Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Taking Time
PDF/Flash
Not classified
92
Piano & keyboards
Piano solo
104
Easy Piano
37
Piano, Vocal and Guitar
13
Piano, Voice
9
C Instruments
6
1 Piano, 4 hands
2
Organ
2
Organ, Trumpet (duet)
1
Piano (band part)
1
Piano Quartet: piano, violin, viola, cello
1
+ 5 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
7
Guitar
4
Dulcimer
2
Guitar Ensemble
1
Voice
Choral SATB
23
Choral 3-part
14
Alto voice, Piano
9
Choral TTBB
5
Choral SSAA
4
Choral Unison
2
Choral 2-part
2
Soprano voice, Piano
1
Mezzo-Soprano voice, Piano
1
Baritone voice, Piano
1
+ 5 instrumentations
-
Retract
Woodwind
Alto Saxophone
16
Flute
10
Clarinet
7
Clarinet and Piano
7
Flute and Piano
7
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7
Oboe, Piano (duet)
6
Soprano Saxophone and Piano
6
Tenor Saxophone and Piano
6
Saxophone Quartet: 4 saxophones
5
Alto Saxophone and Piano
4
Tenor Saxophone
4
Oboe
4
Soprano Saxophone
4
Oboe (band part)
4
Baritone Saxophone, Piano
4
Saxophone (band part)
4
Baritone Saxophone
4
Clarinet Ensemble
3
Flute ensemble
3
Saxophone Quintet: 5 Saxophones
3
Descant (Soprano) Recorder
3
Flute (band part)
2
Treble (Alto) Recorder, Piano
2
2 Saxophones (duet)
2
Flute Trio: 3 flutes
2
Saxophone ensemble
2
2 Flutes (duet)
2
2 Clarinets (duet)
2
Treble (Alto) Recorder
1
Oboe, Flute
1
Clarinet Quartet: 4 clarinets
1
5 Recorders
1
Oboe, Clarinet (duet)
1
2 English horns and Pianoforte
1
Clarinet Quintet: 5 clarinets
1
Flute Quartet: 4 flutes
1
2 Oboes (duet)
1
Clarinet, Cello (duet)
1
Flute, Oboe, Piano (trio)
1
Recorder
1
Flute, Violin, Piano
1
3 Clarinets (trio)
1
Flute Quintet : 5 flutes
1
+ 39 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
10
Trumpet
9
Trumpet, Piano
7
Trombone and Piano
6
French horn
5
Tuba
4
French Horn and Piano
4
Trombone
4
Tuba and Piano
4
French horn (band part)
2
Trumpet ensemble
1
Trumpet (band part)
1
Trombone ensemble
1
2 Trumpets (duet)
1
2 English horns and Pianoforte
1
2 French horns (duet)
1
Euphonium, Piano (duet)
1
Horn Ensemble
1
Trombone (band part)
1
Brass Quartet
1
+ 15 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
20
Violin, Cello (duet)
18
Violin
12
Violin and Piano
11
Harp
9
Cello
8
Cello, Piano
8
Double Bass
7
Double bass, Piano (duet)
6
Viola, Piano
6
2 Violins (duet)
5
Viola
5
String Trio: violin, viola, cello
4
Violin, Viola (duet)
2
Viola and Bassoon
1
3 Harps
1
Doublebass (band part)
1
2 Cellos (duet)
1
String Trio: 2 violins, viola
1
+ 14 instrumentations
-
Retract
Orchestra & Percussion
Concert band
42
Orchestra
16
Jazz Ensemble
13
Jazz combo
10
Brass ensemble
5
String Orchestra
4
Percussion Ensemble
3
Handbells
3
Marching band
2
Piano and Orchestra
1
Chamber Orchestra
1
Flexible Instrumentation
1
+ 7 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
92
Sheet Music Books
614
Music Equipment
90
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Taking Time
PDF
Sheetmusic to print
92 sheet music found
<
1
26
51
76
Christmas Time Is Here
#
Christmas
#
Vince Guaraldi
#
Ralph Raymond Hays
#
Christmas Time Is Here
#
Ralph Raymond Hays
#
SheetMusicPlus
B-Flat instrument,C Instrument,E-Flat Instrument,F Instrument,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.720721 Composed by Vince Guara...
