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1
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.1 €
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Pierre Phalèse Jnr
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Jean-Yves Malmasson: Trois Poèmes de Charles Baudelaire for medium voice, violoncello and piano
Small Ensemble Cello,High Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Downl…
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Small Ensemble Cello,High Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.533489 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #2999959. Published by Musik Fabrik Music Publishing (A0.533489). 1. Hymne 2. Tristesse de la Lune 3. Recueillement Jean-Yves MALMASSON was born in 1963 at Saint-Cloud (Hauts-de-Seine), near Paris. He began his musical studies at the National Regional Conservatory of Boulogne-Billancourt (solfege, piano, theory, composition, organ and ondes Martenot) et and then at the Paris Conservatory where he won a First Prize in Orchestration. His principal teachers included Alain LOUVIER, Pierre GROUVEL, Serge NIGG and Jacques CHARPENTIER for theory and composition, and Jean-Claude HARTEMANN and Jean-Sébastien BEREAU for Orchestral Conducting. His work Le Chant de Dahut, poème symphonique for Ondes Martenot and orchestra inspired by the legend of the sunken city of Y won the SACEM prize in the Festival Les Tombées de la Nuit in Rennes, France.The set includes the vocal score and the cello part.
$22.10
20.12 €
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Jean-Yves Malmasson
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Jean-Yves Malmasson: Trois Poèmes de Charles Baudelaire for medium voice, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Character Pieces for Cello and Guitar
Guitar and cello - Digital Download SKU: ZZ.DZ-4137 Composed by August Nölck. Arra…
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Guitar and cello - Digital Download SKU: ZZ.DZ-4137 Composed by August Nölck. Arranged by Damien Lancelle. Score and part. 92 pages. Les Productions d'OZ - Digital #DZ 4137. Published by Les Productions d'OZ - Digital (ZZ.DZ-4137). This set of character pieces is intended for advanced guitarists and cellists in search of seldom heard music in this formation.Many cellists-composers remain quite unknown to non-cellists, although some have producest very fine works; guitarists, perhaps more than anyone, are aware of this phenomenon! This is the case of August Nölck who‘s music, charming and genuine but never tasteless, will delight audiences as well as performers.Ce recueil de pièces de caractère s‘adresse aux guitaristes et aux violoncellistes d‘un niveau avancé à la recherche de musique encore peu jouée dans cette formation, que ce soit pour leurs programmes de concerts ou simplement pour le plaisir de jouer ensemble.De nombreux violoncellistes-compositeurs restent relativement méconnus du grand public, certains ayant pourtant produit une oeuvre de grande qualité; les guitaristes connaissent ce phénomène mieux que personne ! C‘est le cas d‘August Nölck, dont la musique charmante et sincère ne tombe pourtant jamais dans le banal et fera la joie du public comme des musiciens.I. Amoroso II. Spanishe Serenade III. Liebeslied IV. Ständchen V. Souvenir lyrique VI. Mazurka VII. Ungarische Czardas Fantasie.
$32.95
30 €
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August Nölck
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Character Pieces for Cello and Guitar
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Les Productions d'OZ - Digital
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SheetMusicPlus
3 pièces de Guillaume de Machaut
Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaum…
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Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 1537. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1537). Regarded as the most significant French composer and poet of the 14th century, Guillaume de Machaut was the central figure of the ars nova style in late medieval music. The three vocal pieces included in this collection are two rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure along with the motet Je suis aussi com cils qui est ravis. An additional curiosity, the iconic rondeau Ma fin est mon commencement (My end is my beginning) has a very intricate form built on palindromic form; while one voice reads the line from left to right, the other uses the same line in the opposite direction. Both voices meet in the middle of the piece, thus creating a mirror-symmetric form. While maintaining the principal upper part vocal, my arrangement relegates the two additional voices to the guitar.Considéré comme le compositeur et poète français le plus important du XIVe siècle, Guillaume de Machaut était la figure centrale du style ars nova dans la musique de la fin du Moyen Âge. Les trois pièces vocales incluses dans ce recueil sont deux rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure ainsi que le motet Je suis aussi com cils qui est ravis. Autre curiosité, l'emblématique rondeau Ma fin est mon commencement a une forme très complexe construite sur une forme palindromique ; tandis qu'une voix lit la ligne de gauche à droite, l'autre utilise la même ligne dans la direction opposée. Les deux voix se rencontrent au milieu de la pièce, créant ainsi une forme symétrique en miroir. Tout en conservant la partie supérieure vocale principale, mon arrangement relègue les deux voix supplémentaires à la guitare.
