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Music Theory
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Musical course - Solfege
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3451
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.16 €
#
Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
#
SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.16 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.16 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.16 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.16 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Io v'amo sol perchè voi siete bella (Original Key)
Choir - Level 5 - Digital Download SKU: A0.1201041 By Chanticleer. By William Hawle…
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Choir - Level 5 - Digital Download SKU: A0.1201041 By Chanticleer. By William Hawley. A Cappella,Classical,Contemporary. Full Performance. Duration 296. William Hawley #799531. Published by William Hawley (A0.1201041). This is the World Premiere live recording of William Hawley's madrigal Io v'amo sol perchè voi siete bella from Seven Madrigals, in the original key for ATBar.B voices, composed for the vocal ensemble Chanticleer in 1986. All seven live recordings from the World Premiere are available individually on this site as separate downloads by title, as is the original complete autograph ms score. The ms score and World Premiere recordings are distinct from Hawley's Six Madrigals, published in 1996 in the standard Hinshaw Music octavo edition by title, which constitute arrangements by the composer for SATB voices of the first six of the original seven madrigals. All seven madrigals are settings of the lyric poetry of the 16th-Century Italian poet Torquato Tasso.This is the original order of madrigals in performance:I. Vita de la mia vitaII. Ore, fermate il voloIII. Io v'amo sol perchè voi siete bellaIV. Siepe, che gli orti vaghiV. Dolcissimi coloriVI. Io son la primaveraVII. Mentre angoscia e doloreThe Audio Sample is the first half-minute of the recording. ASCAP  https://williamhawley.net.
$1.99
1.82 €
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Chanticleer
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Io v'amo sol perchè voi siete bella
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William Hawley
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SheetMusicPlus
Mercy
Flexible Wind Ens - Intermediate - Digital Download SKU: F2.FM459 Composed by Juan …
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Flexible Wind Ens - Intermediate - Digital Download SKU: F2.FM459 Composed by Juan Maria Solare. Flexible Wind Quartet. Score and parts. 12 pages. Forton Music - Digital #FM459. Published by Forton Music - Digital (F2.FM459). ISBN 9790570483587.For Flexible Wind Ensemble. Flute1/Clarinet 1, Oboe 2/Clarinet 2, Instrument in F/Clarinet 3, Bassoon or Bass Clarinet 4. 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$9.95
9.12 €
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Wonderful, Merciful Savior
Digital Download SKU: H1.C5689RDP Arranged by Jack Schrader. General Worship, Holy …
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Digital Download SKU: H1.C5689RDP Arranged by Jack Schrader. General Worship, Holy Spirit, Lamb of God, Mercy, Worship. Rhythm Parts. 13 pages. Hope Publishing - Digital #C5689RDP. Published by Hope Publishing - Digital (H1.C5689RDP). By Dawn Rodgers & Eric Wyse.Contemporary song by Dawn Rodgers & Eric Wyse Wonderful, merciful Savior; Counselor, Comforter, Keeper; Almighty, infinite Father, these are some of the many names and attributes of Jesus that are tenderly exclaimed in this compelling contemporary song from husband and wife writers, Eric Wyse and Dawn Rodgers. Arranger Jack Schrader masterfully centers his setting around the powerful refrain, You are the One that we praise, you are the One we adore. Sure to be a nice addition for the Lenten season with options to include a light rhythm section. The Rhythm packet contains parts for Guitar, Bass, Drums and Synth Strings.
$34.95
32.02 €
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Dawn Rodgers & Eric Wyse
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Counselor, Comforter, Keeper
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Wonderful, Merciful Savior
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Hope Publishing - Digital
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SheetMusicPlus
Berceuse Inst. Solo Score
Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.877797 Composed by Deborah …
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Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.877797 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 14 pages. Deborah Johnson #32935. Published by Deborah Johnson (A0.877797). Berceuse instrumental solo score, written for a C instrument, flute or other, a captivating and melodious piano solo set at a medium intermediate level, is part of Deborah Johnson's Wayfarers Journey album, featuring new classically-inspired piano and instrumental solos. Berceuse instrumental solo score, tailored for special occasions such as weddings and events, spans a total of 14 pages, including score, separate parts and cover. Parts include: Instrumental (flute) solo; Piano accompaniment. Piano accompaniment includes guitar chords. The term Berceuse denotes a lullaby or cradlesong, often structured in 6/8 or 3/4 time signature. Typically, this musical composition, whether for instrument or voice, holds a tranquil and calming character, akin to lulling a child to sleep. Originating from French in 1875-80, berceuse derives from berc(er) (to rock) combined with the suffix -euse, forming a noun. Berceuse encapsulates a soothing and calming musicality, reflecting the serene and tranquil qualities of a lullaby. With its reflective character, this piece offers an emotive and calming experience, making it an ideal choice for special occasions, creating an atmosphere of peace and tranquility. Spotify link for MP3 download: https://open.spotify.com/track/1PVq9FrHZwBNmNPzQpxhjW Also available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarers Journey. Signed copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
6.4 €
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Deborah Johnson
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Piano accompaniment
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Berceuse Inst. Solo Score
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Deborah Johnson
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SheetMusicPlus
The Lord Is Kind And Merciful (Psalm 103) (Solo and SATB)
Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.611453 Composed by Steph…
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Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.611453 Composed by Stephen DeCesare. Christian,Jewish,Sacred. Octavo. 12 pages. Exultet Music #90275. Published by Exultet Music (A0.611453). Composed for the Year of Mercy as announced by Pope Francis, Based on Psalm 103, this prayerful setting can be sung for many occasions throughout the liturgical year. Scored for Violin, Soprano Solo, SATB and Organ.