(+)
B-Flat instrument,C Instrument,E-Flat Instrument,F Instrument,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.720721 Composed by Vince Guaraldi. Arranged by Ralph Raymond Hays. Contemporary. Score and individual part. 10 pages. Ralph Raymond Hays #6199033. Published by Ralph Raymond Hays (A0.720721). This beloved tune from the cherished perennial, A CHARLIE BROWN CHRISTMAS, is here arranged and transposed for all solo instruments and piano. Soloist and pianist perform in tandem, taking turns with the melody and accompanimental figures,.
$5.99
Erlkönig - 10 piece brass
#
Classical
#
Franz Schubert
#
Eoin Buchanan
#
Erlkönig - 10 piece brass
#
7plc Music
#
SheetMusicPlus
Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Digital Download SKU: A0.1017071 Composed by Franz Schubert. Arranged by Eoin Buchanan. Contem...
(+)
Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Digital Download SKU: A0.1017071 Composed by Franz Schubert. Arranged by Eoin Buchanan. Contemporary. Score and parts. 92 pages. 7plc Music #6048125. Published by 7plc Music (A0.1017071). Erlkönig Music: Franz Schubert (1797-1828)Poem: Johann Wolfgang von Goethe (1749-1832)I have spent many a long hour in choosing instruments which, when blended correctly will offer the performers both pleasure and challenge. At first sight the score will not appear formidable. However, given the speed of the piece (Schubart marked it at a crotchet equals 152) and the need to allow the solo voices to speak, I believe the score to be challenge enough!Taking time to acquaint oneself with Schubert’s original will be time well spent in understanding both the storyline of Goethe’s poem and the structure of the piece . I therefore commend the animated presentation by Oxford Lieder on YouTube, which also contains an English translation.Back to this score, the solo parts are:Narrator: Alto Trombone unhurried, tell the story...Father: Tenor Trombone in a bold, reassuring style...Child: Flugelhorn (Soprano Tuba) in a frightened, anguished style...Elf-King: Euphonium [scored in C] (Tenor Tuba) in a haunting style with good old fashioned vibrato...Other parts:2 Bb Trumpets 2 Horns in FBass TromboneBass Tuba scored in CIf you need a score and parts using a Bb Euphonium and/or Eb/F Bass Tuba then let me know.
$22.50
Four Psalms for Four Trombones
#
Sacred music
#
Jeff Reynolds
#
Cherry Classics Music
#
maybe not for the 1st player
#
Four Psalms for Four Trombones
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792665 Composed by Jeff Reynolds. Arranged by Cherry Classics Music. Christian,Jewish,Sacred...
(+)
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792665 Composed by Jeff Reynolds. Arranged by Cherry Classics Music. Christian,Jewish,Sacred. Score and parts. 24 pages. Gordon Cherry #5320113. Published by Gordon Cherry (A0.792665). Here is a description of the Four Psalms for Four Trombones by Jeff Reynolds. Musical settings of The Psalms of David are a staple in the Compline world, and are indeed the musical nut of Compline. I composed these in modes for a choir of men, with countertenors and text, and thought these settings would be a soothing repast for the trombone world; maybe not for the 1st player. The lack of stems and meter is a way to get away from the rhythmic feel of western music and into the lumpy, arhythmic, text driven zone of chant. There are only 3 basic note lengths: a larger white note is a whole note; a smaller white note is a half note surrogate; and a black note is a quarter note. Be not anxious to get to the new phrase. Taking time for breaths is a good thing. Psalm 130 is a Penitential Psalm, with music in the acerbic style of Igor Stravinsky after the 2nd trombone solo from the Russian Easter of Korsakov. Mr. Reynolds has written settings for Psalms 4, 91 Qui habitat, 130 De profundis and 103. The Psalms are appropriate for moderately advanced to intermediate level performers.
