches.2 by 2 David Larsen Jazz Ensemble - Grade 2 - 2 by 2 is written in the style of the great Cool era jazz composers like Bill Holman and Gerry Mulligan. It utilizes counterpoint in the backgrounds rather than block chords you would find in a Basie chart. When performing this piece with your ensemble, try to play softly and with lots of balance. Check out some recordings of the Gerry Mulligan Concert Jazz Band for inspiration. As he once said, it is hard to swing softly, but it is worth it. David Larsen's compositions have been performed by groups all around the globe. David's most recent big band works, published by Dapper Page Music, have garner great praise and the pieces Applied Physics and Bright Days were chosen as Editor's Choice Award winners from J.W. Pepper. He has written works for big band for jazz greats like Francisco Torres, Ken Peplowski, Roxy Coss, and Tamir Hendelman. David's other works are routinely played around the country and he has also appeared as a guest composer and soloists with many groups including the Swing Shift Jazz Orchestra, the Blue Skies Big Band, and the Jazz Northwest Big Band.
35.46 €
$38.70
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Jazz Ensemble
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David Larsen
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2 by 2
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PDF Band Music
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SheetMusicPlus
Hope Prevails
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christi…
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
4.58 €
$5.00
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Brass ensemble
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His Own Hand - 4:26 in length:
This movement reflects the desperation of the soul
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
"Solemn Dance & Fugue" Adapted for Clarinet Sextet by Stephen Davies
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1329407 Composed by Cyril Scott. Arranged by Stephen Davies. 20th Century,Chamber,Classical,Contemporary,Multicultural,World. 67 pages. Stephen Davies #917388. Published by Stephen Davies (A0.1329407). This piece has been arranged and adapted for Clarinet Sextet, wildly ignoring the original articulation and dynamics to suit an ensemble of Clarinet technicians playing at their best!! SOLEMN DANCETypical of Scott's style, the time signature is not a constant throughout, the added articulation is meant to bring out the extraordinary harmonies he employs, a particularly lush piece best performed in a generous acoustic. FUGUEPossibly the most bizarre fugue that I've ever heard, in the original there is an Adagio beginning and coda, which is omitted here simply to get to the 'nuts and bolts' of this unusual fugue. Scott uses chromaticism in both the melody and the harmony, interspersed with soft landings, and hard tranches of vertical and horizontal passages that grow deeper and deeper. As usual the time signatures are, at times, random.Â
18.31 €
$19.99
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Clarinet Ensemble
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Cyril Scott
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"Solemn Dance & Fugue" Adapted for Clarinet Sextet by Stephen Davies
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Stephen Davies
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SheetMusicPlus
Sonidos Negros
Guitar
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part…
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
6.4 €
$6.99
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Guitar
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Three Pieces for Piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.924215 Composed by Sibylle Kuder. R…
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Piano Solo - Level 4 - Digital Download SKU: A0.924215 Composed by Sibylle Kuder. Romantic Period,Standards. Score. 18 pages. Sibylle Kuder #6210437. Published by Sibylle Kuder (A0.924215). I. Piacevole Pleasing, pleasant, smiling, playful scampering along without much sense of urgency. Doesn't require advanced technical or reading skills other than being familiar with reading and playing in the key of A flat. It does require the ability to play very evenly though, nothing bumpy in this piece! Level 6. II. AgitatoLike a wildly spinning top that only twice comes to an abrupt stop, the A section pressing forward and unforgiving, the B section playful and light, this needs to be played Allegrissimo which is very fast but with a different character than Presto. It requires a well-developed technique that can handle RH passage work with ease. Level 8, due to the very fast tempo. III. FantasiaStarts very sweet and gentle, softly like a Nocturne - though without the lilting character - but quickly changes character, several times, before developing into a fff coda-like ending which after just a few measures disappears into nothingness. Key changes and chromatic writing as well as unexpected harmonic shifts make this piece potentially not easy to read. However, rhythmically it is uncomplicated, and technically, everything fits the hands very well. For instance, LH arpeggiated accompaniment patterns over more than one octave are always ascending and hardly ever fill the entire measure. What this piece requires is a well-developed sense of flair and an intuitive ability to create drama and suspense, both with touch and timing. Level 8.IV. FugaceNote-wise identical to the first piece, Piacevole, but played much faster, in a fleeting manner, flying away. Needs an extremely light touch. Level 7, due to tempo and the need for subtle shading.
