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351
Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Su…
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String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Sullivan Isaacs. Contemporary,Jewish. Score and parts. 29 pages. Musik Fabrik Music Publishing #5775635. Published by Musik Fabrik Music Publishing (A0.534672). The concept for this piece is to restore the voice of millions silenced by the horrific experience we now call the Holocaust, through the sounds of musical instruments that survived. One thing is clear: the genocide of the Jews was an appalling blow to the human race; one that left a permanent stain on both the perpetrators and enablers, those who stood by without uttering a word of protest. A terrible Night descended upon the world, yet, the breaking Dawn that followed was glorious, indeed. The price to save civilization in the 20th century was appallingly high. Although we must remain ever vigilant, the Jewish people today have a proud homeland—and their magnificent contributions to humanity are universally celebrated.The piece opens with the descent of the seemingly benign curtain of night. Premonitions arise but the darkness continues to descend, over and over again. Finally, chaos ensues and runs its ghastly course before dissipating. The inevitable dawn begins to break, although the curtain of night continues to threaten. Dawn is characterized by two contrasting melodies. One, a stalwart tune that marches ever forward, while the second, more questioning tune appears independently. After their separate statements, the two powerfully join forces to bring this work to a hopeful close, followed by a quiet “Amen.†This item is the score only. The parts are available on rental from the publisher.
$25.95
23.92 €
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String Orchestra
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.44 €
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String Orchestra
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
34.06 €
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String Orchestra
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Dr
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Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
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jmsgu3
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SheetMusicPlus
Bull: Salvator mundi for String Orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.91 €
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String Orchestra
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Dr
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Bull: Salvator mundi for String Orchestra
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra - Score Only
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull…
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String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30.38 €
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String Orchestra
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John Bull
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Bull: In Nomine CXIX for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.91 €
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String Orchestra
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Dr
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Bull: In Nomine CXIX for String Orchestra
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jmsgu3
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30.38 €
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String Orchestra
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Dr
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Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Bull: Salvator mundi for String Orchestra - Score Only
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30.38 €
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String Orchestra
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Dr
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Bull: Salvator mundi for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Minuet For Margaret, for Strings. (School Arrangement)
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1298412 Composed by Geraldine…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Geraldine (Denny) Green at Oakmountmusic #888401. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298412). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
23.05 €
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String Orchestra
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Geraldine
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Minuet For Margaret, for Strings.
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Geraldine
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SheetMusicPlus
Minuet For Margaret, for Strings. (Standard Arrangement)
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1298413 Composed by Geraldine…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Geraldine (Denny) Green at Oakmountmusic #888402. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298413). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
23.05 €
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String Orchestra
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Geraldine
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Minuet For Margaret, for Strings.
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Geraldine
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SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
String Orchestra
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.74 €
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String Orchestra
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
Spanish Dances, Romanza Andaluza - Serasate, for solo violin and string orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1495086 Composed by Pablo de …
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String Orchestra - Level 3 - Digital Download SKU: A0.1495086 Composed by Pablo de Sarasate. Arranged by George Dousis. 19th Century,Chamber,Classical. 34 pages. George Dousis #1071649. Published by George Dousis (A0.1495086). This is a fantastic version of Sarasate's Romanza Andaluza for solo violin and string orchestra.This version has been performed live in concert.Visit my websitewww.georgedousis.com.
$9.99
9.21 €
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String Orchestra
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Pablo de Sarasate
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Spanish Dances, Romanza Andaluza - Serasate, for solo violin and string orchestra
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George Dousis
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SheetMusicPlus
Beethoven: Bagatelle Op. 33 No. 5 for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1209097 Composed by Ludwig va…
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String Orchestra - Level 4 - Digital Download SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #807198. Published by jmsgu3 (A0.1209097). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form.
$42.95
39.6 €
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String Orchestra
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Ludwig van Beethoven
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Beethoven: Bagatelle Op. 33 No. 5 for String Orchestra
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jmsgu3
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.29 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
C Jam Blues for String Orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By…
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String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
11.98 €
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String Orchestra
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Duke Ellington
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C Jam Blues for String Orchestra
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Keith Terrett
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SheetMusicPlus
Fortunatus
String Orchestra
String Orchestra - Digital Download SKU: A0.929106 Composed by Bob Mathews. Contemp…
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String Orchestra - Digital Download SKU: A0.929106 Composed by Bob Mathews. Contemporary. Score and parts. 31 pages. Bob Mathews #3015287. Published by Bob Mathews (A0.929106). Fortunatus meaning fortunate or in this case lucky! This won the TODA (Texas Orchestra Directors' Association) composition contest a few years ago. It was inspired by my grandchildren playing and is dedicated to them. It is a very lively and upbeat song for high school orchestra. Not real demanding but lots of fun to play. Some tricky rhythms. But a nice modern sounding piece for your students and audience to enjoy.
$40.00
36.88 €
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String Orchestra
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Bob Mathews
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Fortunatus
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Bob Mathews
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SheetMusicPlus
Squire Tarantella Op 23 for Cello and String Orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1453535 Composed by William H…
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String Orchestra - Level 3 - Digital Download SKU: A0.1453535 Composed by William H. Squire. Arranged by Paul Wood. Romantic Period. 44 pages. MyMusicScores.com #1032761. Published by MyMusicScores.com (A0.1453535). This new arrangement of William Henry Squire's lively Tarantella Op. 23 brings the beloved cello piece to a grander stage. Designed with young cellists in mind, this edition allows aspiring soloists to experience the thrill of performing with a string orchestra.Features:Accessible Arrangement: The cello part maintains the original technical demands while the string orchestra accompaniment adds depth and richness to the piece.Educational Value: This arrangement serves as an excellent learning tool for young cellists, helping them develop their soloist abilities and increase their confidence.Performance Opportunity: Perfect for recitals, and concerts, this arrangement provides a unique platform for young cellists to showcase their talent.Experience the joy of Squire's Tarantella in a whole new way with this inspiring arrangement for cello and string orchestra!The PDF score contains the score and all parts.
$19.99
18.43 €
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String Orchestra
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William H
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Squire Tarantella Op 23 for Cello and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
String Orchestra
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.76 €
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String Orchestra
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Moz…
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
55.27 €
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String Orchestra
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W
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Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 10 pages. Jmsgu3 #887184. Published by jmsgu3 (A0.1297060). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
30.38 €
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String Orchestra
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Jan Pieterszoon Sweelinck
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Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
30.38 €
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String Orchestra
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Jan Pieterszoon Sweelinck
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Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.91 €
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String Orchestra
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Jan Pieterszoon Sweelinck
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Sweelinck: Echo Fantasia No. 1 for String Orchestra
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jmsgu3
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SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Piete…
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String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #886692. Published by jmsgu3 (A0.1296514). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
35.91 €
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String Orchestra
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Jan Pieterszoon Sweelinck
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Sweelinck: Echo Fantasia No. 2 for String Orchestra
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jmsgu3
#
SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
91.13 €
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String Orchestra
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Jan Pieterszoon Sweelinck
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Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 168 pages. Jmsgu3 #887931. Published by jmsgu3 (A0.1298030). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$116.85
107.73 €
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String Orchestra
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Jan Pieterszoon Sweelinck
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Sweelinck: Six Echo Fantasias Complete for String Orchestra
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jmsgu3
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SheetMusicPlus
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