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Barrios
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1
Barrios (Agustín) - Prelude in B minor - arr. and chords for G-clef piano/harp (GCP/GCH)
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano - Level 2 - Digital Download
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.913055 Composed by AgustÃn Pio Barrios. Arranged by Andrei Lucian Dragoi. 20th Century,Standards. 2 pages. Andrei-Lucian Dragoi #5724981. Published by Andrei-Lucian Dragoi (A0.913055). Music (originally for guitar in B minor): AgustÃn Pio Barrios (1885 - 1944)
$1.99
1.83 €
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AgustÃn Pio Barrios
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Barrios
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Andrei-Lucian Dragoi
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SheetMusicPlus
Augustin Barrios plays his own compositions and other works
SKU: PR.ECH9104 Composed by Agustin Barrios-Mangore. Cd. With Standard notation. Ch…
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SKU: PR.ECH9104 Composed by Agustin Barrios-Mangore. Cd. With Standard notation. Chanterelle #ECH9104. Published by Chanterelle (PR.ECH9104).
$13.95
12.86 €
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Agustin Barrios-Mangore
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Augustin Barrios plays his own compositions and other works
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Chanterelle
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SheetMusicPlus
La Catedral Sumergida
Guitar and flute - Digital Download SKU: ZY.DO-1535 Composed by Stephen Goss. Score…
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Guitar and flute - Digital Download SKU: ZY.DO-1535 Composed by Stephen Goss. Score and part. 25 pages. Les Editions Doberman-Yppan (digital) #DO 1535. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1535). J'ai ajouté une partie de flûte à deux pièces bien connues pour guitare solo en si mineur – l'Étude Op. 35, n° 22 de Fernando Sor et le mouvement final de La Catedral d'Agustín Barrios Mangoré – Allegro Solemne. Le guitariste joue les pièces de Sor et de Barrios dans leur forme originale, tandis que le flûtiste superpose mon nouveau matériel.La Catedral Sumergida a été commandée par Emily Andrews et Francisco Correa pour un album de ma musique pour flûte et guitare (Deux-Elles, 2025). La première représentation a eu lieu au Michael Tippett Centre, Bath Spa University, le 2 mai 2024.- Stephen GossI have added a flute part to two well-known solo guitar pieces in B minor – Fernando Sor’s Etude Op. 35, No. 22 and the final movement from La Catedral by Agustín Barrios Mangoré – Allegro Solemne. The guitarist plays the Sor and Barrios pieces in their original form, while the flautist superimposes my new material.La Catedral Sumergida was commissioned by Emily Andrews and Francisco Correa for an album of my collected flute and guitar music (Deux-Elles, 2025). The first performance took place at the Michael Tippett Centre, Bath Spa University, 2nd May 2024.- Stephen Goss.
$11.95
11.02 €
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Stephen Goss
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La Catedral Sumergida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.09 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Julia Florida - Barcarola
Guitar Ensemble - Level 3 - Digital Download SKU: A0.1489001 Composed by Agustin Ba…
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Guitar Ensemble - Level 3 - Digital Download SKU: A0.1489001 Composed by Agustin Barrios Mangore. Arranged by Simon Davies. 19th Century,Classical. Score and Parts. 6 pages. Simon Davies #1065851. Published by Simon Davies (A0.1489001). An arrangement of Barrios's beautiful solo guitar piece.Suitable for 3-part ensembles and can be used for bigger forces, with parts doubled.PDF includes Score & Parts.Suitable for Intermediate players. Approx. Grades 3-5.
$4.99
4.6 €
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Agustin Barrios Mangore
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Parts
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Julia Florida - Barcarola
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Simon Davies
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SheetMusicPlus
Danza Paraguaya No. 1
Percussion Duet - Level 3 - Digital Download SKU: A0.1113594 By John May. By Agusti…
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Percussion Duet - Level 3 - Digital Download SKU: A0.1113594 By John May. By Agustin Barrios Mangore. Arranged by John May. 20th Century,Chamber,Contest,Festival,Latin,Multicultural,World. Score. 10 pages. Lost Key Music #715497. Published by Lost Key Music (A0.1113594). This is one of Agustin Barrios' most popular works. Originally composed for guitar, it is arranged here for two marimbas/marimba duet. Only two mallets required for each player. This is an up-tempo, fun and light piece! www.lostkeymusic.com Follow Lost Key Music on social media: https://www.facebook.com/lostkeymusic... https://twitter.com/lostkeymusic https://www.pinterest.com/lostkeymusic/ https://www.instagram.com/lostkeymusic/.
$16.00
14.75 €
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John May
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Danza Paraguaya No. 1
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Lost Key Music
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SheetMusicPlus
Julia Florida - Barcarola (Oboe and Guitar) - Score and Parts
Composed by Augustin Barrios Mangore. Arranged by Kevin Love. Romantic Period. Score, Set …
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Composed by Augustin Barrios Mangore. Arranged by Kevin Love. Romantic Period. Score, Set of Parts. 8 pages. Published by Kevin Love (S0.61379). - Score,Set of Parts - Romantic Period - Kevin Love
$5.95
5.49 €
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Augustin Barrios Mangore
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Julia Florida - Barcarola
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Kevin Love
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SheetMusicPlus
Skeleton Sam
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1294145 Com…
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1294145 Composed by Evan Kidd Bogart, Justin Gray, and Sarah Barrios. Arranged by Avis Balkcom-Williams. This edition: Interactive Download. Children,Holiday. Score. 18 pages. Duration 174. Avis Balkcom-Williams #109D2pjAMi6CGCjyi4iX5p. Published by Avis Balkcom-Williams (A0.1294145). Key: C major.Intermediate Piano/Vocal score with lyrics, chord symbols and guitar grids. An eerie, fun, danceable tune for all ages. Your Halloween performance will be a hoot!