$7.95
7.24 €
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Guillaume de Machaut
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3 pièces de Guillaume de Machaut
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Les Editions Doberman-Yppan
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SheetMusicPlus
12 chansons de Gilles Binchois
Guitar - Advanced - Digital Download SKU: ZY.DO-1544 Composed by Gilles Binchois. A…
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Guitar - Advanced - Digital Download SKU: ZY.DO-1544 Composed by Gilles Binchois. Arranged by Dusan Bogdanovic. Score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 1544. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1544). The present collection of the twelve chansons by one of the greatest French 15th-century composers Gilles Binchois, was originally conceived for vocal upper voice over two instrumental tenors. In contrast to all the other pieces, the last two chansons were arranged for either voice and guitar or a guitar duo.Le présent recueil de douze chansons de l'un des plus grands compositeurs français du XVe siècle, Gilles Binchois, a été conçu à l'origine pour une voix supérieure vocale sur deux ténors instrumentaux. Contrairement à toutes les autres pièces, les deux dernières chansons ont été arrangées soit pour voix et guitare, soit pour un duo de guitares.
$9.95
9.06 €
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Gilles Binchois
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12 chansons de Gilles Binchois
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Les Editions Doberman-Yppan
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SheetMusicPlus
Schiarazula Marazula & Ballo Anglese (1583)
String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of danceâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.19 €
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Pierre Phalèse Jnr
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Schiarazula Marazula & Ballo Anglese
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Rebel – Violin Sonate N. 11 (1712) Score and Parts
Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 2 - Digital Download SKU…
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Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.890775 Composed by Jean-Féry Rebel. Arranged by Sneakwood Editions. Baroque. Score and parts. 22 pages. Sneakwood Editions #5321923. Published by Sneakwood Editions (A0.890775). Jean-Féry RebelSonate No. 11 [Violin Sonata in B flat major] from Recueil de douse Sonates a II. et III. parties aver la basse chiffrée. 1712Based on the edition by Académie Roiale de Musique, Paris, ca. 1713Score and Parts (Dessus / Basse pour la Viole / Basse pour le clavecin)
$10.00
9.11 €
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Jean-Féry Rebel
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Rebel – Violin Sonate N. 11
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Sneakwood Editions
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SheetMusicPlus
Chantez charmants oyseaux
Continuo,Flute,High Voice - Digital Download SKU: A0.791644 Composed by François…
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Continuo,Flute,High Voice - Digital Download SKU: A0.791644 Composed by François Bouvard. Arranged by Early Music Scores. Baroque,Classical. 8 pages. Early Music Scores #5745293. Published by Early Music Scores (A0.791644). Soprano solo, flute and continuoComposed by François Bouvard. from IVme Recueil d'Airs Sérieux et à Boire, 1740. Edited by Felipe Dias. 5 pages.
$6.99
6.36 €
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François Bouvard
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Chantez charmants oyseaux
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Early Music Scores
#
SheetMusicPlus
Schiarazula Marazula and Ballo Anglese (Pierre Phalèse Jnr, 1583) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522185 Composed by Pierre Phal…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522185 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 26 pages. Colin Kirkpatrick Publications #6357991. Published by Colin Kirkpatrick Publications (A0.522185). These are two charming dances taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost all kinds of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century and who published his First Book of Dances in Leuven in 1571. The Antwerp publication of 1583 contains about half the dances from the original 1571 edition, together with some new titles, making a total of about seventy numbers.
$8.99
8.19 €
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Pierre Phalèse Jnr
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Schiarazula Marazula and Ballo Anglese
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Ungaresca and Almande Poussinghe (Pierre Phalèse Jnr, 1583) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arr…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 27 pages. Colin Kirkpatrick Publications #6363609. Published by Colin Kirkpatrick Publications (A0.522186). These are two charming dances taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost all kinds of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century and who published his First Book of Dances in Leuven in 1571. The Antwerp publication of 1583 contains about half the dances from the original 1571 edition, together with some new titles, making a total of about seventy numbers.The 1583 collection contains a large selection of gaillardes, almandes and bransles which were all popular courtly dances of the time. The lively and well-known piece entitled Ungaresca appears on page 24 of the original publication. The drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. The name Ungaresca is a term used outside Hungary to denote a dance in the Hungarian style and this particular one probably first appeared in a 1578 dance collection for viol consort - Mainerio's Primo libro de balli. As a result, the music is sometimes attributed to Mainerio.In this arrangement, Ungaresca is paired with the delightful Almande Poussinghe which appears on page 16 of the original. This wonderful music of the 16th century still speaks to us today and this arrangement would be an ideal concert item, playable by virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. Some minor changes have been made to the inner parts to facilitate performance.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file.
