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You've selected:
Hebrew folk song
PDF
Cello, Piano
Sheetmusic to print
4 sheet music found
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1
Shalom (Easy Cello Solo with Piano Accompaniment)
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Cello, Piano
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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Shalom
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Sharon Wilson
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SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.565822 By Sharon Wilson. By Folk Song. Arranged by Sharon Wilson Music. Folk,Jewish,Praise & Worship,Sac...
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Cello,Piano - Level 2 - Digital Download SKU: A0.565822 By Sharon Wilson. By Folk Song. Arranged by Sharon Wilson Music. Folk,Jewish,Praise & Worship,Sacred,Traditional. Score and part. 4 pages. Sharon Wilson #6265655. Published by Sharon Wilson (A0.565822). Here is an easy instrumental duet arrangement (for CELLO solo with PIANO accompaniment) of the beloved Hebrew folk song Shalom.The CELLO plays the melody throughout. An optional repeat is included in case a longer song is desired. All notes for the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 2-page combined score with both CELLO and PIANO parts on each page plus a separate 1-staff score for the CELLO (1 page). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Cello Solos with Piano Accompaniment).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Suite Revelation for cello and piano
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individua...
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Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
Kol Nidrei
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Cello, Piano
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ADVANCED
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Max Bruch
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Kol Nidrei
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Schott Music - Digital
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SheetMusicPlus
Cello and orchestra - advanced - Digital Download SKU: S9.Q6921 Adagio after Hebrew Melodies. Composed by Max Bruch. This edition: piano reduction...
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Cello and orchestra - advanced - Digital Download SKU: S9.Q6921 Adagio after Hebrew Melodies. Composed by Max Bruch. This edition: piano reduction with solo part. Cello Library. Downloadable, Piano reduction with solo part. Op. 47. Schott Music - Digital #Q6921. Published by Schott Music - Digital (S9.Q6921). Key: D minor.The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the composer's remaining oeuvre. Wrongly, as is apparent in Kol Nidrei, the adagio 'based on Hebrew melodies', Op. 47, one of the most expressive Romantic solo works. Composed in 1881, it testifies to the composer's enthusiasm for folksongs and thrives on a passionate and warm tonal language.
$12.99
Vanitas Vanitatum (for Violoncello and Piano) Op. 102 - as played by YO YO MA
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Robert Schumann and Yo Yo Ma
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Flavio Regis Cunha
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Vanitas Vanitatum
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Flavio Regis Cunha
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Co...
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Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 16 pages. Flavio Regis Cunha #6074553. Published by Flavio Regis Cunha (A0.597444). Vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel, which also includes the concept of transitoriness.The first movement of the composer Robert Schumann's 5 Pieces in a Folk Style, for Cello and Piano, Op. 102 is entitled Vanitas vanitatum: Mit Humor. The arrangement we present here is a very close transcription of Yo Yo Ma's interpretation with pianist Kathryn Stott, recorded on the album Songs from the Arc of Life.Original Ad libitum violin part was included.Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
$5.99
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