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It's Late
PDF/Flash
Not classified
1,212
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608
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196
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137
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137
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71
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64
Organ
37
1 Piano, 4 hands
30
2 Pianos, 4 hands
11
Piano Quartet: piano, violin, viola, cello
10
Piano Trio: piano, violin, cello
9
Piano Quartet: piano, 2 violins, cello
5
Piano (band part)
3
2 Pianos, 8 hands
2
Accordion
2
Harpsichord
2
Big Note Piano
2
Organ, Trumpet (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
1
Keyboard
1
+ 15 instrumentations
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Retract
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67
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46
Melody line, (Lyrics) and Chords
25
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18
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9
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Dobro
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1
Guitar Ensemble
1
3 Guitars (trio)
1
+ 10 instrumentations
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Retract
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229
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71
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69
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61
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Choral TTBB
45
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43
Choral SSAA
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29
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6
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Tenor voice
6
Medium voice, Piano
6
Voice solo
4
Choral
3
Vocal duet
1
Choral SSATTB
1
Soprano voice
1
+ 14 instrumentations
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Retract
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111
Saxophone Quartet: 4 saxophones
92
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
85
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75
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66
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60
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58
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58
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47
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45
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32
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32
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30
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29
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27
2 Flutes (duet)
26
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24
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23
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22
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20
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20
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19
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17
Saxophone ensemble
16
3 Saxophones (trio)
16
Clarinet Quintet: 5 clarinets
16
Flute Quintet : 5 flutes
14
3 Clarinets (trio)
14
Saxophone, Clarinet (duet)
13
Descant (Soprano) Recorder
10
2 Oboes (duet)
10
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9
Oboe, Clarinet (duet)
8
Oboe, Bassoon (duet)
8
Clarinet, Trumpet (duet)
7
Clarinet, Bassoon (duet)
7
Clarinet and Viola
6
2 Recorders (duet)
6
Flute Trio: 3 flutes
6
Flute (band part)
5
Flute, Violin
5
Recorder Quartet
5
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5
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5
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5
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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3
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2
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2
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1
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1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Oboe (duet)
1
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1
Flute, Bassoon, and Piano
1
Oboe and viola (duet)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
English horn, Harp (duet)
1
Oboe ensemble
1
4 Oboes
1
2 Recorders, Guitar
1
Flute, Violin, Piano
1
Harmonica
1
Flute, harp and violin
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Oboe, Cello
1
Clarinet, Cello, Piano (trio)
1
Bass Clarinet
1
2 Saxophones, Piano
1
Flute, Cello, Piano (trio)
1
2 Clarinets, Piano
1
+ 89 instrumentations
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Retract
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Brass Quintet: 2 trumpets, horn, trombone, tuba
116
Trombone and Piano
62
Brass quartet : 2 trumpets, trombone, tuba
56
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41
Trumpet
41
Trumpet, Piano
37
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36
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32
Trombone (band part)
25
Trumpet (band part)
21
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21
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18
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17
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15
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14
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14
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13
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11
Tuba
11
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11
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10
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9
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9
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8
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6
French horn (band part)
5
Horn Ensemble
4
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4
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4
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3
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3
3 Tubas (trio)
3
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3
3 Trombones (trio)
3
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2
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2
3 French horns (trio)
2
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2
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2
4 Tubas
2
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1
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1
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1
2 Euphoniums and 2 Tubas
1
3 Trumpets (trio)
1
2 Euphoniums (duet)
1
Trumpet, Euphonium (duet)
1
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175
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101
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63
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58
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45
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38
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34
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31
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27
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21
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18
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15
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15
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14
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14
2 Harps (duet)
10
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9
Viola (band part)
8
4 Cellos
8
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6
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6
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6
String Quintet: 2 violins, viola, cello, bass
5
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5
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4
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String Quartet : 4 violas
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2 Double basses (duet)
2
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1
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1
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You've selected:
It's Late
PDF
Trombone and Piano
Sheetmusic to print
62 sheet music found
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1
26
51
It's Been A Long, Long Time
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Trombone and Piano
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INTERMEDIATE
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Contemporary
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.592554 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. Davi...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.592554 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366367. Published by David McKeown (A0.592554). It’s Been a Long Long Time is arranged as a solo for one Trombone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Liebesleid [Love's Sorrow] - Bass Trombone and piano
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Trombone and Piano
#
Fritz Kreisler
#
Philip Brink
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Liebesleid [Love's Sorrow] - B
#
Philip Brink
#
SheetMusicPlus
Piano,Trombone - Digital Download SKU: A0.961357 Composed by Fritz Kreisler. Arranged by Philip Brink. 20th Century,Romantic Period. Score and part. 11 p...