$5.99
5.52 €
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Evan Kidd Bogart, Justin Gray, and Sarah Barrios
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Skeleton Sam
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Avis Balkcom-Williams
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SheetMusicPlus
Skeleton Sam
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1312061 Com…
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1312061 Composed by By EVAN KIDD BOGART,.SARAH BARRIOS, JUSTIN GRAY. This edition: Interactive Download. Holiday. Score. Duration 158. Theo Kirk #6Ihjnp33TovZSjwx9myGYn. Published by Theo Kirk (A0.1312061). Key: C major.Popular for Halloween. Spooky Song by Lovecraft. It starts out with one voice and piano accompaniment: and later expands to two part vocal harmony. Piano is subtle in the beginning and later has 6 part harmony.
$5.49
5.06 €
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EVAN KIDD BOGART,
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By EVAN KIDD BOGART,
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Skeleton Sam
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Theo Kirk
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SheetMusicPlus
Skeleton Sam
Instrumental Solo - Level 1 - Interactive Download SKU: A0.1116405 Composed by Evan…
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Instrumental Solo - Level 1 - Interactive Download SKU: A0.1116405 Composed by Evan Kidd Bogart, Justin Gray, and Sarah Barrios. Arranged by Gatot Alindo. This edition: Interactive Download. Pop. Individual part. 5 pages. Duration 172. Gatot Alindo #2ITYIvFGJ3UmiV0tdXxi0b. Published by Gatot Alindo (A0.1116405). Key: C major.Easy Piano.
$4.99
4.6 €
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Evan Kidd Bogart, Justin Gray, and Sarah Barrios
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Skeleton Sam
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Gatot Alindo
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SheetMusicPlus
Selected Guitar Solos Volume 2
Guitar (classical) - Intermediate-Advanced - Digital Download SKU: M0.20480EB Compo…
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Guitar (classical) - Intermediate-Advanced - Digital Download SKU: M0.20480EB Composed by Jorge Morel. Classic. E-book. Mel Bay Publications - Digital Sheet Music #20480EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20480EB). ISBN 9781609740672. 8.75x11.75 inches.This second volume of classic guitar solos from Argentine virtuoso, Jorge Morel, presents five intermediate to advanced pieces dedicated to fellow guitarists: Ricardo Iznaola, Augustin Barrios, Eli & Ann Kassner, Liona Boyd and Raphaella Smits. Two of the five pieces are in drop-D tuning. Standard notation only with detailed left-hand fingering provided.
$9.99
9.21 €
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Jorge Morel
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Selected Guitar Solos Volume 2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
El último tremolo-Lead Sheet
Small Ensemble Flute,Guitar,Piano,Violin - Level 1 - Digital Download SKU: A0.985625
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Small Ensemble Flute,Guitar,Piano,Violin - Level 1 - Digital Download SKU: A0.985625 Composed by AgustÃn Barrios. Arranged by José Villamayor. 20th Century,Contemporary,World. Score and parts. 3 pages. José Gaspar Villamayor #6096495. Published by José Gaspar Villamayor (A0.985625). El último tremolo en formato hoja de plomo.
$5.00
4.61 €
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AgustÃn Barrios
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El último tremolo-Lead Sheet
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José Gaspar Villamayor
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SheetMusicPlus
His Finest Guitar Recordings
SKU: PR.ECH9003 Composed by Agustin Barrios-Mangore. Cd. With Standard notation. Ch…
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SKU: PR.ECH9003 Composed by Agustin Barrios-Mangore. Cd. With Standard notation. Chanterelle #ECH9003. Published by Chanterelle (PR.ECH9003).
$13.95
12.86 €
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Agustin Barrios-Mangore
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His Finest Guitar Recordings
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Chanterelle
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SheetMusicPlus
The Chanterelle Guitar Anthology
Chamber Music guitar SKU: PR.ECH2724 40 Classical Guitar Miniatures. Compose…
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Chamber Music guitar SKU: PR.ECH2724 40 Classical Guitar Miniatures. Composed by Agustin Barrios-Mangore, Andres Segovia, Antoine de Lhoyer, Dionisio Aguado, Fernando Sor, Francisco Tarrega, Giulio Regondi, Johann Mertz, Julio Sagreras, Luigi Legnani, Manuel Ponce, Matteo Carcassi, Miguel Llobet, and Napoleon Coste. Collection - Full. Chanterelle #ECH2724. Published by Chanterelle (PR.ECH2724). UPC: 842819105176.
$27.95
25.77 €
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Agustin Barrios-Mangore, Andres Segovia, Antoine de Lhoyer, Dionisio Aguado, Fernando Sor, Francisco Tarrega, Giulio Regondi, Johann Mertz, Julio Sagreras, Luigi Legnani, Manuel Ponce, Matteo Carcassi, Miguel Llobet, and Napoleon Coste
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The Chanterelle Guitar Anthology
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Chanterelle
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SheetMusicPlus
Cueca - Quatuor Flûtes Guitares - BARRIOS MANGORE A.
7.90 €
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Profs-edition
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