$27.50
BUXTEHUDE TRIO SONATA IN F MAJOR OPUS 1 BuxWV252 for flute, oboe & bassoon or cello
#
Dietrich Buxtehude
#
arranged by Pat Spence
#
continuo composed in 1694
#
BUXTEHUDE TRIO SONATA IN F MAJ
#
Piper Publications
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by...
(+)
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 22 pages. Piper Publications #6113219. Published by Piper Publications (A0.811770). This Trio Sonata is an arrangement of the first of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. When most composers at this time would compose a trio sonata with all the movements in the same key, Buxtehude composed the movements of this sonata alternately in F major and D minor. The movements are: Vivace - Lento, Allegro, Adagio, Andante, Grave and Presto. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00
Moon Over The Rising Sun
#
Luis Anjos Teixeira
#
Moon Over The Rising Sun
#
Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira...
(+)
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
Piano Concerto (The Solway Canal)
#
Gavin Bryars
#
Piano Concerto
#
Schott Music - Digital
#
SheetMusicPlus
2(2.pic).0.1.bcl.1.cbsn-4.0.2.1-timp.2perc(glsp, vib [with bows], sus cym, tam-t, b.d)-hp-str(12.10.8.6.4) piano, male choir (TTBB, 18 voices) and orchestra - D...
(+)
2(2.pic).0.1.bcl.1.cbsn-4.0.2.1-timp.2perc(glsp, vib [with bows], sus cym, tam-t, b.d)-hp-str(12.10.8.6.4) piano, male choir (TTBB, 18 voices) and orchestra - Digital Download SKU: S9.Q18832 For solo piano, male choir (TTBB, 18 voices) and orchestra. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q18832. Published by Schott Music - Digital (S9.Q18832). English.Gavin Bryars has for many years shied away from writing for piano, indeed there are only a smattering of works in his catalogue for the instrument. So for him to embark upon his first piano concerto in his 60s was a major undertaking. The technical brilliance and inquisitive mind of the Dutch pianist Ralph van Raat however convinced Bryars that he should take the plunge and add his own addition to the genre. Jointly commissioned by the Borletti Buitoni Trust and Dutch Public Broadcaster NPS, the work focuses on the melodic line and sonorous qualities of the piano with the soloist embedding himself into the orchestral texture. Taking the lead from Busoni, Bryars also includes a male-voice choir in the work who sing settings of Scottish poet Edwin Morgan.
$40.99
The Flying Dutchman
#
Classical
#
Richard Wagner
#
The Flying Dutchman
#
Schott Music - Digital
#
SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
(+)
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Der fliegende Holländer
#
Classical
#
Richard Wagner
#
Der fliegende Holländer
#
Schott Music - Digital
#
SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Di...
(+)
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
Sonata for Multiple Woodwinds and Piano
#
the same token, the pianist is
#
Brett L
#
Sonata for Multiple Woodwinds
#
Sonata Grendel Publishing
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - Digital Download SKU: A0.837487 Composed by Brett L. Wery. Concert,Contempor...
(+)
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - Digital Download SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 83 pages. Sonata Grendel Publishing #5330711. Published by Sonata Grendel Publishing (A0.837487). I’ve made a performing career out of the ability to play more than one woodwind instrument. In pits and bands all over the world multiple woodwind players, or doublers, are often the unsung heroes of the show. The first one in the pit and the last one out, they bring a technical knowledge of three, sometimes four or five different instrumental traditions not to mention an ability to play in any number of musical styles all in the name of saving the producer a little money. They spend inordinate amounts of time taking lessons, practicing, and dealing with reeds of all shapes and sizes. Over the years the doubler has become an indispensable artist and many top universities and conservatories now offer multiple woodwinds as a major. The Sonata for Multiple Woodwinds and Piano was written for myself and long time friend, colleague, and collaborator, Mark Evans. Professor Evans is a marvelously sensitive and powerfully technical pianist and although the piece is written with myself in mind as the doubler, I owe much of the inspiration to the twenty-plus years I’ve spent making music with Mark. It was my intention to create a sonata for multiple woodwinds that is not a novelty piece but provides the doubler with an opportunity to perform a serious work that explores the expressive and technical boundaries of their instrument(s). By the same token, the pianist is not an accompanist but an equal partner with the doubler.