$9.99
9.1 €
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Unknown
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Part 1 (C, B flat, E flat)
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Ungaresca and Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
Rossignols amoureux (Printemps)
Basso Continuo,Flute,High Voice - Digital Download SKU: A0.1102220 Composed by Fran…
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Basso Continuo,Flute,High Voice - Digital Download SKU: A0.1102220 Composed by François Bouvard. Arranged by Early Music Scores. Baroque. 6 pages. Early Music Scores #705622. Published by Early Music Scores (A0.1102220). Voice, flute and continuo: composed by François Bouvard (1684 - 1760). From 9me Recueil d'Airs sérieux et à boire par François Bouvard, Paris, 1749. Edited by Felipe Dias. 6 pages. Score and parts.
$6.99
6.36 €
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François Bouvard
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Rossignols amoureux
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Early Music Scores
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SheetMusicPlus
Saxophone Sight-Reading 2
Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach.…
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Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19502. Published by Schott Music - Digital (S9.Q19502). English • French • German.This collection of original tunes presents 122 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the five sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as saxophone duets and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for students of grades 3 to 6.Ce recueil de mélodies originales présente 122 pièces et exercices de différents styles, soigneusement classés par ordre de difficulté, dans le but d’encourager la lecture à vue. Les cinq chapitres de l’édition se consacrent au développement de différentes techniques-clés.
$15.99
14.56 €
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Saxophone Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Marais: Marche pour les Matelots (Masters in this Hall) et Airs de Matelots I-II-III -wind trio
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - …
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1211950 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 10 pages. RayThompsonMusic #809502. Published by RayThompsonMusic (A0.1211950). The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredanse along with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.I have arranged the March and 3 of the Sailor's Airs from the opera for mixed woodwind trio, The march is then reprised to complete the arrangement.1.flute/oboe/clarinet 12.cor anglais/clarinet 23.bassoon/bass clarinetThe mp3 is  of oboe, cor anglais and bassoon.
$9.99
9.1 €
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Marin Marais
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Marais: Marche pour les Matelots
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RayThompsonMusic
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SheetMusicPlus
Harmonie du Soir for alto and classical guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1387467 By András Csák…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 259. David Warin Solomons #971321. Published by David Warin Solomons (A0.1387467). Poem by Baudelaire (from Les Fleurs du mal). The guitar part contains many tremolo and harmonics effects.Voici venir les temps où vibrant sur sa tigeChaque fleur s'évapore ainsi qu'un encensoir;Les sons et les parfums tournent dans l'air du soir;Valse mélancolique et langoureux vertige!Chaque fleur s'évapore ainsi qu'un encensoir;Le violon frémit comme un coeur qu'on afflige;Valse mélancolique et langoureux vertige!Le ciel est triste et beau comme un grand reposoir.Le violon frémit comme un coeur qu'on afflige,Un coeur tendre, qui hait le néant vaste et noir!Le ciel est triste et beau comme un grand reposoir;Le soleil s'est noyé dans son sang qui se fige.Un coeur tendre, qui hait le néant vaste et noir,Du passé lumineux recueille tout vestige!Le soleil s'est noyé dans son sang qui se fige...Ton souvenir en moi luit comme un ostensoir!The hour approacheth, when, as their stems incline,The flowers evaporate like an incense urn,And sounds and scents in the vesper breezes turn;A melancholy waltz — and a drowsiness divine.The flowers evaporate like an incense urn,The viol vibrates like the wailing of souls that repine.A melancholy waltz — and a drowsiness divine,The skies like a mosque are beautiful and stern.The viol vibrates like the wailing of souls that repine;Sweet souls that shrink from chaos vast and etern,The skies like a mosque are beautiful and stern,The sunset drowns within its blood-red brine.Sweet souls that shrink from chaos vast and etern,Essay the wreaths of their faded Past to entwine,The sunset drowns within its blood-red brine,Thy thought within me glows like an incense urn.— Cyril Scott, Baudelaire: The Flowers of Evil (London: Elkin Mathews, 1909).
$6.00
5.46 €
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András Csáki
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Harmonie du Soir for alto and classical guitar
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David Warin Solomons
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