9.15 €
$9.99
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Piano solo
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Sibylle Kuder
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Three Pieces for Piano
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Sibylle Kuder
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SheetMusicPlus
Chopin for Acoustic Guitar
Guitar notes and tablatures
Composed by Richard Yates. Ebook and online audio. 88 pages. Published by Mel Bay Publicat…
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Composed by Richard Yates. Ebook and online audio. 88 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.97854MEB). - ebook and online audio - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619116979. 8.5 X 11 inches. Frederic Chopin was one of the most original and influential composers in history. Although he only lived 39 years, he wrote music that has thoroughly embedded itself in our culture. His melodies are often instantly familiar to us and show a profound lyric sense. Many qualities of Chopin's music are ideal for guitar transcription. He wrote pieces that are short with a manageable range. The textures are mostly single melody lines with harmonic accompaniment without the complex counterpoint that can be so difficult on the guitar. His music is often soft, intimate, subtle, and full of naunces of articulation, dynamics, and phrasing. These qualities transfer quite naturally to the guitar. While remaining as faithful as possible to the composer's musical intentions, these pieces experienced some modification that is noted in the provided performance notes. Intermediate in difficulty, this book assumes the player has basic knowledge of the guitar and familiarity with either standard music notation or guitar tablature. Selections include: Prelude Op. 28, No. 7; Prelude Op. 28, No. 20; Prelude Op. 28, No. 4; Cantabile; Mazurka Op. 6, No. 2; Prelude Op. 28, No , 15; Nocturne Op. 9, No. 2; Nocturne Op. 15, No. 3; Nocturne Op. 37, No 1; and Nocturne Op. 55, No. 1. All of these beautiful pieces are included on the downloadable online audio.
18.31 €
$19.99
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Guitar notes and tablatures
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Richard Yates
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Chopin for Acoustic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Don't Cry (Alternative Lyrics)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1499069 By Guns N' Ro…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1499069 By Guns N' Roses. By Darren A. Reed, Duff Rose Mckagan, Izzy Stradlin, Matt Sorum, Saul Hudson, and W. Axl Rose. Arranged by Teresa Young. 20th Century,Rock. Score. 10 pages. Teresa Young #1075115. Published by Teresa Young (A0.1499069). Teresa Young's arrangement of Guns N' Roses' Don't Cry (Alternate Lyrics) came about in an unusual way for her. Most develop from someone's request, but this time, while listening to her musician son's podcast, she heard him declare Don't Cry an iconic soft song by a hard band. Instant intrigue. The result is this piano-centric arrangement that takes its shapes from Guns N' Roses' guitar riffs. Its purpose is to allow piano-based ensembles or bands to interpret the song with a vocalist. It includes guitar chord diagrams. Teresa's arrangement of Don't Cry with original lyrics for piano, voice and guitar is available here too, as is a simple lead sheet of melody, lyrics and guitar chords for both Don't Cry and Don't Cry (Alternate Lyrics). Just search Don't Cry Teresa Young to view all.
5.49 €
$5.99
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Piano, Vocal and Guitar
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Guns N' Roses
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Don't Cry
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Teresa Young
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SheetMusicPlus
Don't Cry
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1350303 By Guns N' Ro…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1350303 By Guns N' Roses. By Izzy Stradlin' and W. Axl Rose. Arranged by Teresa Young. 20th Century,Blues,Pop,Rock. Score. 10 pages. Teresa Young #935093. Published by Teresa Young (A0.1350303). Teresa Young's arrangement of Guns n' Roses' Don't Cry came about in an unusual way for her, since most develop from someone's request. But this time she learned, while listening to her musician son's podcast, that Don't Cry is considered an iconic soft song by a hard band. Instant intrigue, and she had to explore it. The result is a piano-based arrangement that takes its shape from Guns n' Roses guitar riffs. Its purpose is to allow piano-based ensembles or bands to interpret the song with a vocalist. It includes guitar chord diagrams too. Ya'll rock on, and don't cry.