$27.95
Never Never Land
#
James Taylor
#
Yumiko Matsuoka
#
Never Never Land
#
Yumiko Matsuoka
#
SheetMusicPlus
Choral 4-Part Chorus,Choir,Choral - Level 5 - Digital Download SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged b...
(+)
Choral 4-Part Chorus,Choir,Choral - Level 5 - Digital Download SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuoka. A Cappella,Jazz. 10 pages. Yumiko Matsuoka #995648. Published by Yumiko Matsuoka (A0.1413862). Commissioned by Vancouver-based male quartet Realtime, the classic from Peter Pan is transformed into an exciting jazz waltz. During the bridge the tempo relaxes a bit and goes into 4/4 swing, but in 8 bars it returns to the original tempo and meter. The bass and a tenor get to improvise thereafter, and the energy builds up to a key change where there is a little dreamy, reflective moment. The song keeps gaining momentum to a joyous and breath-taking climax. An excellent showcase piece for a strong male ensemble. Â TTTB a cappella (could be done by ATTB). Approx. performance time 3:15.
$4.00
Vivace For Violin And Horn
#
Luis Anjos Teixeira
#
Vivace For Violin And Horn
#
Luis Anjos Teixeira
#
SheetMusicPlus
Small Ensemble Horn,Violin - Level 5 - Digital Download SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. ...
(+)
Small Ensemble Horn,Violin - Level 5 - Digital Download SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixeira #3492583. Published by Luis Anjos Teixeira (A0.889418). Vivace For Violin And Hornfor the 2018 Chamber Music Contest Entry I was so impressed while listening to some of the wonderful recordings of Elmira Darvarova on the violin and Howard Wall on the Horn. It inspired me to finish a duet that toke birth back in the times when I started playing violin. Now after 40 years I guess it is ready!!! I am very grateful for their inspiration. It is dedicated to - „Elmira and Howard The piece requires high skilled and experienced artists. I have used some interpretation symbols to suggest an interpretation and of course I tried to manipulate the audio file. I did very little Bowing. I prefer to leave it to your own interpretation, creativity, or school demands or preferences. Feel free to experience your own bowing and interpretation. Remember that as an artist you can perform as it pleases you better. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever. Luis Anjos Teixeira
$12.44
BUXTEHUDE TRIO SONATA IN E MINOR OPUS 1 No. 7 for flute, oboe & bassoon or cello
#
Dietrich Buxtehude
#
arranged by Pat Spence
#
continuo composed in 1694
#
BUXTEHUDE TRIO SONATA IN E MIN
#
Piper Publications
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by...
(+)
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 32 pages. Piper Publications #6113773. Published by Piper Publications (A0.811769). This Trio Sonata is an arrangement of the last of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. The movements are: Allegro, Largo, Presto, Adagio, Poco presto, Lento & Prestissimo. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00
Provision
#
Sacred music
#
Cameron Duncan
#
Provision
#
Cameron Duncan
#
SheetMusicPlus
Instrumental Duet,Pedal Harp,Steel Pan - Level 5 - Digital Download SKU: A0.1434595 Composed by Cameron Duncan. 21st Century,Chamber,Christian,Praise & W...
(+)
Instrumental Duet,Pedal Harp,Steel Pan - Level 5 - Digital Download SKU: A0.1434595 Composed by Cameron Duncan. 21st Century,Chamber,Christian,Praise & Worship,Religious. 30 pages. Cameron Duncan #1014719. Published by Cameron Duncan (A0.1434595). Provision is a duet for pedal harp and tenor steel drum. The piece is inspired by God's provision for my wife and I, always taking care of us in times of need. The steel pan is representative of us. Searching, filled with doubt and anxiety about the future, and jumping to conclusions. The harp is representative of God's provision. The pan learns to listen, emulate, and look more like the harp's material more and more over time, ultimately finding peace and assurance. The difficult situations never leave, but neither does hope. God has provided for our physical, financial, and emotional needs, to be sure, but he also provided His Son as Savior and Counselor to us in every moment of every day. This is provision beyond words, beyond comprehension, and well beyond what this piece can say. I truly hope you enjoy this piece and give glory back to God for his provision.