$3.99
3.66 €
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Stephen DeCesare
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The Lord Is Kind And Merciful
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Exultet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 5th Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC5
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC5 5th Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC5. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC5). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 5th Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 7th Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC7
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC7 7th Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC7. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC7). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 7th Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 6th Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC6
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC6 6th Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC6. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC6). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 6th Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 1st Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC1
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC1 1st Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC1). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: Score
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PR-0002940
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PR-0002940 Score. Composed by Paul Smith. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0002940. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002940). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$8.00
7.33 €
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Paul Smith
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OPENING FAST/PERC ENS: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 8th Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC8
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC8 8th Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC8. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC8). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 8th Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 2nd Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC2
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC2 2nd Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC2). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 2nd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 3rd Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC3
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC3 3rd Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC3). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 3rd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
OPENING FAST/PERC ENS: 4th Percussion
Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC4
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Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0014622_PC4 4th Percussion. Composed by Paul Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014622_PC4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014622_PC4). UPC: 038081383897.This simple and short composition was written to fill the void of an opening selection for a percussion ensemble concert. Loud, fast, and exciting, this opening number for eight percussionists will certainly grab the audience's attention. Even with its easy notation, students at varying levels can very well perform this composition.
$3.00
2.75 €
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Paul Smith
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OPENING FAST/PERC ENS: 4th Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Gallop for Pitched Perc. & Sleighbell
Small Ensemble Harp,Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SK…
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Small Ensemble Harp,Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SKU: A0.492483 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical. Score and parts. 37 pages. Duration 109. Father Ambrose Press #4tpHR2R7BrCZGdmmoQN9qo. Published by Father Ambrose Press (A0.492483). Key: C major.Two movements composed for advanced percussionists, a work for artistically and technically proficient artists.
$14.00
12.83 €
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Celebrity Chamber Players
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Gallop for Pitched Perc. & Sleighbell
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Father Ambrose Press
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SheetMusicPlus
Vocal Blues Exercise (5 Note Exercise)
Mezzo-Soprano Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1160864 By Kath…
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Mezzo-Soprano Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1160864 By Kathryn Carpenter. By Kathryn Carpenter. Arranged by Kathryn Carpenter. 20th Century,Blues,Instructional,Jazz,Standards. 3 pages. Kathryn Carpenter #761176. Published by Kathryn Carpenter (A0.1160864). Vocal Blues Exercise:* 5 note exercises for singing the blues!* www.kathrynleecarpenter.com.
$1.99
1.82 €
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Kathryn Carpenter
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Vocal Blues Exercise
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Kathryn Carpenter
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SheetMusicPlus
Pumpkin Pie Swirl Vocal Exercise
Mezzo-Soprano Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1286102 By Kath…
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Mezzo-Soprano Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1286102 By Kathryn Carpenter. By Kathryn Carpenter. Arranged by Kathryn Carpenter. 20th Century,Classical,Contemporary,Instructional,Traditional. 4 pages. Kathryn Carpenter #877227. Published by Kathryn Carpenter (A0.1286102). Pumpkin Pie Swirl Vocal Exercise:* Vocal exercise for C harmonic minor* Exercise for soloists or choir* Study piece for chords in C minor * Study piece for the C harmonic minor scale* www.kathrynleecarpenter.com/vocalexercises
$2.25
2.06 €
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Kathryn Carpenter
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Pumpkin Pie Swirl Vocal Exercise
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Kathryn Carpenter
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SheetMusicPlus
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for GUITAR and KEYBOARD PERC in TREBLE CLEF
Percussion Solo - Level 2 - Digital Download SKU: A0.1105642 By Various. By Various…
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Percussion Solo - Level 2 - Digital Download SKU: A0.1105642 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708861. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1105642). If you're a beginner or looking to enhance your musical skills, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes.It's perfect for teacher-student play-along. It's available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS. Professional musician Keith Walker highly recommends this book, wishing he had it 50 years ago.It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms set in Concert Pitch.It's definately an excellent resource to have!
$12.99
11.9 €
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Various
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A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for GUITAR and KEYBOARD PERC in TREBLE CLEF
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Level 8 : 13. Sight Reading Exercises
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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TomSolfège
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Tomplay
Exercise for Saxophone
Saxophone - Level 1 - Digital Download SKU: A0.1453577 Composed by Avgusta Udartsev…
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Saxophone - Level 1 - Digital Download SKU: A0.1453577 Composed by Avgusta Udartseva. Arranged by Avgusta Udartseva. 21st Century. Educational Exercises. 1 pages. Avgusta Udartseva #1032683. Published by Avgusta Udartseva (A0.1453577).
$1.99
1.82 €
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Avgusta Udartseva
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Exercise for Saxophone
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Avgusta Udartseva
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SheetMusicPlus
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