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Piano,Trombone - Digital Download SKU: A0.961357 Composed by Fritz Kreisler. Arranged by Philip Brink. 20th Century,Romantic Period. Score and part. 11 pages. Philip Brink #6133977. Published by Philip Brink (A0.961357). This is a beautiful and romantic solo by early 20th century violinist and composer Fritz Kreisler. It is a classic example of late Romantic Viennese salon music and communicates great passion and emotion.
$15.00
Jesu, joy of man's desiring by Bach for Trombone
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Trombone and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
#
Jesu, joy of man's desiring by
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Woods Only, Arrangements
#
SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1126191 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.1126191 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #726890. Published by Woods Only, Arrangements (A0.1126191). This easy arrangement for trombone and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
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Trombone and Piano
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INTERMEDIATE
#
Classical
#
Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic P...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
He Ain't Heavy, He's My Brother
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Trombone and Piano
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INTERMEDIATE
#
Pop music
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brothe
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Kevin P Holdgate
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.791232 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and ...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.791232 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 10 pages. Kevin P Holdgate #5749291. Published by Kevin P Holdgate (A0.791232). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
He Ain't Heavy, He's My Brother
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Trombone and Piano
#
INTERMEDIATE
#
Pop music
#
Neil Diamond
#
Kevin P Holdgate
#
He Ain't Heavy, He's My Brothe
#
Kevin P Holdgate
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.791231 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and ...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.791231 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 9 pages. Kevin P Holdgate #5749285. Published by Kevin P Holdgate (A0.791231). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
You've Got A Friend
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Trombone and Piano
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INTERMEDIATE
#
James Taylor
#
James M
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Piano
#
You've Got A Friend
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.548057 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score ...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.548057 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 9 pages. Jmsgu3 #3129491. Published by jmsgu3 (A0.548057). Carole King: You've Got A Friend arranged for Trombone & Piano.Includes solo instrument part. Duration: 5″08″ Score: 7 pages. Part: 2 pages.This is the famous song that made Carole King the first woman to win the GrammyGrand Slam: Record of the Year (It’s Too Late), Album of the Year andBest Female Pop Vocal (Tapestry), and Song of the Year (You’ve Got A Friend).This arrangement is suitable for church, nightclub, or recital hall performances.
$34.95
Christmas Medley (What Child is This / Away in a Manger): Trio for Two Trombones and Piano
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Trombone and Piano
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INTERMEDIATE
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Christmas
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1341914 Composed by James R. Murray. Arranged by John A. De...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1341914 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 24 pages. John A. Dempsey #927424. Published by John A. Dempsey (A0.1341914). This triumphant, stirring trio for two trombones and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments and brightened by joyful bursts of praise.  Embellishments occur, together with mood and tempo changes that add to the dramatic impact of the arrangement.  It's a sweeping musical journey that celebrates the miracle of Jesus' birth.    Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  Key: G minor.  20 pages of music (that includes separate two-page parts for trombone 1 and trombone 2).  Trombone Level: Intermediate.  Piano Level: Late Intermediate
$11.99
Morning Has Broken
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Trombone and Piano
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BEGINNER
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 ...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415223. Published by jmsgu3 (A0.548748). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Busy Tone
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Hayden Woods
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Busy Tone
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Hayden Lee Woods
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. P...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayden Lee Woods (A0.901482). Original trombone solo by Hayden WoodsWhat do you do when you try calling for something dire that must be addressed and the phones are backed up for hours...and hours...with no end in sight? Other than losing patience (which you should never lose), going crazy might be the next step. Hearing the busy tone over-and-over again as it pounds your brain into a mushed pile of misfiring neurons with a side of bloodshot eyes from straining to keep conscious. This 12-tone project enamors the mind with blips of melody, sprinkled over the piano’s endless E-flats that simulate the pain of trying to get past the busy tone. It’s short and to the point on the premise and only takes the 80 seconds (ish, it’s up to you how fast/slow dial tones make you feel) to drive the sanity down.