$9.99
Cello Duet Queluz
#
Luis Artur dos Anjos Teixeira
#
Cello Duet Queluz
#
Luis Anjos Teixeira
#
SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.889393 Composed by Luis Artur dos Anjos Teixeira. Children,Concert,Contemporary,Instructional,Standa...
(+)
String Ensemble - Level 2 - Digital Download SKU: A0.889393 Composed by Luis Artur dos Anjos Teixeira. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Luis Anjos Teixeira #2924269. Published by Luis Anjos Teixeira (A0.889393). Queluz is my first Duet written in 1984. Here is a digital version token from the original manuscript, played by Garritan Cellos on the Finale. The name of the piece comes from the place where I was living Queluz, a very poor suburb from Lisbon, with the highest rate of suicide in Portugal back in those times.So I did Music to fly away and it saved my soul from being exposed to such an environment. I hope this tune will help Your soul to reach the 7 skies too.It is an easy piece to play, it can be easily performed by beginners. It is a flexible piece that can be played in many different ways. The bowing can be adjusted to the intention or taste of the players. P.S. - I am doing this Files for my beloved Minimi - She says - RAW MEAT EVERY DAY TAKES THE VETERINARIAN AWAY - This is the message from Minimi, the Stray Queen Cat. Check out uncorrupted sites (pages) like cat nutrition or Dr. Jones or Dr. Karen BeckerorDr. Mercola.This is also dedicated to my lost Father Pedro Anjos Teixeira and to my unknown Opa Luis Silveira, both great Artists and the magical source of my Life and inspiration.It was a pleasure to write it and I hope You have fun listening. Thanks a lot for taking Your time, I hope You enjoyed it too.My Love to You all, my dear Brothers and SistersSláinte !!!
$7.99
Legende-Wieniawski-Alto Clarinet duet
#
H Wieniawski
#
Phil Beaman
#
Legende-Wieniawski-Alto Clarin
#
Phil Beaman
#
SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.844709 Composed by H Wieniawski. Arranged by Phil Beaman. Romant...
(+)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.844709 Composed by H Wieniawski. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 7 pages. Phil Beaman #5311977. Published by Phil Beaman (A0.844709). Wieniawski's Legende is a repertoire standard that was originally written for Violin solo and Orchestra. I have greatly abridged and simplified the piece into a 2 part instrumental duet without losing any of the character of the Romantic piece. I have arranged themes from each of the three sections, keeping the original structure, but taking liberties such as changing phrasing, dynamics, adding my own markings, and even changing the Time Signature in certain passages. I begin with each instrument taking solo turns on the melody and end with a similar cadenza style set of solos for each instrument. The two parts are of equal importance and much of the character is in the interplay between the two instruments. This is a beautiful concert arrangement of a beloved classic.
$5.99
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
#
Andrew Cody Williams and Jeff
#
Popular Orchestral Excerpt Etu
#
Andrew Cody Williams
#
SheetMusicPlus
Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 p...
(+)
Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
Legende-Wieniawski-Chamber duet
#
H Wieniawski
#
Phil Beaman
#
Legende-Wieniawski-Chamber due
#
Phil Beaman
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 2 - Digital Download SKU: A0.844711 Composed by H Wieniawski. Arranged by Phil Beaman. Concert,Ro...
(+)
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 2 - Digital Download SKU: A0.844711 Composed by H Wieniawski. Arranged by Phil Beaman. Concert,Romantic Period,Standards. Score and parts. 7 pages. Phil Beaman #5313215. Published by Phil Beaman (A0.844711). Wieniawski's Legende is a repertoire standard that was originally written for Violin solo and Orchestra. I have greatly abridged and simplified the piece into a 2 part instrumental duet without losing any of the character of the Romantic piece. I have arranged themes from each of the three sections, keeping the original structure, but taking liberties such as changing phrasing, dynamics, adding my own markings, and even changing the Time Signature in certain passages. I begin with each instrument taking solo turns on the melody and end with a similar cadenza style set of solos for each instrument. The two parts are of equal importance and much of the character is in the interplay between the two instruments. This is a beautiful concert arrangement of a beloved classic.