4.57 €
$4.99
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Piano, Vocal and Guitar
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Guns N' Roses
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Don't Cry
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Teresa Young
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SheetMusicPlus
Impromptu no.1 op.1
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.923165 By Angus Ludfranz. By Angus …
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Piano Solo - Level 3 - Digital Download SKU: A0.923165 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Romantic Period. Score. 3 pages. Angus Ludfranz #529024. Published by Angus Ludfranz (A0.923165). Impromptu no 1 op.1 for solo piano origin of the duet. First, I have to explain why I uploaded my op.2 before this. I couldn't find the hard copy of it (probably lost it) but fortunately, I saved a soft copy of it. So, I am able to upload this file to you all to read (hard copy=>soft copy=>hard copy=>soft copy lol). Anyway, this was my first piece that I composed in my life, there are some mistakes, hope you don't mind and enjoy the piece. Your composer, A.Ludfranz.
1.82 €
$1.99
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Piano solo
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Angus Ludfranz
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Impromptu no.1 op.1
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Angus Ludfranz
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SheetMusicPlus
Also Sprach Zarathustra (2001 A Space Odyssey) also Happy Birthday
Guitar - Level 3 - Digital Download SKU: A0.1452366 By The Candlelight Guitarist. B…
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Guitar - Level 3 - Digital Download SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Film/TV,Holiday. Guitar Tab. 4 pages. Geofonica Artistworks #1031691. Published by Geofonica Artistworks (A0.1452366). This is a solo classical guitar 'mashup'/medley of Also Sprach Zarathustra (widely known from film 2001: A Space Odyssey) by Richard Strauss with the traditional Happy Birthday song. It begins with Also Sprach Zarathustra (the portion from 2001: A Space Odyssey)--then at the penultimate dominant chord, switches to Happy Birthday in a similar style, then at the Happy Birthday penultimate dominant chord, returns to the final three melody chords of Also Sprach Zarathustra. The playing level is intermediate classical guitar... even playable by a good early intermediate player. This arrangement is in standard notation with TAB. Arranged by Bradley Powell, who records as The Candlelight Guitarist...the entire arrangement can be seen and heard at the video link provided. If a player ONLY wants to play Also Sprach Zarathustra, they can skip from the end of measure 14 to the beginning of measure 24). YouTube link: https://www.youtube.com/shorts/QgzHaRrtftQABOUT the arranger: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
2.74 €
$2.99
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The Candlelight Guitarist
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Also Sprach Zarathustra
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Geofonica Artistworks
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SheetMusicPlus
These Days
Choral SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1356149 Composed by…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1356149 Composed by Emily Weisband, Jeremy Camp, Jordan Sapp, and Paul Duncan. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Rock,Sacred. 14 pages. Jeff Tincher #940818. Published by Jeff Tincher (A0.1356149). Here is Jeremy Camp's latest (1/8/24) single. In the original key, it is a great mixture of soft rock and hard rock rhythms. Duration = 3:15. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
1.82 €
$1.99
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Choral SSAA
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Emily Weisband, Jeremy Camp, Jordan Sapp, and Paul Duncan
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These Days
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Jeff Tincher
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SheetMusicPlus
These Days
Brass Quartet
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1356142 Co…
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1356142 Composed by Emily Weisband, Jeremy Camp, Jordan Sapp, and Paul Duncan. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Rock,Sacred. 18 pages. Jeff Tincher #940811. Published by Jeff Tincher (A0.1356142). Here is Jeremy Camp's latest (1/8/24) single. In the original key, it is a great mixture of soft rock and hard rock rhythms. Duration = 3:15. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
11.9 €
$12.99
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Brass Quartet
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Emily Weisband, Jeremy Camp, Jordan Sapp, and Paul Duncan
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These Days
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Jeff Tincher
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SheetMusicPlus
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