$8.99
Turkish March by Beethoven for Alto Trombone and Piano
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Trombone and Piano
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.1266911 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Folk,March,Romant...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1266911 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Folk,March,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #859553. Published by Woods Only, Arrangements (A0.1266911). This Alto Trombone and Piano arrangement of Beethoven’s Turkish March Op. 113 is perfect for young music students and professional musicians alike. Adapted from the original work, it remains faithful to the structure while changing the tone for comfortable playing. Use it for recitals, repertoire, academic presentations, and didactic material. The Turkish March is the 4th movement of operatic work by Beethoven, The Ruins of Athens. Originally written in 1809 as Theme with Six Variations for Piano, Op. 76, it was later used to accompany August von Kotzebue’s play for the dedication of a new theater in Pest. In Latin America, this movement became known as “The Elephant Never Forgets†in Jean-Jacques Perrey’s version and was used as the opening theme for the Mexican TV comedy El Chavo del Ocho. Experience Beethoven’s Turkish March with this brass trio arrangement, perfect for ensemble practice among musicians of different traditions.
$1.99
Concerto for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages....
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Largo from 'Xerxes' (Handel) - trombone / euphonium and piano with FREE BACKING TRACK
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Trombone and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1169103 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. S...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1169103 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 6 pages. Austin Ralphson #769451. Published by Austin Ralphson (A0.1169103). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/8eEuo2GnK7s and also in the video screen above.Parts are provided in B flat (treble clef) and concert pitch C (bass clef).You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/jDSA0
$3.99
Après un rêve, Op.7 - Trombone and Piano (Full Score and Parts)
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Trombone and Piano
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INTERMEDIATE
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Gabriel Faure
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César Madeira
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Après un rêve, Op.7 - Trombo
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1474719 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Multicult...
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1474719 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. Score and part. 10 pages. Sheet Music To Play Editions #1052287. Published by Sheet Music To Play Editions (A0.1474719). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Trombone and Piano. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Après un rêve (Fauré) for Trombone and Piano
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Trombone and Piano
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EASY
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Classical
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.1303420 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic P...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1303420 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892994. Published by SCORE EDITIONS (A0.1303420). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Trombone and Piano by Harry Walker.
$5.99
PreÌlude aÌ€ l’apreÌ€s-midi d’un faune- Afternoon of a Faun for Trombone & Piano
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Trombone and Piano
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ADVANCED
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Classical
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Claude Debussy
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Sauer, Ralph
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PreÌlude aÌ€ l’apreÌ
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792371 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792371 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 20 pages. Gordon Cherry #4820019. Published by Gordon Cherry (A0.792371). One of the greatest works of the French impressionist era, PreÌlude aÌ€ l’apreÌ€s-midi d’un faune by Claude Debussy evokes mystery, stillness, lyricism, finesse, sensuality, nature, dreams and desires. Taken from a poem by SteÌphane MallarmeÌ this work is considered by some to be a turning point of musical history as an awakening of modern music as it stretches the limits of tonality. The work was later choreographed in 1912 by Nijinsky. This marvelous arrangement by Ralph Sauer is appropriate for advanced performers and is about 10 minutes in length.
$22.50
Serenade, Op. 37 for Trombone & Piano
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Trombone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Sauer, Ralph
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Serenade, Op. 37 for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classi...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4764305. Published by Gordon Cherry (A0.792240). The Serenade, Op. 37 was conceived for Cello with Piano accompaniment, but later in life the composer scored the work for the solo instrument with orchestra. The Trombone world knows Rimsky-Korsakov for his Concerto with Band. The Serenade has a very similar mood to the slow movement of the Concerto. It's beautiful lilting rhythm combined with a wonderful melody makes this work very worthwhile. Mr. Sauer brings a true Trombone feel to the 4 1/2 minute work for advanced performers.
$20.00
Serenade, Op. 37 for Tuba or Bass Trombone & Piano
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Trombone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Sauer, Ralph
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Serenade, Op. 37 for Tuba or B
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792241 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classi...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792241 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4764309. Published by Gordon Cherry (A0.792241). The Serenade, Op. 37 was conceived for Cello with Piano accompaniment, but later in life the composer scored the work for the solo instrument with orchestra. The Trombone world knows Rimsky-Korsakov for his Concerto with Band. The Serenade has a very similar mood to the slow movement of the Concerto. It's beautiful lilting rhythm combined with a wonderful melody makes this work very worthwhile. Mr. Sauer does a beautiful job eding the 4 1/2 minute work for advanced performers.
$20.00
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone and Piano
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instru...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Schubert: Ave Maria for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Trombo
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548699 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. S...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548699 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411147. Published by jmsgu3 (A0.548699). A Trombone Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Trombone part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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Trombone and Piano
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EASY
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Luther: Out of the Depths for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,R...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
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