$5.99
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
#
Classical
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
edited by Wilhelm Rust.
#
Gottes Zeit ist die allerbeste
#
Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixe...
(+)
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Christchurch Alive!
#
Dale Vail
#
Christchurch Alive!
#
Dale Vail
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
Eternal Bridge For Oboe Harp And Strings
#
Luis Anjos Teixeira
#
Eternal Bridge For Oboe Harp A
#
Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
(+)
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Fifth Book of Madrigals ("I Tatti")
#
Gavin Bryars
#
Fifth Book of Madrigals
#
Schott Music - Digital
#
SheetMusicPlus
Mixed voices (STTTBarB) - Digital Download SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadabl...
(+)
Mixed voices (STTTBarB) - Digital Download SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score. Schott Music - Digital #Q42747. Published by Schott Music - Digital (S9.Q42747). Italian.The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti, who was a specialist in Bronzino and Pontormo. Bronzino's sonnet is a lament on the death of Pontormo, his teacher; Laura Battiferri's poem is a direct response to that of Bronzino. As I was also asked to set sonnets by Petrarca, I chose two of his closely linked sonnets, numbers 229 and 230 in the Rime Sparse. I had written a work for I Tatti some five years earlier setting Petrarca (A qualunque animale, the first in my Fourth Book of Madrigals) and was familiar with the context. However, through correspondence with Kathryn Bosi, Music Librarian at I Tatti and, through her, Craig Smyth's family, I became increasingly aware of his unusual and quite special character. From his undergraduate days at Princeton and indeed throughout his life, although a great scholar and writer, he was at the same time an aficionado of jazz, loving above all Louis Armstrong, being photographed with Duke Ellington, taking his children to see Thelonious Monk, listening to Ben Webster and playing the tenor saxophone himself. Indeed, he had told Kathryn Bosi that he had been proud to walk in procession at the funerals of black musicians in New Orleans. In some ways his life was almost an obverse mirror image of parts of my own - I was a professional jazz musician but found myself teaching art history for a time. As Fiorella Superbi of I Tatti has said: Craig was a maestro di vita. I raise a glass in his memory and dedicate these sonnets to him. Gavin Bryars.
$16.99
It's Beginning To Look Like Christmas
#
Johnny Mathis
#
Debra E
#
It's Beginning To Look Like Ch
#
Standard Time
#
SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1517534 By Johnny Mathis. By Meredith Willson. Arranged by Debra E. Stempien, Gr...
(+)
B-Flat Clarinet,Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1517534 By Johnny Mathis. By Meredith Willson. Arranged by Debra E. Stempien, Gregory H. Turner. Christmas,Holiday,Jazz,Pop,Standards. Score and part. 7 pages. Standard Time #1091694. Published by Standard Time (A0.1517534). This Christmas classic is arranged in a swing jazz style for clarinet with piano accompaniment, with the piano taking a turn on the melody. Please note that the recording features the soprano sax version of this arrangement.
$9.99
Mozart - Minuet K. 94 For Woodwind Trio
#
Classical
#
Wolfgang Amadeus Mozart
#
Luis Anjos Teixeira
#
Mozart - Minuet K. 94 For Wood
#
Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.889420 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Classic...
(+)
Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.889420 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Classical,Concert,Standards. 8 pages. Luis Anjos Teixeira #3493285. Published by Luis Anjos Teixeira (A0.889420). Menuett No. 5 K. 94 was composed for pianoforte in Bologna between August and September 1770. I did this trio arrangement to experience this piece within a chamber music context in order to enter the 2018 Chamber Music Contest Entry Because of its lively caracter and very short length, It would work perfectly as an introduction piece or for a little surprise encore in the end of a concert. It is also very easy to play, very appropriate for music students and beginners. I made use of interpretation symbols like fortes and pianos, crescendos etc., they where total absent in the original. I also had to shorten the length of some notes in order to facilitate the interpretation of the piece on woodwind instruments. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this arrangement is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Endless Patchwork For Violin And Horn
#
Anjos Teixeira
#
Endless Patchwork For Violin A
#
Luis Anjos Teixeira
#
SheetMusicPlus
Small Ensemble Horn,Violin - Level 4 - Digital Download SKU: A0.889425 Composed by Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 23 pa...
(+)
Small Ensemble Horn,Violin - Level 4 - Digital Download SKU: A0.889425 Composed by Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 23 pages. Luis Anjos Teixeira #4283073. Published by Luis Anjos Teixeira (A0.889425). Endless Patchwork for Violin and Horn require quite some level of dexterity to perform but it is still reasonably humane. The Horn plays a „cantabile melody amidst a series of harmonic sequences given by the violin part. Due to its polyphonic and harmonic structure the Violin part can also be performed solo. In different situations it is always wise to adjust some technical details to the performance. I tried to keep the violin part as free as possible from bowing, fingerings and other technical remarks, so that one can easily apply his or her own personal interpretation choices. There are two Violin parts in this volume, one without bowing remarks or much of any other interpretation symbols and the other one with some suggestions -„here and there, but not everywhere. There is no definitive version for this piece Endless Patchwork „For a Dog called Nina „Listen to the wind listen, the sea It is so good to dream. A bird flies in the air and the sky is blue. Another time another sea and it is so good to fly. And the silvered moon and the golden sun. Memories of a planet endless patchwork. Anjos Teixeira Special Thanks to Nina, Stray Queen Mimi, all my Feline Family, Pontinha, Maria Joaninha, Carlinhos, Schwarzenegger and Claudia. Thank you for all the Love and Compassion. Love Forever. Thanks for taking Your time, I hope You liked it… Retalhos de infinito, Ouve o vento, ouve o mar, como é bom sonhar. Uma ave voa no ar e o céu é azul. Outro tempo outro mar e é tao bom voar. E a lua prateada e o sol dourado. Memórias de um planeta, retalhos de infinito. Dedicado a uma cadelinha chamada Nina. Anjos Teixeira Written with Finale. Garritan Instruments where used for the sound file. In memory to Lovely Nina, Stray Queen Mimi, Mary Jane and all voiceless Angels
$12.10
Santa's Magical Workshop
#
Brian L
#
Brian L
#
Santa's Magical Workshop
#
BLM Music Publications
#
SheetMusicPlus
Percussion Septet Bell (or Triangle),Sleigh Bells,Xylophone - Level 1 - Digital Download SKU: A0.1316786 Composed by Brian L. Monroe. Arranged by Brian L...
(+)
Percussion Septet Bell (or Triangle),Sleigh Bells,Xylophone - Level 1 - Digital Download SKU: A0.1316786 Composed by Brian L. Monroe. Arranged by Brian L. Monroe. Chamber,Christmas,Instructional. 20 pages. BLM Music Publications (https://brianmonroemusic.com) #905464. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1316786). Santa's Magical Workshop:  Written for beginning percussion students.  Santa's Magical Workshop includes 3 Bells, Xylophone, Triangle, Temple Blocks and Sleighbells.  The piece has been written in Alphanotes (where the note names are in the note heads) and limited material to make a great piece for beginning percussionists.  This promises to be a hit on a concert!!!!!Here's the Story!!!T'was the day before Christmas, at the North Pole.The elves were working to finish the toys, and they were on a roll.For they knew that tonight, Santa would be on his waytaking the presents to the children, in his enchanted sleigh.The elves worked hard until the night, singing Christmas songs in delight,  and finishing the toys so Santa could take flight. The sudden jingling of bells meant Santa was here.It was time to pack the sleigh, and get the reindeer.and when it was done, the elves let out a great cheer, it was time to rest,for Santa's Magical Workshop was closed for the rest of the year.
$12.00
<
1
26
51
76
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
